 Michelangelo had introduced "figure serpentine" in "The Dying Slave" (1513–1516) and "Genius Victorious" (1520–1525), but these works were meant to be seen from a single point of view.In the late 16th century work of the Italian sculptor Giambologna, "The Rape of the Sabine Women" (1581–1583).introduced a new element; this work was meant to be seen not from one, but from several points of view, and changed depending upon the viewpoint, This became a very common feature in Baroque sculpture.