 "Ferris Bueller's Day Off" (Hughes 1986) demonstrates the same concept in order to collapse several hours into a few short minutes of footage throughout Chicago.This differs entirely from even the most conservative interpretations of montage in the Soviet Union, wherein time is subordinate to the collision of images and their symbolic meaning.In "The General Line" (referred in the text as "The Old and the New") the pathos of the milk separator is localized in order to examine the (in)voluntary contamination of pathos by themes and supposedly neutral elements.