 Jellinek even thinks that the Midrash was composed with the view of acquainting the children with the alphabet, while the Shavuot festival furnished as themes God, Torah, Israel, and Moses.On the other hand, version B (which H. Grätz considered as being the original, and the works "Enoch" and "Shiur Komah" as sections of it) shows no inner unity of plan, but is simply a compilation of aggadic passages taken at random from these and other kabbalistic and midrashic works without any other connection than the external order of the letters of the alphabet, but also based on Shabbat 104a.Jellinek has shown the time of its composition to be comparatively modern, as is evidenced by the Arabic form of the letters and other indications of Arabic life.