 Instead, the everyday life of the Young Pioneers absorbed the story, making it possible to capture the essence of the young Leninists in their spontaneous actuality [or immediate reality, neposredstvennoi deistvitel'nosti].This materialist approach freed us from art cinema's bourgeois illustration of a literary text, overcame the "government-issue" formalism of the newsreel, and allowed us to productively establish devices for filming with a socialist character.