 This feature of his art was an integral part of the radio music of that period, linking Tajiks, Uzbeks, Iranians, and Afghans of the 50s and 60s, and bringing them out from their political isolation.Ziyodullo Shahidi's constant dream to transform maqams into symphony was realized during the early 50s, gradually changing his style of thinking and developing his musical identity.Driven by his enlightening character to draw the attention of his countrymen to symphonic thought, his composition was based on the interpretation of the original classical cycle Shashmaqom within the modern European harmony.