 The effect that he wished to produce was not simply to show images of people's lives in the film but more importantly to shock the viewer into understanding the reality of their own lives.Therefore, there is a revolutionary thrust to this kind of film making.Eisenstein discussed how a perfect example of his theory is found in his film "October", which contains a sequence where the concept of "God" is connected to class structure, and various images that contain overtones of political authority and divinity are edited together in descending order of impressiveness so that the notion of God eventually becomes associated with a block of wood.