 His first chamber instrumental pieces, such as Rondo (1948), Concert for piano & violin (1949), were inspired by the search for new forms, styles, and expressions of modern music.However, vocal art was his favoured form.Transforming the ideas of the classical poets Rudaki, Saadi Sherazi, and Hofiz into the modern musical sphere, and co-operating with contemporary poets such as Lohuti, Tursun-Zoda, Rahimi, Dehoti, he aimed to transform the liberty of their thoughts into a new musical style belonging to his own time.