 During this period he made a specialty of selecting, arranging, and writing introductions for artistic editions of such works as Dante's "New Life; The Queen's Garland" (Elizabethan verse); Rossetti's "Pictures and Poems"; William Morris's "The Doom of King Acristus; The King's Lyrics" (1899); "The Shepherd's Pipes" (1903); "The Pilgrim's Staff" (1906).In 1911, the year before publishing "Prints and their Makers", he had undertaken the editorship of "The Print Collector’s Quarterly", a journal unique in the United States.He continued to be editor after 1913, although then giving up his business interests to become lecturer on the history and principles of engraving, at Harvard University, and appointed curator of prints at the Museum of Fine Arts, Boston in 1912.