 Entitled "Ornamental Hysteria" and spanning more than three decades of the artist's career, the exhibition presented 51 works, many of which were new and previously unexhibited pieces.Amongst the featured works was "Canoe, Shark, Woman" (2016), a sculpture created in Yogyakarta Art Lab, which The Guardian described as "[having] the look of the ritual artefact of Bickerton’s tropical island obsession, creating a power object or fetish (as islanders do) with found objects (fish, flowers, beads) that is the more hypnotic for its solemn parody – silver vestal offering a hammerhead shark, coconuts in her Indonesian canoe".Ashley Bickerton's work has explored issues in contemporary art related to the commidification of the art object itself.