 The singer was enjoying the attention of hip rock & rollers, thanks to a glowing article in "Rolling Stone", and it appears that this album was an attempt on the part of Epic and producer Billy Sherrill to take advantage of the crossover potential.Enlisting Paycheck, who had played bass for Jones as part of the Jones Boys in the 1960s and had scored numerous hits throughout the 1970s, the album consists of mostly covers of 1950s rock and roll but with Sherrill's heavy handed production and a chorus of female backing singers.The title was more than appropriate, considering that Paycheck and Jones in particular were at their raging, hell-raising worst.