 Salavon employed a similar method in his 2003 series "Emblem", reducing films such as Stanley Kubrick's to a set of concentric rings of color representing each frame of the film.A third part of Salavon's work involves the recomposition of statistical data into visual images.For example, in the 2001 works "Shoes, Domestic Production, 1960-1998", Salavon organized and transformed a data set concerning the show industry into "psychedelic constellations" bursting with color.