 Reviewer Fred Thom, writing for the "La Plume Noir", liked the look of the film, and wrote, "The director multiplies allegories, making the stewardess an angel whose wings would be those of a plane while the hospital shown to us like a corridor towards another life.The images pass slowly, posed and quiet, supported by an atmospheric soundtrack, making "Every Stewardess Goes To Heaven" a visually bewitching work.