 The principal structuring tool in both the English and Italian sequences is the defined division into two parts.The first part makes a concrete relationship between poet and beloved (the solid Petrarchan relationship), while the second part is shorter and brings about some sort of change in the relationship and the two members of it.In" Canzoniere", this change comes in the form of Laura's death, and in "The Sonnets", it occurs with Shakespeare's shift of focus from “idealizing love to sexual use”.