 Examples are two concert paintings, (c. 1620-1630, formerly in the J. Paul Getty Museum, Malibu) and the (c. 1625-30, Dallas Museum of Art), from his early days in Rome.The two works represent the artist's reaction to Caravaggio's , which he may have seen in the collection of Cardinal del Monte.The general features of "The Concert" and several of its details, such as the still life of the violin and open part-book with an upturned page, are directly derived from Caravaggio's composition.