 However, there is often also a sense of knowing the actual outcome of the sequence.In turn, the idea that the poet is in the middle of the experience, and knows its ending at the same time gives the sequence a “structural and narrative control”.The ultimate goal of the poet in both English and Italian sequences is to win the beloved, which he can only do if he “declares and analyzes his passion, celebrates and courts the beloved, and writes poetry to please her/him”.