 "Capo di Monte" was also used in the 19th century, for example by Royal Worcester in England, to refer to styles of figurines, that are in fact little related to the 18th-century Neapolitan products.The true Capodimonte wares of the short period between 1743 and 1759 included tableware of the usual types, figures, and the Porcelain boudoir of Maria Amalia of Saxony entirely made of porcelain panels in a "chinoiserie" style, originally made for the Palace of Portici (1757–59), but now moved to the Capodimonte Palace.The same team later made the rooms in Spain at the Royal Palace of Aranjuez (1763–65) and the main "Palacio real" in Madrid (1770s).