 But although Olivia Records claimed to benefit all women, the business was primarily led and promoted the interests of white middle-class American lesbians.In the late 1970s, Olivia expanded in inclusivity by promoting the music of African American artists Linda Tillery, Mary Watkins and Sweet Honey in the Rock.In 1977, after repeated criticism by Anita Bryant, Olivia put out "Lesbian Concentrate", a collection of songs and poetry with part of the proceeds going to benefit the Lesbian Mothers National Defense Fund.