"Mosley wrote in 1999 that the interest in its eccentric design "represents, even more evocatively than Univers, the fresh revolutionary breeze that began to blow through typography in the early sixties," and that "its rather clumsy design seems to have been one of the chief attractions to iconoclastic designers tired of the...prettiness of Gill Sans".Phyllis Margaret Handover, a historian and Stanley Morison's assistant, listed some dates for the family in a 1950s article.