 During Lange's visit in 1942, the camp was a less organized state and Lange was driven to portray the injustice of the relocation project, leading to a harsher and less optimistic portrayal of camp life than Adams's.The third photographer was internee Toyo Miyatake, previously a studio photographer in Los Angeles.Miyatake initially took photos with an improvised camera fashioned from parts he smuggled into the camp.