 In actuality, Eno had nothing to do with the lighting; illumination was provided by the venue's dim emergency lights which imparted a pallor to the sculptures and drawings.The music came from well-concealed speakers and consisted mainly of a three-note "Neroli"-esque sequence, and electronic noise.In his recent Installations at Bonn and Amsterdam, stories spoken very slowly, one or two words at a time, were used in the performance, and here the method was developed further with treated, sampled voices speaking in syllables - an idea which would be used in his next album, Kite Stories.