")However, while it never achieved the popularity of Akzidenz Grotesk, it remained a steady seller through the twentieth century.A particular revival of interest took place after the war, and it is often found in avant-garde printing of this period from western and central Europe, such as the journal "Typographica" designed by Herbert Spencer, since (unlike Akzidenz-Grotesk) it was available from the outset for hot metal machine composition.