 He was official photographer for Sydney Ure Smith’s lifestyle magazine "The Home" from 1920 to 1941, and was commissioned to produce images for a number of Ure Smith’s publications, including Sydney Surfing (1929), The Bridge Book (1930), The Sydney Book (1931) and The Australian Native Bear Book (1932).The use of light was a defining characteristic of Cazneaux’s later work and in 1916 he and others formed the Sydney Camera Circle, establishing the so-called ‘Sunshine School’ of photography.The Circle was created for a number of important reasons