 Her portraits offered a straightforward, unbiased presentation of the farmer's work, the land, and the corporation supporting them.While the series included photos that followed her previous work's pattern by pairing two people in one photo, "Monsanto" veered slightly by adding heighted focus to the surrounding landscape and the presence of the unseen corporation.This series is based on James Agee's article "Let Us Now Praise Famous Men", published as a book with photographs by Walker Evans.