 The February 1969 recording session features a serious but relaxed Morrison taping spoken-word versions of his own written poetry.Morrison can be heard repeating certain sections of poems for technical or aesthetic reasons, and he can be heard giving occasional production cues, such as when certain sound effects should be added at a later date.Morrison's efforts to obtain clear recordings and his additional verbal directions suggest that he planned to use the recordings in a much more ambitious project that would merge his smoothly edited voice-overs with background sounds and music.