 seems to be trusting an intuition that never fails him.His focus naturally is primarily on Keane, yet he captures the relentlessly drab and impersonal urban landscapes in a way that reinforces the terrible isolation of William's anguished odyssey.As a rigorous filmmaker, Kerrigan eschews conventional exposition, which raises the possibility that William may be sufficiently deranged to have imagined his daughter's presumed abduction, perhaps even the child's existence.