 She is pictured on the cover of the album playing an Ovation Guitar.The album's producer, Glyn Johns, later said it was the best album he had ever been associated with.In 1976, Robin Denselow wrote in "The Guardian" that the album "showed that we now have a black artist in Britain with the same sort of vocal range, originality (in fact even greater originality in terms of musical influences) and lyrical sensitivity" as Joni Mitchell.