 He noted that "desperate" work was his only method of fending off uncertainty and isolation, but also that the canvasses he still sent to be exhibited by "Tinerimea" were purposefully sketch-like or unfinished.Ionescu reports that Vorel consulted the "Tinerimea" catalogue during a regular meeting at Café Stefanie—passing it around to his German colleagues, including Bloch, Bolz, Franz Marc, and Frank Wedekind.Almost all were reportedly impressed with one work by Ion Theodorescu-Sion.