 However, instead of vocal or instrumental passages as interludes, the filmi-ghazal usually uses precomposed musical pieces.Music directors like Madan Mohan composed notable filmi-ghazals extensively for Muslim socials in the 1960s and the 1970s.The filmi-ghazal style experienced a revival in the early 1990s, sparked by the success of Nadeem–Shravan's "Aashiqui" (1990).