 had exhausted all the possibilities of the 16-step sequencer.These possibilities ranged from something resembling rhythm and blues — you could just about play Der Mussolini as R'n'B if you wanted — to the microtonality of "Im Dschungel der Liebe" (In the Jungle of Love) (on "Für immer") or "Knochen auf Knochen" (the B-side of the single "Sex unter Wasser").These three albums (from "Alles ist gut" to "Für immer") were all produced by Konrad "Conny" Plank, who was renowned for his pioneering work both with minimalist-influenced Krautrock bands and other experimenters in the 1970s, and with electropop artists in the 1980s.