 Harrison and McCartney played dual lead-guitar parts on the recording, including an ascending riff that Riley terms "magnetic ... everything sticks to it".Riley describes the composition as a "shaded putdown" in the style of Dylan's "Positively 4th Street", whereby Lennon sings to someone who has seen "seven wonders" yet is unable to empathise with him and his feelings of isolation.According to Gould, the song was directed at Frank Sinatra after Lennon had read a hagiographic article on the singer, in "Esquire" magazine, in which Sinatra was lauded as "the fully emancipated male ... the man who can have "anything" he wants".