 In fact, this print was not a restoration at all, but a preview version which post-dated the Welles memo but pre-dated the release version.While it did feature some vital Welles scenes that Universal cut from the release version, the preview version also featured more of Keller's material than the release version.In 1998, Walter Murch, working from all available material, re-edited the film based on the Welles memo, with Rick Schmidlin who produced the re-edit and with the help of Bob O'Neil, Universal's director of film restoration, and Bill Varney, Universal's Vice President of Sound Operations, participating in the restoration.