 In his line drawings of the four Beatles, Voormann drew inspiration from the work of the nineteenth-century illustrator Aubrey Beardsley, who was the subject of a long-running exhibition at London's Victoria and Albert Museum in 1966 and highly influential on fashion and design themes of the time.Voormann placed the various photos within the tangle of hair that connects the four faces.Turner writes that the drawings show each Beatle "in another state of consciousness", such that the older images appear to be tumbling out from them.