 There are isolated examples throughout the first half of the 19th century.With the renaissance of English musical composition during the late 19th and early 20th century (the so-called English Musical Renaissance), English composers turned to the masque as a way of connecting to a genuinely English musical-dramatic form in their attempts to build a historically-informed national musical style for England.Examples include those by Arthur Sullivan, George Macfarren, and even Edward Elgar, whose imperialistic "Crown of India" was the central feature at the London Coliseum in 2005.