 In 1994, the influential techno act Autechre released the "Anti EP" in response to the Criminal Justice and Public Order Act 1994, deliberately using advanced algorithmic programming to generate non-repetitive breakbeats for the full duration of the tracks, in order to subvert the legal definitions within that legislation which specified in the section creating police powers to remove ravers from raves that "'music' includes sounds wholly or predominantly characterised by the emission of a succession of repetitive beats".In the late-1980s, breakbeat became an essential feature of many genres of breaks music which became popular within the global dance music scene, including big beat, nu skool breaks, acid breaks, electro-funk, and Miami bass.Incorporating many components of those genres, the Florida breaks subgenre followed during the early-to-mid 1990s and had a unique sound that was soon internationally popular among producers, DJs, and club-goers.