 These particular works that Wilson himself describes as 'video paintings' explore the nature of memory and place through the moving image and its subsequent effect on autobiographical memory.In doing so, Wilson has deconstructed family home movies, vintage 8mm film, and found 9mm film and from late 2006 onwards he has incorporated these filmic images with High Definition Video (HDV) to convey tensions of fractured memory.Film theorist Leon Marvell describes Wilson's later work in "Photofile" as 'an ambitious and exquisitely realised exploration of the tension between artifact and memory'[2] while other reviews, such as Diane Clausen in "Realtime", have described his video art as 'hypnotic'[3].