 A better actor than most of his fellow Habsburg Empire expatriates, Conti was able to secure dignified character roles in several silent and sound films; his credits ranged from Josef von Sternberg's "Morocco" (1930) to the early Laurel and Hardy knockabout "Slipping Wives" (1927).He appeared in the 1928 silent film "Dry Martini" as a roué artist.Though he made his last film in 1942, Albert Conti remained in the industry as an employee of the MGM wardrobe department, where he worked until his retirement in 1962.