 44.Such melodic adjustment is common in minor-key sonata forms, when the mode of the second subject needs to be changed, for example in the opening movement of Mozart's wind serenade KV 388.The partial recapitulations sometimes briefly recapitulate the second theme in the tonic key at the end of the first theme as a "false start", before the transition arrives, which then the transition leads to the actual second theme in the tonic before the closing section.