 Instead, Gego wanted to create a style of her own because she was able to use so many aspects of her life in her art—for example, her German heritage.In the end, Gego saw that these new projects labeled "desarrollista" (developmentalist movement) were pleasing the elite and government, but she wanted an art that would relate to the local community of Venezuela.From Kinetic Art, Gego incorporated the ideas of motion as well as the importance of experimentation and the spectator.