 It was the studio's most popular picture of 1931–32.Mordaunt Hall of "The New York Times" opined, "It is a neatly conceived story as it comes to the screen, with effervescent cheer in the introductory sequences, then a period of melancholy, and finally episodes of thankfulness and happiness ... and while it seems a little lethargic at times, it has such a genuinely gentle and appealing touch that one would not wish it to be told any faster.