 According to Khan-Magomedov, it was marginally inferior to competing modernist entries by Ladovsky and Ginzburg.For the fourth (and last) stage the Vesnins radically redesigned their proposal; this time, all parts of the building merged into a single monolithic volume.The Vesnins apparently reversed to the despised "constructive style", blending constructivist styling with a monumental structure more appropriate of stalinist architecture.