 Incidentally, Alexander's and Victor's graduation drafts of 1911-1912 are the only architectural drawings actually signed by each brother individually, and thus provide insight into each brother's own stylistic preferences that later blended under the ‘’Vesnin brothers’’ trademark.Specifically, Alexander demonstrated proficiency in Russian Revival art but clearly mediocre, run-of-the-mill work in the neoclassical manner.Nevertheless, in 1912–1913 the Vesnin firm established itself among the Neoclassical Revival movement, as evidenced by the 1913 Historical Exhibition where their drafts were displayed along with works by Ivan Fomin, Ivan Zholtovsky and other masters of the style.