"Racing in the Street"'s piano outro was surprise-segued into the piano intro to "Thunder Road".On "Born to Run", "Backstreets" was already a six-and-a-half minute epic tale of betrayal and loss that critic Greil Marcus had likened to "The Iliad"; now it was extended to eleven to thirteen minutes by way of a long, mostly soft piano-based interpolation variously known as "Baby I remember you", "Little girl don't cry" or "Sad eyes"; on some recordings the audience can be heard squealing as the emotional drama plays out, before the tempo rises, suddenly stops, and the "Hiding on the ba-ack-streets" coda kicks back in full force.