 Trigo crecido (Growing Wheat), from 1940, presents objects and symbols with distinct local and traditional significance through a transnational modernist vocabulary.Usually grouped with Izquierdo's series of domestic interior tableaux, Trigo crecido was the first home altar that she painted.A late domestic cabinet composition from 1952, La alacena (Viernes de jugueteria ), comes full circle back to Izquierdo’s home altars of the previous decade.