 He didn't have a clue about music, though he always tried to get involved in it, usually by remote control...He was a good merchandiser, though..." Once he got the green light, Bradley went "all in" on the outlaw concept.As author Michael Streissguth observes, "Bradley hired "Rolling Stone"'s Chet Flippo to pen liner notes, and looked to a "Time Life" book about the American West as inspiration for the album's iconic album cover, which featured photographs of Colter, Glaser, Jennings, and Nelson on a parched, bullet-riddled wanted poster.In the 2003 documentary "Beyond Nashville", Chet Flippo recalled, "The appearance and the marketing of the album were extremely important in making a Nashville album look hip for the first time."