 When they arrive in Manchester the reference to the colliery and the gas works further put forward the message that Bubbles has come a long way since he was a boy, but that even now after his success he isn't really fulfilled.Liza Minnelli photographing the hatchet-faced old man at a bus stop and the child on a bike whilst driving open-top along the cobbled crumbling streets of cleared Victorian working-class terraced houses is particularly poignant.The street scenes are a reminder of a Manchester that is long gone and are an accurate record of the mass demolition of so much of working class Victorian back-to-back dwellings.