 In the 1920s, when silent film theatres began replacing orchestras with one organist playing a theatre organ (as a cost-cutting measure), Baga became an organist for silent films, improvising music that dramatized the emotions or actions depicted in the film.In 1928, when "talking pictures" arrived, she provided music for the intermission between the opening "B-movie" and the feature movie.Baga also did other musical jobs, such as accompanying music hall performers on a small Wurlitzer organ.