 As well as redefining the differential, "Beauty and the Contemporary Sublime"’s argument also relocates the sublime from nature to technology, and with it subjectivity, from wherever it imagined itself to be to within techno-capitalism.Here and elsewhere Gilbert-Rolfe suggests that techno-capitalism and the subjectivity that accompanies it are largely made out of all that Heidegger warns against and denounces in his post-war essays on technology, for example the telephone's capacity to sever the mutual dependence of space and time.He has returned to some aspects of this argument in two essays in particular.