 Michelino's influence can be seen in the heavy-limbed infant and areas of raised pastiglia decoration in the "Virgin of Mercy" and additionally in the 1415 "Lion of St Mark (in situ)", specifically in the animal's abstract tail and decorative wings.Fabriano's influence can be seen in Jacobello's use of luxurious drapery and decorative sophistication; however, instead of adopting Fabriano's empirical attention to detail of nature and surface structure, Jacobello, as noted by Benati, upheld a stylized, abstract use of line and devotion to metallic appearances, giving his work a heraldic appearance.This conscious decision, as Benati further argues, marks a shift in Jacobello's style that loyally turns back to his early influences of the local Trecento tradition of Lorenzo Veneziano.