 Consisting of 24 performances from Bush's first two studio albums "The Kick Inside" and "Lionheart" (both 1978), it was acclaimed for its incorporation of mime, magic, and readings during costume changes.The tour is also renowned for its use of new technology; because of Bush's determination to dance as she sang, her stage sound engineer Martin Fisher rigged a wireless headset microphone using a wire clothes hanger, making her the first singer to use such a device on stage.The simple staging also involved rear-screen projection and the accompaniment of two male dancers.