 This print was originally designed by van Aelst as a tapestry design, strategically published by Verhulst as a print after his death to showcase his work.Additionally, she waited until about twenty years following her husband's death to publicize his legacy, argued by Di Furia as an intentional decision meant to honor Charles V, a great admirer of Turkish culture, as he withdrew from public service in 1555.Thus, Verhulst displayed great agency through her strategy, independence, and creativity.