 Instead, Jacobello returns to the narrative style of Paolo Veneziano and his Venetian roots as opposed to moving in the same direction as Gentile and Pisanello.The eight scenes of the altarpiece depict St. Lucy visiting St. Agatha's tomb, distributing her possessions to the poor, refusing to sacrifice to idols, resisting the pull of oxen to a brothel, burning at the stake, getting stabbed in the throat, receiving Holy Communion before death, and finally, being placed in her grave.Jacobello places the first three scenes amid Gothic-style architecture and the latter five scenes in open spaces with of rocks and grass, which in their detail recall the French tapestries woven in the mille-fleurs style.