 It is one of his longest paintings, more than 400 centimeters in width, and marks the peak of his stylistic shift to a more gothic sensibility.This can be noted in the composition, in the posing and display of the figures, and in other subtle details.The stylistic shift that Jacobello underwent can be attributed, in the opinion of many art historians, to Gentile de Fabriano, who was commissioned by the Venetian Republic to paint the Great Council Chamber of the Palace of the Doges, who were religious leaders in Venice.