 He used this shortened version when the piece was revived at the Paris Opéra in 1912, and it was published as a final version.A one-act version was choreographed by Albert Aveline at the Opéra in 1919 and it was not until 1942 that the role of Pépio was finally danced by a man.The discovery of the shortened score used at Covent Garden prompted Frederick Ashton to make his own version of the ballet, set in Paris at the time of the music's composition.