 At Boston University, she directed the electronic music studio and taught private composition lessons, as well as classes in Advanced Counterpoint, Cannon and Fugue, (for graduate students), Pedagogy of Theory, Ear Training and Music Theory.Articles include (1959) "The Harmonic Theories of Kirnberger and Marpurg", "Journal of Music Theory" Volumes.3-4, Yale, p. 169-193.