 These qualities led them to conclude that the paintings were created as independent works, not as a set.This conclusion was supported by the visual analysis of the scholars, who felt that the paintings did not visually complement one another in a way that suggested they were painted as a pair.From its creation in Venice, this painting traveled through the hands of Emperor Rudolph II of the Holy Roman Empire, Queen Christina of Sweden, the Odesalchi family, the famous Orleans Collection of Philippe II, Duke of Orleans, and then through the hands of various Englishmen and art dealers before arriving at its current home in the Frick Collection.