 "The Lovers" (Royal Collection) probably does not.His "Tribute Money" (Dresden, c. 1516) has a clear subject, also from the New Testament.The other type it relates to is Titian's series of "belle donne" half-length female figures from the mid-1510s, which also includes "Lucretia and her Husband", as well as the single figures of "Flora" at the Uffizi, the "Woman with a Mirror" at the Louvre, the "Violante" and "Vanity" in Munich.