 A version now in the Norton Simon Museum, Pasadena has been considered to be the best of the workshop versions.It was also in the Doria Pamphilj collection between Cardinal Pietro Aldobrandini at the start of the 17th century and 1797–98 during the French revolutionary invasion of Italy, when much Italian art was sold, mostly to the English, in anticipation of the French looting it otherwise.William Young Ottley was the initial purchaser, who took it to London and sold it in 1801.