 Waits, in possibly the finest voice of his career, worked with a veteran team of gifted musicians and longtime co-writer/producer Kathleen Brennan.From the opening horn-fueled chug of "Chicago," to the closing barroom chorale of "New Year's Eve," "Bad As Me" displays the full career range of Waits' songwriting, from beautiful ballads like "Last Leaf," to the avant cinematic soundscape of "Hell Broke Luce," a battlefront dispatch.On tracks like "Talking at the Same Time," Waits shows off a supple falsetto, while on blues burners like "Raised Right Men" and the gospel tinged "Satisfied" he spits, stutters and howls.