 Since 1962, the discovery of the "Dormition" and the extensive archival research has gradually convinced scholars that Wethey's assessments were not entirely correct, and that his catalogue decisions may have distorted the perception of the whole nature of El Greco's origins, development and .The discovery of the "Dormition" led to the attribution of three other signed works of "Doménicos" to El Greco ("Modena Triptych", "St. Luke Painting the Virgin and Child", and "The Adoration of the Magi") and then to the acceptance of more works as authentic—some signed, some not (such as "The Passion of Christ (Pietà with Angels)" painted in 1566),—which were brought into the group of early works of El Greco.El Greco is now seen as an artist with a formative training on Crete; a series of works illuminate his early style, some painted while he was still on Crete, some from his period in Venice, and some from his subsequent stay in Rome.