 This integration is made possible in magical realism as the author presents the supernatural as being equally valid to the natural.There is no hierarchy between the two codes.The ghost of Melquíades in Márquez's "One Hundred Years of Solitude" or the baby ghost in Toni Morrison's "Beloved" who visit or haunt the inhabitants of their previous residence are both presented by the narrator as ordinary occurrences; the reader, therefore, accepts the marvelous as normal and common.