 He had visited Venice in between these dates, and may have obtained different information.The uncertainty in distinguishing between the painting of Giorgione and the young Titian is most apparent in the case of the Louvre's "Pastoral Concert" (or "Fête champêtre"), described in 2003 as "perhaps the most contentious problem of attribution in the whole of Italian Renaissance art", but affects a large number of paintings possibly from Giorgione's last years.The "Pastoral Concert" is one of a small group of paintings, including the "Virgin and Child with Saint Anthony and Saint Roch" in the Prado, which are very close in style and, according to Charles Hope, have been "more and more frequently given to Titian, not so much because of any very compelling resemblance to his undisputed early works—which would surely have been noted before—as because he seemed a less implausible candidate than Giorgione.