 Berenson had played a significant part in reducing the Giorgione catalogue, recognising fewer than twenty paintings.Matters are further complicated because no drawing can be certainly identified as by Giorgione (although one in Rotterdam is widely accepted), and a number of aspects of the arguments over the defining of Giorgione's late style involve drawings.Despite being greatly praised by all contemporary writers, and remaining a great name in Italy, Giorgione became less known to the wider world, and many of his (probable) paintings were assigned to others.