 Both sides were seen all over Europe during the 1920s and 1930s, ranging from the Netherlands to Austria, France to Russia, with Germany and Italy as centers of growth.Indeed, Italian Giorgio de Chirico, producing works in the late 1910s under the style "arte metafisica" (translated as "Metaphysical art"), is seen as a precursor and as having an "influence...greater than any other painter on the artists of New Objectivity".Further afield, American painters were later (in the 1940s and 1950s, mostly) coined magical realists; a link between these artists and the Neue Sachlichkeit of the 1920s was explicitly made in the New York Museum of Modern Art exhibition, tellingly titled "American Realists and Magic Realists."