 For her 2013 exhibition (Machines, Gods and Ghosts), Cronin was the first contemporary artist invited to use the historic venue at the Musei Capitolini's converted powerplant Centrale Montemartini Museo in Rome and re-conceptualize many of the concerns of her earlier work.Curated by Ludovico Pratesi, conceived specifically for the museum's Engine Room, this industrial archaeology commingled with the Capitoline Museums' Classical sculpture collection and the "phantoms" or "ghosts" from Cronin's Hosmer project.Using a 21st-century printing technique, dye sublimation enlarged on silk, these panels hung throughout the space slowly undulating, these new pieces further highlight the evocative juxtaposition of anachronic pairings of classical sculptures and their modern surroundings and in their contrasting materiality and formalism, underscore questions of absence and omission as they relate to the history, art and civilization including the anonymous artists that carved the Classical marble sculptures and the anonymous missed workers who are no longer employed at the power plant.