 The exhibition was conceived by Cronin and fellow artist, Ellen Cantor, during their time at Skowhegan School of Art in the summer of 1991 and their curatorial collaboration including studio visits, venue meetings and fundraising efforts on the project continued through 1993.Due to a disagreement over a #metoo incident with a museum director, Cronin walked away from the project and their exhibition was presented a few months later at David Zwirner Gallery curated by Cantor and sponsored by Simon Watson.Cronin uses the "equestrian lifestyle" as a lens through which to see sexuality and class.