 But, according to Palmgren, Einar Jolin could also be called a Purist since he constantly stressed that colors should be kept pure, contours clear and the composition of the motif orderly.During his more than 70-year career, Jolin always followed his own path.Through his motifs, characteristic portrayals, still lifes and pictures of Stockholm, an observer can follow Jolin on his journeys to other cultures, explore the collected artifacts in his house or get acquainted with what Stockholm looked like during the first part of the 1900s.