 It was during this time in Planché’s career where he developed a strong interest in antiquarian practice, especially in regard to historical accuracy and the dramaturgy of a play’s origins.Samuel Arnold had presented Charles Nodler’s "Le Vampire" to Planché in hopes for an adaption that he could put on the London stage at the Lyceum English Opera House.Planché accepted the contract, although he had some hesitance regarding the historical accuracy of the tale.