 In 1987, "The New York Times" ran a long (988 word) article describing "the merging of digital audio recording technology with satellite telecommunications".In a session arranged by Mendell, the Kaufmann Astoria Studios in Queens were linked with a studio in Los Angeles in real time, so that Stevie Wonder, with the producer Quincy Jones in Los Angeles were able lay down a harmonica track onto a piece of music (the theme of the television series "Moonlighting").Then in the same session, Nile Rodgers in Queens added guitar to Stevie Wonder's song, "Stop, Don't Pass Go".