 Her work has been reviewed in Frieze, Mousse Magazine, "Wall Street International," and IBRAAZ among others.Stephanie Bailey of Ibraz described Hamadeh's 2013 work, "Alien Encounters", as "stories, conversations, historical documents and other objects and artifacts – meteorite pieces from various parts of the world, for instance, or various coal scrip tokens used in the American South, as well as a plantation token used in Guatemala – that worked together to produce a networked constellation of meaning and association, united by the themes of hygiene, immunization and quarantine throughout history".The Institute of Modern Art, Brisbane, said of "Sleepwalkers", the last chapter of "Alien Encounters," "The work’s abstract and non-linear script, its dissonant audio track, and the constant shifting of its characters re-choreographs the power-relations between the persistent image of the female monster, the figure of the state, and colonial violence."