 The melody, unlike nearly all the rest of the tunes used in the "Epistles", cannot be traced beyond Bellman himself and may thus be of his own composition.It is "spaciously Mozartian", with "da capos" at the end of each verse creating yet more space, before a sudden switch to a minor key for the chorus.Bellman's song about Haga, "Porten med blommor ett Tempel bebådar" is set to the same tune.