 Making a thematic shift, she produced the works Infant, Little Boy, Children’s World, and Familial Portrait to show the family through the eyes of loving mothers and elderly people.Though she tended to focus on figure painting, Chen Jin also accepted a commission from Taipei’s Fa-kuang Temple which led to the production of her series of The Buddha’s Work (1965-1967).In her later years, she traveled back and forth between Taiwan and the United States.