 Jan Miel was Salucci's most frequent collaborator, a collaboration, which commenced in 1635 and ended when Miel left Rome for Turin in 1658 to work at the court of Charles Emmanuel II, Duke of Savoy.The only dated example of the two artists' collaborative efforts is an "Imaginary Seaport" (Cincinnati Art Museum), which is dated to 1656.Miel excelled in depicting stories for which the large open spaces in Salucci's view paintings provided suitable settings.