 Many of her works question the authority of historical voice, creating visibility around erased or unrecorded voices.As part of her artistic practice she has embraced the role of scientist, historian or archivist as a means of replicating the authority that those systems relay.In 2017, her opera project "The Ten Murders of Josephine"  used the space of Witte de With Center for Contemporary Art to spatially stage this Libretto.