 This exhibition allowed for the staged work to remain unfixed as the additions of the movement of staff and visitors as well as the creation of new objects in space coalesced towards its final production.The next iteration of the work premiered at the in December 2017.With the libretto, Hamadeh returns to an artistic methodology, namely through emotion and poetry, to "explore(s) the workings of testimonial utterance as a means to rethink legal subject hood and to disrupt with that the centrality of citizenship."