"In another analysis, Hull wrote,

Commenting in 1957, that "Her recent work, now on display at the Bush Museum, will no doubt surprise many of these admirers, both for the new aesthetic approaches and the new concepts that motivate this work", Carl Hall explored differences in her later woks that are "very contemporary in her concern for the abstract consequence", with "this atomic age the great impersonal forces at work in the universe have to be taken into account" and the "human frailty with which we confront them".