 The overture to the 1874 revision is a 393-bar piece, in which Jupiter's minuet and John Styx's song recur, interspersed with many themes from the score including "J'ai vu le Dieu Bacchus", the couplets "Je suis Vénus", the Rondeau des métamorphoses, the "Partons, partons" section of the Act 2 finale, and the Act 4 galop.Fifteen years or so after Offenbach's death the galop from Act 2 (or Act 4 in the 1874 version) became one of the world's most famous pieces of music, when the Moulin Rouge and the Folies Bergère adopted it as the regular music for their can-can.Keck has commented that the original "infernal galop" was a considerably more spontaneous and riotous affair than the fin de siècle can-can (Keck likens the original to a modern rave) but the tune is now inseparable in the public mind from high-kicking female can-can dancers.