 The later 1706 London printing of "Orpheus Britannicus" by William Pearson utilized a new style of music printing to great success, where the notehead was in one piece with the background staff.John Blow's "Amphion Anglicus" (1700), a collection of Blow's songs, excerpts from odes, and chamber music, was published by subscription, after "Orpheus Britannicus"' success, and even shows a certain symmetry in title.A later engraver, Cole Benjamin ("fl" 1740–1760), printed as "Orpheus Britannicus" a seemingly unrelated set of engravings which he had made originally for "The New Universal Magazine" (1751–9).