 From there, Haydn blurs the lines between development and recapitulation as he did in earlier minor key symphonies.The first theme reappears in D minor, but it still appears to be part of the development.By the time the second theme appears in the parallel major of D major, it is evident that this is indeed the recapitulation and the movement drives home with odd expositional coda theme finishing the movement off in the appropriate key of D major.