 By the 1550s, he had achieved a new synthesis of Raphael and Titian's compositional elements with his own interest in atmosphere, effecting a "fusion of form with a dense atmosphere in a pictorial fabric whose elements tend to lose their separate indenties".Sydney Joseph Freedberg describes Meldolla as well adapted to the Mannerist vocabulary, and that while he was "able to invent a Venetian Maniera...he was strangely uncreative in the more ordinary workings of artistic invention.