 Artists became more interested in psychoanalysis and feminism, and architects in phenomenology and the writings of Wittgenstein, Lyotard and Derrida.As for art and architectural historians, they critiqued psychology for being anti-contextual and culturally naive.Erwin Panofsky, who had a tremendous impact on the shape of art history in the US, argued that historians should focus less on what is seen and more on what was thought.