 These commonplace objects used for cooking or camping serve today as memories of the artist's earlier projects and also stimulate new interactions, whether physical or purely in the imagination.In "Untitled 2008–2011 (the map of the land of feeling)", Tiravanija presents a visual chronology of his life and work between 1988 and 2008, as told through the pages of his expansive passport.In 1997 Tiravanija began an engagement with modernist architecture when he installed in the Museum of Modern Art's sculpture garden "Untitled