 He told his students that it should be possible to produce an orchestration without resorting to glockenspiels, celestas, xylophones, bells or electrical instruments.Debussy admired the spareness of Fauré's orchestration, finding in it the transparency he strove for in his own 1913 ballet "Jeux"; Poulenc, by contrast, described Fauré's orchestration as "a leaden overcoat ... instrumental mud".Fauré's best-known orchestral works are the suites "Masques et bergamasques" (based on music for a dramatic entertainment, or "divertissement comique"), which he orchestrated himself, "Dolly", orchestrated by Henri Rabaud, and "Pelléas et Mélisande" which draws on incidental music for Maeterlinck's play; the stage version was orchestrated by Koechlin, but Fauré himself reworked the orchestration for the published suite.