 With the second volume of the sixty collected songs written during the next two decades, Copland judged, came the first mature examples of "the real Fauré".He instanced "Les berceaux", "Les roses d'Ispahan" and especially "Clair de lune" as "so beautiful, so perfect, that they have even penetrated to America", and drew attention to less well known mélodies such as "Le secret", "Nocturne", and "Les présents".Fauré also composed a number of song cycles.