 In 1932, her success allowed her to dictate the terms of her contract, and she became increasingly selective about her roles.She continued in films such as "Mata Hari" (1931), "Inspiration" (1931), "Grand Hotel" (1932), "Queen Christina" (1933), and "Anna Karenina" (1935).Many critics and film historians consider her performance as the doomed courtesan Marguerite Gautier in "Camille" (1936) to be her finest.