 By producing serial works Reyle is able to challenge the primacy of the single panel painting.The discrepancy in his works between the primarily sublime ideal of abstraction and the seemingly provocative decorative visual orientation generates an ambivalent tension and it is in this space that the form and subject matter drift apart.The spontaneity of concept and dynamic vitality of this work stands in contrast to the complex technical transformation that is itself only achievable with the help of many sophisticated technical processes used by the artist in collaboration with specialized companies.