 Nevertheless his view of regression in the service of the ego could be readily extended into a quasi-Romantic image of the creative process, in which 'it is only in the fiery storm of a profound regression, in the course of which the personality undergoes both dissolution of structure and reorganization, that the genius becomes capable of wresting himself from the traditional pattern that he had been forced to integrate through the identifications necessitated and enforced by the oedipal constellation'.From there it was perhaps only a small step to the 1960s valorisation of regression as a positive good in itself.