 As events unfolded, it was the producing team of Schulz-Keil and Moritz Borman who delivered Gallo’s script to Huston.Encouraged by the economy of Gallo’s writing, in July 1982 Huston teamed with the younger writer in for two weeks, during which the men revised the screenplay scene by scene.Later, they moved to Huston’s home in Puerto Vallarta, for extensive line-by-line revisions.