 Clert instead created a dynamic space, one which acted as a sort of canvas, rather than a null-object.That is not to say that the gallery was the art, per se, but that the gallery, its personality, its size, its white-wall aesthetic, its aggregate ethereal qualities, facilitated a different manner of art altogether.There was a greater interactivity between curator, artist, and viewer, a critical collaboration of personalities, ideas, and aesthetics.