 Hays and Godwin fell out, and she turned her attention to other writers, including Robert Southey and unfortunately Charles Lloyd.There is no known portrait of her in later life, but Samuel Taylor Coleridge referred to her as "a thing ugly and petticoated" (although his real complaint was her arguing theology with him).Her next novel "The Victim of Prejudice" (1799) is more emphatically feminist in its focus on women's secondary status and criticism of class hierarchies.