 By March 1926 she had given up her film career to appear in a New York City revue, "The Optimists".In a 1928 play, she was Lady Delphine, the romantic object of song and dance man Charles King in the well-received Broadway show, "Present Arms", which had a run of 155 performances at the Mansfield Theatre.In March 1929, Walter Winchell, in his gossip column "Diary of a New Yorker," recounted Miss Le Breton's theatrical struggle to win stardom in America, and noted that she was now "the headliner and sensation of the bill at a vaudeville theater."