 A masterpiece of early 50s is "the Madonna with Child" and "Saint Bernard Abbot" for the church of San Bernardo in Marone, with almost silver tones on twisted figures.For two years ( 1655-1656) Amigoni returns to painting frescos with the internal frieze of the church of Santa Maria della Carità in Brescia, executed together with Agostino Avanzo and now lost, and with the decoration of the Villa Togni salon in Gussago, created in collaboration with the young Pompeo Ghitti.After this date, however, the artist's tracks are becoming increasingly rare.