 Under this context, in the 70s, the early works of Milton Becerra come into view, placed in suburban areas of Caracas, on the blurred boundaries between city and forest, or high pastures and the streambeds, or in the city's last streets and homes, or in the Colonia Tovar, or in La Mariposa dam.Although these were, at the time, actions and interventions, these pieces later became Photographic Series, and constitute—beyond themselves—his first plastic and poetic approach to the vision of nature and earth as sacred, conducive to mystical experiences and filled with the cultural memory of silenced or vanished peoples.This starting point characterizes later the context of his artworks.