 Chin-cho-rro's and Esfera pre-colombina Site-specific art the Museum of Contemporary Art and Design in San José, Costa Rica (1995)—under the invitation of Ms. Virginia Pérez-Ratton (1950–2010) not only showed to the public Milton Becerra's interpretation of traditional hammocks used by indigenous groups, but also rested on them stones, as rigid bodies of those men and women who died of the Xawara endemic plague and had, as funeral beds, these pendulous webs.Milton Becerra knows the path that as an artist he is following, and proudly acknowledges that he is taking uncommon Venezuelan art to all latitudes.It is impossible for him not to feel attached to his country, especially his beloved Amazonas, with each piece he makes.