 The movement ends with a picardy third, preparing the way for the more joyful fourth movement.The fourth movement is the shortest and resembles the second movement in the jocular nature of the orchestral phrases, but contains some of the accented nature of the first movement in the chorus parts.The melodic lines are often pentatonic, and the quick tempo and rousing rhythms give a whirling and dancing impression, grounded by the constant return of the theme.