 Corral and of one of its protagonists, Doc Holliday.During the filming, Dunaway realized how much she had missed working.That same year, she went on to make the French thriller "The Deadly Trap" with her Lincoln Center compatriot Frank Langella, not with a director from the already crested New Wave (Jean-Luc Godard had originally made contributions to the first script of "Bonnie and Clyde"), but with the French postwar director held in the most wide respect, René Clément.