 Since 1962 when film censorship relating to the war eased, French films dealing with the conflict have consistently portrayed the war as a set of conflicting memories and rival narratives (of which only some may be true, but which ones is left unclear) with most films dealing with the war taking a disjointed chronological structure where scenes before, during and after the war are juxtaposed out of sequence with one film critic referring to the cinematic Algeria as "an ambiguous world marked by the displacements and repetitions of dreams".The consistent message of French films dealing with the war is that something horrible happened, but just what happened, who was involved, and why being left unexplained.Though atrocities, especially torture by French forces are acknowledged, the French soldiers who fought in Algeria were and are always portrayed in French cinema as the "lost soldiers", tragic victims of the war who are more deserving of sympathy than the FLN people they tortured (almost invariably portrayed as vicious, psychopathic terrorists) – an approach to the war that has raised anger in Algeria.