 Apart from the "Map of Venice", he produced two other woodcuts, both of men and satyrs, which were the largest and most impressive figurative woodcuts yet produced, and which established the Italian tradition of fine, large, woodcuts for the following decades.These may have also been produced before 1500; they are clearly strongly influenced by Mantegna.By the time the "Map of Venice" was published de' Barbari had already left for Germany, where he met Dürer, who he may have already known from Dürer's first Italian trip (a passage in a letter of Dürer's is ambiguous).