 According to Marco Soellner, Klimt 1918's music features the same qualities of de-contextualization, secession and post-modernism found in Klimt's art.Year 1918 itself, in Marco's words, represents the definitive collapse of "belle epoque" values and a full transition to 20th century.The name may also be a tribute to Bauhaus, which was originally named "Bauhaus 1919".