 This instructs the chord-playing instrumentalist not to play any improvised chords for a period.The reason "tasto solo" had to be specified was because it was an accepted convention that if no figures were present in a section of otherwise figured bass line, the chord-playing performer would either assume that it was a root-position triad, or deduce from the harmonic motion that another figure was implied.For example, if a continuo part in the key of C begins with a C bass note in the first measure, which descends to a B in the second measure, even if there were no figures, the chord-playing instrumentalist would deduce that this was most likely a first inversion dominant chord (spelled B–D–G, from bottom note of the chord to the top).