title: Thuringia

text: The landscapes of Thuringia are quite diverse. The far north is occupied by the Harz mountains, followed by the Goldene Aue, a fertile floodplain around Nordhausen with the Helme as most important river. The north-west includes the Eichsfeld, a hilly and sometimes forested region, where the Leine river emanates. The central and northern part of Thuringia is defined by the wide Thuringian Basin, a very fertile and flat area around the Unstrut river and completely surrounded by the following hill chains (clockwise from the north-west): Dün, Hainleite, Windleite, Kyffhäuser, Hohe Schrecke, Schmücke, Finne, Ettersberg, Steigerwald, Thuringian Forest, Hörselberge and Hainich. Within the Basin the smaller hill chains Fahner Höhe and Heilinger Höhen. South of the Thuringian Basin is the state's largest mountain range, marked by the Thuringian Forest in the north-west, the Thuringian Highland in the middle and the Franconian Forest in the south-east. Most of this range is forested and the Großer Beerberg (983 m) is Thuringia's highest mountain. To the south-west, the Forest is followed up by Werra river valley, dividing it from the Rhön Mountains in the west and the Grabfeld plain in the south. Eastern Thuringia, commonly described as the area east of Saale and Loquitz valley, is marked by a hilly landscape, rising slowly from the flat north to the mountainous south. The Saale in the west and the White Elster in the east are the two big rivers running from south to north and forming densely settled valleys in this area. Between them lies the flat and forested Holzland in the north, the flat and fertile Orlasenke in the middle and the Vogtland, a hilly but in most parts non-forested region in the south. The far eastern region (east of White Elster) is the Osterland or Altenburger Land along Pleiße river, a flat, fertile and densely settled agricultural area.


title: Thuringia

text: There are two large rivers in Thuringia. The Saale, a tributary of the Elbe, with its tributaries the Unstrut, Ilm and White Elster, drains the most part of Thuringia. The Werra – the headwater of the Weser – drains the south-west and west of the state. Furthermore, some small areas on the southern border are drained by tributaries of the Main, itself a tributary of the Rhine. There are no large natural lakes in Thuringia, but it does have some of Germany's biggest dams, including the Bleiloch Dam and the Hohenwarte Dam on the River Saale, as well as the Leibis-Lichte Dam and the Goldisthal Pumped Storage Station in the Thuringian Highlands. Thuringia is Germany's only state with no connection to navigable waterways.


title: Thuringia

text: The geographic centre of the Federal Republic is in Thuringia, within the municipality of Vogtei next to Mühlhausen. The centre of Thuringia is eight kilometres south of the capital's Cathedral, in the municipality of Rockhausen.


title: Thuringia

text: Thuringia's climate is temperate with humid westerly winds predominating. Increasingly as one moves from the north-west to the south-east, the climate shows continental features: winters can be cold for long periods, and summers can become warm. Dry periods are often recorded, especially within the Thuringian Basin, leeward to mountains in all directions. It is Germany's driest area, with annual precipitation of only 400 to 500 mm.


title: Thuringia

text: Artern, in the north-east, is warm and dry, with a mean annual temperature of 8.5 °C and mean precipitation of 450 mm; contrast this with wet, cool Oberhof, in the Thuringian Forest, where temperature averages only 4.4 °C and mean annual precipitation reaches 1300 mm.


title: Thuringia

text: Due to many centuries of intensive settlement, most of the area is shaped by human influence. The original natural vegetation of Thuringia is forest with beech as its predominant species, as can still be found in the Hainich mountains today. In the uplands, a mixture of beech and spruce would be natural. However, most of the plains have been cleared and are in intensive agricultural use while most of the forests are planted with spruce and pine. Since 1990, Thuringia's forests have been managed aiming for a more natural and tough vegetation more resilient to climate change as well as diseases and vermin. In comparison to the forest, agriculture is still quite conventional and dominated by large structures and monocultures. Problems here are caused especially by increasingly prolonged dry periods during the summer months.


title: Thuringia

text: Environmental damage in Thuringia has been reduced to a large extent after 1990. The condition of forests, rivers and air was improved by modernizing factories, houses (decline of coal heating) and cars, and contaminated areas such as the former Uranium surface mines around Ronneburg have been remediated. Today's environmental problems are the salination of the Werra river, caused by discharges of K+S salt mines around Unterbreizbach and overfertilisation in agriculture, damaging the soil and small rivers.


title: Thuringia

text: Environment and nature protection has been of growing importance and attention since 1990. Large areas, especially within the forested mountains, are protected as natural reserves, including Thuringia's first national park within the Hainich mountains, founded in 1997, the Rhön Biosphere Reserve, the Thuringian Forest Nature Park and the South Harz Nature Park.


title: Thuringia

text: During the Middle Ages, Thuringia was at the border between Germanic and Slavic territories, marked by the Saale river. The main Slavic tribe in what is now Thuringia were the Sorbs proper, who unified all tribes in what is now southern half of Eastern Germany. The Ostsiedlung movement led to the assimilation of Slavic people between the 11th and the 13th century under German rule. The population growth increased during the 18th century and stayed high until World War I, before it slowed within the 20th century and changed to a decline since 1990. Since the beginning of Urbanisation around 1840, the Thuringian cities have higher growth rates resp. smaller rates of decline than rural areas (many villages lost half of their population since 1950, whereas the biggest cities (Erfurt and Jena) kept growing).


title: Thuringia

text: The current population is 2,120,237 (December 31, 2020) with an annual rate of decrease of about 0.5%, which varies widely between the local regions. In 2012, 905,000 Thuringians lived in a municipality with more than 20,000 inhabitants, this is an urbanization rate of 42% which continues to rise.


title: Thuringia

text: In July 2013, there were 41,000 non-Germans by citizenship living in Thuringia (1.9% of the population − among the smallest proportions of any state in Germany). Nevertheless, the number rose from 33,000 in July 2011, an increase of 24% in only two years. About 4% of the population are migrants (including persons that already received the German citizenship). The biggest groups of foreigners by citizenship are (as of 2012): Russians (3,100), Poles (3,000), Turks (2,100) and Ukrainians (2,000). The number of foreigners varies between regions: the college towns Erfurt, Jena, Weimar and Ilmenau have the highest rates, whereas there are almost no migrants living in the most rural smaller municipalities.


title: Thuringia

text: The Thuringian population has a significant sex ratio gap, caused by the emigration of young women, especially in rural areas. Overall, there are 115 to 120 men per 100 women in the 25–40 age group ("family founders") which has negative consequences for the birth ratio. Furthermore, the population is getting older and older with some rural municipalities recording more than 30% of over-65s (pensioners). This is a problem for the regional labour market, as there are twice as many people leaving as entering the job market annually.


title: Thuringia

text: The birth rate was about 1.8 children per women in the 1970s and 1980s, shrinking to 0.8 in 1994 during the economic crisis after the reunification and rose again to more than 1.4 children in 2010, which is a higher level than in West Germany. Nevertheless, there are only 17,000 births compared to 27,000 deaths per year, so that the annual natural change of the Thuringian population is about −0.45%. In 2015 there were 17.934 births, the highest number since 1990.


title: Thuringia

text: Migration plays an important role in Thuringia. The internal migration shows a strong tendency from rural areas towards the big cities. From 2008 to 2012, there was a net migration from Thuringia to Erfurt of +6,700 persons (33 per 1000 inhabitants), +1,800 to Gera (19 per 1000), +1,400 to Jena (14 per 1000), +1,400 to Eisenach (33 per 1000) and +1,300 to Weimar (21 per 1000). Between Thuringia and the other German states, the balance is negative: In 2012, Thuringia lost 6,500 persons to other federal states, the most to Bavaria, Saxony, Hesse and Berlin. Only with Saxony-Anhalt and Brandenburg the balance is positive. The international migration is fluctuating heavily. In 2009, the balance was +700, in 2010 +1,800, in 2011 +2,700 and in 2012 +4,800. The most important countries of origin of the Thuringia migrants from 2008 to 2012 were Poland (+1,700), Romania (+1,200), Afghanistan (+1,100) and Serbia/Montenegro/Kosovo (+1,000), whereas the balance was negative with Switzerland (−2,800) and Austria (−900).


title: Thuringia

text: Of the approximately 850 municipalities of Thuringia, 126 are classed as towns (within a district) or cities (forming their own urban district). Most of the towns are small with a population of less than 10,000; only the ten biggest ones have a population greater than 30,000. The first towns emerged during the 12th century, whereas the latest ones received town status only in the 20th century. Today, all municipalities within districts are equal in law, whether they are towns or villages. Independent cities (i.e. urban districts) have greater powers (the same as any district) than towns within a district.


title: Thuringia

text: <nowiki>*</nowiki> Average annual change in percent within the last three years (13 December 2009 to 31 December 2012), adjusted from incorporations and the 2011 Census results.


title: Thuringia

text: Since the Protestant Reformation, the most prominent Christian denomination in Thuringia has been Lutheranism. During the GDR period, church membership was discouraged and has continued shrinking since the reunification in 1990. Today over two thirds of the population is non-religious. The Protestant Evangelical Church in Germany has had the largest number of members in the state, adhered to by 20.8% of the population in 2018. Members of the Catholic Church formed 7.6% of the population, while 71.6% of Thuringians were non-religious or adhere to other faiths. The highest Protestant concentrations are in the small villages of southern and western Thuringia, whereas the bigger cities are even more non-religious (up to 88% in Gera). Catholic regions are Eichsfeld in the northwest and parts of the Rhön Mountains around Geisa in the southwest. Protestant church membership is shrinking rapidly, whereas the Catholic Church is somewhat more stable because of Catholic migration from Poland, Southern Europe and West Germany. Other religions play no significant role in Thuringia. There are only a few thousand Muslims (largely migrants) and about 750 Jews (mostly migrants from Russia) living in Thuringia. Furthermore, there are some Orthodox communities of Eastern European migrants and some traditional Protestant Free churches in Thuringia without any societal influence.


title: Thuringia

text: The Protestant parishes of Thuringia belong to the Evangelical Church in Central Germany or to the Evangelical Church of Hesse Electorate-Waldeck (Schmalkalden region). Catholic dioceses are Erfurt (most of Thuringia), Dresden-Meissen (eastern parts) and Fulda (Rhön around Geisa in the very west).


title: Thuringia

text: Thuringia is a stronghold for the Alternative for Germany (AfD), the party emerged as the largest in Thuringia in the 2021 national elections. In 2017 the party got 22.7%, while in 2021 they got 24.0%.


title: Thuringia

text: Thuringia's economy is marked by the economic transition that happened after the German reunification and led to the closure of most of the factories within the Land. The unemployment rate reached a peak in 2005. Since that year, the economy has seen an upturn and the general economic situation has improved.


title: Thuringia

text: Agriculture and forestry have declined in importance over the decades. Nevertheless, they are more important than in most other areas of Germany, especially within rural regions. 54% of Thuringia's territory is in agricultural use. The fertile basins such as the large Thuringian Basin or the smaller Goldene Aue, Orlasenke and Osterland are in intensive use for growing cereals, vegetables, fruits and energy crops. Important products are apples, strawberries, cherries and plums in the fruit sector, cabbage, potatoes, cauliflower, tomatoes (grown in greenhouses), onions, cucumbers and asparagus in the vegetable sector, as well as maize, rapeseed, wheat, barley and sugar beets in the crop sector.


title: Thuringia

text: Meat production and processing is also an important activity, with swine, cattle, chickens and turkeys in focus. Furthermore, there are many milk and cheese producers, as well as laying hens. Trout and carp are traditionally bred in aquaculture in many villages.


title: Thuringia

text: Most agricultural enterprises are large cooperatives, founded as Landwirtschaftliche Produktionsgenossenschaft during the GDR period, and meat producers are part of multinational companies. Traditional private peasant agriculture is an exception, as is organic farming.


title: Thuringia

text: Thuringia's only wine-growing district is around Bad Sulza north of Weimar and Jena along the Ilm and Saale valley. Its production is marketed as Saale-Unstrut wines.


title: Thuringia

text: Forestry plays an important role in Thuringia because 32% of the Thuringian territory is forested. The most common trees are spruce, pine and beech. There are many wood and pulp-paper factories near the forested areas.


title: Thuringia

text: Like most other regions of central and southern Germany, Thuringia has a significant industrial sector reaching back to the mid-19th-century industrialisation. The economic transition after the German reunification in 1990 led to the closure of most large-scale factories and companies, leaving small and medium-sized ones to dominate the manufacturing sector. Well-known industrial centres are Jena (a world centre for optical instruments with companies like Carl Zeiss, Schott and Jenoptik) and Eisenach, where BMW started its car production in the 1920s and an Opel factory is based today. The most important industrial branches today are engineering and metalworking, vehicle production and food industries. Especially the small and mid-sized towns in central and southwestern Thuringia (e.g. Arnstadt, Schmalkalden and Ohrdruf) are highly industrialised, whereas there are fewer industrial companies in the northern and eastern parts of the Land. Traditional industries like production of glass, porcelain and toys collapsed during the economic crises between 1930 and 1990.


title: Thuringia

text: Mining was important in Thuringia since the later Middle Ages, especially within the mining towns of the Thuringian Forest such as Schmalkalden, Suhl and Ilmenau. Following the industrial revolution, the old iron, copper and silver mines declined because the competition from imported metal was too strong. On the other hand, the late 19th century brought new types of mines to Thuringia: the lignite surface mining around Meuselwitz near Altenburg in the east of the Land started in the 1870s, and two potash mining districts were established around 1900. These are the "Südharzrevier" in the north of the state, between Bischofferode in the west and Roßleben in the east with Sondershausen at its centre, and the "Werrarevier" on the Hessian border around Vacha and Bad Salzungen in the west. Together, they accounted for a significant part of the world's potash production in the mid-20th century. After the reunification, the "Südharzrevier" was abandoned, whereas K+S took over the mines in the "Werrarevier". Between 1950 and 1990, uranium mining was also important to cover the Soviet Union's need for this metal. The centre was Ronneburg near Gera in eastern Thuringia and the operating company Wismut was under direct Soviet control.


title: Thuringia

text: The GDP of Thuringia is below the national average, in line with the other former East German Lands. Until 2004, Thuringia was one of the weakest regions within the European Union. The accession of several new countries, the crisis in southern Europe and the sustained economic growth in Germany since 2005 has brought the Thuringian GDP close to the EU average since then. The high economic subsidies granted by the federal government and the EU after 1990 are being reduced gradually and will end around 2020.


title: Thuringia

text: The unemployment rate reached its peak of 17.1% in 2005. Since then, it has decreased to 5.3% in 2019, which is only slightly above the national average. The decrease is caused on the one hand by the emergence of new jobs and on the other by a marked decrease in the working-age population, caused by emigration and low birth rates for decades. The wages in Thuringia are low compared to rich bordering Lands like Hesse and Bavaria. Therefore, many Thuringians are working in other German Lands and even in Austria and Switzerland as weekly commuters. Nevertheless, the demographic transition in Thuringia leads to a lack of workers in some sectors. External immigration into Thuringia has been encouraged by the government since about 2010 to counter this problem.


title: Thuringia

text: The economic progress is quite different between the regions of Thuringia. The big cities along the A4 motorway such as Erfurt, Jena and Eisenach and their surroundings are booming, whereas nearly all the rural regions, especially in the north and east, have little economic impetus and employment, which is a big issue in regional planning. Young people in these areas often have to commute long distances, and many emigrate soon after finishing school.


title: Thuringia

text: Tourism is an important branch of the economy. Thuringia has a number of well known destinations: Wartburg castle (UNESCO World Heritage Site), Classical Weimar (UNESCO World Heritage Site), Bauhaus Weimar (UNESCO World Heritage Site), Thuringian Forest, Oberhof or Rennsteig (ridge walk). City tourism with the centers of Erfurt, Weimar, Jena, Eisenach and Mühlhausen is experiencing dynamic growth. A total of around 9.2 million overnight stays were booked in 2016, compared to 8.3 million ten years earlier. Around 6% of the bookings were made by foreign guests.


title: Thuringia

text: As Germany's most central state, Thuringia is an important hub of transit traffic. The transportation infrastructure was in very poor condition after the GDR period. Since 1990, many billions of Euros have been invested to improve the condition of roads and railways within Thuringia.


title: Thuringia

text: During the 1930s, the first two motorways were built across the Land, the A4 motorway as an important east–west connection in central Germany and the main link between Berlin and south-west Germany, and the A9 motorway as the main north–south route in eastern Germany, connecting Berlin with Munich. The A4 runs from Frankfurt in Hesse via Eisenach, Gotha, Erfurt, Weimar, Jena and Gera to Dresden in Saxony, connecting Thuringia's most important cities. At Hermsdorf junction it is connected with the A9. Both highways were widened from four to six lanes (three each way) after 1990, including some extensive re-routing in the Eisenach and Jena areas. Furthermore, three new motorways were built during the 1990s and 2000s. The A71 crosses the Land in southwest–northeast direction, connecting Würzburg in Bavaria via Meiningen, Suhl, Ilmenau, Arnstadt, Erfurt and Sömmerda with Sangerhausen and Halle in Saxony-Anhalt. The crossing of the Thuringian Forest by the A71 has been one of Germany's most expensive motorway segments with various tunnels (including Germany's longest road tunnel, the Rennsteig Tunnel) and large bridges. The A73 starts at the A71 south of Erfurt in Suhl and runs south towards Nuremberg in Bavaria. The A38 is another west–east connection in the north of Thuringia running from Göttingen in Lower Saxony via Heiligenstadt and Nordhausen to Leipzig in Saxony. Furthermore, there is a dense network of federal highways complementing the motorway network. The upgrading of federal highways is prioritised in the federal trunk road programme 2015 ("Bundesverkehrswegeplan" 2015). Envisaged projects include upgrades of the B247 from Gotha to Leinefelde to improve Mühlhausen's connection to the national road network, the B19 from Eisenach to Meiningen to improve access to Bad Salzungen and Schmalkalden, and the B88 and B281 for strengthening the Saalfeld/Rudolstadt region.


title: Thuringia

text: The first railways in Thuringia had been built in the 1840s and the network of main lines was finished around 1880. By 1920, many branch lines had been built, giving Thuringia one of the densest rail networks in the world before World War II with about 2,500 km of track. Between 1950 and 2000 most of the branch lines were abandoned, reducing Thuringia's network by half compared to 1940. On the other hand, most of the main lines were refurbished after 1990, resulting in improved speed of travel. The most important railway lines at present are the Thuringian Railway, connecting Halle and Leipzig via Weimar, Erfurt, Gotha and Eisenach with Frankfurt and Kassel and the Saal Railway from Halle/Leipzig via Jena and Saalfeld to Nuremberg. The former has an hourly ICE/IC service from Dresden to Frankfurt while the latter is served hourly by ICE trains from Berlin to Munich. In 2017, a new high speed line will be opened, diverting long-distance services from these mid-19th century lines. Both ICE routes will then use the Erfurt–Leipzig/Halle high-speed railway, and the Berlin-Munich route will continue via the Nuremberg–Erfurt high-speed railway. Only the segment west of Erfurt of the Frankfurt-Dresden line will continue to be used by ICE trains after 2017, with an increased line speed of 200 km/h (currently 160 km/h). Erfurt's central station, which was completely rebuilt for this purpose in the 2000s (decade), will be the new connection between both ICE lines. The most important regional railway lines in Thuringia are the Neudietendorf–Ritschenhausen railway from Erfurt to Würzburg and Meiningen, the Weimar–Gera railway from Erfurt to Chemnitz, the Sangerhausen–Erfurt railway from Erfurt to Magdeburg, the Gotha–Leinefelde railway from Erfurt to Göttingen, the Halle–Kassel railway from Halle via Nordhausen to Kassel and the Leipzig–Hof railway from Leipzig via Altenburg to Zwickau and Hof. Most regional and local lines have hourly service, but some run only every other hour.


title: Thuringia

text: A few small airports are in Thuringia. In public transport is Erfurt–Weimar Airport, used for charter flights to the Mediterranean and other holiday destinations. In private flights, Leipzig–Altenburg Airport is a further key airport.


title: Thuringia

text: International hub airports are Frankfurt Airport, Berlin Brandenburg Airport and Munich Airport in adjacent states.


title: Thuringia

text: Thuringia is the only state without barge or ship waterways; its rivers are too small to be navigable to them.


title: Thuringia

text: The traditional energy supply of Thuringia is lignite, mined in the bordering Leipzig region. Since 2000, the importance of environmentally unfriendly lignite combustion has declined in favour of renewable energies, which reached an amount of 40% (in 2013), and more clean gas combustion, often carried out as Cogeneration in the municipal power stations. The most important forms of renewable energies are Wind power and Biomass, followed by Solar energy and Hydroelectricity. Furthermore, Thuringia hosts two big pumped storage stations: the Goldisthal Pumped Storage Station and the Hohenwarte Dam.


title: Thuringia

text: The water supply is granted by the big dams, like the Leibis-Lichte Dam, within the Thuringian Forest and the Thuringian Highland, making a drinking water exporter of Thuringia.


title: Thuringia

text: Health care provision in Thuringia improved after 1990, as did the level of general health. Life expectancy rose, nevertheless it is still a bit lower than the German average. This is caused by a relatively unhealthy lifestyle of the Thuringians, especially in high consumption of grains, industrial seed oils, refined carbohydrates and alcohol, which led to significant higher rates of obesity compared to the German average.


title: Thuringia

text: Health care in Thuringia is currently undergoing a concentration process. Many smaller hospitals in the rural towns are closing, whereas the bigger ones in centres like Jena and Erfurt get enlarged. Overall, there is an oversupply of hospital beds, caused by rationalisation processes in the German health care system, so that many smaller hospitals generate losses. On the other hand, there is a lack of family doctors, especially in rural regions with increased need of health care provision because of overageing.


title: Thuringia

text: In Germany, the educational system is part of the sovereignty of the Länder; therefore each Land has its own school and college system.


title: Thuringia

text: The Thuringian school system was developed after the reunification in 1990, combining some elements of the former GDR school system with the Bavarian school system. Most German school rankings attest that Thuringia has one of the most successful education systems in Germany, resulting in high-quality outcomes.


title: Thuringia

text: Early-years education is quite common in Thuringia. Since the 1950s, nearly all children have been using the service, whereas early-years education is less developed in western Germany. Its inventor Friedrich Fröbel lived in Thuringia and founded the world's first Kindergartens there in the 19th century. The Thuringian primary school takes four years and most primary schools are all-day schools offering optional extracurricular activities in the afternoon. At the age of ten, pupils are separated according to aptitude and proceed to either the Gymnasium or the Regelschule. The former leads to the Abitur exam after a further eight years and prepares for higher education, while the latter has a more vocational focus and finishes with exams after five or six years, comparable to the Hauptschule and Realschule found elsewhere in Germany.


title: Thuringia

text: The German higher education system comprises two forms of academic institutions: universities and polytechnics (Fachhochschule). The University of Jena is the biggest amongst Thuringia's four universities and offers nearly every discipline. It was founded in 1558, and today has 21,000 students. The second-largest is the Technische Universität Ilmenau with 7,000 students, founded in 1894, which offers many technical disciplines such as engineering and mathematics. The University of Erfurt, founded in 1392, has 5,000 students today and an emphasis on humanities and teacher training. The Bauhaus University Weimar with 4,000 students is Thuringia's smallest university, specialising in creative subjects such as architecture and arts. It was founded in 1860 and came to prominence as Germany's leading art school during the inter-war period, the Bauhaus.


title: Thuringia

text: The polytechnics of Thuringia are based in Erfurt (4,500 students), Jena (5,000 students), Nordhausen (2,500 students) and Schmalkalden (3,000 students). In addition, there is a civil service college in Gotha with 500 students, the College of Music "Franz Liszt" in Weimar (800 students) as well as two private colleges, the Adam-Ries-Fachhochschule in Erfurt (500 students) and the SRH College for nursing and allied medical subjects ("SRH Fachhochschule für Gesundheit Gera") in Gera (500 students). The most recent institution of higher education in Thuringia is the Duale Hochschule Gera-Eisenach (1400 students), a cooperative state college founded in 2016 through a merger of the colleges ("Berufsakademie") in Gera and Eisenach.


title: Thuringia

text: Thuringia's leading research centre is Jena, followed by Ilmenau. Both focus on technology, in particular life sciences and optics at Jena and information technology at Ilmenau. Erfurt is a centre of Germany's horticultural research, whereas Weimar and Gotha with their various archives and libraries are centres of historic and cultural research. Most of the research in Thuringia is publicly funded basic research due to the lack of large companies able to invest significant amounts in applied research, with the notable exception of the optics sector at Jena.


title: Yitzhak Rabin

text: Yitzhak Rabin (; , ; 1 March 1922 – 4 November 1995) was an Israeli politician, statesman and general. He was the fifth Prime Minister of Israel, serving two terms in office, 1974–77, and from 1992 until his assassination in 1995.


title: Yitzhak Rabin

text: Rabin was born in Jerusalem to Jewish immigrants from Eastern Europe and was raised in a Labor Zionist household. He learned agriculture in school and excelled as a student. He led a 27-year career as a soldier and ultimately attained the rank of Rav Aluf. As a teenager he joined the Palmach, the commando force of the Yishuv. He eventually rose through its ranks to become its chief of operations during the 1948 Arab–Israeli War. He joined the newly formed Israel Defense Forces in late 1948 and continued to rise as a promising officer. He helped shape the training doctrine of the IDF in the early 1950s, and led the IDF's Operations Directorate from 1959 to 1963. He was appointed Chief of the General Staff in 1964 and oversaw Israel's victory in the 1967 Six-Day War.


title: Yitzhak Rabin

text: Rabin served as Israel's ambassador to the United States from 1968 to 1973, during a period of deepening U.S.–Israel ties. He was appointed Prime Minister of Israel in 1974 after the resignation of Golda Meir. In his first term, Rabin signed the Sinai Interim Agreement and ordered the Entebbe raid. He resigned in 1977 in the wake of a financial scandal. Rabin was Israel's minister of defense for much of the 1980s, including during the outbreak of the First Intifada.


title: Yitzhak Rabin

text: In 1992, Rabin was re-elected as prime minister on a platform embracing the Israeli–Palestinian peace process. He signed several historic agreements with the Palestinian leadership as part of the Oslo Accords. In 1994, Rabin won the Nobel Peace Prize together with long-time political rival Shimon Peres and Palestinian leader Yasser Arafat. Rabin also signed a peace treaty with Jordan in 1994. In November 1995, he was assassinated by an extremist named Yigal Amir, who opposed the terms of the Oslo Accords. Amir was convicted of Rabin's murder and sentenced to life imprisonment. Rabin was the first native-born prime minister of Israel and was the only prime minister to be assassinated and the second to die in office after Levi Eshkol. Rabin has become a symbol of the Israeli–Palestinian peace process.


title: Yitzhak Rabin

text: Rabin was born at Shaare Zedek Medical Center in Jerusalem on 1 March 1922, Mandatory Palestine, to Nehemiah (1886 – 1 December 1971) and Rosa (née Cohen; 1890 – 12 November 1937) Rabin, immigrants of the Third Aliyah, the third wave of Jewish immigration to Palestine from Europe. Nehemiah was born Nehemiah Rubitzov in the shtetl Sydorovychi near Ivankiv in the southern Pale of Settlement (present-day Ukraine). His father Menachem died when he was a boy, and Nehemiah worked to support his family from an early age. At the age of 18, he emigrated to the United States, where he joined the Poale Zion party and changed his surname to Rabin. In 1917, Nehemiah Rabin went to Mandatory Palestine with a group of volunteers from the Jewish Legion.


title: Yitzhak Rabin

text: Yitzhak's mother, Rosa Cohen, was born in 1890 in Mogilev in Belarus. Her father, a rabbi, opposed the Zionist movement and sent Rosa to a Christian high school for girls in Gomel, which gave her a broad general education. Early on, Rosa took an interest in political and social causes. In 1919, she traveled to Palestine on the steamship "Ruslan". After working on a kibbutz on the shores of the Sea of Galilee, she moved to Jerusalem.


title: Yitzhak Rabin

text: Rabin's parents met in Jerusalem during the 1920 Nebi Musa riots. They moved to Tel Aviv's Chlenov Street near Jaffa in 1923. Nehemiah became a worker for the Palestine Electric Corporation and Rosa was an accountant and local activist. She became a member of the Tel Aviv City Council. The family moved again in 1931 to a two-room apartment on Hamagid Street in Tel Aviv.


title: Yitzhak Rabin

text: Yitzhak (Isaac) Rabin grew up in Tel Aviv, where the family relocated when he was one year old. He enrolled in the Tel Aviv Beit Hinuch Leyaldei Ovdim (בית חינוך לילדי עובדים, "School House for Workers' Children") in 1928 and completed his studies there in 1935. The school taught the children agriculture as well as Zionism. Rabin mostly received good marks in school, but he was so shy that few people knew he was intelligent.


title: Yitzhak Rabin

text: In 1935, Rabin enrolled at an agricultural school on kibbutz Givat Hashlosha that his mother founded. It was here in 1936 at the age of 14 that Rabin joined the Haganah and received his first military training, learning how to use a pistol and stand guard. He joined a socialist-Zionist youth movement, HaNoar HaOved.


title: Yitzhak Rabin

text: In 1937, he enrolled at the two-year Kadoorie Agricultural High School. He excelled in a number of agriculture-related subjects but disliked studying English language—the language of the British "enemy." He originally aspired to be an irrigation engineer, but his interest in military affairs intensified in 1938, when the ongoing Arab revolt worsened. A young Haganah sergeant named Yigal Allon, later a general in the IDF and prominent politician, trained Rabin and others at Kadoorie. Rabin finished at Kadoorie in August 1940. For part of 1939, the British closed Kadoorie, and Rabin joined Allon as a military policeman at Kibbutz Ginosar until the school re-opened. When he finished school, Rabin considered studying irrigation engineering on scholarship at the University of California, Berkeley, although he ultimately decided to stay and fight in Palestine.


title: Yitzhak Rabin

text: Rabin married Leah Schlossberg during the 1948 Arab–Israeli War. Leah Rabin was working at the time as a reporter for a Palmach newspaper. They had two children, Dalia (born 19 March 1950) and Yuval (born 18 June 1955). Similar to the entire Israeli elite of the time, Rabin adhered to a secular-national understanding of Jewish identity, and was non-religious. American diplomat Dennis Ross described him as "the most secular Jew he had met in Israel".


title: Yitzhak Rabin

text: In 1941, during his practical training at kibbutz Ramat Yohanan, Rabin joined the newly formed Palmach section of the Haganah, under the influence of Yigal Allon. Rabin could not yet operate a machine gun, drive a car, or ride a motorcycle, but Moshe Dayan accepted the new recruit. The first operation he participated in was assisting the allied invasion of Lebanon, then held by Vichy French forces (the same operation in which Dayan lost his eye) in June–July 1941. Allon continued to train the young Palmach forces.


title: Yitzhak Rabin

text: As a Palmachnik, Rabin and his men had to lie low to avoid arousing inquiry from the British administration. They spent most of their time farming, training secretly part-time. They wore no uniforms and received no public recognition during this time. In 1943, Rabin took command of a platoon at Kfar Giladi. He trained his men in modern tactics and how to conduct lightning attacks.


title: Yitzhak Rabin

text: After the end of the war the relationship between the Palmach and the British authorities became strained, especially with respect to the treatment of Jewish immigration. In October 1945 Rabin planned a Palmach raid on the Atlit detainee camp in which 208 Jewish illegal immigrants who had been interned there were freed. In the Black Shabbat, a massive British operation against the leaders of the Jewish Establishment in the British Mandate of Palestine and the Palmach, Rabin was arrested and detained for five months. After his release he became the commander of the second Palmach battalion and rose to the position of Chief Operations Officer of the Palmach in October 1947.


title: Yitzhak Rabin

text: During the 1948 Arab–Israeli War Rabin directed Israeli operations in Jerusalem and fought the Egyptian army in the Negev. During the beginning of the war he was the commander of the Harel Brigade, which fought on the road to Jerusalem from the coastal plain, including the Israeli "Burma Road", as well as many battles in Jerusalem, such as securing the southern side of the city by recapturing kibbutz Ramat Rachel.


title: Yitzhak Rabin

text: During the Rabin commanded IDF forces on the beach of Tel Aviv confronting the Irgun during the Altalena Affair.


title: Yitzhak Rabin

text: In the following period he was the deputy commander of Operation Danny, the largest scale operation to that point, which involved four IDF brigades. The cities of Ramle and Lydda were captured, as well as the major airport in Lydda, as part of the operation. Following the capture of the two towns there was an expulsion of their Arab population. Rabin signed the expulsion order, which included the following:


title: Yitzhak Rabin

text: ... 1. The inhabitants of Lydda must be expelled quickly without attention to age. ... 2. Implement immediately.


title: Yitzhak Rabin

text: Later, Rabin was chief of operations for the Southern Front and participated in the major battles ending the fighting there, including Operation Yoav and Operation Horev.


title: Yitzhak Rabin

text: In the beginning of 1949 he was a member of the Israeli delegation to the armistice talks with Egypt that were held on the island of Rhodes. The result of the negotiations were the 1949 Armistice Agreements, which ended the official hostilities of the 1948 Arab–Israeli War. Following the demobilization at the end of the war he was the most senior (former) member of the Palmach that remained in the IDF.


title: Yitzhak Rabin

text: Like many Palmach leaders, Rabin was politically aligned with the left wing pro-Soviet Ahdut HaAvoda party and later Mapam. These officers were distrusted by Prime Minister David Ben-Gurion and several resigned from the army in 1953 after a series of confrontations. Those members of Mapam who remained, such as Rabin, Haim Bar-Lev and David Elazar, had to endure several years in staff or training posts before resuming their careers.


title: Yitzhak Rabin

text: Rabin headed Israel's Northern Command from 1956 to 1959. In 1964 he was appointed chief of staff of the Israel Defense Forces (IDF) by Levi Eshkol, who had replaced David Ben-Gurion as Prime Minister and Minister of Defence. Since Eshkol did not have much military experience and trusted Rabin's judgement, he had a very free hand. According to the memoirs of Eshkol's military secretary, Eshkol followed Rabin "with closed eyes".


title: Yitzhak Rabin

text: Under his command, the IDF achieved victory over Egypt, Syria and Jordan in the Six-Day War in 1967. After the Old City of Jerusalem was captured by the IDF, Rabin was among the first to visit the Old City, and delivered a famous speech on Mount Scopus, at the Hebrew University. In the days leading up to the war, it was reported that Rabin suffered a nervous breakdown and was unable to function. After this short hiatus, he resumed full command over the IDF.


title: Yitzhak Rabin

text: Following his retirement from the IDF he became ambassador to the United States beginning in 1968, serving for five years. In this period the US became the major weapon supplier of Israel and in particular he managed to get the embargo on the F-4 Phantom fighter jets lifted. During the 1973 Yom Kippur War he served in no official capacity. While serving as ambassador, Rabin met and formed a relationship with Menachem M. Schneerson.


title: Yitzhak Rabin

text: In the elections held at the end of 1973, Rabin was elected to the Knesset as a member of the Alignment. He was appointed Israeli Minister of Labour in March 1974 in the short-lived Golda Meir-led 16th government.


title: Yitzhak Rabin

text: Following Golda Meir's resignation in April 1974, Rabin was elected party leader, after he defeated Shimon Peres. The rivalry between these two Labour leaders remained fierce and they competed several times in the next two decades for the leadership role, and even for who deserved credit for government achievements. Rabin succeeded Golda Meir as Prime Minister of Israel on 3 June 1974. This was a coalition government, including Ratz, the Independent Liberals, Progress and Development and the Arab List for Bedouins and Villagers. This arrangement, with a bare parliamentary majority, held for a few months and was one of the few periods in Israel's history where the religious parties were not part of the coalition. The National Religious Party joined the coalition on 30 October 1974 and Ratz left on 6 November.


title: Yitzhak Rabin

text: In foreign policy, the major development at the beginning of Rabin's term was the Sinai Interim Agreement between Israel and Egypt, signed on 1 September 1975. Both countries declared that the conflict between them and in the Middle East shall not be resolved by military force but by peaceful means. This agreement followed Henry Kissinger's shuttle diplomacy and a threatened "reassessment" of the United States' regional policy and its relations with Israel. Rabin notes it was "an innocent-sounding term that heralded one of the worst periods in American–Israeli relations." But the agreement was an important step towards the Camp David Accords of 1978 and the peace treaty with Egypt signed in 1979.


title: Yitzhak Rabin

text: Operation Entebbe was perhaps the most dramatic event during Rabin's first term of office. On his orders, the IDF performed a long-range undercover raid to rescue passengers of an airliner hijacked by militants belonging to the Popular Front for the Liberation of Palestine's Wadie Haddad faction and the German Revolutionary Cells (RZ), who had been brought to Idi Amin's Uganda. The operation was generally considered a tremendous success, and its spectacular character has made it the subject of much continued comment and study.


title: Yitzhak Rabin

text: Towards the end of 1976 his coalition government with the religious parties suffered a crisis: A motion of no confidence had been brought by Agudat Yisrael over a breach of the Sabbath on an Israeli Air Force base when four F-15 jets were delivered from the US and the National Religious Party had abstained. Rabin dissolved his government and decided on new elections, which were to be held in May 1977.


title: Yitzhak Rabin

text: Following the March 1977 meeting between Rabin and U.S. President Jimmy Carter, Rabin publicly announced that the U.S. supported the Israeli idea of defensible borders; Carter then issued a clarification. A "fallout" in U.S./Israeli relations ensued. It is thought that the fallout contributed to the Israeli Labor Party's defeat in the May 1977 elections. On 15 March 1977, "Haaretz" journalist Dan Margalit revealed that a joint dollar account in the names of Yitzhak and Leah Rabin, opened in a Washington, D.C., bank during Rabin's term of office as Israel ambassador (1968–73), was still open, in breach of Israeli law. According to Israeli currency regulations at the time, it was illegal for citizens to maintain foreign bank accounts without prior authorization. Rabin resigned on 8 April 1977, following the revelation by "Maariv" journalist S. Isaac Mekel that the Rabins held two accounts in Washington, not one, containing $10,000, and that a Finance Ministry administrative penalty committee fined them IL150,000. Rabin withdrew from the party leadership and candidacy for prime minister.


title: Yitzhak Rabin

text: Following Labour Party's defeat in the 1977 election, Likud's Menachem Begin became prime minister, and Labor (which was part of the Alignment alliance) entered the opposition. Until 1984 Rabin, as a member of Knesset, sat on the Foreign Affairs and Defense Committee.


title: Yitzhak Rabin

text: Rabin unsuccessfully challenged Shimon Peres for Israeli Labor Paty leadership in the 1980 Israeli Labor Party leadership election.


title: Yitzhak Rabin

text: From 1984 until 1990, Labor was in government as part of the coalitions which formed the 21st and 22nd governments during the 11th Knesset and the 23rd government during the first portion of the 10th Knesset.


title: Yitzhak Rabin

text: From 1984 to 1990, Rabin served as Minister of Defense in several national unity governments led by prime ministers Yitzhak Shamir and Shimon Peres. When Rabin came to office, Israeli troops were still deep in Lebanon. Rabin ordered their withdrawal to a "Security Zone" on the Lebanese side of the border. The South Lebanon Army was active in this zone, along with the Israeli Defence Forces.


title: Yitzhak Rabin

text: On 4 August 1985 Minister of Defence Rabin introduced an Iron Fist policy in the West Bank, reviving the use of British Mandate era legislation to detain people without trial, demolish houses, close newspapers and institutions as well as deporting activists. The change in policy came after a sustained public campaign demanding a tougher policy following the May 1985 prisoner exchange in which 1,150 Palestinians had been released.


title: Yitzhak Rabin

text: When the first Intifada broke out, Rabin adopted harsh measures to stop the violent riots, even authorizing the use of "Force, might and beatings," on the rioters. The derogative term the "bone breaker" was used as a critical International slogan. The combination of the failure of the "Iron Fist" policy, Israel's deteriorating international image, and Jordan cutting legal and administrative ties to the West Bank with the U.S.'s recognition of the PLO as the representative of the Palestinian people forced Rabin to seek an end to the violence through negotiation and dialogue with the PLO.


title: Yitzhak Rabin

text: In 1988 Rabin was responsible for the assassination of Abu Jihad in Tunis and two weeks later he personally supervised the destruction of the Hizbullah stronghold in Meidoun during Operation Law and Order, in which the IDF claimed 40-50 Hizbullah fighters were killed. Three Israeli soldiers were killed and seventeen wounded.


title: Yitzhak Rabin

text: Minister of Defence Rabin planned and executed the 27 July 1989 abduction of the Hizbullah leader Sheikh Abdel Karim Obeid and two of his aides from Jibchit in South Lebanon. Hizbullah responded by announcing the execution of Colonel Higgins, a senior American officer working with UNIFIL who had been kidnapped in February 1988.


title: Yitzhak Rabin

text: In "the dirty trick", the Labor Party left the coalition of the 23rd government in a failed effort to form a new coalition to be led by Peres. However, the failure of this effort (and Yitzhak Shamir's success in forming the 24th government without Labor) left Labor in the opposition for the remainder of the 10th Knesset.


title: Yitzhak Rabin

text: Following the backfiring of "the dirty trick" on Peres and the Labor Party, Rabin unsuccessfully attempted to persuade the party to schedule a leadership election in 1990. A prospective leadership race in 1990 had looked promising to Rabin. Peres was weakened from the backfiring of "the dirty trick", and polling showed Rabin to be the nation's most popular politician. Additionally, many of Peres' longtime backers in the party had begun shifting their support to Rabin. In July 1990, the Labor Party's 120 member Leadership Bureau voted to recommend that the party hold an immediate leadership election. However, one week later, on 22 July 1990, the 1,400 member Labor Party Central Committee voted 54 to 46% against holding an immediate leadership contest. This set the party up to not hold a leadership election until at least following year, unless the next Knesset election were to have been scheduled earlier than the anticipated 1992. The committee's vote to reject Rabin's push for a 1990 leadership contest was regarded as an upset result.


title: Yitzhak Rabin

text: In its 1992 leadership election, Rabin was elected as chairman of the Labor Party, unseating Shimon Peres.


title: Yitzhak Rabin

text: In the 1992 Israeli legislative election, the Labor Party, led by Rabin, strongly focused on his popularity. The party managed to win a clear victory over the Likud of incumbent Prime Minister Yitzhak Shamir. However, the left-wing bloc in the Knesset only won an overall narrow majority, facilitated by the failure of small nationalist parties to pass the electoral threshold. Rabin formed the first Labor-led government in fifteen years, supported by a coalition with Meretz, a left wing party, and Shas, a Mizrahi ultra-orthodox religious party.


title: Yitzhak Rabin

text: On 25 July 1993, after Hezbollah fired rockets into northern Israel, Rabin authorized a week-long military operation in Lebanon. Rabin played a leading role in the signing of the Oslo Accords, which created the Palestinian National Authority and granted it partial control over parts of the Gaza Strip and West Bank. Prior to the signing of the accords, Rabin received a letter from PLO chairman Yasser Arafat renouncing violence and officially recognizing Israel, and on the same day, 9 September 1993, Rabin sent Arafat a letter officially recognizing the PLO.


title: Yitzhak Rabin

text: After the announcement of the Oslo Accords there were many protest demonstrations in Israel objecting to the Accords. As these protests dragged on, Rabin insisted that as long as he had a majority in the Knesset he would ignore the protests and the protesters. In this context he said, "they (the protesters) can spin around and around like propellers" but he would continue on the path of the Oslo Accords. Rabin's parliamentary majority rested on non-coalition member Arab support. Rabin also denied the right of American Jews to object to his plan for peace, calling any such dissent "chutzpah". The Oslo agreement was also opposed by Hamas and other Palestinian factions, which launched suicide bombings at Israel.


title: Yitzhak Rabin

text: After the historical handshake with Yasser Arafat, Rabin said, on behalf of the Israeli people, "We who have fought against you, the Palestinians, we say to you today, in a loud and a clear voice; Enough of blood and tears. Enough!" During this term of office, Rabin also oversaw the signing of the Israel–Jordan peace treaty in 1994.


title: Yitzhak Rabin

text: Rabin significantly reformed Israel's economy, as well as its education and healthcare systems. His government significantly expanded the privatization of business, moving away from the country's traditionally socialized economy. The scheme was described by Moshe Arens as a "privatization frenzy". In 1993, his government set up the "Yozma" program, under which attractive tax incentives were offered to foreign venture capital funds that invested in Israel and promised to double any investment with government funding. As a result, foreign venture capital funds invested heavily in the growing Israeli high-tech industry, contributing to Israel's economic growth and status as a world leader in high-tech. In 1995, the National Health Insurance Law was passed. The law created Israel's universal health care system, moving away from the traditionally Histadrut-dominated health insurance system. Doctors' wages were also raised by 50%. Education spending was raised by 70%, with new colleges being built in Israel's peripheral areas, and teachers' wages rising by one-fifth. His government also launched new public works projects such as the Cross-Israel Highway and an expansion of Ben Gurion Airport.


title: Yitzhak Rabin

text: For his role in the creation of the Oslo Accords, Rabin was awarded the 1994 Nobel Peace Prize, along with Yasser Arafat and Shimon Peres. The Accords greatly divided Israeli society, with some seeing Rabin as a hero for advancing the cause of peace and some seeing him as a traitor for giving away land they viewed as rightfully belonging to Israel. Many Israelis on the right wing often blame him for Jewish deaths in terror attacks, attributing them to the Oslo agreements.


title: Yitzhak Rabin

text: Military cemeteries in every corner of the world are silent testimony to the failure of national leaders to sanctify human life.


title: Yitzhak Rabin

text: On the evening of 4 November 1995 (12th of Heshvan on the Hebrew Calendar), Rabin was assassinated by Yigal Amir, a right-wing extremist who opposed the signing of the Oslo Accords. Rabin had been attending a mass rally at the Kings of Israel Square (now Rabin Square) in Tel Aviv, held in support of the Oslo Accords. When the rally ended, Rabin walked down the city hall steps towards the open door of his car, at which point Amir fired three shots at Rabin with a semi-automatic pistol. Two shots hit Rabin, and the third lightly injured Yoram Rubin, one of Rabin's bodyguards. Rabin was taken to the nearby Ichilov Hospital, where he died on the operating table of blood loss and two punctured lungs. Amir was immediately seized by Rabin's bodyguards and police. He was later tried, found guilty, and sentenced to life imprisonment. After an emergency cabinet meeting, Israel's foreign minister, Shimon Peres, was appointed as acting Israeli prime minister.


title: Yitzhak Rabin

text: Rabin's assassination came as a great shock to the Israeli public and much of the rest of the world. Hundreds of thousands of Israelis thronged the square where Rabin was assassinated to mourn his death. Young people, in particular, turned out in large numbers, lighting memorial candles and singing peace songs. On 6 November 1995, he was buried on Mount Herzl. Rabin's funeral was attended by many world leaders, among them U.S. president Bill Clinton, Australian Prime Minister Paul Keating, Egyptian president Hosni Mubarak and King Hussein of Jordan. Clinton delivered a eulogy whose final words were in Hebrew – "Shalom, Haver" (, lit. "Goodbye, Friend").


title: Yitzhak Rabin

text: The square where he was assassinated, "Kikar Malkhei Yisrael" (Kings of Israel Square), was renamed Rabin Square in his honor. Many other streets and public institutions in Israel have also subsequently been named after him. After his assassination, Rabin was hailed as a national symbol and came to embody the ethos of the "Israeli peace camp," despite his military career and hawkish views earlier in life. In November 2000, his wife Leah died and was buried alongside him.


title: Yitzhak Rabin

text: After the murder, it was revealed that Avishai Raviv, a well known right-wing extremist at the time, was in fact a Shin Bet agent-informer code-named Champagne. Raviv was later acquitted in court of charges that he failed to prevent the assassination. The court ruled there was no evidence that Raviv knew assassin Yigal Amir was plotting to kill Rabin. After Rabin's assassination, his daughter Dalia Rabin-Pelossof entered politics and was elected to the Knesset in 1999 as part of the Center Party. In 2001, she served as Israel's deputy minister of defense.


title: Yitzhak Rabin

text: Rabin twice served as prime minister (Israel's head of government). His first stint spanned from 3 June 1974 through 20 June 1977, leading the 17th government during the 8th Knesset. His second stint lasted from 13 July 1992 until his assassination on 4 November 1995, leading the 25th government during the 13th Knesset. Rabin was a member of the Knesset from 1974 until his assassination. For several months in 1992, Rabin served as the Knesset's opposition leader, at the time an unofficial and honorary role. Rabin also served as ambassador of Israel to the United States from 1968 until 1973.


title: Minstrel show

text: The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century.


title: Minstrel show

text: Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.


title: Minstrel show

text: Blackface minstrelsy was the first uniquely American form of theater. Minstrel shows emerged as brief burlesques and comic entr'actes in the early 1830s in the Northeastern states. They were developed into full-fledged form in the next decade. By 1848, blackface minstrel shows were the national artform, translating formal art such as opera into popular terms for a general audience.


title: Minstrel show

text: By the turn of the 20th century, the minstrel show enjoyed but a shadow of its former popularity, having been replaced for the most part by vaudeville. The form survived as professional entertainment until about 1910; amateur performances continued until the 1960s in high schools and local theaters.


title: Minstrel show

text: The genre has had a lasting legacy and influence and was featured in a television series as recently as the mid-1970s. Generally, as the civil rights movement progressed and gained acceptance, minstrelsy lost popularity.


title: Minstrel show

text: The typical minstrel performance followed a three-act structure. The troupe first danced onto stage then exchanged wisecracks and sang songs. The second part featured a variety of entertainments, including the pun-filled stump speech. The final act consisted of a slapstick musical plantation skit or a send-up of a popular play.


title: Minstrel show

text: Minstrel songs and sketches featured several stock characters, most popularly the slave and the dandy. These were further divided into sub-archetypes such as the mammy, her counterpart the old darky, the provocative mulatto wench, and the black soldier. Minstrels claimed that their songs and dances were authentically black, although the extent of the black influence remains debated. Spirituals (known as "jubilees") entered the repertoire in the 1870s, marking the first undeniably black music to be used in minstrelsy.


title: Minstrel show

text: During the 1830s and 1840s at the height of its popularity, it was at the epicenter of the American music industry. For several decades, it provided the means through which American whites viewed black people. On the one hand, it had strong racist aspects; on the other, it afforded white Americans more awareness, albeit distorted, of some aspects of black culture in America.


title: Minstrel show

text: Although the minstrel shows were extremely popular, being "consistently packed with families from all walks of life and every ethnic group", they were also controversial. Integrationists decried them as falsely showing happy slaves while at the same time making fun of them; segregationists thought such shows were "disrespectful" of social norms as they portrayed runaway slaves with sympathy and would undermine slavery.


title: Minstrel show

text: Minstrel shows were popular before slavery was abolished, sufficiently so that Frederick Douglass described blackface performers as "...the filthy scum of white society, who have stolen from us a complexion denied them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens." Although white theatrical portrayals of black characters date back to as early as 1604, the minstrel show as such has later origins. By the late 18th century, blackface characters began appearing on the American stage, usually as "servant" types whose roles did little more than provide some element of comic relief. Eventually, similar performers appeared in entr'actes in New York theaters and other venues such as taverns and circuses. As a result, the blackface "Sambo" character came to supplant the "tall-tale-telling Yankee" and "frontiersman" character-types in popularity, and white actors such as Charles Mathews, George Washington Dixon, and Edwin Forrest began to build reputations as blackface performers. Author Constance Rourke even claimed that Forrest's impression was so good he could fool blacks when he mingled with them in the streets.


title: Minstrel show

text: Thomas Dartmouth Rice's successful song-and-dance number, "Jump Jim Crow", brought blackface performance to a new level of prominence in the early 1830s. At the height of Rice's success, "The Boston Post" wrote, "The two most popular characters in the world at the present are [Queen] Victoria and Jim Crow." As early as the 1820s, blackface performers called themselves "Ethiopian delineators"; from then into the early 1840s, unlike the later heyday of minstrelsy, they performed either solo or in small teams.


title: Minstrel show

text: Blackface soon found a home in the taverns of New York's less respectable precincts of Lower Broadway, the Bowery, and Chatham Street. It also appeared on more respectable stages, most often as an "entr'acte". Upper-class houses at first limited the number of such acts they would show, but beginning in 1841, blackface performers frequently took to the stage at even the classy Park Theatre, much to the dismay of some patrons. Theater was a participatory activity, and the lower classes came to dominate the playhouse. They threw things at actors or orchestras who performed unpopular material, and rowdy audiences eventually prevented the Bowery Theatre from staging high drama at all. Typical blackface acts of the period were short burlesques, often with mock Shakespearean titles like "Hamlet the Dainty", "Bad Breath, the Crane of Chowder", "Julius Sneezer" or "Dars-de-Money".


title: Minstrel show

text: Meanwhile, at least some whites were interested in black song and dance by actual black performers. Nineteenth-century New York slaves shingle danced for spare change on their days off, and musicians played what they claimed to be "Negro music" on so-called black instruments like the banjo. The "New Orleans Picayune" wrote that a singing New Orleans street vendor called Old Corn Meal would bring "a fortune to any man who would start on a professional tour with him". Rice responded by adding a "Corn Meal" skit to his act. Meanwhile, there had been several attempts at legitimate black stage performance, the most ambitious probably being New York's African Grove theater, founded and operated by free blacks in 1821, with a repertoire drawing heavily on Shakespeare. A rival theater company paid people to "riot" and cause disturbances at the theater, and it was shut down by the police when neighbors complained of the commotion.


title: Minstrel show

text: White, working-class Northerners could identify with the characters portrayed in early blackface performances. This coincided with the rise of groups struggling for workingman's nativism and pro-Southern causes, and faux black performances came to confirm pre-existing racist concepts and to establish new ones. Following a pattern that had been pioneered by Rice, minstrelsy united workers and "class superiors" against a common black enemy, symbolized especially by the character of the black dandy. In this same period, the class-conscious but racially inclusive rhetoric of "wage slavery" was largely supplanted by a racist one of "white slavery". This suggested that the abuses against northern factory workers were a graver ill than the treatment of black slaves—or by a less class-conscious rhetoric of "productive" versus "unproductive" elements of society. On the other hand, views on slavery were fairly evenly presented in minstrelsy, and some songs even suggested the creation of a coalition of working blacks and whites to end the institution.


title: Minstrel show

text: Among the appeals and racial stereotypes of early blackface performance were the pleasure of the grotesque and its infantilization of blacks. These allowed—by proxy, and without full identification—childish fun and other low pleasures in an industrializing world where workers were increasingly expected to abandon such things. Meanwhile, the more respectable could view the vulgar audience itself as a spectacle.


title: Minstrel show

text: With the Panic of 1837, theater attendance suffered, and concerts were one of the few attractions that could still make money. In 1843, four blackface performers led by Dan Emmett combined to stage just such a concert at the New York Bowery Amphitheatre, calling themselves the Virginia Minstrels. The minstrel show as a complete evening's entertainment was born. The show had little structure. The four sat in a semicircle, played songs, and traded wisecracks. One gave a stump speech in dialect, and they ended with a lively plantation song. The term "minstrel" had previously been reserved for traveling white singing groups, but Emmett and company made it synonymous with blackface performance, and by using it, signalled that they were reaching out to a new, middle-class audience.


title: Minstrel show

text: The "Herald" wrote that the production was "entirely exempt from the vulgarities and other objectionable features, which have hitherto characterized negro extravaganzas." In 1845, the Ethiopian Serenaders purged their show of low humor and surpassed the Virginia Minstrels in popularity. Shortly thereafter, Edwin Pearce Christy founded Christy's Minstrels, combining the refined singing of the Ethiopian Serenaders (epitomized by the work of Christy's composer Stephen Foster) with the Virginia Minstrels' bawdy schtick. Christy's company established the three-act template into which minstrel shows would fall for the next few decades. This change to respectability prompted theater owners to enforce new rules to make playhouses calmer and quieter.


title: Minstrel show

text: Minstrels toured the same circuits as opera companies, circuses, and European itinerant entertainers, with venues ranging from lavish opera houses to makeshift tavern stages. Life on the road entailed an "endless series of one-nighters, travel on accident-prone railroads, in poor housing subject to fires, in empty rooms that they had to convert into theaters, arrest on trumped up charges, exposed to deadly diseases, and managers and agents who skipped out with all the troupe's money." The more popular groups stuck to the main circuit that ran through the Northeast; some even went to Europe, which allowed their competitors to establish themselves in their absence. By the late 1840s, a Southern tour had opened from Baltimore to New Orleans. Circuits through the Midwest and as far as California followed by the 1860s. As its popularity increased, theaters sprang up specifically for minstrel performance, often with names such as the Ethiopian Opera House and the like. Many amateur troupes performed only a few local shows before disbanding. Meanwhile, celebrities like Emmett continued to perform solo.


title: Minstrel show

text: The rise of the minstrel show coincided with the growth of the abolitionist movement. Many Northerners were concerned for the oppressed blacks of the South, but most had no idea how these slaves lived day-to-day. Blackface performance had been inconsistent on this subject; some slaves were happy, others victims of a cruel and inhuman institution. However, in the 1850s, minstrelsy became decidedly mean-spirited and pro-slavery as race replaced class as its main focus. Most minstrels projected a greatly romanticized and exaggerated image of black life with cheerful, simple slaves always ready to sing and dance and to please their masters. (Less frequently, the masters cruelly split up black lovers or sexually assaulted black women.) The lyrics and dialogue were generally racist, satiric, and largely white in origin. Songs about slaves yearning to return to their masters were plentiful. The message was clear: do not worry about the slaves; they are happy with their lot in life. Figures like the Northern dandy and the homesick ex-slave reinforced the idea that blacks did not belong, nor did they want to belong, in Northern society.


title: Minstrel show

text: Minstrelsy's reaction to "Uncle Tom's Cabin" is indicative of plantation content at the time. "Tom acts" largely came to replace other plantation narratives, particularly in the third act. These sketches sometimes supported Stowe's novel, but just as often they turned it on its head or attacked the author. Whatever the intended message, it was usually lost in the joyous, slapstick atmosphere of the piece. Characters such as Simon Legree sometimes disappeared, and the title was frequently changed to something more cheerful like "Happy Uncle Tom" or "Uncle Dad's Cabin". Uncle Tom himself was frequently portrayed as a harmless bootlicker to be ridiculed. Troupes known as "Tommer" companies specialized in such burlesques, and theatrical "Tom shows" integrated elements of the minstrel show and competed with it for a time.


title: Minstrel show

text: Minstrelsy's racism (and sexism) could be rather vicious. There were comic songs in which blacks were "roasted, fished for, smoked like tobacco, peeled like potatoes, planted in the soil, or dried up and hung as advertisements", and there were multiple songs in which a black man accidentally put out a black woman's eyes. On the other hand, the fact that the minstrel show broached the subjects of slavery and race at all is perhaps more significant than the racist manner in which it did so. Despite these pro-plantation attitudes, minstrelsy was banned in many Southern cities. Its association with the North was such that as secessionist attitudes grew stronger, minstrels on Southern tours became convenient targets of anti-Yankee sentiment.


title: Minstrel show

text: Non-race-related humor came from lampoons of other subjects, including aristocratic whites such as politicians, doctors, and lawyers. Women's rights was another serious subject that appeared with some regularity in antebellum minstrelsy, almost always to ridicule the notion. The women's rights lecture became common in stump speeches. When one character joked, "Jim, I tink de ladies oughter vote", another replied, "No, Mr. Johnson, ladies am supposed to care berry little about polytick, and yet de majority ob em am strongly tached to parties." Minstrel humor was simple and relied heavily on slapstick and wordplay. Performers told nonsense riddles: "The difference between a schoolmaster and an engineer is that one trains the mind and the other minds the train."


title: Minstrel show

text: With the advent of the American Civil War, minstrels remained mostly neutral and satirized both sides. However, as the war reached Northern soil, troupes turned their loyalties to the Union. Sad songs and sketches came to dominate in reflection of the mood of a bereaved nation. Troupes performed skits about dying soldiers and their weeping widows, and about mourning white mothers. "When This Cruel War Is Over" became the hit of the period, selling over a million copies of sheet music. To balance the somber mood, minstrels put on patriotic numbers like "The Star-Spangled Banner", accompanied by depictions of scenes from American history that lionized figures like George Washington and Andrew Jackson. Social commentary grew increasingly important to the show. Performers criticized Northern society and those they felt responsible for the breakup of the country, who opposed reunification, or who profited from a nation at war. Emancipation was either opposed through "happy plantation" material, or mildly supported with pieces that depicted slavery in a negative light. Eventually, direct criticism of the South became more biting.


title: Minstrel show

text: Minstrelsy lost popularity during the Civil War. New entertainments such as variety shows, musical comedies and vaudeville appeared in the North, backed by master promoters like P. T. Barnum who wooed audiences away. Blackface troupes responded by traveling farther and farther afield, with their primary base now in the South and Midwest.


title: Minstrel show

text: Those minstrels who stayed in New York and similar cities followed Barnum's lead by advertising relentlessly and emphasizing the spectacle of minstrelsy. Troupes ballooned; as many as 19 performers could be on stage at once, and J. H. Haverly's United Mastodon Minstrels had over 100 members. Scenery grew lavish and expensive, and specialty acts like Japanese acrobats or circus freaks sometimes appeared. These changes made minstrelsy unprofitable for smaller troupes.


title: Minstrel show

text: Other minstrel troupes tried to satisfy outlying tastes. Female acts had made a stir in variety shows, and Madame Rentz's Female Minstrels ran with the idea, first performing in 1870 in skimpy costumes and tights. Their success gave rise to at least 11 all-female troupes by 1871, one of which did away with blackface altogether. Ultimately, the girlie show emerged as a form in its own right. Mainstream minstrelsy continued to emphasize its propriety, but traditional troupes adopted some of these elements in the guise of the female impersonator. A well-played wench character became critical to success in the postwar period.


title: Minstrel show

text: This new minstrelsy maintained an emphasis on refined music. Most troupes added jubilees, or spirituals, to their repertoire in the 1870s. These were fairly authentic religious slave songs borrowed from traveling black singing groups. Other troupes drifted further from minstrelsy's roots. When George Primrose and Billy West broke with Haverly's Mastodons in 1877, they did away with blackface for all but the endmen and dressed themselves in lavish finery and powdered wigs. They decorated the stage with elaborate backdrops and performed no slapstick whatsoever. Their brand of minstrelsy differed from other entertainments only in name.


title: Minstrel show

text: Social commentary continued to dominate most performances, with plantation material constituting only a small part of the repertoire. This effect was amplified as minstrelsy featuring black performers took off in its own right and stressed its connection to the old plantations. The main target of criticism was the moral decay of the urbanized North. Cities were painted as corrupt, as homes to unjust poverty, and as dens of "city slickers" who lay in wait to prey upon new arrivals. Minstrels stressed traditional family life; stories told of reunification between mothers and sons thought dead in the war. Women's rights, disrespectful children, low church attendance, and sexual promiscuity became symptoms of decline in family values and of moral decay. Of course, Northern black characters carried these vices even further. African-American members of Congress were one example, pictured as pawns of the Radical Republicans.


title: Minstrel show

text: By the 1890s, minstrelsy formed only a small part of American entertainment, and, by 1919, a mere three troupes dominated the scene. Small companies and amateurs carried the traditional minstrel show into the 20th century, now with an audience mostly in the rural South, while black-owned troupes continued traveling to more outlying areas like the West. These black troupes were one of minstrelsy's last bastions, as more white actors moved into vaudeville. (Community amateur blackface minstrel shows persisted in northern New York State into the 1960s. The University of Vermont banned the minstrel-like Kake Walk as part of the winter Carnival in 1969.)


title: Minstrel show

text: In the 1840s and '50s, William Henry Lane and Thomas Dilward became the first African Americans to perform on the minstrel stage. All-black troupes followed as early as 1855. These companies emphasized that their ethnicity made them the only true delineators of black song and dance, with one advertisement describing a troupe as "SEVEN SLAVES just from Alabama, who are EARNING THEIR FREEDOM by giving concerts under the guidance of their Northern friends." White curiosity proved a powerful motivator, and the shows were patronized by people who wanted to see blacks acting "spontaneously" and "naturally." Promoters seized on this, one billing his troupe as "THE DARKY AS HE IS AT HOME, DARKY LIFE IN THE CORNFIELD, CANEBRAKE, BARNYARD, AND ON THE LEVEE AND FLATBOAT." Keeping with convention, black minstrels still corked the faces of at least the endmen. One commentator described a mostly uncorked black troupe as "mulattoes of a medium shade except two, who were light. ... The end men were each rendered thoroughly black by burnt cork." The minstrels themselves promoted their performing abilities, quoting reviews that favorably compared them to popular white troupes. These black companies often featured female minstrels.


title: Minstrel show

text: One or two African-American troupes dominated the scene for much of the late 1860s and 1870s. The first of these was Brooker and Clayton's Georgia Minstrels, who played the Northeast around 1865. Sam Hague's Slave Troupe of Georgia Minstrels formed shortly thereafter and toured England to great success beginning in 1866. In the 1870s, white entrepreneurs bought most of the successful black companies. Charles Callender obtained Sam Hague's troupe in 1872 and renamed it Callender's Georgia Minstrels. They became the most popular black troupe in America, and the words "Callender" and "Georgia" came to be synonymous with the institution of black minstrelsy. J. H. Haverly, in turn, purchased Callender's troupe in 1878 and applied his strategy of enlarging troupe size and embellishing sets. When this company went to Europe, Gustave and Charles Frohman took the opportunity to promote their Callender's Consolidated Colored Minstrels. Their success was such that the Frohmans bought Haverly's group and merged it with theirs, creating a virtual monopoly on the market. The company split in three to better canvas the nation and dominated black minstrelsy throughout the 1880s. Individual black performers like Billy Kersands, James A. Bland, Sam Lucas, Martin Francis and Wallace King grew as famous as any featured white performer.


title: Minstrel show

text: Racism made black minstrelsy a difficult profession. When playing Southern towns, performers had to stay in character off stage, dressed in ragged "slave clothes" and perpetually smiling. Troupes left town quickly after each performance, and some had so much trouble securing lodging that they hired whole trains or had custom sleeping cars built, complete with hidden compartments to hide in should things turn ugly. Even these were no haven, as whites sometimes used the cars for target practice. Their salaries, though higher than those of most blacks of the period, failed to reach levels earned by white performers; even superstars like Kersands earned slightly less than featured white minstrels. Most black troupes did not last long.


title: Minstrel show

text: In content, early black minstrelsy differed little from its white counterpart. As the white troupes drifted from plantation subjects in the mid-1870s however, black troupes placed a new emphasis on it. The addition of jubilee singing gave black minstrelsy a popularity boost as the black troupes were rightly believed to be the most authentic performers of such material. Other significant differences were that the black minstrels added religious themes to their shows while whites shied from them, and that the black companies commonly ended the first act of the show with a military high-stepping, brass band burlesque, a practice adopted after Callender's Minstrels used it in 1875 or 1876. Although black minstrelsy lent credence to racist ideals of blackness, many African-American minstrels worked to subtly alter these stereotypes and to poke fun at white society. One jubilee described heaven as a place "where de white folks must let the darkeys be" and they could not be "bought and sold". In plantation material, aged black characters were rarely reunited with long-lost masters like they were in white minstrelsy.


title: Minstrel show

text: African Americans formed a large part of the black minstrels' audience, especially for smaller troupes. In fact, their numbers were so great that many theater owners had to relax rules relegating black patrons to certain areas. The reasons for the popularity of this openly racist form of entertainment with black audiences have long been debated by historians. Perhaps they felt in on the joke, laughing at the over-the-top characters from a sense of "in-group recognition". Maybe they even implicitly endorsed the racist antics, or they felt some connection to elements of an African culture that had been suppressed but was visible, albeit in racist, exaggerated form, in minstrel personages. They certainly got many jokes that flew over whites' heads or registered as only quaint distractions. An undeniable draw for black audiences was simply seeing fellow African Americans on stage; black minstrels were largely viewed as celebrities. Formally educated African Americans, on the other hand, either disregarded black minstrelsy or openly disdained it. Still, black minstrelsy was the first large-scale opportunity for African Americans to enter American show business. Black minstrels were therefore viewed as a success. Pat H. Chappelle capitalized on this and created the first totally black-owned black vaudeville show, The Rabbit's Foot Company, which performed with an all-black cast that elevated the level of shows with sophisticated and fun comedy. It successfully toured mainly the Southwest and Southeast, as well as in New Jersey and New York City.


title: Minstrel show

text: The Christy Minstrels established the basic structure of the minstrel show in the 1840s. A crowd-gathering parade to the theater often preceded the performance. The show itself was divided into three major sections. During the first, the entire troupe danced onto stage singing a popular song. Upon the instruction of the "interlocutor", a sort of host, they sat in a semicircle. Various stock characters always took the same positions: the genteel interlocutor in the middle, flanked by "Mr Tambo" and "Mr Bones", who served as the "endmen" or "cornermen". The interlocutor acted as a master of ceremonies and as a dignified, if pompous, straight man. He had a somewhat aristocratic demeanor, a "codfish aristocrat", while the endmen exchanged jokes and performed a variety of humorous songs. Over time, the first act came to include maudlin numbers not always in dialect. One minstrel, usually a tenor, came to specialize in this part; such singers often became celebrities, especially with women. Initially, an upbeat plantation song and dance ended the act; later it was more common for the first act to end with a "walkaround", including dances in the style of a cakewalk.


title: Minstrel show

text: The second portion of the show, called the "olio", was historically the last to evolve, as its real purpose was to allow for the setting of the stage for act three behind the curtain. It had more of a variety show structure. Performers danced, played instruments, did acrobatics, and demonstrated other amusing talents. Troupes offered parodies of European-style entertainments, and European troupes themselves sometimes performed. The highlight was when one actor, typically one of the endmen, delivered a faux-black-dialect "stump speech", a long oration about anything from nonsense to science, society, or politics, during which the dim-witted character tried to speak eloquently, only to deliver countless malapropisms, jokes, and unintentional puns. All the while, the speaker moved about like a clown, standing on his head and almost always falling off his stump at some point. With blackface makeup serving as fool's mask, these stump speakers could deliver biting social criticism without offending the audience, although the focus was usually on sending up unpopular issues and making fun of blacks' inability to make sense of them. Many troupes employed a stump specialist with a trademark style and material.


title: Minstrel show

text: The "afterpiece" rounded out the production. In the early days of the minstrel show, this was often a skit set on a Southern plantation that usually included song-and-dance numbers and featured Sambo- and Mammy-type characters in slapstick situations. The emphasis lay on an idealized plantation life and the happy slaves who lived there. Nevertheless, antislavery viewpoints sometimes surfaced in the guise of family members separated by slavery, runaways, or even slave uprisings. A few stories highlighted black trickster figures who managed to get the better of their masters. Beginning in the mid-1850s, performers did burlesque renditions of other plays; both Shakespeare and contemporary playwrights were common targets. The humor of these came from the inept black characters trying to perform some element of high white culture. Slapstick humor pervaded the afterpiece, including cream pies to the face, inflated bladders, and on-stage fireworks. Material from "Uncle Tom's Cabin" dominated beginning in 1853. The afterpiece allowed the minstrels to introduce new characters, some of whom became quite popular and spread from troupe to troupe.


title: Minstrel show

text: The earliest minstrel characters took as their base popular white stage archetypes—frontiersmen, fishermen, hunters, and riverboatsmen whose depictions drew heavily from the tall tale—and added exaggerated blackface speech and makeup. These Jim Crows and Gumbo Chaffs fought and boasted that they could "wip [their] weight in wildcats" or "eat an alligator". As public opinion toward blacks changed, however, so did the minstrel stereotypes. Eventually, several stock characters emerged. Chief among these were the slave, who often maintained the earlier name Jim Crow, and the dandy, known frequently as Zip Coon, from the song Zip Coon. "First performed by George Dixon in 1834, Zip Coon made a mockery of free blacks. An arrogant, ostentatious figure, he dressed in high style and spoke in a series of malaprops and puns that undermined his attempts to appear dignified."


title: Minstrel show

text: The white actors who portrayed these characters spoke an exaggerated form of Black Vernacular English. The blackface makeup and illustrations on programs and sheet music depicted them with huge eyeballs, very wide noses, and thick-lipped mouths that hung open or grinned foolishly; one character expressed his love for a woman with "lips so large a lover could not kiss them all at once". They had huge feet and preferred "possum" and "coon" to more civilized fare. Minstrel characters were often described in animalistic terms, with "wool" instead of hair, "bleating" like sheep, and having "darky cubs" instead of children. Other claims were that blacks had to drink ink when they got sick "to restore their color" and that they had to file their hair rather than cut it. They were inherently musical, dancing and frolicking through the night with no need for sleep.


title: Minstrel show

text: Thomas "Daddy" Rice introduced the earliest slave archetype with his song "Jump Jim Crow" and its accompanying dance. He claimed to have learned the number by watching an old, limping black stable hand dancing and singing, "Wheel about and turn about and do jus' so/Eb'ry time I wheel about I jump Jim Crow." Other early minstrel performers quickly adopted Rice's character.


title: Minstrel show

text: Slave characters in general came to be low-comedy types with names that matched the instruments they played: "Brudder Tambo" (or simply "Tambo") for the tambourine and "Brudder Bones" (or "Bones") for the bone castanets or bones. These "endmen" (for their position in the minstrel semicircle) were ignorant and poorly spoken, being conned, electrocuted, or run over in various sketches. They happily shared their stupidity; one slave character said that to get to China, one had only to go up in a balloon and wait for the world to rotate below. Highly musical and unable to sit still, they constantly contorted their bodies wildly while singing.


title: Minstrel show

text: Tambo and Bones's simple-mindedness and lack of sophistication were highlighted by pairing them with a straight man master of ceremonies called the "interlocutor". This character, although usually in blackface, spoke in aristocratic English and used a much larger vocabulary. The humor of these exchanges came from the misunderstandings on the part of the endmen when talking to the interlocutor:


title: Minstrel show

text: Tambo and Bones were favorites of the audience, and their repartee with the interlocutor was for many the best part of the show. There was an element of laughing with them for the audience, as they frequently made light of the interlocutor's grandiose ways.


title: Minstrel show

text: The interlocutor was responsible for beginning and ending each segment of the show. To this end, he had to be able to gauge the mood of the audience and know when it was time to move on. Accordingly, the actor who played the role was paid very well in comparison to other non-featured performers.


title: Minstrel show

text: There were many variants on the slave archetype. The "old darky" or "old uncle" formed the head of the idyllic black family. Like other slave characters, he was highly musical and none-too-bright, but he had favorable aspects like his loving nature and the sentiments he raised regarding love for the aged, ideas of old friendships, and the cohesiveness of the family. His death and the pain it caused his master was a common theme in sentimental songs. Alternatively, the master could die, leaving the old darky to mourn. Stephen Foster's "Old Uncle Ned" was the most popular song on this subject. Less frequently, the old darky might be cast out by a cruel master when he grew too old to work. After the Civil War, this character became the most common figure in plantation sketches. He frequently cried about the loss of his home during the war, only to meet up with someone from the past such as the child of his former master. In contrast, the trickster, often called Jasper Jack, appeared less frequently.


title: Minstrel show

text: Female characters ranged from the sexually provocative to the laughable. These roles were almost always played by men in drag (most famously George Christy, Francis Leon and Barney Williams), even though American theater outside minstrelsy was filled with actresses at this time. "Mammy" or the "old auntie" was the old darky's counterpart. She often went by the name of Aunt Dinah Roh after the song of that title. Mammy was lovable to both blacks and whites, matronly, but hearkening to European peasant woman sensibilities. Her main role was to be the devoted mother figure in scenarios about the perfect plantation family.


title: Minstrel show

text: The "wench", "yaller gal" or "prima donna" was a mulatto who combined the light skin and facial features of a white woman with the perceived sexual promiscuity and exoticism of a black woman. Her beauty and flirtatiousness made her a common target for male characters, although she usually proved capricious and elusive. After the Civil War, the wench emerged as the most important specialist role in the minstrel troupe; men could alternately be titillated and disgusted, while women could admire the illusion and high fashion. The role was most strongly associated with the song "Miss Lucy Long", so the character many times bore that name. Actress Olive Logan commented that some actors were "marvelously well fitted by nature for it, having well-defined soprano voices, plump shoulders, beardless faces, and tiny hands and feet." Many of these actors were teen-aged boys. In contrast was the "funny old gal", a slapstick role played by a large man in motley clothing and large, flapping shoes. The humor she invoked often turned on the male characters' desire for a woman whom the audience would perceive as unattractive.


title: Minstrel show

text: The counterpart to the slave was the "dandy", a common character in the afterpiece. He was a Northern, urban black man trying to live above his station by mimicking white, upper-class speech and dress—usually to no good effect. Dandy characters often went by Zip Coon, after the song popularized by George Washington Dixon, although others had pretentious names like Count Julius Caesar Mars Napoleon Sinclair Brown. Their clothing was a ludicrous parody of upper-class dress: coats with tails and padded shoulders, white gloves, monocles, fake mustaches, and gaudy watch chains. They spent their time primping and preening, going to parties, dancing and strutting, and wooing women.


title: Minstrel show

text: The black soldier became another stock type during the Civil War and merged qualities of the slave and the dandy. He was acknowledged for playing some role in the war, but he was more frequently lampooned for bumbling through his drills or for thinking his uniform made him the equal of his white counterparts. He was usually better at retreating than fighting, and, like the dandy, he preferred partying to serious pursuits. Still, his introduction allowed for some return to themes of the breakup of the plantation family.


title: Minstrel show

text: Non-black stereotypes played a significant role in minstrelsy, and, although still performed in blackface, were distinguished by their lack of black dialect. American Indians before the Civil War were usually depicted as innocent symbols of the pre-industrial world or as pitiable victims whose peaceful existence had been shattered by the encroachment of the white man. However, as the United States turned its attentions West, American Indians became savage, pagan obstacles to progress. These characters were formidable scalpers to be feared, not ridiculed; any humor in such scenarios usually derived from a black character trying to act like one of the frightful savages. One sketch began with white men and American Indians enjoying a communal meal in a frontier setting. As the American Indians became intoxicated, they grew more and more antagonistic, and the army ultimately had to intervene to prevent the massacre of the whites. Even favorably presented American Indian characters usually died tragically.


title: Minstrel show

text: Depictions of East Asians began during the California Gold Rush when minstrels encountered Chinese out West. Minstrels caricatured them by their strange language ("ching chang chung"), odd eating habits (dogs and cats), and propensity for wearing pigtails. Parodies of Japanese became popular when a Japanese acrobat troupe toured the United States beginning in 1865. A run of Gilbert and Sullivan's "The Mikado" in the mid-1880s inspired another wave of Asian characterizations.


title: Minstrel show

text: The few white characters in minstrelsy were stereotypes of immigrant groups like the Irish and Germans. Irish characters first appeared in the 1840s, portrayed as hotheaded, odious drunkards who spoke in a thick brogue. However, beginning in the 1850s, many Irishmen joined minstrelsy, and Irish theatergoers probably came to represent a significant part of the audience, so this negative image was muted. Germans, on the other hand, were portrayed favorably from their introduction to minstrelsy in the 1860s. They were responsible and sensible, though still portrayed as humorous for their large size, hearty appetites, and heavy "Dutch" accents. Part of this positive portrayal no doubt came about because some of the actors portraying German characters were German themselves.


title: Minstrel show

text: "Minstrelsy evolved from several different American entertainment traditions; the traveling circus, medicine shows, shivaree, Irish dance and music with African syncopated rhythms, musical halls and traveling theatre." Music and dance were the heart of the minstrel show and a large reason for its popularity. Around the time of the 1830s, there was a lot of national conflict as to how people viewed African Americans. Because of that interest in the Negro people, these songs granted the listener new knowledge about African Americans, who were different from themselves, even if the information was prejudiced. Troupes took advantage of this interest and marketed sheet music of the songs they featured so that viewers could enjoy them at home and other minstrels could adopt them for their act.


title: Minstrel show

text: How much influence black music had on minstrel performance remains a debated topic. Minstrel music certainly contained some element of black culture, added onto a base of European tradition with distinct Irish and Scottish folk music influences. According to the historian of music Larry Birnbaum, minstrel music primarily originated from English, Scottish, and Irish folk music. Musicologist Dale Cockrell argues that early minstrel music mixed both African and European traditions and that distinguishing black and white urban music during the 1830s is impossible. Insofar as the minstrels had authentic contact with black culture, it was via neighborhoods, taverns, theaters and waterfronts where blacks and whites could mingle freely. The inauthenticity of the music and the Irish and Scottish elements in it are explained by the fact that slaves were rarely allowed to play native African music and therefore had to adopt and adapt elements of European folk music. Compounding the problem is the difficulty in ascertaining how much minstrel music was written by black composers, as the custom at the time was to sell all rights to a song to publishers or other performers. Nevertheless, many troupes claimed to have carried out more serious "fieldwork". Just as the American people came from all over the world, some of the first forms of truly American music and drama were composed of elements from many different places.