title: Junkers Ju 87

text: On 22 June 1941, the Wehrmacht commenced Operation Barbarossa, the invasion of the Soviet Union. The Luftwaffe order of battle of 22 June 1941 contained four dive bomber wings. "VIII. Fliegerkorps" was equipped with units "Stab", II. and III./StG 1. Also included were "Stab", I., II. and III. of "Sturzkampfgeschwader 2" Immelmann. Attached to "II. Fliegerkorps", under the command of "General der Flieger" Bruno Loerzer, were "Stab", I., II. and III. of StG 77. "Luftflotte 5", under the command of "Generaloberst" Hans-Jürgen Stumpff, operating from Norway's Arctic Circle, were allotted IV. "Gruppe" (St)/"Lehrgeschwader 1" ("LG 1").


title: Junkers Ju 87

text: The first Stuka loss on the Soviet-German front occurred early at 03:40–03:47 in the morning of 22 June. While being escorted by Bf 109s from JG 51 to attack Brest Fortress, "Oberleutnant" Karl Führing of StG 77 was shot down by an I-153. The dive bomber wing suffered only two losses on the opening day of Barbarossa. As a result of the Luftwaffe's attention, the Soviet Air Force in the western Soviet Union was nearly destroyed. The official report claimed 1,489 Soviet aircraft destroyed. Göring ordered this checked. After picking their way through the wreckage across the front, Luftwaffe officers found that the tally exceeded 2,000. In the next two days, the Soviets reported the loss of another 1,922 aircraft.


title: Junkers Ju 87

text: The Ju 87 took a huge toll on Soviet ground forces, helping to break up counterattacks of Soviet armour, eliminating strongpoints and disrupting the enemy supply lines. A demonstration of the Stukas effectiveness occurred on 5 July, when StG 77 knocked out 18 trains and 500 vehicles. As the 1st and 2nd Panzer Groups forced bridgeheads across the Dnieper river and closed in on Kyiv, the Ju 87s again rendered invaluable support. On 13 September, Stukas from StG 1 destroyed the rail network in the vicinity as well as inflicting heavy casualties on escaping Red Army columns, for the loss of one Ju 87. On 23 September, Rudel (who was to become the most decorated serviceman in the Wehrmacht) of StG 2, helped sink the Soviet battleship "Marat", during an air attack on Kronstadt harbour near Leningrad, which was struck by two bombs. During this action, "Leutnant" Egbert Jaeckel sank the destroyer "Minsk", while the destroyer "Steregushchiy" and submarine "M-74" were also sunk. The Stukas also crippled the battleship "Oktyabrskaya Revolutsiya" and the destroyers "Silnyy" and "Grozyashchiy" in exchange for two Ju 87s shot down.


title: Junkers Ju 87

text: Elsewhere on the Eastern front, the Junkers assisted Army Group Centre in its drive toward Moscow. From 13 to 22 December 420 vehicles and 23 tanks were destroyed by StG 77, greatly improving the morale of the German infantry, who were by now on the defensive. StG 77 finished the campaign as the most effective dive bomber wing. It had destroyed 2,401 vehicles, 234 tanks, 92 artillery batteries and 21 trains for the loss of 25 Ju 87s to hostile action. At the end of Barbarossa, StG 1 had lost 60 Stukas in aerial combat and one on the ground. StG 2 lost 39 Ju 87s in the air and two on the ground, StG 77 lost 29 of their dive-bombers in the air and three on the ground (25 to enemy action). IV.(St)/LG1, operating from Norway, lost 24 Ju 87s, all in aerial combat.


title: Junkers Ju 87

text: In early 1942, the Ju 87s gave the Heer yet more valuable support. On 29 December 1941, the Soviet 44th Army landed on the Kerch Peninsula. The Luftwaffe was only able to dispatch meager reinforcements of four bomber groups ("Kampfgruppen") and two dive bomber groups belonging to StG 77. With air superiority, the Ju 87s operated with impunity. In the first 10 days of the Battle of the Kerch Peninsula, half the landing force was destroyed, while sea lanes were blocked by the Stukas inflicting heavy losses on Soviet shipping. The Ju 87's effectiveness against Soviet armour was not yet potent. Later versions of the T-34 tank could withstand Stuka attacks in general, unless a direct hit was scored but the Soviet 44th Army had only obsolescent types with thin armour which were nearly all destroyed. During the Battle of Sevastopol, the Stukas repeatedly bombed the trapped Soviet forces. Some Ju 87 pilots flew up to 300 sorties against the Soviet defenders. StG 77 (Luftflotte 4) flew 7,708 combat sorties dropping 3,537 tonnes of bombs on the city. Their efforts help secure the capitulation of Soviet forces on 4 July.


title: Junkers Ju 87

text: For the German summer offensive, "Fall Blau", the Luftwaffe had concentrated 1,800 aircraft into "Luftflotte 4" making it the largest and most powerful air command in the world. The "Stukawaffe" strength stood at 151. During the Battle of Stalingrad, Stukas flew thousands of sorties against Soviet positions in the city. StG 1, 2 and 77 flew 320 sorties on 14 October 1942. As the German Sixth Army pushed the Soviets into a 1,000-metre enclave on the west bank of the Volga River, 1,208 Stuka sorties were flown against this small strip of land. The intense air attack, though causing horrific losses on Soviet units, failed to destroy them. The Luftwaffe's Stuka force made a maximum effort during this phase of the war. They flew an average of 500 sorties per day and caused heavy losses among Soviet forces, losing an average of only one Stuka per day. The Battle of Stalingrad marked the high point in the fortunes of the Junkers Ju 87 Stuka. As the strength of the Soviet Air Forces grew, they gradually wrested control of the skies from the Luftwaffe. From this point onward, Stuka losses increased.


title: Junkers Ju 87

text: The Stuka was also heavily involved in Operation Citadel, the Kursk offensive. The Luftwaffe committed I, II, III./St.G 1 and III./StG 3 under the command of Luftflotte 6. I., II, III. of StGs 2 and 3 were committed under the command of "Fliegerkorps" VIII. Rudel's cannon-equipped Ju 87 Gs had a devastating effect on Soviet armour at Orel and Belgorod. The Ju 87s participated in a huge aerial counter-offensive lasting from 16 to 31 July against a Soviet offensive at Khotynets and saved two German armies from encirclement, reducing the attacking Soviet 11th Guards Army to 33 tanks by 20 July. The Soviet offensive had been completely halted from the air although losses were considerable. Fliegerkorps VIII lost eight Ju 87s on 8 July, six on 9 July, six on 10 July and another eight on 11 July. The Stuka arm also lost eight of their Knight's Cross of the Iron Cross holders. StG 77 lost 24 Ju 87s in the period 5–31 July (StG had lost 23 in July–December 1942), while StG 2 lost another 30 aircraft in the same period. In September 1943, three of the Stuka units were re-equipped with the Fw 190F and G (ground attack versions) and began to be renamed "Schlachtgeschwader" (attack wings). In the face of overwhelming air opposition, the dive-bomber required heavy protection from German fighters to counter Soviet fighters. Some units like SG 2 "Immelmann" continued to operate with great success throughout 1943–45, operating the Ju 87 G variants equipped with 37 mm cannons, which became tank killers, although in increasingly small numbers.


title: Junkers Ju 87

text: In the wake of the defeat at Kursk, Ju 87s played a vital defensive role on the southern wing of the Eastern Front. To combat the Luftwaffe, the Soviets could deploy 3,000 fighter aircraft. As a result, the Stukas suffered heavily. SG 77 lost 30 Ju 87s in August 1943 as did SG 2 "Immelmann", which also reported the loss of 30 aircraft in combat operations. Despite these losses, Ju 87s helped the XXIX Army Corps break out of an encirclement near the Sea of Azov. The Battle of Kiev also included substantial use of the Ju 87 units, although again, unsuccessful in stemming the advances. Stuka units were with the loss of air superiority, becoming vulnerable on the ground as well. Some Stuka aces were lost this way. In the aftermath of Kursk, Stuka strength fell to 184 aircraft in total. This was well below 50 percent of the required strength. On 18 October 1943, StG 1, 2, 3, 5 and 77 were renamed "Schlachtgeschwader" (SG) wings, reflecting their ground-attack role, as these combat wings were now also using ground-attack aircraft, such as the Fw 190F-series aircraft. The Luftwaffe's dive-bomber units had ceased to exist.


title: Junkers Ju 87

text: A few Ju 87s were also retained for anti-shipping operations in the Black Sea, a role it had proved successful in when operating in the Mediterranean. In October 1943, this became evident again when StG 3 carried out several attacks against the Soviet Black Sea Fleet. On 6 October 1943 the most powerful flotilla in the fleet comprising the "Leningrad" class destroyers "Kharkov", "Besposhchadny" and "Sposobny" were caught and sunk by dive-bombing. After the disaster, Josef Stalin decreed that no more ships were to pass within range of German aircraft without his personal permission.


title: Junkers Ju 87

text: Towards the end of the war, as the Allies gained air supremacy, the Stuka was being replaced by ground-attack versions of the Fw 190. By early 1944, the number of Ju 87 units and operational aircraft terminally declined. For the Soviet summer offensive, Operation Bagration, 12 Ju 87 groups and five mixed groups (including Fw 190s) were on the Luftwaffe's order of battle on 26 June 1944. Gefechtsverband Kuhlmey, a mixed aircraft unit, which included large numbers of Stuka dive bombers, was rushed to the Finnish front in the summer of 1944 and was instrumental in halting the Soviet fourth strategic offensive. The unit claimed 200 Soviet tanks and 150 Soviet aircraft destroyed for 41 losses. By 31 January 1945, only 104 Ju 87s remained operational with their units. The other mixed "Schlacht" units contained a further 70 Ju 87s and Fw 190s between them. Chronic fuel shortages kept the Stukas grounded and sorties decreased until the end of the war in May 1945.


title: Junkers Ju 87

text: In the final months of the war the ground attack groups were still able to impose operational constraints upon the enemy. Most notably the aircraft participated in the defence of Berlin. On 12 January 1945 the 1st Belorussian Front initiated the Vistula–Oder Offensive. The offensive made rapid progress. The Soviets eventually outran their air support which was unable to use forward, quagmire-filled, airfields. The Germans, who had fallen back on airbases with good facilities and concrete runways, were able to mount uninterrupted attacks against Soviet army columns. Reminiscent of the early years, the "Luftwaffe" was able to inflict high losses largely unopposed. Over 800 vehicles were destroyed within two weeks. In the first three days of February 1945, 2,000 vehicles and 51 tanks were claimed to be lost to German air attacks. The Ju 87 participated in these intense battles in small numbers. It was the largest concentration of German air power since 1940 and even in February 1945 the Germans were able to achieve and challenge for air superiority on the Eastern Front. The air offensive was instrumental in saving Berlin, albeit only for three months. The effort exhausted German fuel reserves. The contribution of the Ju 87 was exemplified by Rudel, who claimed 13 enemy tanks on 8 February 1945.


title: Junkers Ju 87

text: However, post-war research revealed that generally, bombing pilots were far less effective than they claimed, but the German Luftwaffe, in particular, did not do a scientific analysis of the Ju 87 pilot claims in 1939-1945 but instead relied on pre-war tests and assumptions, contrary to the Allies who did such research during the war which revealed the ineffectiveness of dive-bombers as an anti-tank weapon which revealed that pilots, for a number of reasons, misjudged almost of their tank kills, except for the suppression effect of the bombing.


title: Junkers Ju 87

text: A later, ground-attack variant, this is displayed at the Royal Air Force Museum in London; it was captured by British forces at Eggebek, Schleswig-Holstein in May 1945. It is thought to have been built in 1943–1944 as a D-5 before being rebuilt as a G-2 variant, possibly by fitting G-2 outer wings to a D-5 airframe. The wings have the hard-points for "Bordkanone BK 3,7" gun-pods, but these are not fitted. It was one of 12 captured German aircraft selected by the British for museum preservation and assigned to the Air Historical Branch. The aircraft was stored and displayed at various RAF sites until 1978, when it was moved to the RAF Museum. In 1967, permission was given to use the aircraft in the film "Battle of Britain" and it was repainted and modified to resemble a 1940 variant of the Ju 87. The engine was found to be in excellent condition and there was little difficulty in starting it, but returning the aircraft to airworthiness was considered too costly for the filmmakers, and ultimately, models were used in the film to represent Stukas. In 1998, the film modifications were removed, and the aircraft returned to the original G-2 configuration.


title: Junkers Ju 87

text: This aircraft is displayed in the Chicago Museum of Science and Industry. It was abandoned in North Africa and found by British forces in 1941. The Ju 87 was donated by the British government and sent to the US during the war. It was fully restored in 1974 by the EAA of Wisconsin.


title: Junkers Ju 87

text: One aircraft is being restored to airworthy condition from two wrecks, owned by Paul Allen's Flying Heritage & Combat Armor Museum. The project takes its identification from Ju 87 R-4 Werk Nr. "6234", which was built in 1941 and served with Stukageschwader 5. Shot down in April 1942 on a mission to bomb Murmansk, it was recovered in 1992. The wreck was purchased by New Zealand collector Tim Wallis, who originally planned for a rebuild to airworthy status, and later went to the Deutsches Technikmuseum in Berlin. Parts from a second airframe, a Ju 87 R-2 "Werknummer" 857509 which served bearing the "Stammkennzeichen" of code LI+KU from 1./St.G.5, and was recovered to the United Kingdom in 1998, have also been incorporated. The project was displayed in November 2018 and the restoration was stated to take between 18 months and two years to complete. Work will be conducted in a display hangar to allow the public to observe the work underway.


title: Shu Qi

text: Lin Li-hui (, born 16 April 1976), better known by her stage name Shu Qi (), is a Hong Kong-Taiwanese actress and model. , she was among the highest paid actresses in China.


title: Shu Qi

text: Shu ranked 18th on "Forbes" China Celebrity 100 list in 2013, 23rd in 2014, 32nd in 2015, 48th in 2017, and 90th in 2019.


title: Shu Qi

text: Born in Xindian township, Taipei County (now New Taipei City), Shu Qi went to Hong Kong at the age of 17 to seek a film career. She eventually came under the management of Hong Kong film producer Manfred Wong, who signed her to several Hong Kong Category III films such as "Sex & Zen II" (1996).


title: Shu Qi

text: Shu Qi starred in Derek Yee's 1996 film "Viva Erotica", about the erotic film industry in Hong Kong, with Karen Mok and Leslie Cheung. She received the Best Supporting Actress award for her performance in "Viva Erotica" at the 16th Hong Kong Film Awards in 1997. She has since appeared in Hong Kong films such as "Portland Street Blues" (1998), "City of Glass" (1998), the box office hit "Gorgeous" (1999), Stanley Kwan's "The Island Tales" (1999) and Hou Hsiao-hsien's "Millennium Mambo" (2001), making her transition into mainstream acting.


title: Shu Qi

text: In 2002, Shu starred in the French film "The Transporter", the first installment of the "Transporter" franchise. This marked her first foray into the American market. In 2008 she had a small but memorable role in the American romantic comedy "New York, I Love You".


title: Shu Qi

text: Among Shu's earlier notable works were "The Foliage" (2004), a romance film set in Yunnan during the Cultural Revolution. She won the Best Actress award at the 13th Shanghai Film Critics Awards for her performance. Shu worked with Hou again in "Three Times" (2005), which competed at the Cannes Film Festival and won Shu the Best Actress award at the Golden Horse Awards.


title: Shu Qi

text: In 2006, Shu starred in the third installment of the gangster film "My Wife Is a Gangster" alongside Korean actor Lee Beom-soo. She also starred alongside Tony Leung Chiu-wai and Takeshi Kaneshiro in the crime drama "Confession of Pain".


title: Shu Qi

text: Shu was a member of the jury of the Berlin International Film Festival in 2008 and the Cannes Film Festival in 2009. The same year, she was honored at the Huabiao Awards as Best Actress for the Taiwan and Hong Kong region for her performance in the romantic comedy film "If You Are the One", directed by Feng Xiaogang. The romantic comedy was the highest-grossing Chinese film of the year.


title: Shu Qi

text: Shu starred in "" (2013), directed by Stephen Chow and loosely based on the Chinese literary classic "Journey to the West". The film overtook "Lost in Thailand" to become the highest-grossing Chinese movie.


title: Shu Qi

text: Shu reunited with Hou in his first wuxia film, "The Assassin" (2015), starring as the title character. The film received overwhelmingly positive reviews at the Cannes Film Festival, and Shu won the Best Actress award at the Asian Film Festival. The same year, she starred in the blockbuster film "",


title: Shu Qi

text: In 2016, Shu, Feng Shaofeng and Victoria Song starred in the Chinese remake of "My Best Friend's Wedding". She was also cast in fantasy comedy "The Village of No Return", which premiered at the first day of Spring Festival in 2017. In 2017, Shu starred in Stephen Fung's "The Adventurers" alongside Jean Reno and Andy Lau.


title: Shu Qi

text: Shu appears in the 2019 science fiction film "Shanghai Fortress", adapted from the 2006 novel "Once Upon a Time in Shanghai".


title: Shu Qi

text: From 2006 to 2009, Shu Qi was selected by Kenzo Takada to be part of the third advertising campaign for its successful fragrance "Flower by Kenzo". She also worked as a spokesperson for Shiatzy Chen.


title: Shu Qi

text: Shu Qi has been representing Frederique Constant in Asia as a brand ambassador since 2008. In 2009, she, along with Frederique Constant and Paint-a-Smile Foundation, repainted the murals on the walls of the cardiology department at the Beijing Children's Hospital.


title: Shu Qi

text: Shu Qi has also been Emporio Armani's Asian ambassador for its Fall/Winter 2010 collection. Shu is also the brand spokesperson for Bulgari in China.


title: Shu Qi

text: Shu married Hong Kong actor-director Stephen Fung in 2016. The two had met on the set of the romance drama "Bishonen" in 1997, and dated for four years.


title: Nancy Drew

text: Nancy Drew is a fictional character appearing in several mystery book series, movies, and a TV show as a teenage amateur sleuth. The books are ghostwritten by a number of authors and published under the collective pseudonym Carolyn Keene. Created by the publisher Edward Stratemeyer as the female counterpart to his Hardy Boys series, the character first appeared in 1930 in the "Nancy Drew Mystery Stories" series, which lasted until 2003 and consisted of 175 novels.


title: Nancy Drew

text: Over the decades, the character has evolved in response to changes in American culture and tastes. Beginning in 1959, the books were extensively revised and shortened, partly to lower the printing costs with arguable success. In the revision process, the heroine's original character was changed to be less unruly and violent. In the 1980s, an older and more professional Nancy emerged in a new series, "The Nancy Drew Files", that included romantic subplots for the sleuth. Launched in 2004, the "" series features Nancy driving a hybrid electric vehicle and using a cell phone. In 2012, the "Girl Detective" series ended, and a new series, "Nancy Drew Diaries", was launched in 2013. Illustrations of the character evolved over time to reflect contemporary styles.


title: Nancy Drew

text: The "Nancy Drew" franchise has been adapted into other forms of media with varied success. As of April 2020, the character has been adapted into six feature films, three television series, four television pilots, PC thirty-three video games produced by the brand HeR Interactive, and two different comic book series. Film and television adaptations of the character have been met with mixed reviews, while the video games by HeR Interactive have often been lauded.


title: Nancy Drew

text: The character proves continuously popular worldwide: at least 80 million copies of the books have been sold, and the books have been translated into over 45 languages. A cultural icon, Nancy Drew is cited as a formative influence by several women, from Supreme Court Justices Sandra Day O'Connor and Sonia Sotomayor to former Secretary of State Hillary Rodham Clinton and former First Lady Laura Bush. Feminist literary critics have analyzed the character's enduring appeal, arguing variously that Nancy Drew is a mythic heroine, an expression of wish fulfillment, or an embodiment of contradictory ideas about femininity.


title: Nancy Drew

text: Nancy Drew is a fictional amateur detective. She is originally depicted as a 16-year-old high school graduate but is later rewritten as an 18-year-old graduate and detective in later editions. In the series, she lives in the fictional town of River Heights with her father, attorney Carson Drew, and their housekeeper, Hannah Gruen. As a child (age ten in the original versions and age three in the later version), she loses her mother. Her loss is reflected in her early independence—running a household since the age of ten with a clear-cut servant in the earlier series and referring to the servant as a surrogate parent later. As a teenager, she spends her time solving mysteries; some she stumbles upon, and some begin as cases of her father's. Nancy is often assisted in solving mysteries by her two closest friends: cousins Bess Marvin and George Fayne. Bess is delicate and feminine, while George is a tomboy. Nancy is also occasionally joined by her boyfriend Ned Nickerson, a student at Emerson College.


title: Nancy Drew

text: Nancy is often described as a super girl. In the words of Bobbie Ann Mason, she is "as immaculate and self-possessed as a Miss America on tour. She is as cool as a Rock Star and as sweet as Betty Crocker." Nancy is well-off, attractive, and amazingly talented:


title: Nancy Drew

text: Nancy never lacks money, and in later volumes of the series often travels to faraway locations, such as France in "The Mystery of the 99 Steps" (1966), Lima in "The Clue In The Crossword Cipher" (1967), Nairobi in "The Spider Sapphire Mystery" (1968), Istanbul in “The Mysterious Mannequin” (1970), Austria in "Captive Witness" (1981), Japan in "The Runaway Bride" (1994), Costa Rica in "Scarlet Macaw Scandal" (2004), and Alaska in "Curse of The Arctic Star" (2013). Nancy is also able to travel freely about the United States, thanks in part to her car, which is a blue roadster in the original series and a blue convertible in the later books. Despite the trouble and presumed expense to which she goes to solve mysteries, Nancy never accepts monetary compensation; however, by implication, her expenses are often paid by a client of her father's as part of the costs of solving one of his cases.


title: Nancy Drew

text: The character of Nancy Drew has gone through many permutations over the years. The Nancy Drew Mystery series was revised beginning in 1959; with commentators agreeing that Nancy's character changed significantly from the original Nancy of the books written in the 1930s and 1940s. Observers also often see a difference between the Nancy Drew of the original series, the Nancy of "The Nancy Drew Files", and the Nancy of "Girl Detective" series. Nevertheless, some find no significant difference among the permutations of Nancy Drew, finding Nancy to be simply a good role model for girls.


title: Nancy Drew

text: Despite revisions, "What hasn't changed, however, are [Nancy's] basic values, her goals, her humility, and her magical gift for having at least nine lives. For more than six decades, her essence has remained intact." Nancy is a "teen detective queen" who "offers girl readers something more than action-packed adventure: she gives them something original. Convention has it that girls are passive, respectful, and emotional, but with the energy of a girl shot out of a cannon, Nancy bends conventions and acts out every girl's fantasies of power."


title: Nancy Drew

text: Other commentators see Nancy as "a paradox—which may be why feminists can laud her as a formative 'girl power' icon and conservatives can love her well-scrubbed middle-class values."


title: Nancy Drew

text: The character was conceived by Edward Stratemeyer, founder of the Stratemeyer Syndicate. In 1926 Stratemeyer created the Hardy Boys series (although the first volumes were not published until 1927), which was such a success that he decided on a similar series for girls, featuring an amateur girl detective as the heroine. While Stratemeyer believed that a woman's place was in the home, he was aware that the Hardy Boys books were popular with girl readers and wished to capitalize on girls' interest in mysteries by offering a strong female heroine.


title: Nancy Drew

text: Stratemeyer initially pitched the new series to Hardy Boys publishers Grosset & Dunlap as the "Stella Strong Stories," adding that "they might also be called 'Diana Drew Stories,' 'Diana Dare Stories,' 'Nan Nelson Stories,' 'Nan Drew Stories,' or 'Helen Hale Stories.'" Editors at Grosset & Dunlap preferred "Nan Drew" of these options, but decided to lengthen "Nan" to "Nancy". Stratemeyer accordingly began writing plot outlines and hired Mildred Wirt, later Mildred Wirt Benson, to ghostwrite the first volumes in the series under the pseudonym Carolyn Keene. Subsequent titles have been written by several ghostwriters under the pseudonym Carolyn Keene.


title: Nancy Drew

text: The first four titles were published in 1930 and were an immediate success. Exact sales figures are not available for the years before 1979. Still, an indication of the books' popularity can be seen in a letter that Laura Harris, a Grosset and Dunlap editor, wrote to the Syndicate in 1931: "Can you let us have the manuscript as soon as possible, and no later than July 10? There will only be three or four titles brought out then, and Nancy Drew is one of the most important." The 6,000 copies that Macy's ordered for the 1933 Christmas season sold out within days. In 1934 " Fortune" magazine featured the Syndicate in a cover story and singled Nancy Drew out for particular attention: "Nancy is the greatest phenomenon among all the fifty-centers. She is a best seller. How she crashed a Valhalla that had been rigidly restricted to the male of her species is a mystery even to her publishers."


title: Nancy Drew

text: The earliest Nancy Drew books were published as dark blue hardcovers with the titles stamped in orange lettering with dark blue outlines and no other images on the cover. The covers went through several changes in the early years: leaving the orange lettering with no outline and adding an orange silhouette of Nancy peering through a magnifying glass; then changing to a lighter blue board with dark blue lettering and silhouette; then changing the position of the title and silhouette on the front with black lettering and a more "modern" silhouette. Nancy Drew is depicted as an independent-minded 16-year-old who has already completed her high school education (16 was the minimum age for graduation at the time). While the first four books of the series are noted for their strong continuity and sense of passing seasons and time, it is lost throughout the series with changes like Nancy's hair color being changed to titian. Her age is changed from 16 to 18 in book 31, "The Ringmaster's Secret" (1953), with no in-universe explanation. Affluent (her father is a successful lawyer), she maintains an active social, volunteer, and sleuthing schedule, as well as participating in athletics and the arts, but is never shown as working for a living or acquiring job skills. Nancy is affected neither by the Great Depression—although many of the characters in her early cases need assistance as they are poverty-stricken—nor World War II. Nancy lives with her lawyer father, Carson Drew, and their housekeeper, Mrs. Hannah Gruen. Some critics prefer the Nancy of these volumes, largely written by Mildred Benson. Benson is credited with "[breathing]… a feisty spirit into Nancy's character." The original Nancy Drew is sometimes claimed: "to be a lot like [Benson] herself – confident, competent, and totally independent, quite unlike the cardboard character that [Edward] Stratemeyer had outlined."


title: Nancy Drew

text: This original Nancy is frequently outspoken and authoritative, so much so that Edward Stratemeyer told Benson that the character was "much too flip, and would never be well received." The editors at Grosset & Dunlap disagreed, but Benson also faced criticism from her next Stratemeyer Syndicate editor, Harriet Adams, who felt that Benson should make Nancy's character more "sympathetic, kind-hearted and lovable." In Benson's words, Adams repeatedly asked Benson to "make the sleuth less bold… 'Nancy said' became 'Nancy said sweetly,' 'she said kindly,' and the like, all designed to produce a less abrasive, more caring character." Many readers and commentators, however, admire Nancy's original outspoken character.


title: Nancy Drew

text: A prominent critic of the Nancy Drew character, at least the Nancy of these early Nancy Drew stories, is mystery writer Bobbie Ann Mason. Mason contends that Nancy owes her popularity largely to "the appeal of her high-class advantages." Mason also criticizes the series for its racism and classism, arguing that Nancy is the upper-class WASP defender of a "fading aristocracy, threatened by the restless lower classes." Mason further contends that the "most appealing elements of these daredevil girl sleuth adventure books are (secretly) of this kind: tea and fancy cakes, romantic settings, food eaten in quaint places (never a Ho-Jo's), delicious pauses that refresh, old-fashioned picnics in the woods, precious jewels, and heirlooms… The word dainty is a subversive affirmation of a feminized universe."


title: Nancy Drew

text: At the bottom, says Mason, the character of Nancy Drew is that of a girl who can be "perfect" because she is "free, white, and sixteen" and whose "stories seem to satisfy two standards – adventure and domesticity. But adventure is the superstructure, domesticity the bedrock."


title: Nancy Drew

text: Others argue that "Nancy, despite her traditionally feminine attributes, such as good looks, a variety of clothes for all social occasions, and an awareness of good housekeeping, is often praised for her seemingly masculine traits… she operates best independently, has the freedom and money to do as she pleases, and outside of a telephone call or two home, seems to live for solving mysteries rather than participating in family life."


title: Nancy Drew

text: At the insistence of publishers Grosset & Dunlap, the Nancy Drew books were revised in 1959 to make books more modern and eliminate racist stereotypes. Although Harriet Adams felt that these changes were unnecessary, she oversaw a complete overhaul of the series, as well as writing new volumes in keeping with the new guidelines laid down by Grosset & Dunlap. The series did not so much eliminate racial stereotypes, however, as eliminate non-white characters. For example, in the original version of "The Hidden Window Mystery" (1956), Nancy visits friends in the south whose African-American servant, "lovable old Beulah… serves squabs, sweet potatoes, corn pudding, piping hot biscuits, and strawberry shortcake." The house mistress waits until Beulah has left the room and then says to Nancy, "I try to make things easier for Beulah, but she insists on cooking and serving everything the old-fashioned way. I must confess, though, that I love it." In the revised 1975 version, Beulah is changed to Anna, a "plump, smiling housekeeper".


title: Nancy Drew

text: Many other changes were relatively minor. The new books were bound in yellow with color illustrations on the front covers. Nancy's age was raised from 16 to 18, her mother was said to have died when Nancy was three, rather than ten, and other small changes were made. Housekeeper Hannah Gruen, sent off to the kitchen in early stories, became less a servant and more a mother surrogate.


title: Nancy Drew

text: Critics saw this Nancy of the 1950s, 1960s, and 1970s as an improvement in some ways, a step back in others: "In these new editions, an array of elements had been modified… and most of the more overt elements of racism had been excised. In an often overlooked alteration, however, the tomboyishness of the text's title character was also tamed." Nancy becomes much more respectful of male authority figures in the 1950s, 1960s, and 1970s, leading some to claim that the revised Nancy becomes too agreeable and less distinctive, writing of her, "In the revised books, Nancy is relentlessly upbeat, puts up with her father's increasingly protective tendencies, and, when asked if she goes to church in the 1969 "The Clue of the Tapping Heels", replies, 'As often as I can."


title: Nancy Drew

text: Harriet Adams continued to oversee the series after switching publishers to Simon & Schuster until she died in 1982. After her death, Adams' protégés, Nancy Axelrad and Lilo Wuenn, and her three children oversaw the Nancy Drew books and other Stratemeyer Syndicate series production. In 1985, the five sold the Syndicate and all rights to Simon & Schuster. Simon & Schuster turned to book packager Mega-Books for new writers. These books continued to have the characters solve mysteries in the present day while still containing the same basic formula and style of the books during the Syndicate.


title: Nancy Drew

text: In 1985, as the sale of the Stratemeyer Syndicate to Simon & Schuster was finalized, Simon & Schuster wanted to launch a spin-off series that focused on more mature mysteries and incorporated romance into the stories. To test whether this would work, the final two novels before the sale, "The Bluebeard Room" and "The Phantom of Venice", were used as backdoor pilots for the new series. The books read are drastically different from the preceding novels of the past 55 years. For example, "The Phantom of Venice" (1985) opens with Nancy wondering in italics, ""Am I or am I not in love with Ned Nickerson?"" Nancy begins dating other young men and acknowledges sexual desires: "'I saw [you kissing him]… You don't have to apologize to me if some guy turns you on.' 'Gianni "doesn't" turn me on!… Won't you please let me explain.'" The next year, Simon & Schuster launched the first Nancy Drew spin-off, titled "The Nancy Drew Files". However, after the above-mentioned two Mystery Stories books, as implied in "The Double Horror of Fenley Place", Nancy appears to be dating Ned again and the series continues without any reference to Nancy dating other guys in "The Bluebeard Room" or in "The Phantom of Venice".


title: Nancy Drew

text: The Nancy Drew character in the "Files" series has earned mixed reviews among fans. Some, including sex-positive feminists, contend that Nancy's character becomes "more like Mildred Wirt Benson's original heroine than any [version] since 1956." Others criticize the series for its increasing incorporation of romance and "[dilution] of pre-feminist moxie." One reviewer noticed, "Millie [Mildred Wirt Benson] purists tend to look askance upon the "Files" series, in which fleeting pecks bestowed on Nancy by her longtime steady, Ned Nickerson, give way to lingering embraces in a Jacuzzi." Cover art for "Files" titles, such as "Hit and Run Holiday" (1986), reflects these changes; Nancy is often dressed provocatively, in short skirts, shirts that reveal her stomach or cleavage, or a bathing suit. She is often pictured with an attentive, handsome boy in the background and frequently appears aware of and interested in that boy. The books emphasize character relationships, with Nancy Drew and Ned Nickerson becoming more on-off couples and having other love interests that span multiple books. However, at the end of the last book in the series, statements implied that Nancy kept dating Ned. The end of the book "Murder on Ice" strongly implies that Nancy and Ned engage in sexual intercourse (At the very least, they go into a Jacuzzi together.) Nancy also becomes more vulnerable, being often chloroformed into unconsciousness, or defenseless against chokeholds. Furthermore, the minor thefts of the original books are replaced by murders and murder attempts, and Nancy is frequently in mortal danger. In an extreme example, in the book "Deadly Doubles", the fate of an entire nation


title: Nancy Drew

text: and millions of lives are at stake, a character is tortured and strangled offscreen, and Nancy and her allies are nearly killed on five separate occasions.


title: Nancy Drew

text: The "Files" also launched its spin-off. A crossover spin-off series with "The Hardy Boys", titled the "Super Mystery" series, began in 1988. These books were in continuity with the similar "Hardy Boys" spin-off, "The Hardy Boys Casefiles".


title: Nancy Drew

text: In 1995, Nancy Drew finally goes to college in the "Nancy Drew on Campus" series. These books read more similar to soap opera books, such as the "Sweet Valley High" series. The "On Campus" books focus more on romance plots, and also centered around other characters; the mysteries were merely used as subplots. By reader request, Nancy broke off her long-term relationship with boyfriend Ned Nickerson in the second volume of the series, "On Her Own" (1995). Similar to the "Files" series, reception for the "On Campus" series was also mixed, with some critics viewing the inclusion of adult themes such as date rape "unsuccessful". Carolyn Carpan commented that the series was "more soap opera romance than mystery" and that Nancy "comes across as dumb, missing easy clues she wouldn't have missed in previous series". The series was also criticized for focusing more on romance than on grades or studying, with one critic stating that the series resembled collegiate academic studying in the 1950s, where "women were more interested in pursuing… the "MRS" degree."


title: Nancy Drew

text: In 1997, Simon & Schuster announced a mass cancellation of Nancy Drew and Hardy Boys spin-offs, except for younger children. The "Files" series ran until the end of 1997, while both the "Super Mystery" and "on Campus" series ran until the beginning of 1998.


title: Nancy Drew

text: In 2003, publishers Simon & Schuster ended the original Nancy Drew series and began featuring Nancy's character in a new mystery series, "Girl Detective". The Nancy Drew of the "Girl Detective" series drives a hybrid car, uses a mobile phone, and recounts her mysteries in the first person. Since the series is set in the 21st century, several technologies and pop-culture references exist. Many applaud these changes, arguing that Nancy has not changed at all other than learning to use a cell phone. Others praise the series as more realistic; Nancy, these commentators argue, is now a less perfect and therefore more likable being, one whom girls can more easily relate to – a better role model than the old Nancy because she can be emulated, rather than a "prissy automaton of perfection."


title: Nancy Drew

text: Some, mostly fans, vociferously lament the changes, seeing Nancy as a silly, air-headed girl whose trivial adventures (discovering who squished the zucchini in 2004's "Without a Trace") "hold a shallow mirror to a pre-teen's world." Leona Fisher argues that the new series portrays an increasingly white River Heights, partially because "the clumsy first-person narrative voice makes it nearly impossible to interlace external authorial attitudes into the discourse," while it continues and worsens "the implicitly xenophobic cultural representations of racial, ethnic, and linguistic others" by introducing gratuitous speculations on characters' national and ethnic origins.


title: Nancy Drew

text: The character is also the heroine of a series of graphic novels, begun in 2005 and produced by Papercutz. The graphic novels are written by Stefan Petrucha and illustrated in manga-style artwork by Sho Murase. The character's graphic novel incarnation has been described as "a fun, sassy, modern-day teen who is still hot on the heels of criminals."


title: Nancy Drew

text: When the 2007 film was released, a non-canon novelization of the movie was written to look like the older books. A new book was written for each of the "Girl Detective" and "Clue Crew" series, which deal with a mystery on a movie set. In 2008, the "Girl Detective" series was re-branded into trilogies with a model on the cover. These mysteries became deeper, with the mystery often spread across three books and multiple culprits. These trilogies also met with negative fan reception due to Nancy's constant mistakes, shortness of the books, and lack of action. With the new trilogy format, sales began slipping. In 2010, Simon & Schuster cut back from six "Nancy Drew" books per year to four books per year. In December 2011, they finally announced that the series was canceled along with the Hardy Boys "Undercover Brothers".


title: Nancy Drew

text: With the sudden cancellation of the "Girl Detective" series, the "Diaries" series began in 2013. The series is similar to its predecessor in that the books are narrated in the first person. Nancy is still absent-minded and awkward, and references are still made to pop culture and technology.


title: Nancy Drew

text: Consistent with other Stratemeyer Syndicate properties, the Nancy Drew novels were written by various writers, all under the pen name Carolyn Keene. Following the customs of Stratemeyer Syndicate series production, ghostwriters for the Syndicate signed contracts that have sometimes been interpreted as requiring authors to sign away all rights to authorship or future royalties. Contracts stated that authors could not use their Stratemeyer Syndicate pseudonyms independently of the Syndicate. In the early days of the Syndicate, ghostwriters were paid a fee of $125, "roughly equivalent to two months' wages for a typical newspaper reporter, the primary day job of the syndicate ghosts."


title: Nancy Drew

text: During the Great Depression, this fee was lowered to $100 and eventually $75. All royalties went to the Syndicate, and all correspondence with the publisher was handled through a Syndicate office. The Syndicate was able to enlist the cooperation of libraries in hiding the ghostwriters' names; when Walter Karig, who wrote volumes eight through ten of the original "Nancy Drew Mystery Stories", tried to claim rights with the Library of Congress in 1933, the Syndicate instructed the Library of Congress not to reveal the names of any Nancy Drew authors, a move with which the Library of Congress complied.


title: Nancy Drew

text: The Syndicate's process for creating the Nancy Drew books consisted of creating a detailed plot outline, drafting a manuscript, and editing the manuscript. Edward Stratemeyer and his daughters Harriet Adams and Edna Stratemeyer Squier wrote most of the outlines for the original Nancy Drew series until 1979. Volume 30, "The Clue of the Velvet Mask" (1953), was outlined by Andrew Svenson. Usually, other writers wrote the manuscripts. Most of the early volumes were written by Mildred Wirt Benson. Other volumes were written by Walter Karig, George Waller, Jr., Margaret Scherf, Wilhelmina Rankin, Alma Sasse, Charles S. Strong, Iris Vinton, and Patricia Doll. Later titles were penned by Nancy Axelrad, Sharon Wagner, and James Duncan Lawrence, and according to Book Riot, Carol Gorman, Ellen Steiber, and Alison Hart Edward "each wrote several Nancy Drews in the 1980s and '90s." Stratemeyer edited the first three volumes, and Harriet Adams edited most subsequent volumes until she died in 1982. In 1959, the earlier titles were revised, largely by Adams. From the late 1950s until she died in 1982, Harriet Adams herself wrote the manuscripts for most of the books.


title: Nancy Drew

text: After Adams' death, series production was overseen by Nancy Axelrad (who also wrote several volumes). The rights to the character were sold in 1984, along with the Stratemeyer Syndicate itself, to Simon & Schuster. Book packager Mega-Books subsequently hired authors to write the main Nancy Drew series and a new series, "The Nancy Drew Files".


title: Nancy Drew

text: In 1980, Harriet Adams switched publishers to Simon & Schuster, dissatisfied with the lack of creative control at Grosset & Dunlap and the lack of publicity for the Hardy Boys' 50th anniversary in 1977. Grosset & Dunlap filed suit against the Syndicate and the new publishers, Simon & Schuster, citing "breach of contract, copyright infringement, and unfair competition."


title: Nancy Drew

text: Adams filed a countersuit, claiming the case was in poor taste and frivolous and that, as the author of the Nancy Drew series, she retained the rights to her work. Although Adams had written many of the titles after 1953 and edited others, she claimed to be the author of all of the early titles. She had rewritten the older titles and was not their original author. When Mildred Benson was called to testify about her work for the Syndicate, Benson's role in writing the manuscripts of early titles was revealed in court with extensive documentation, contradicting Adams' claims to authorship. The court ruled that Grosset had the right to publish the original series as they were in print in 1980 but did not own characters or trademarks. Furthermore, any new publishers chosen by Adams were completely within their rights to print new titles.


title: Nancy Drew

text: Nancy Drew has been illustrated by many artists over the years, and her look constantly updated. The Stratemeyer Syndicate and the books' publishers have exercised control over how Nancy is depicted. Some aspects of Nancy's portrayal have remained relatively constant through the decades. Her most characteristic physical depiction is that she is shown holding a flashlight.


title: Nancy Drew

text: Commercial artist Russell H. Tandy was the first artist to illustrate Nancy Drew. Tandy was a fashion artist and infused Nancy with a contemporary fashion sensibility: her early style is that of a flatfoot flapper: heeled Mary Janes accompany her blue flapper skirt suit and cloche hat on three of the first four-volume dust jackets. As styles changed over the next few years, Nancy began to appear in glamorous frocks, with immaculately set hair, pearls, matching hats, gloves, and handbags. By the 1940s, Nancy wore simpler, tailored suits and outfits; her hair was often arranged in a pompadour. In the post-war era, Tandy's Nancy is shown hatless, wearing casual skirt and blouse ensembles, and carrying a purse, like most teens of the late 1940s.


title: Nancy Drew

text: Tandy drew the inside sketches for the first 26 volumes of the series and painted the covers of the first 26 volumes except for volume 11 – the cover artist for volume 11 is unknown. Tandy read each text before sketching, so his early covers were closely connected to specific plot scenes. He also hand-painted the cover lettering and designed the original Nancy Drew logo: a silhouette of Nancy bending slightly and looking at the ground through a magnifying glass.


title: Nancy Drew

text: Tandy often portrays Nancy Drew with confident, assertive body language. She never appears "shocked, trepidatious, or scared." Nancy is shown either boldly in the center of the action or actively, but secretively, investigating a clue. She is often observed by a menacing figure and appears to be in imminent danger, but her confident expression suggests to viewers that she is in control of the situation.


title: Nancy Drew

text: Tandy's home was struck by fire in 1962, and most of his original paintings and sketches were destroyed. As a result, the Tandy dust-jackets are considered valuable by collectors.


title: Nancy Drew

text: Beginning with Tandy in 1948 and continuing into the early 1950s, Nancy's appearance was updated to follow the prevailing styles. In postwar opulence, a trend emerged for young adults to have their casual style instead of dressing in the same styles as more mature adults, and Nancy became less constrained. Sweater or blouse and skirt ensembles and a pageboy hairstyle were introduced in 1948 and continued with new artist Bill Gillies. They updated ten covers and illustrated three new jackets from 1950 to 1952. Using Gillies's wife for a model, Nancy reflects the conservative 1950s, with immaculately waved hair and a limited wardrobe – she wears a similar sweater, blouse, and skirt ensembles, in different combinations, on most of these covers. Gillies also designed the modern-era trademark as a spine symbol used for decades: Nancy's head in profile, looking through a quizzing glass.


title: Nancy Drew

text: In the later Tandy period (1946 – 1949) and throughout the 1950s, Nancy is depicted less frequently in the center of the action. "The Ghost of Blackwood Hall" shows an assertive Nancy leading more timid friends up the front steps of the haunted house and marks a transition to later illustrations. From 1949 forward, she is likely to observe others, often hiding or concealing herself. Her mouth is often open in surprise, and she hides her body from view. Although Nancy "expresses surprise, she is not afraid. She appears to be a bit taken aback by what she sees, but she looks as if she is still in control of the situation." Many of these covers feature Nancy poised to observe a clue, spy on criminal activity, or display her discoveries to others involved in the mystery. Only occasionally is she shown in action, such as running from the scene of a fire, riding a horse, or actively sleuthing with a flashlight. At times she is only involved in the action as her hiding place has been discovered by others. In most cases, more active scenes are used for the frontispiece, or in books after 1954, illustrations throughout the text drawn by uncredited illustrators.


title: Nancy Drew

text: Joseph Rudolf "Rudy" Nappi, the artist from 1953 to 1979, illustrated a more average teenager. Nappi was asked by Grosset & Dunlap's art director to update Nancy's appearance, especially her wardrobe. Nappi gave Nancy Peter Pan collars shirtwaist dresses, a pageboy (later a flip) haircut, and the occasional pair of jeans. Nancy's hair color was changed from blonde to strawberry-blonde, reddish-blonde, or titian by the end of the decade. The change was long rumored to have resulted from a printing ink error. Still, it was considered so favorable that it was adopted in the text for books published after 1959 and by illustrator Polly Bolian for volumes she created for a special book club in 1959–60.


title: Nancy Drew

text: In 1962, all Grosset & Dunlap books became "picture covers," books with artwork and advertising printed directly on their covers, as opposed to books with a dust jacket over a tweed volume. The change was to reduce production costs. Several of the 1930s and 1940s cover illustrations were updated by Nappi for this change, depicting a Nancy of the Kennedy era, though the stories themselves were not updated. Internal illustrations, dropped in 1937, were returned to the books beginning in 1954 as pen and ink line drawings, mostly by uncredited artists, but usually corresponding with Nappi's style of drawing Nancy on the covers. Nappi followed trends initiated by Gillies and often illustrated Nancy wearing the same clothing more than once, including a mustard shirtwaist dress.


title: Nancy Drew

text: Unlike Tandy, Nappi did not read the books before illustrating them; his wife read them and provided him with a brief plot summary before Nappi began painting. Nappi's first cover was for "The Clue of the Velvet Mask", where he began a trend of portraying Nancy as "bobby-soxer… a contemporary sixteen-year-old. This Nancy was perky, clean-cut, and extremely animated. In the majority of his covers, Nancy looks startled – which, no doubt, she was." Nancy's style is considered conservative and remains so during the psychedelic period. Although she wears bold colors and prints, or the background colors are shades of electric yellow, shocking pink, turquoise, or apple green, her clothing is high-necked and with long hemlines. Earlier Nappi covers show Nancy in poses similar to those in the covers by Tandy and Gillies; for many updated covers, he simply updated the characters' color scheme, clothing style, and hairstyles but retains their original poses in similar settings. Later Nappi covers show only Nancy's head or part of her body, surrounded by spooky or startling elements or clues from the story. These Nappi covers would later be used for the opening credits of the television production, with photos of Pamela Sue Martin inserted on the book covers.


title: Nancy Drew

text: Often, "Nancy's face wears the blank expression of one lost in thought," making her appear passive. On the cover of "The Strange Message in the Parchment" (1977), for example, in contrast to earlier covers, Nancy "is not shown in the midst of danger or even watching a mystery unfold from a distance. Instead, Nancy is shown thinking about the clues"; in general, Nancy becomes less confident and more puzzled.


title: Nancy Drew

text: Ruth Sanderson and Paul Frame provided cover art, and interior illustrations for the first Nancy Drew paperbacks published under the Wanderer imprint. Other artists, including Aleta Jenks and others whose names are unknown, provided the cover art, but no interior illustrations, for later paperbacks. Nancy is portrayed as "a wealthy, privileged sleuth who looks pretty and alert… The colors, and Nancy's facial features, are often so vivid that some of the covers look more like glossy photographs than paintings."


title: Nancy Drew

text: Nancy is frequently portrayed pursuing a suspect, examining a clue or observing the action. She is often also shown in peril: being chased, falling off a boat, or hanging by a rope from rafters. These covers are "characterized by frenetic energy on Nancy's part; whether she is falling, limbs flailing, an alarmed look on her face, or running, hair flying, body bent, face breathless. Nancy does not have any control over the events that are happening in these covers. She is shown to be a victim, being hunted and attacked by unseen foes." Nancy is sometimes pursued by a visibly threatening foe, as on the cover of "The Case of the Vanishing Veil" (1988).


title: Nancy Drew

text: The covers of "The Nancy Drew Files" and "Girl Detective" series represent further departures from Tandy's bold, confident character. The Nancy portrayed on the covers of "The Nancy Drew Files" is "a markedly sexy Nancy, with a handsome young man always lurking in the background. Her clothes often reveal an ample bustline, and her expression is mischievous." In the "Girl Detective" series, Nancy's face is depicted on each cover in fragments. Her eyes, for example, are confined to a strip across the top of the cover, while her mouth is located near the spine in a box independent of her eyes. The artwork for Nancy's eyes and mouth is taken from Rudy Nappi's cover art for the revised version of "The Secret of the Old Clock".


title: Nancy Drew

text: The longest-running series of books to feature Nancy Drew is the original Nancy Drew series, whose 175 volumes were published from 1930 to 2003. Nancy also appeared in 124 titles in "The Nancy Drew Files" and became the heroine of the "Diaries" series. Various other series features the character, such as the "Nancy Drew Notebooks" and "Nancy Drew on Campus". While Nancy Drew is the central character in each series, continuity is preserved only within one series, not between them all; for example, in concurrently published titles in the Nancy Drew series and the "Nancy Drew on Campus" series, Nancy is respectively dating her boyfriend Ned Nickerson or broken up with Ned Nickerson. The two exceptions are the series "Super Mystery" (also called "A Nancy Drew and Hardy Boys Super Mystery") that ran concurrently with the "Files" and shares continuity with those stories and the then-running "Hardy Boys Casefiles", and in 2007 a new "A Nancy Drew and Hardy Boys Super Mystery" series shared continuity with the "Girl Detective" series.


title: Nancy Drew

text: "Nancy Drew Diaries" started in 2013. This is a reboot of the "Nancy Drew: Girl Detective" series. The series is "A classic Nancy Drew with her modern twist." While similar to the "Nancy Drew Girl Detective" series, this series includes situations and problems typical in young adult "tween" books. The mystery element is not always the main focus of the characters, and often Nancy states she is avoiding mysteries or "on a break" from sleuthing. Nancy often acts timid and scared; in book #16 "The Haunting on Heliotrope Lane" she says she is glad she "hasn't peed herself from being scared." This Nancy does not navigate the world of adults like previous versions of the character. The first-person narration reveals a juvenile voice with a passive role in the action and a lack of motivation in solving mysteries. In book #12, "The Sign in the Smoke," Nancy does not solve the mystery; a secondary character comes up with the solution. In several books, Nancy stumbles upon the solution to the "mystery" and acts amazed at the reveal. This is in contrast to the set-up of the previous Nancy Drew series. Attempts to make Nancy's character more modern and less perfect have resulted in a confusing and often conflicting representation of the iconic Nancy Drew character.


title: Nancy Drew

text: The main Nancy Drew series, "The Nancy Drew Files", and "Girl Detective" books have been translated into a number of languages besides English. Estimates vary from between 14 and 25 languages, but 25 seems the most accurate number. Nancy Drew books have been published in many European countries (especially in Nordic countries and France) as well as in Latin America and Asia. The character of Nancy Drew seems to be more popular in some countries than others. Nancy Drew books have been in print in Norway since 1941 (the first country outside USA), in Denmark since 1958, in France since 1955 and in Italy since 1970 by Arnoldo Mondadori Editore. Other countries, such as Estonia, have only recently begun printing Nancy Drew books.


title: Nancy Drew

text: Nancy's name is often changed in translated editions: in France, she is known as Alice Roy; in Sweden, as Kitty Drew; in Finland, as Paula Drew; and in Norway, the book series has the name of "Frøken Detektiv" ("Miss Detective"), though the heroine's name is still Nancy Drew inside the books. In Germany, Nancy is a German law student named Susanne Langen. George Fayne's name is even more frequently changed, to Georgia, Joyce, Kitty, or Marion. Cover art and series order is often changed as well, and in many countries, only a limited number of Drew books are available in translation.


title: Nancy Drew

text: In 1937, Warner Bros. bought the rights to the "Nancy Drew" book series from the Stratemeyer Syndicate, for a reported $6,000. Warner Bros. wanted to make a series of B-films based on the character, to serve as a companion to their popular "Torchy Blane" B-film series, which starred Glenda Farrell, Barton MacLane, and Tom Kennedy. Adams sold the rights to Jack L. Warner without an agent or any consultation; thus, she sold all and any film rights to Warner Bros., a move she would later regret, and would later come into question by her publishers.


title: Nancy Drew

text: From 1938 to 1939, four films in the series were released. All of them were directed by William Clemens, written by "Torchy Blane" writer Kenneth Gamet, and had the same primary cast: Bonita Granville as Nancy Drew; John Litel as Carson Drew; and Frankie Thomas as Ted Nickerson (changed from Ned Nickerson). Renie Riano and Frank Orth also appeared in some of the films as Effie Schneider and Captain Tweedy, respectively.


title: Nancy Drew

text: The four films were released as B-films (a shorter film shows before the main picture, which usually lasted around 60 minutes):


title: Nancy Drew

text: The series was announced by Warner Bros. in April 1938; production of the first film, "Nancy Drew Gets the Passport", was set to begin production in June, directed by John Farrow with a screenplay from Robertson White. However, for unclear reasons, Farrow and White were replaced by Clemens and Gamet, and production was delayed to August. The first two films did well enough to allow Warner Bros. to expand the budgets for the third and fourth films; in early 1939, they also announced the green-lighting of an additional four films, bringing the total up to eight.


title: Nancy Drew

text: After the second film, Warner Bros. assigned the third film, originally titled "Nancy Drew Steps Out", to Eddie Anderson and Charles Perry; like White, they were replaced under unclear circumstances. Gamet was once again re-hired to write for the series, and completed writing the eight films. In late 1939, Warner Bros. decided to eliminate their double feature setup, thus cancelling the "Nancy Drew" film series. Although they initially announced the "Nancy Drew" series would be converted into two-reelers, they cancelled those plans days later. Gamet had at least written the fifth and sixth film, and the fifth may have been produced. Frankie Thomas stated that he believes he and Granville had made five films, not four, while Harriet Adams wrote in August 1939 to Mildred Wirt, the ghostwriter of the books at the time, that "three have been shown in this area, and I have just heard that a fifth is in production." In addition, Gamet had reportedly written a sixth film.


title: Nancy Drew

text: The films took many liberties from its source material. Granville's portrayal of Nancy showed her as a ditzy and absent-minded schemer, in contrast to the books of that time, where Nancy was intelligent, sharp-tongued, and quite ahead of her time. Carson Drew of the books was portrayed as an older, feeble, hands-off parent, while John Litel's Carson was young, handsome, much more athletically fit, and tried his best to restrain Nancy from getting into danger. Ned/Ted was even more drastically altered: instead of being Nancy's boyfriend in college who lives in a different town, he was now her clumsy next-door neighbor, who was often in the center of Nancy's scheming unwittingly or under protest. The recurring character of the older Hannah Gruen was replaced with Effie Schneider, Hannah's teenage niece who had appeared in the book the first film was based on. Effie and Hannah's characteristics were merged, although Effie's fidgety, frightful nature retained prominence for comedic effect. In addition to these four, the new character Captain Tweedy was added, to portray the stereotypical bumbling, clueless cop that mirrored Steve McBride in the "Torchy Blane" series. The characters of Bess Marvin, George Fayne, and Helen Corning did not appear in the film series, and were never mentioned or referred to.


title: Nancy Drew

text: In addition to the character changes, the tone and pacing of the films were also matured and altered for comic effect and to accommodate a wider audience. The films changed the less-severe crimes and adventures of the books into gruesome murders, often spearheaded by dangerous criminals. At the time of the films, Nancy and Ned/Ted's romance in the books was set aside for the main mystery; on the other hand, romance was a prominent theme of the films, with Nancy being portrayed as the domineering girlfriend, and Ted as the repressive boyfriend, usually used by Nancy to his misery. While book Nancy was usually treated with authority and equal respect to other adults while solving the mystery professionally, the films portrayed Nancy as a meddling school girl who chased adventures, much to the misery of the adults and peers around her.


title: Nancy Drew

text: Critical reaction to these films is mixed. Some find that the movies did not "depict the true Nancy Drew", in part because Granville's Nancy "blatantly used her feminine wiles (and enticing bribes)" to accomplish her goals. The films also portray Nancy as childish and easily flustered, a significant change from her portrayal in the books. Just as with the critics, both ghostwriter Mildred Wirt and editor Harriet Adams were also divided on the film's reception. Adams did not like the films, and resented the studio for its treatment of the character; she did, however, keep a personal autographed photo from Granville on her office desk for many years according to her employees, and may have used John Litel's portrayal of Carson Drew to revamp the character when she revised the books in the 1960s and 1970s. Contrary to Adams, Benson was said to have liked the films of the time, despite them being different from the character she wrote.


title: Nancy Drew

text: To promote the film, Warner Bros. created a Nancy Drew fan club that included a set of rules, such as: "Must have steady boy friend, in the sense of a 'pal'" and must "Take part in choosing own clothes." These rules were based on some research Warner Bros. had done on the habits and attitudes of "typical" teenage girls. Granville was the "honorary president" of the fan club, and a kit for the club came with autographed pictures of her.


title: Nancy Drew

text: The series become somewhat of a cult success after the films started appearing on cable channels such as Turner Classic Movies. The films were arguably ones in which all five cast members were notable for in their careers. Granville recalled making the films fondly, and later called "Nancy Drew… Trouble Shooter" her favorite of the four. She and Litel would later reunite for the 1947 film "The Guilty", produced by Granville's husband Jack Wrather. Thomas would later go on to portray Carson Drew in a failed pilot for CBS.


title: Nancy Drew

text: A new film version for "Nancy Drew" had been in the works at Warner Bros. since the mid-1990s. However, nothing came into fruition until the mid-2000s.


title: Nancy Drew

text: On June 15, 2007, Warner Bros. Pictures released a new film titled "Nancy Drew", with Emma Roberts starring as Nancy, Max Thieriot as Ned Nickerson, and Tate Donovan as Carson Drew; Andrew Fleming directed and co-wrote the film with Tiffany Paulsen, while Jerry Weintraub produced. This film saw Nancy move to Los Angeles with her father on an extended business trip, and picking the house of a murdered movie star as their house to solve the cold case.


title: Nancy Drew

text: Before the release of the 2007 film, Roberts, Fleming, and Weintraub had signed on for two "Nancy Drew" sequels. But with the mixed success of the first film, and Roberts' decision to move onto other projects, these films were never made.


title: Nancy Drew

text: As with the earlier Drew films, reactions were mixed. Some see the film as updated version of the basic character: "although it has been glammed up for the lucrative tween demographic, the movie retains the best parts of the books, including, of course, their intelligent main character." Others find the movie "jolting" because Nancy's "new classmates prefer shopping to sleuthing, and Nancy's plaid skirt, penny loafers, and magnifying glass make her something of a dork, not the town hero she was in the Midwest."


title: Nancy Drew

text: On April 20, 2018, Warner Bros. announced they were making a new "Nancy Drew" film series, starring Sophia Lillis as Nancy. The first film was adapted from "The Hidden Staircase", with Ellen DeGeneres and Wendy Williams among the producers. The film is not related to the previous film starring Bonita Granville.


title: Nancy Drew

text: The first and most successful attempt at bringing Nancy Drew to life on television was "The Hardy Boys/Nancy Drew Mysteries", which ran from 1977 to 1979 on ABC. Future "Dynasty" star Pamela Sue Martin starred as Nancy, with Jean Rasey and George O'Hanlon, Jr. as friends George and Ned, and William Schallert as Carson Drew. The first season originally alternated with the Hardy Boys; the Hardy Boys was met with success, but the Drew episodes were met with mixed results. In the second season, the format shifted to present the Hardy Boys as the more prominent characters, with Nancy Drew mostly a character in crossover episodes. The three "solo" episodes made that season featured Susan Buckner in the role of George, and focused on more bizarre cases. Following the thirteenth episode, Martin left the series, citing the changes made to the character and show. 19-year-old Janet Louise Johnson replaced Martin for her final four appearances, all of which were crossover episodes. When the series came back for a third season, Nancy Drew was dropped from the series, with it now focusing completely on the Hardy Boys; ABC canceled the series soon after this change.


title: Nancy Drew

text: Though the "Nancy Drew" aspect of the show received mixed reception, it is regarded as the most faithful adaptation of the character, with Martin often regarded by many fans as the best actress to portray her. The series was also faithful in its tone of smaller mysteries, such as haunted houses or theft.


title: Nancy Drew

text: The second "Nancy Drew" series, "Nancy Drew" aired in first-run syndication from September to December 1995. Produced by Nelvana, Tracy Ryan starred as Nancy Drew, who is now a 21-year-old criminology student, moving to New York City and living in an upscale apartment complex called the "Callisto". Nancy solved various mysteries with Bess (Jhene Erwin), a gossip columnist at "The Rag", and George (Joy Tanner), a mail carrier and amateur filmmaker. Scott Speedman recurred as Ned Nickerson, who works on charity missions in Africa. This "Nancy Drew" series was again partnered with a series based on "The Hardy Boys", with Ryan appearing in two episodes of the latter series as Nancy.


title: Nancy Drew

text: The series was based on "The Nancy Drew Files" series, and the three stars were used on several of the series' covers to promote the show. Both shows were cancelled midway through their first seasons due to low ratings; the poorly syndicated half-hour shows aired in a slot outside of prime time on the newly launched The WB and UPN networks. The entire series has since been released on DVD, and has appeared on several online streaming sites, including the Retro Rerun YouTube channel.


title: Nancy Drew

text: On December 15, 2002, ABC aired "Nancy Drew", starring Maggie Lawson and produced by Lawrence Bender. The movie was intended to be a pilot for a possible weekly series, which saw Nancy and her friends going off to college in a modern setting, and Nancy pursuing a journalism degree. Like the 1930s films, this pilot also took a more mature turn, with the mystery being a drug bust, and Nancy having a falling out with her father. The pilot aired as part of "The Wonderful World of Disney" series, with additional scripts being ordered and production contingent on the movie's ratings and reception. The series was passed at ABC, and UPN also passed following Lawson being cast on another ABC series.


title: Nancy Drew

text: The third television series, "Nancy Drew", premiered on The CW on October 9, 2019. Developed by Josh Schwartz and Stephanie Savage, this series stars Kennedy McMann as Nancy Drew, with co-stars including Leah Lewis as George and Scott Wolf as Carson Drew. This series revolves around Nancy as she heads off to college, only to have to stay back for another year after finding herself the prime suspect in a murder investigation. Like other adaptations of the character, it has received mixed reviews.


title: Nancy Drew

text: Much like fellow CW series "Riverdale", the adaptation features serialized, soap opera-esque storylines. In addition to including more mature elements such as sex and violence, the series relies on supernatural elements, such as ghosts and extrasensory perception. In addition, it greatly diverges from several of the source material's formula (e.g. race and personality changes of the main characters; Nancy, Bess, and George not being friends; Ned/"Nick" is a former criminal and an older, secret boyfriend), location (e.g. the main setting being the fictional seaside town of Horseshoe Bay, Maine, instead of the fictional Midwestern city of River Heights), and background (e.g., Carson Drew is not Nancy's biological father, Nancy's mother dying when she was an older teenager instead of a child).


title: Nancy Drew

text: In 1957, Desilu and CBS developed a show, "Nancy Drew, Detective", based on the movies from the 1930s. Roberta Shore was cast in the title role as Nancy Drew, with Tim Considine as Ned Nickerson, and Frankie Thomas, Jr. as Carson Drew. Thomas had previously starred in the film series in Considine's role. Although a pilot was produced in April 1957, the series could not find a sponsor. With legal troubles and the disapproval of Harriet Adams, the idea of a series was eventually abandoned.


title: Nancy Drew

text: In October 1989, Canadian production company Nelvana began filming for a 13-episode Nancy Drew television series called "Nancy Drew and Daughter" for USA Network. Margot Kidder was cast as an adult Nancy Drew, and her daughter, Maggie McGuane, was cast as Nancy's daughter. However, Kidder was seriously injured during filming of the first episode when the brakes failed on the car she was driving. The pilot was not finished, and the series was cancelled.


title: Nancy Drew

text: In October 2015, CBS announced it would be developing a new series based on an older version of Nancy. In January 2016, CBS ordered a pilot under the working title "Drew", and that the character would be a non-Caucasian New York City police detective in her thirties. The pilot, written by Joan Rater and Tony Phelan, revolved around Nancy investigating the death of Bess Marvin, and reentering the NYPD after taking leave. Sarah Shahi was cast as Nancy Drew, with Vanessa Ferlito as George Fayne, Anthony Edwards as Carson Drew, Steve Kazee as Ned Nickerson, and Debra Monk as Hannah Gruen. The pilot was shot in location in New York City during March 2016, and was directed by James Strong. During this time, Phelan and Rater had another pilot, "Doubt", which many television reporters often placed in competition for a series order with "Drew". On May 14, 2016, it was announced that CBS decided to order "Doubt", and pass on the "Drew" pilot, so CBS Studios could shop it to other networks for series consideration, though none did.


title: Nancy Drew

text: In October 2017, Phelan and Rater brought a redeveloped pilot to NBC, where the plot now revolved around a middle-aged Nancy who wrote her adventures into novels has to team up with her former friends to solve a murder mystery. However, the redeveloped plot never made it to pilot at the network, and Phelan and Rater have since left CBS Studios.


title: Nancy Drew

text: Computer games publisher HeR Interactive began publishing an adventure game series based on the character in 1998. The games follow the popular "point-and-click format" with players playing as Nancy and using their mouse to move around a virtual environment to talk to suspects, pick up clues, solve puzzles, and eventually solve the crime. Many of the games are either directly or loosely adapted from novels in the various series, while some others are new storylines created by the company. While most of the games are computer games, with most available only on PC and some newer titles also available on Mac, HeR Interactive also have released some of the titles on other platforms, like DVD and Nintendo Wii system. The games are normally targeted for a family audience, with the rating of "ages 10 and up"; most of the games have the ESRB rating of "E" ("Everyone"), though some such as "", and "" are rated "E10+" ("Everyone ten and up"). Lani Minella voiced the Nancy character for thirty-two games from Her Interactive from 1998 until 2015. Following the release of "", the company announced that Minella would not be returning to the series. She was replaced with Brittany Cox beginning with the release of "Midnight in Salem" in 2019.


title: Nancy Drew

text: The games and company overall have received recognition throughout its history for being a pioneer in female gaming, and have been dubbed into several different languages internationally. Her Interactive has also released two adventure game/hidden object hybrid games "" (2008) and "" (2009) under the "Nancy Drew Dossier" series. A game for the iPad and iPhone titled "Nancy Drew: Codes & Clues" was also released in May 2016, designed at younger audiences to develop skills in computer programming.


title: Nancy Drew

text: In addition to the games created by Her Interactive, Majesco Entertainment and Gorilla Systems Co. have released "Nancy Drew: Deadly Secret of Olde World Park" (2007) and "Nancy Drew: The Mystery of the Clue Bender Society" (2008) for the Nintendo DS. THQ has also released two games for the Nintendo DS, "Nancy Drew: The Hidden Staircase" (2008) and "Nancy Drew: The Model Mysteries" (2010).


title: Nancy Drew

text: In March 2017, Dynamite Entertainment released Anthony Del Col and Werther Dell'Ederra's reboot of classic characters Nancy Drew and the Hardy Boys with "Nancy Drew & the Hardy Boys: The Big Lie". Inspired by comics such as "Afterlife with Archie", the series is a hardboiled noir take on the characters, and finds Nancy Drew as a femme fatale-esque character helping Frank and Joe Hardy clear their names in the murder of their father, Fenton Hardy. The series received positive reviews, with praise going toward its noir-themed tone. Del Col is set to release a sequel series "Nancy Drew & the Hardy Boys: The Death of Nancy Drew", with Joe Eisma replacing Dell'Ederra as the artist, with the first issue set to be released in May 2020.


title: Nancy Drew

text: From June to October 2018, Dynamite released another series titled "Nancy Drew", written by Kelly Thompson and art by Jenn St-Onge. The series follows Nancy as she returns to Bayport after receiving a mysterious letter. She is joined by her friends Bess Marvin, George Fayne, and the Hardy Boys to solve the mystery. The series was released as a trade paperback titled "Nancy Drew: The Palace of Wisdom" in March 2019.


title: Nancy Drew

text: A number of Nancy Drew products have been licensed over the years, primarily in the 1950s, 1960s, and 1970s. Parker Brothers produced a "Nancy Drew Mystery Game" in 1957 with the approval of the Stratemeyer Syndicate. In 1967 Madame Alexander produced a Nancy Drew doll. The doll carried binoculars and camera and was available in two outfits: with a plaid coat or a dress and short jacket. Harriet Adams disapproved of the doll's design, believing Nancy's face to be too childish, but the doll was marketed nonetheless. Various Nancy Drew coloring, activity, and puzzle books have also been published, as has a Nancy Drew puzzle. A Nancy Drew Halloween costume and a Nancy Drew lunchbox were produced in the 1970s as television show tie-ins.


title: Nancy Drew

text: According to commentators, the cultural impact of Nancy Drew has been enormous. The immediate success of the series led directly to the creation of numerous other girls' mysteries series, such as The Dana Girls mystery stories and the Kay Tracey mystery stories, and the phenomenal sales of the character Edward Stratemeyer feared was "too flip" encouraged publishers to market many other girls' mystery series, such as the Judy Bolton Series, and to request authors of series such as the Cherry Ames Nurse Stories to incorporate mystery elements into their works. The "Nancy Drew Mystery Stories" series and other girls' series books faced criticism for the formulaic nature of their plots and the poor quality of the actual books.


title: Nancy Drew

text: Many prominent and successful women cite Nancy Drew as an early formative influence whose character encouraged them to take on unconventional roles, including U.S. Supreme Court Justices Sandra Day O'Connor, Ruth Bader Ginsburg, and Sonia Sotomayor; TV personalities Oprah Winfrey and Barbara Walters; singers Barbra Streisand and Beverly Sills; mystery authors Sara Paretsky and Nancy Pickard; scholar Carolyn Heilbrun; actresses Ellen Barkin and Emma Roberts; former Secretary of State Hillary Rodham Clinton; former First Lady Laura Bush; and former president of the National Organization for Women Karen DeCrow. Less prominent women also credit the character of Nancy Drew with helping them to become stronger women; when the first Nancy Drew conference was held, at the University of Iowa, in 1993, conference organizers received a flood of calls from women who "all had stories to tell about how instrumental Nancy had been in their lives, and about how she had inspired, comforted, entertained them through their childhoods, and, for a surprising number of women, well into adulthood."


title: Nancy Drew

text: Nancy Drew's popularity continues unabated: in 2002, the first Nancy Drew book published, "The Secret of the Old Clock", alone sold 150,000 copies, good enough for top-50 ranking in children's books, and other books in the series sold over 100,000 copies each. Sales of the hardcover volumes of the original Nancy Drew series alone has surpassed sales of Agatha Christie titles, and newer titles in the Girl Detective series have reached "The New York Times" bestseller lists. "Entertainment Weekly" ranked her seventeenth on its list of "The Top 20 Heroes" ahead of Batman, explaining that Drew is the "first female hero embraced by most little girls… [Nancy lives] in an endless summer of never-ending adventures and unlimited potential." The magazine goes on to cite "Scooby-Doo"s Velma Dinkley as well as Veronica Mars as Nancy Drew's "copycat descendants".


title: Nancy Drew

text: Many feminist critics have pondered the reason for the character's iconic status. Nancy's car, and her skill in driving and repairing it, are often cited. Melanie Rehak points to Nancy's famous blue roadster (now a blue hybrid) as a symbol of "ultimate freedom and independence". Not only does Nancy have the freedom to go where she pleases (a freedom other, similar characters such as The Dana Girls do not have), but she is also able to change a tire and fix a flawed distributor, prompting Paretsky to argue that in "a nation where car mechanics still mock or brush off complaints by women Nancy remains a significant role model."


title: Nancy Drew

text: Nancy is also treated with respect: her decisions are rarely questioned and she is trusted by those around her. Male authority figures believe her statements, and neither her father nor Hannah Gruen, the motherly housekeeper, "place… restrictions on her comings and goings." Nancy's father not only imposes no restrictions on his daughter, but trusts her with both her own car and his gun (in the original version of "The Hidden Staircase" [1930]), asks her advice on a frequent basis, and accedes to all her requests. Some critics, such as Betsy Caprio and Ilana Nash, argue that Nancy's relationship with her continually approving father is satisfying to girl readers because it allows them to vicariously experience a fulfilled Electra complex.


title: Nancy Drew

text: Unlike other girl detectives, Nancy does not go to school (for reasons that are never explained, but assuming because she has finished), and she thus has complete autonomy. Similar characters, such as Kay Tracey, do go to school, and not only lose a degree of independence but also of authority. The fact of a character's being a school-girl reminds "the reader, however fleetingly, of the prosaic realities of high-school existence, which rarely includes high adventures or an authoritative voice in the world of adults."


title: Nancy Drew

text: Some see in Nancy's adventures a mythic quality. Nancy often explores secret passages, prompting Nancy Pickard to argue that Nancy Drew is a figure equivalent to the ancient Sumerian deity Inanna and that Nancy's "journeys into the 'underground are, in psychological terms, explorations of the unconscious. Nancy is a heroic figure, undertaking her adventures not for the sake of adventure alone, but in order to help others, particularly the disadvantaged. For this reason, Nancy Drew has been called the modern embodiment of the character of "Good Deeds" in Everyman.


title: Nancy Drew

text: In the end, many critics agree that at least part of Nancy Drew's popularity depends on the way in which the books and the character combine sometimes contradictory values, with Kathleen Chamberlain writing in "The Secrets of Nancy Drew": "For over 60 years, the Nancy Drew series has told readers that they can have the benefits of both dependence and independence without the drawbacks, that they can help the disadvantaged and remain successful capitalists, that they can be both elitist and democratic, that they can be both child and adult, and that they can be both 'liberated' women and Daddy's little girls." As another critic puts it, "Nancy Drew 'solved' the contradiction of competing discourses about American womanhood by entertaining them all."


title: Damien Hirst

text: Brennan; born 7 June 1965) is an English artist, entrepreneur, and art collector. He is one of the Young British Artists (YBAs) who dominated the art scene in the UK during the 1990s. He is reportedly the United Kingdom's richest living artist, with his wealth estimated at US$384 million in the 2020 "Sunday Times" Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to a head in 2003 and the relationship ended.


title: Damien Hirst

text: Death is a central theme in Hirst's works. He became famous for a series of artworks in which dead animals (including a shark, a sheep, and a cow) are preserved, sometimes having been dissected, in formaldehyde. The best-known of these was "The Physical Impossibility of Death in the Mind of Someone Living", a tiger shark immersed in formaldehyde in a clear display case. He has also made "spin paintings", created on a spinning circular surface, and "spot paintings", which are rows of randomly coloured circles created by his assistants.


title: Damien Hirst

text: In September 2008, Hirst made an unprecedented move for a living artist by selling a complete show, Beautiful Inside My Head Forever, at Sotheby's by auction and bypassing his long-standing galleries. The auction raised £111 million ($198 million), breaking the record for a one-artist auction as well as Hirst's own record with £10.3 million for "The Golden Calf", an animal with 18-carat gold horns and hooves, preserved in formaldehyde.


title: Damien Hirst

text: Since 1999, Hirst's works have been challenged and contested as plagiarised 16 times. In one instance, after his sculpture "Hymn" was found to be closely based on a child's toy, legal proceedings led to an out-of-court settlement.


title: Damien Hirst

text: Hirst was born Damien Steven Brennan in Bristol and grew up in Leeds with his Irish mother who worked for the Citizens Advice Bureau. He never met his father; his mother married his stepfather when Hirst was two, and the couple divorced 10 years later. His stepfather was reportedly a motor mechanic.


title: Damien Hirst

text: His mother stated that she lost control of her son when he was young, as he was notably arrested on two occasions for shoplifting. Hirst sees her as someone who would not tolerate rebellion: she cut up his bondage trousers and heated one of his Sex Pistols vinyl records on the cooker to turn it into a fruit bowl (or a plant pot). He says, "If she didn't like how I was dressed, she would quickly take me away from the bus stop". She did, though, encourage his liking for drawing, which was his only successful educational subject.


title: Damien Hirst

text: His art teacher at Allerton Grange School "pleaded" for Hirst to be allowed to enter the sixth form, where he took two A-levels, achieving an "E" grade in art. He was refused admission to Jacob Kramer College when he first applied, but attended the art school after a subsequent successful application to the Foundation Diploma course.


title: Damien Hirst

text: He went to an exhibition of work by Francis Davison, staged by Julian Spalding at the Hayward Gallery in 1983. Davison created abstract collages from torn and cut coloured paper which, Hirst said, "blew me away", and which he modelled his own work on for the next two years.


title: Damien Hirst

text: He worked for two years on London building sites, then studied Fine Art at Goldsmiths College (1986–89), although again he was refused a place the first time he applied. In 2007, Hirst was quoted as saying of "An Oak Tree" by Goldsmiths' senior tutor, Michael Craig-Martin: "That piece is, I think, the greatest piece of conceptual sculpture. I still can't get it out of my head." While a student, Hirst had a placement at a mortuary, an experience that influenced his later themes and materials. While an art student, Hirst was an assistant at Anthony d'Offays gallery.<ref name="alainelkanninterviews/anthony-doffay"></ref><ref name="artspace/52504"></ref><ref name="independent.co.uk/7600564"></ref>


title: Damien Hirst

text: In July 1988, in his second year at Goldsmiths College, Hirst was the main organiser of an independent student exhibition, "Freeze", in a disused London Port Authority administrative block in London's Docklands. He gained sponsorship for this event from the London Docklands Development Corporation. The show was visited by Charles Saatchi, Norman Rosenthal and Nicholas Serota, thanks to the influence of his Goldsmiths lecturer Michael Craig-Martin. Hirst's own contribution to the show consisted of a cluster of cardboard boxes painted with household paint. After graduating, Hirst was included in "New Contemporaries" show and in a group show at Kettle's Yard gallery in Cambridge. Seeking a gallery dealer, he first approached Karsten Schubert, but was turned down.


title: Damien Hirst

text: Hirst, along with his friend Carl Freedman and Billee Sellman, curated two enterprising "warehouse" shows in 1990, "Modern Medicine" and "Gambler", in a Bermondsey former Peek Freans biscuit factory they designated "Building One". Saatchi arrived at the second show in a green Rolls Royce and, according to Freedman, stood open-mouthed with astonishment in front of (and then bought) Hirst's first major "animal" installation, "A Thousand Years", consisting of a large glass case containing maggots and flies feeding on a rotting cow's head. They also staged Michael Landy's "Market". At this time, Hirst said, "I can't wait to get into a position to make really bad art and get away with it. At the moment if I did certain things people would look at it, consider it and then say 'f off'. But after a while you can get away with things."


title: Damien Hirst

text: 1987 – Damien Hirst and Holden Rowan, Old Court Gallery, Windsor Arts Centre, Windsor, UK – Curator Derek Culley


title: Damien Hirst

text: 1988 – Damien Hirst: Constructions and Sculpture, Old Court Gallery, Windsor, UK -Curator Derek Culley


title: Damien Hirst

text: His first solo exhibition, organised by Tamara Chodzko – Dial, "In and Out of Love", was held in an unused shop on Woodstock Street in central London in 1991; already in 1989 he had been part of a group exhibition at the Institute of Contemporary Arts, and the Emmanuel Perrotin Gallery in Paris. The Serpentine Gallery presented the first survey of the new generation of artists with the exhibition "Broken English", in part curated by Hirst. In 1991 Hirst met the up-and-coming art dealer, Jay Jopling, who then represented him.


title: Damien Hirst

text: In 1991, Charles Saatchi had offered to fund whatever artwork Hirst wanted to make, and the result was showcased in 1992 in the first "Young British Artists" exhibition at the Saatchi Gallery in North London. Hirst's work was titled "The Physical Impossibility of Death in the Mind of Someone Living" and was a shark in formaldehyde in a vitrine, and sold for £50,000. The shark had been caught by a commissioned fisherman in Australia and had cost £6,000. The exhibition also included "In a Thousand Years". As a result of the show, Hirst was nominated for that year's Turner Prize, but it was awarded to Grenville Davey.


title: Damien Hirst

text: Hirst's first major international presentation was in the Venice Biennale in 1993 with the work, "Mother and Child Divided", a cow and a calf cut into sections and exhibited in a series of separate vitrines. He curated the show "Some Went Mad, Some Ran Away" in 1994 at the Serpentine Gallery in London, where he exhibited "Away from the Flock" (a sheep in a tank of formaldehyde). On 9 May, Mark Bridger, a 35-year-old artist from Oxford, walked into the gallery and poured black ink into the tank, and retitled the work "Black Sheep". He was subsequently prosecuted, at Hirst's wish, and was given two years' probation. The sculpture was restored at a cost of £1,000. When a photograph of "Away from the Flock" was reproduced in the 1997 book by Hirst "I want to spend the rest of my life everywhere, with everyone, one-to-one, always, forever, now," the vandalism was referenced by allowing the tank to be obscured by pulling a card, reproducing the effect of ink being poured into the tank; this resulted in Hirst being sued by Bridger for violating his copyright on "Black Sheep."


title: Damien Hirst

text: In 1995, Hirst won the Turner Prize. New York public health officials banned "Two Fucking and Two Watching" featuring a rotting cow and bull, because of fears of "vomiting among the visitors". There were solo shows in Seoul, London and Salzburg. He directed the video for the song "Country House" for the band Blur. "No Sense of Absolute Corruption", his first solo show in the Gagosian Gallery in New York was staged the following year. In London the short film, "Hanging Around", was shown—written and directed by Hirst and starring Eddie Izzard. In 1997 the "Sensation" exhibition opened at the Royal Academy in London. "A Thousand Years" and other works by Hirst were included, but the main controversy occurred over other artists' works. It was nevertheless seen as the formal acceptance of the YBAs into the establishment.


title: Damien Hirst

text: In 1997, his autobiography and art book, "I Want To Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now", was published. With Alex James of the band Blur and actor Keith Allen, he formed the band Fat Les, achieving a number 2 hit with a raucous football-themed song "Vindaloo", followed up by "Jerusalem" with the London Gay Men's Chorus. Hirst also painted a simple colour pattern for the Beagle 2 probe. This pattern was to be used to calibrate the probe's cameras after it had landed on Mars. He turned down the British Council's invitation to be the UK's representative at the 1999 Venice Biennale because "it didn't feel right". He threatened to sue British Airways claiming a breach of copyright over an advert design with coloured spots for its low budget airline, Go.


title: Damien Hirst

text: In 2000, Hirst's sculpture "Hymn" (which Saatchi had bought for a reported £1m) was given pole position at the show "Ant Noises" (an anagram of "sensation") in the Saatchi Gallery. Hirst was then sued himself for breach of copyright over this sculpture (see Appropriation below). Hirst sold three more copies of his sculpture for similar amounts to the first. In September 2000, in New York, Larry Gagosian held the Hirst show, "Damien Hirst: Models, Methods, Approaches, Assumptions, Results and Findings". 100,000 people visited the show in 12 weeks and all the work was sold.


title: Damien Hirst

text: On 10 September 2002, on the eve of the first anniversary of the 9/11 World Trade Center attacks, Hirst said in an interview with BBC News Online:


title: Damien Hirst

text: The next week, following public outrage at his remarks, he issued a statement through his company, Science Ltd:


title: Damien Hirst

text: In 2002, Hirst gave up smoking and drinking after his wife Maia had complained and "had to move out because I was so horrible". He had met Joe Strummer (former lead singer of The Clash) at Glastonbury in 1995, becoming good friends and going on annual family holidays with him. Just before Christmas 2002, Strummer died of a heart attack. This had a profound effect on Hirst, who said, "It was the first time I felt mortal". He subsequently devoted a lot of time to founding a charity, Strummerville, to help young musicians.


title: Damien Hirst

text: In April 2003, the Saatchi Gallery opened at new premises in County Hall, London, with a show that included a Hirst retrospective. This brought a developing strain in his relationship with Saatchi to a head (one source of contention had been who was most responsible for boosting their mutual profile). Hirst disassociated himself from the retrospective to the extent of not including it in his CV. He was angry that a Mini car that he had decorated for charity with his trademark spots was being exhibited as a serious artwork. The show also scuppered a prospective Hirst retrospective at Tate Modern. He said Saatchi was "childish" and "I'm not Charles Saatchi's barrel-organ monkey ... He only recognises art with his wallet ... he believes he can affect art values with buying power, and he still believes he can do it."


title: Damien Hirst

text: In September 2003, he had an exhibition "Romance in the Age of Uncertainty" at Jay Jopling's White Cube gallery in London, which made him a reported £11m, bringing his wealth to over £35m. It was reported that a sculpture, "Charity", had been sold for £1.5m to a Korean, Kim Chang-Il, who intended to exhibit it in his department store's gallery in Seoul. The 22-foot (6.7m), 6-ton sculpture was based on the 1960s Spastic Society's model, which is of a girl in leg irons holding a collecting box. In Hirst's version the collecting box is shown broken open and is empty.