title: Oxford University Press

text: It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho.


title: Oxford University Press

text: For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and continues this tradition today by publishing academic journals, dictionaries, English language resources, bibliographies, books on indology, music, classics, literature, history, as well as bibles and atlases.


title: Oxford University Press

text: OUP has offices throughout the world, primarily in locations that were once part of the British Empire (mainly India and the United States).


title: Oxford University Press

text: The University of Oxford began printing around 1480 and grew into a major printer of bibles, prayer books, and scholarly works. Oxford's chancellor, Archbishop William Laud, consolidated the legal status of the university's printing in the 1630s and petitioned Charles I for rights that would enable Oxford to compete with the Stationers' Company and the King's Printer. He obtained a succession of royal grants and Oxford's "Great Charter" in 1636 gave the university the right to print "all manner of books". Laud also obtained the "privilege" from the Crown of printing the King James or Authorized Version of Scripture at Oxford. This "privilege" created substantial returns in the next 250 years.


title: Oxford University Press

text: Following the English Civil War, Vice-chancellor, John Fell, Dean of Christ Church, Bishop of Oxford, and Secretary to the Delegates was determined to installed printing presses in 1668, making it the university's first central print shop. In 1674 OUP began to print a broadsheet calendar, known as the "Oxford Almanack," that has been produced annually without interruption from Fell's time to the present day. Fell drew up the first formal programme for the university's printing which envisaged hundreds of works, including the Bible in Greek, editions of the Coptic Gospels and works of the Church Fathers, texts in Arabic and Syriac, comprehensive editions of classical philosophy, poetry, and mathematics, a wide range of medieval scholarship, and also "a history of insects, more perfect than any yet Extant."


title: Oxford University Press

text: Generally speaking, the early 18th century marked a lull in the press's expansion. It suffered from the absence of any figure comparable to Fell. The business was rescued by the intervention of a single Delegate, William Blackstone. Disgusted by the chaotic state of the press, and antagonized by the Vice-Chancellor George Huddesford, Blackstone called for sweeping reforms that would firmly set out the Delegates' powers and obligations, officially record their deliberations and accounting, and put the print shop on an efficient footing. Nonetheless, Randolph ignored this document, and it was not until Blackstone threatened legal action that changes began. The university had moved to adopt all of Blackstone's reforms by 1760.


title: Oxford University Press

text: By the late 18th century, the press had become more focused. In 1825 the Delegates bought land in Walton Street. Buildings were constructed from plans drawn up by Daniel Robertson and Edward Blore, and the press moved into them in 1830. This site remains the main office of OUP in the 21st century, at the corner of Walton Street and Great Clarendon Street, northwest of Oxford city centre.


title: Oxford University Press

text: The press now entered an era of enormous change. In 1830, it was still a joint-stock printing business in an academic backwater, offering learned works to a relatively small readership of scholars and clerics At this time, Thomas Combe joined the press and became the university's Printer until his death in 1872. Combe was a better business man than most Delegates, but still no innovator: he failed to grasp the huge commercial potential of India paper, which grew into one of Oxford's most profitable trade secrets in later years. Even so, Combe earned a fortune through his shares in the business and the acquisition and renovation of the bankrupt paper mill at Wolvercote. Combe showed little interest, however, in producing fine printed work at the press. The most well-known text associated with his print shop was the flawed first edition of "Alice's Adventures in Wonderland", printed by Oxford at the expense of its author Lewis Carroll (Charles Lutwidge Dodgson) in 1865.


title: Oxford University Press

text: It took the 1850 Royal Commission on the workings of the university and a new Secretary, Bartholomew Price, to shake up the press. Appointed in 1868, Price had already recommended to the university that the press needed an efficient executive officer to exercise "vigilant superintendence" of the business, including its dealings with Alexander Macmillan, who became the publisher for Oxford's printing in 1863 and in 1866 helped Price to create the Clarendon Press series of cheap, elementary school books – perhaps the first time that Oxford used the Clarendon imprint. Under Price, the press began to take on its modern shape. Major new lines of work began. To give one example, in 1875, the Delegates approved the series "Sacred Books of the East" under the editorship of Friedrich Max Müller, bringing a vast range of religious thought to a wider readership.


title: Oxford University Press

text: Equally, Price moved OUP towards publishing in its own right. The press had ended its relationship with Parker's in 1863 and in 1870 bought a small London bindery for some Bible work. Macmillan's contract ended in 1880, and wasn't renewed. By this time, Oxford also had a London warehouse for Bible stock in Paternoster Row, and in 1880 its manager Henry Frowde (1841–1927) was given the formal title of Publisher to the university. Frowde came from the book trade, not the university, and remained an enigma to many. One obituary in Oxford's staff magazine "The Clarendonian" admitted, "Very few of us here in Oxford had any personal knowledge of him." Despite that, Frowde became vital to OUP's growth, adding new lines of books to the business, presiding over the massive publication of the Revised Version of the New Testament in 1881 and playing a key role in setting up the press's first office outside Britain, in New York City in 1896.


title: Oxford University Press

text: Price transformed OUP. In 1884, the year he retired as Secretary, the Delegates bought back the last shares in the business. The press was now owned wholly by the university, with its own paper mill, print shop, bindery, and warehouse. Its output had increased to include school books and modern scholarly texts such as James Clerk Maxwell's "A Treatise on Electricity & Magnetism" (1873), which proved fundamental to Einstein's thought. Simply put, without abandoning its traditions or quality of work, Price began to turn OUP into an alert, modern publisher. In 1879, he also took on the publication that led that process to its conclusion: the huge project that became the "Oxford English Dictionary" (OED).


title: Oxford University Press

text: Offered to Oxford by James Murray and the Philological Society, the "New English Dictionary" was a grand academic and patriotic undertaking. Lengthy negotiations led to a formal contract. Murray was to edit a work estimated to take 10 years and to cost approximately £9,000. Both figures were wildly optimistic. The Dictionary began to appear in print in 1884, but the first edition was not completed until 1928, 13 years after Murray's death, at a cost of around £375,000. This vast financial burden and its implications landed on Price's successors.


title: Oxford University Press

text: The next Secretary, Philip Lyttelton Gell, was appointed by the Vice-Chancellor Benjamin Jowett in 1884 but struggled and was finally dismissed in 1897. The Assistant Secretary, Charles Cannan, took over with little fuss and even less affection for his predecessor: "Gell was always here, but I cannot make out what he did." Charles Cannan, who had been instrumental in Gell's removal, succeeded Gell in 1898.


title: Oxford University Press

text: By the early 20th century OUP expanded its overseas trade. The 1920s saw skyrocketing prices of both materials and labour. Paper especially was hard to come by, and had to be imported from South America through trading companies. Economies and markets slowly recovered as the 1920s progressed. In 1928, the press's imprint read 'London, Edinburgh, Glasgow, Leipzig, Toronto, Melbourne, Cape Town, Bombay, Calcutta, Madras and Shanghai'. Not all of these were full-fledged branches: in Leipzig there was a depot run by H. Bohun Beet, and in Canada and Australia there were small, functional depots in the cities and an army of educational representatives penetrating the rural fastnesses to sell the press's stock as well as books published by firms whose agencies were held by the press, very often including fiction and light reading. In India, the Branch depots in Bombay, Madras, and Calcutta were imposing establishments with sizable stock inventories, for the Presidencies themselves were large markets, and the educational representatives there dealt mostly with upcountry trade. The Depression of 1929 dried profits from the Americas to a trickle, and India became 'the one bright spot' in an otherwise dismal picture. Bombay was the nodal point for distribution to the Africas and onward sale to Australasia, and people who trained at the three major depots moved later on to pioneer branches in Africa and South East Asia.


title: Oxford University Press

text: In 1923 OUP established a Music Department. At the time, such musical publishing enterprises, however, were rare. and few of the Delegates or former Publishers were themselves musical or had extensive music backgrounds. OUP bought an Anglo-French Music Company and all its facilities, connections, and resources. This concentration provided OUP two mutually reinforcing benefits: a niche in music publishing unoccupied by potential competitors, and a branch of music performance and composition that the English themselves had largely neglected. Hinnells proposes that the early Music Department's "mixture of scholarship and cultural nationalism" in an area of music with largely unknown commercial prospects was driven by its sense of cultural philanthropy (given the press's academic background) and a desire to promote "national music outside the German mainstream."


title: Oxford University Press

text: The period following World War II saw consolidation in the face of the breakup of the Empire and the post-war reorganization of the Commonwealth.


title: Oxford University Press

text: In the 1960s OUP Southern Africa started publishing local authors, for the general reader, but also for schools and universities, under its Three Crowns Books imprint. Its territory includes Botswana, Lesotho, Swaziland and Namibia, as well as South Africa, the biggest market of the five. OUP Southern Africa is now one of the three biggest educational publishers in South Africa, and focuses its attention on publishing textbooks, dictionaries, atlases and supplementary material for schools, and textbooks for universities. Its author base is overwhelmingly local, and in 2008 it entered into a partnership with the university to support scholarships for South Africans studying postgraduate degrees.


title: Oxford University Press

text: Today the North American branch in New York City is primarily a distribution branch to facilitate the sale of Oxford Bibles in the United States. It also handles marketing of all books of its parent, Macmillan. By the end of 2021, OUP USA has published eighteen Pulitzer Prize–winning books.


title: Oxford University Press

text: Operations in South Asia and East and South East Asia were and, in the case of the former, remain major parts of the company.


title: Oxford University Press

text: On 27 August 2021, OUP closed Oxuniprint, its printing division. The closure will mark the "final chapter" of OUP's centuries-long history of printing.


title: Oxford University Press

text: The Oxford University Press Museum is located on Great Clarendon Street, Oxford. Visits must be booked in advance and are led by a member of the archive staff. Displays include a 19th-century printing press, the OUP buildings, and the printing and history of the "Oxford Almanack", "Alice in Wonderland" and the "Oxford English Dictionary".


title: Oxford University Press

text: OUP came to be known as "(The) Clarendon Press" when printing moved from the Sheldonian Theatre to the Clarendon Building in Broad Street in 1713. The name continued to be used when OUP moved to its present site in Oxford in 1830. The label "Clarendon Press" took on a new meaning when OUP began publishing books through its London office in the early 20th century. To distinguish the two offices, London books were labelled "Oxford University Press" publications, while those from Oxford were labelled "Clarendon Press" books. This labeling ceased in the 1970s, when the London office of OUP closed. Today, OUP reserves "Clarendon Press" as an imprint for Oxford publications of particular academic importance.


title: Oxford University Press

text: OUP as Oxford Journals has also been a major publisher of academic journals, both in the sciences and the humanities; it publishes more than 500 journals on behalf of learned societies around the world. It has been noted as one of the first university presses to publish an open access journal ("Nucleic Acids Research"), and probably the first to introduce Hybrid open access journals, offering "optional open access" to authors to allow all readers online access to their paper without charge. The "Oxford Open" model applies to the majority of their journals. The OUP is a member of the Open Access Scholarly Publishers Association.


title: Oxford University Press

text: Oxford University Press publishes a variety of dictionaries (e.g."Oxford English Dictionary", "Shorter Oxford English Dictionary", "Compact Oxford English Dictionary", "Compact Editions of the Oxford English Dictionary", "Compact Oxford English Dictionary of Current English", "Concise Oxford English Dictionary", "Oxford Dictionary of Marketing", "Oxford Advanced Learner's Dictionary", English as a second or foreign language resources (e.g. "Let's Go"), English language exams (e.g. Oxford Test of English and the Oxford Placement Test), bibliographies (e.g."Oxford Bibliographies Online"), books on indology, music, classics, literature, history, bibles and atlases.


title: Oxford University Press

text: Since 2001, Oxford University Press has financially supported the Clarendon bursary, a University of Oxford graduate scholarship scheme.


title: Oxford University Press

text: In November 1998, the OUP announced the closure, on commercial grounds, of its modern poetry list. Andrew Potter, OUP's director of music, trade paperbacks and Bibles, told the Times that the list "just about breaks even. The university expects us to operate on commercial grounds, especially in this day and age." In the same article, the poet D.J.Enright, who had been with OUP since 1979 said, "There was no warning. It was presented as a fait accompli. Even the poetry editor didn't know...The money involved is peanuts. It's a good list, built up over many years." In February 1999, Arts Minister Alan Howarth made a speech in Oxford in which he denounced the closure: "OUP is not merely a business. It is a department of the University of Oxford and has charitable status. It is part of a great university, which the Government supports financially and which exists to develop and transmit our intellectual culture...It is a perennial complaint by the English faculty that the barbarians are at the gate. Indeed they always are. But we don't expect the gatekeepers themselves, the custodians, to be barbarians." A decade later, OUP's managing director, Ivon Asquith, reflected on the damage caused by the episode: "If I had foreseen the self-inflicted wound we would suffer I would not have let the proposal get as far as the Finance Committee."


title: History of gunpowder

text: Gunpowder is the first explosive to have been developed. Popularly listed as one of the "Four Great Inventions" of China, it was invented during the late Tang dynasty (9th century) while the earliest recorded chemical formula for gunpowder dates to the Song dynasty (11th century). Knowledge of gunpowder spread rapidly throughout Asia and Europe, possibly as a result of the Mongol conquests during the 13th century, with written formulas for it appearing in the Middle East between 1240 and 1280 in a treatise by Hasan al-Rammah, and in Europe by 1267 in the "Opus Majus" by Roger Bacon. It was employed in warfare to some effect from at least the 10th century in weapons such as fire arrows, bombs, and the fire lance before the appearance of the gun in the 13th century. While the fire lance was eventually supplanted by the gun, other gunpowder weapons such as rockets and fire arrows continued to see use in China, Korea, India, and eventually Europe. Bombs too never ceased to develop and continued to progress into the modern day as grenades, mines, and other explosive implements. Gunpowder has also been used for non-military purposes such as fireworks for entertainment, or in explosives for mining and tunneling.


title: History of gunpowder

text: The evolution of guns led to the development of large artillery pieces, popularly known as bombards, during the 15th century, pioneered by states such as the Duchy of Burgundy. Firearms came to dominate early modern warfare in Europe by the 17th century. The gradual improvement of cannons firing heavier rounds for a greater impact against fortifications led to the invention of the star fort and the bastion in the Western world, where traditional city walls and castles were no longer suitable for defense. The use of gunpowder technology also spread throughout the Islamic world and to India, Korea, and Japan. The so-called Gunpowder Empires of the early modern period consisted of the Mughal Empire, Safavid Empire, and Ottoman Empire.


title: History of gunpowder

text: The use of gunpowder in warfare during the course of the 19th century diminished due to the invention of smokeless powder. Gunpowder is often referred to today as "black powder" to distinguish it from the propellant used in contemporary firearms.


title: History of gunpowder

text: Gunpowder was invented in China sometime during the first millennium AD. The earliest possible reference to gunpowder appeared in 142 AD during the Eastern Han dynasty when the alchemist Wei Boyang, also known as the "father of alchemy", wrote about a substance with gunpowder-like properties. He described a mixture of three powders that would "fly and dance" violently in his "Cantong qi", otherwise known as the "Book of the Kinship of Three", a Taoist text on the subject of alchemy. Although he did not name the powders, "they were almost certainly the ingredients of gunpowder," and no other explosive known to scientists is composed of three powders. At this time, saltpeter was produced in Hanzhong, but would shift to Gansu and Sichuan later on. Wei Boyang is considered to be a semi-legendary figure meant to represent a "collective unity", and the "Cantong qi" was probably written in stages from the Han dynasty to 450 AD.


title: History of gunpowder

text: While it was almost certainly not their intention to create a weapon of war, Taoist alchemists continued to play a major role in gunpowder development due to their experiments with sulfur and saltpeter involved in searching for eternal life and ways to transmute one material into another. Historian Peter Lorge notes that despite the early association of gunpowder with Taoism, this may be a quirk of historiography and a result of the better preservation of texts associated with Taoism, rather than being a subject limited to only Taoists. The Taoist quest for the elixir of life attracted many powerful patrons, one of whom was Emperor Wu of Han. One of the resulting alchemical experiments involved heating 10% sulfur and 75% saltpeter to transform them.


title: History of gunpowder

text: The next reference to gunpowder occurred in the year 300 during the Jin dynasty (266–420). A Taoist philosopher by the name of Ge Hong wrote down the ingredients of gunpowder in his surviving works, collectively known as the "Baopuzi" ("The Master Who Embraces Simplicity"). The "Inner Chapters" ("neipian") on Taoism contains records of his experiments to create gold with heated saltpeter, pine resin, and charcoal among other carbon materials, resulting in a purple powder and arsenic vapours. In 492, Taoist alchemists noted that saltpeter, one of the most important ingredients in gunpowder, burns with a purple flame, allowing for practical efforts at purifying the substance. During the Tang dynasty, alchemists used saltpetre in processing the "four yellow drugs" (sulfur, realgar, orpiment, arsenic trisulfide).


title: History of gunpowder

text: The first confirmed reference to what can be considered gunpowder in China occurred more than three hundred years later during the Tang dynasty, first in a formula contained in the "Taishang Shengzu Jindan Mijue" (太上聖祖金丹秘訣) in 808, and then about 50 years later in a Taoist text known as the "Zhenyuan miaodao yaolüe" (真元妙道要略). The first formula was a combination of six parts sulfur to six parts saltpeter to one part birthwort herb. The Taoist text warned against an assortment of dangerous formulas, one of which corresponds with gunpowder: "Some have heated together sulfur, realgar (arsenic disulfide),


title: History of gunpowder

text: and saltpeter with honey; smoke [and flames] result, so that their hands and faces have been burnt, and even the whole house burned down." Alchemists called this discovery fire medicine ("huoyao" 火藥), and the term has continued to refer to gunpowder in China into the present day, a reminder of its heritage as a side result in the search for longevity increasing drugs. A book published in 1185 called "Gui Dong" (The Control of Spirits) also contains a story about a Tang dynasty alchemist whose furnace exploded, but it is not known if this was caused by gunpowder.


title: History of gunpowder

text: The earliest surviving chemical formula of gunpowder dates to 1044 in the form of the military manual "Wujing Zongyao", also known in English as the "Complete Essentials for the Military Classics", which contains a collection of factoids on Chinese weaponry. However the 1044 edition has since been lost and the only currently extant copy is dated to 1510 during the Ming dynasty. The "Wujing Zongyao" served as a repository of antiquated or fanciful weaponry, and this applied to gunpowder as well, suggesting that it had already been weaponized long before the invention of what would today be considered conventional firearms. These types of gunpowder weapons styles an assortment of odd names such as "flying incendiary club for subjugating demons", "caltrop fire ball", "ten-thousand fire flying sand magic bomb", "big bees nest", "burning heaven fierce fire unstoppable bomb", "fire bricks" which released "flying swallows", "flying rats", "fire birds", and "fire oxen". Eventually they gave way and coalesced into a smaller number of dominant weapon types, notably gunpowder arrows, bombs, and guns. This was most likely because some weapons were deemed too onerous or ineffective to deploy.


title: History of gunpowder

text: The early gunpowder formula contained too little saltpeter (about 50%) to be explosive, but the mixture was highly flammable, and contemporary weapons reflected this in their deployment as mainly shock and incendiary weapons. One of the first, if not the first of these weapons was the fire arrow. The first possible reference to the use of fire arrows was by the Southern Wu in 904 during the siege of Yuzhang. An officer under Yang Xingmi by the name of Zheng Fan (鄭璠) ordered his troops to "shoot off a machine to let fire and burn the Longsha Gate", after which he and his troops dashed over the fire into the city and captured it, and he was promoted to Prime Minister Inspectorate for his efforts and the burns his body endured. A later account of this event corroborated with the report and explained that "by let fire (飛火) is meant things like firebombs and fire arrows." Arrows carrying gunpowder were possibly the most applicable form of gunpowder weaponry at the time. Early gunpowder may have only produced an effective flame when exposed to oxygen, thus the rush of air around the arrow in flight would have provided a suitably ample supply of reactants for the reaction.


title: History of gunpowder

text: The first fire arrows were arrows strapped with gunpowder incendiaries but they eventually became gunpowder propelled projectiles (rockets). It's not certain when this happened. According to the "History of Song", in 969 two Song generals, Yue Yifang and Feng Jisheng (馮繼升), invented a variant fire arrow which used gunpowder tubes as propellants. These fire arrows were shown to the emperor in 970 when the head of a weapons manufacturing bureau sent Feng Jisheng to demonstrate the gunpowder arrow design, for which he was heavily rewarded. However Joseph Needham argues that rockets could not have existed before the 12th century, since the gunpowder formulas listed in the "Wujing Zongyao" are not suitable as rocket propellant. According to Stephen G. Haw, there is only slight evidence that rockets existed prior to 1200 and it is more likely they were not produced or used for warfare until the latter half of the 13th century. Rockets are recorded to have been used by the Song navy in a military exercise dated to 1245. Internal-combustion rocket propulsion is mentioned in a reference to 1264, recording that the 'ground-rat,' a type of firework, had frightened the Empress-Mother Gongsheng at a feast held in her honor by her son the Emperor Lizong.


title: History of gunpowder

text: In 975, the state of Wuyue sent to the Song dynasty a unit of soldiers skilled in the handling of fire arrows and in the same year, the Song used fire arrows to destroy the fleet of Southern Tang. In 994, the Liao dynasty attacked the Song and laid siege to Zitong with 100,000 troops. They were repelled with the aid of fire arrows. In 1000 a soldier by the name of Tang Fu (唐福) also demonstrated his own designs of gunpowder arrows, gunpowder pots (a proto-bomb which spews fire), and gunpowder caltrops, for which he was richly rewarded as well.


title: History of gunpowder

text: The imperial court took great interest in the progress of gunpowder developments and actively encouraged as well as disseminated military technology. For example, in 1002 a local militia man named Shi Pu (石普) showed his own versions of fireballs and gunpowder arrows to imperial officials. They were so astounded that the emperor and court decreed that a team would be assembled to print the plans and instructions for the new designs to promulgate throughout the realm. The Song court's policy of rewarding military innovators was reported to have "brought about a great number of cases of people presenting technology and techniques" (器械法式) according to the official "History of Song". Production of gunpowder and fire arrows heavily increased in the 11th century as the court centralized the production process, constructing large gunpowder production facilities, hiring artisans, carpenters, and tanners for the military production complex in the capital of Kaifeng. One surviving source circa 1023 lists all the artisans working in Kaifeng while another notes that in 1083 the imperial court sent 100,000 gunpowder arrows to one garrison and 250,000 to another.


title: History of gunpowder

text: Evidence of gunpowder in the Liao dynasty and Western Xia is much sparser than in Song, but some evidence such as the Song decree of 1073 that all subjects were henceforth forbidden from trading sulfur and saltpeter across the Liao border, suggests that the Liao were aware of gunpowder developments to the south and coveted gunpowder ingredients of their own.


title: History of gunpowder

text: The Jurchen people of Manchuria united under Wanyan Aguda and established the Jin dynasty in 1115. Allying with the Song, they rose rapidly to the forefront of East Asian powers and defeated the Liao dynasty in a shockingly short span of time, destroying the 150-year balance of power between the Song, Liao, and Western Xia. Remnants of the Liao fled to the west and became known as the Qara Khitai, or Western Liao to the Chinese. In the east, the fragile Song-Jin alliance dissolved once the Jin saw how badly the Song army had performed against Liao forces. Realizing the weakness of Song, the Jin grew tired of waiting and captured all five of the Liao capitals themselves. They proceeded to make war on Song, initiating the Jin-Song Wars.


title: History of gunpowder

text: For the first time, two major powers would have access to equally formidable gunpowder weapons. Initially the Jin expected their campaign in the south to proceed smoothly given how poorly the Song had fared against the Liao. However they were met with stout resistance upon besieging Kaifeng in 1126 and faced the usual array of gunpowder arrows and fire bombs, but also a weapon called the "thunderclap bomb" (霹靂炮), which one witness wrote, "At night the thunderclap bombs were used, hitting the lines of the enemy well, and throwing them into great confusion. Many fled, screaming in fright." The thunderclap bomb was previously mentioned in the "Wujing Zongyao", but this was the first recorded instance of its use. Its description in the text reads thus:


title: History of gunpowder

text: Jin troops withdrew with a ransom of Song silk and treasure but returned several months later with their own gunpowder bombs manufactured by captured Song artisans. According to historian Wang Zhaochun, the account of this battle provided the "earliest truly detailed descriptions of the use of gunpowder weapons in warfare." Records show that the Jin used gunpowder arrows and trebuchets to hurl gunpowder bombs while the Song responded with gunpowder arrows, fire bombs, thunderclap bombs, and a new addition called the "molten metal bomb" (金汁炮). As the Jin account describes, when they attacked the city's Xuanhua Gate, their "fire bombs fell like rain, and their arrows were so numerous as to be uncountable." The Jin captured Kaifeng despite the appearance of the molten metal bomb and secured another 20,000 fire arrows for their arsenal.


title: History of gunpowder

text: The molten metal bomb appeared again in 1129 when Song general Li Yanxian (李彥仙) clashed with Jin forces while defending a strategic pass. The Jin assault lasted day and night without respite, using siege carts, fire carts, and sky bridges, but each assault was met with Song soldiers who "resisted at each occasion, and also used molten metal bombs. Wherever the gunpowder touched, everything would disintegrate without a trace."


title: History of gunpowder

text: The Song relocated their capital to Hangzhou and the Jin followed. The fighting that ensued would see the first proto-gun, the fire lance, in action – with earliest confirmed employment by Song dynasty forces against the Jin in 1132 during the siege of De'an (modern Anlu, Hubei), Most Chinese scholars reject the appearance of the fire lance prior to the Jin-Song wars, but its first appearance in art with from Dunhuang dates to the Five Dynasties and Ten Kingdoms period in the mid-10th century.


title: History of gunpowder

text: The siege of De'an marks an important transition and landmark in the history of gunpowder weapons as the fire medicine of the fire lances were described using a new word: "fire bomb medicine" (火炮藥), rather than simply "fire medicine." This could imply the use of a new more potent formula, or simply an acknowledgement of the specialized military application of gunpowder. Peter Lorge suggests that this "bomb powder" may have been corned, making it distinct from normal gunpowder. Evidence of gunpowder firecrackers also points to their appearance at roughly around the same time fire medicine was making its transition in the literary imagination.


title: History of gunpowder

text: Fire lances continued to be used as anti-personnel weapons into the Ming dynasty, and were even attached to battle carts on one situation in 1163. Song commander Wei Sheng constructed several hundred of these carts known as "at-your-desire-war-carts" (如意戰車), which contained fire lances protruding from protective covering on the sides. They were used to defend mobile trebuchets that hurled fire bombs. They were used as cavalry weapons by the 13th century.


title: History of gunpowder

text: Gunpowder technology also spread to naval warfare and in 1129 Song decreed that all warships were to be fitted with trebuchets for hurling gunpowder bombs. Older gunpowder weapons such as fire arrows were also used. In 1159 a Song fleet of 120 ships caught a Jin fleet at anchor near Shijiu Island (石臼島) off the shore of Shandong peninsula. The Song commander "ordered that gunpowder arrows be shot from all sides, and wherever they struck, flames and smoke rose up in swirls, setting fire to several hundred vessels." Song forces took another victory in 1161 when Song paddle boats ambushed a Jin transport fleet, launched thunderclap bombs, and drowned the Jin force in the Yangtze.


title: History of gunpowder

text: According to a minor military official by the name of Zhao Wannian (趙萬年), thunderclap bombs were used again to great effect by the Song during the Jin siege of Xiangyang in 1206–1207. Both sides had gunpowder weapons, but the Jin troops only used gunpowder arrows for destroying the city's moored vessels. The Song used fire arrows, fire bombs, and thunderclap bombs. Fire arrows and bombs were used to destroy Jin trebuchets. The thunderclap bombs were used on Jin soldiers themselves, causing foot soldiers and horsemen to panic and retreat. "We beat our drums and yelled from atop the city wall, and simultaneously fired our thunderclap missiles out from the city walls. The enemy cavalry was terrified and ran away." The Jin were forced to retreat and make camp by the riverside. In a rare occurrence, the Song made a successful offensive on Jin forces and conducted a night assault using boats. They were loaded with gunpowder arrows, thunderclap bombs, a thousand crossbowmen, five hundred infantry, and a hundred drummers. Jin troops were surprised in their encampment while asleep by loud drumming, followed by an onslaught of crossbow bolts, and then thunderclap bombs, which caused a panic of such magnitude that they were unable to even saddle themselves and trampled over each other trying to get away. Two to three thousand Jin troops were slaughtered along with eight to nine hundred horses.


title: History of gunpowder

text: The introduction of the iron bomb was significant to the history of gunpowder weaponry. Traditionally the inspiration for the development of the iron bomb is ascribed to the tale of a fox hunter named Iron Li. According to the story, around the year 1189 Iron Li developed a new method for hunting foxes which used a ceramic explosive to scare foxes into his nets. The explosive consisted of a ceramic bottle with a mouth, stuffed with gunpowder, and attached with a fuse. Explosive and net were placed at strategic points of places such as watering holes frequented by foxes, and when they got near enough, Iron Li would light the fuse, causing the ceramic bottle to explode and scaring the frightened foxes right into his nets. While a fanciful tale, it's not exactly certain why this would cause the development of the iron bomb, given the explosive was made using ceramics, and other materials such as bamboo or even leather would have done the same job, assuming they made a loud enough noise. Nonetheless, the iron bomb made its first appearance in 1221 at the siege of Qizhou (in modern Hubei), and this time it would be the Jin who possessed the technological advantage. The Song commander Zhao Yurong (趙與褣) survived and was able to relay his account for posterity.


title: History of gunpowder

text: Qizhou was a major fortress city situated near the Yangtze and a 25 thousand strong Jin army advanced on it in 1221. News of the approaching army reached Zhao Yurong in Qizhou, and despite being outnumbered nearly eight to one, he decided to hold the city. Qizhou's arsenal consisted of some three thousand thunderclap bombs, twenty thousand "great leather bombs" (皮大炮), and thousands of gunpowder arrows and gunpowder crossbow bolts. While the formula for gunpowder had become potent enough to consider the Song bombs to be true explosives, they were unable to match the explosive power of the Jin iron bombs. Yurong describes the uneven exchange thus, "The barbaric enemy attacked the Northwest Tower with an unceasing flow of catapult projectiles from thirteen catapults. Each catapult shot was followed by an iron fire bomb [catapult shot], whose sound was like thunder. That day, the city soldiers in facing the catapult shots showed great courage as they maneuvered [our own] catapults, hindered by injuries from the iron fire bombs. Their heads, their eyes, their cheeks were exploded to bits, and only one half [of the face] was left." Jin artillerists were able to successfully target the command center itself: "The enemy fired off catapult stones ... nonstop day and night, and the magistrate's headquarters [帳] at the eastern gate, as well as my own quarters ..., were hit by the most iron fire bombs, to the point that they struck even on top of [my] sleeping quarters and [I] nearly perished! Some said there was a traitor. If not, how would they have known the way to strike at both of these places?"


title: History of gunpowder

text: Zhao was able to examine the new iron bombs himself and described thus, "In shape they are like gourds, but with a small mouth. They are made with pig iron, about two inches thick, and they cause the city's walls to shake." Houses were blown apart, towers battered, and defenders blasted from their placements. Within four weeks all four gates were under heavy bombardment. Finally the Jin made a frontal assault on the walls and scaled them, after which followed a merciless hunt for soldiers, officers, and officials of every level. Zhao managed an escape by clambering over the battlement and making a hasty retreat across the river, but his family remained in the city. Upon returning at a later date to search the ruins, he found that the "bones and skeletons were so mixed up that there was no way to tell who was who."


title: History of gunpowder

text: The early fire lance, considered to be the ancestor of firearms, is not considered a true gun because it did not include projectiles, whereas a gun by definition uses "the explosive force of the gunpowder to propel a projectile from a tube: cannons, muskets, and pistols are typical examples.". Even later on when shrapnel such as ceramics and bits of iron were added to the fire lance, these didn't occlude the barrel, and were only swept along with the discharge rather than making use of windage, and so are referred to as "co-viatives."


title: History of gunpowder

text: In 1259 a type of "fire-emitting lance" ("tuhuoqiang" 突火槍) made an appearance and according to the "History of Song": "It is made from a large bamboo tube, and inside is stuffed a pellet wad (子窠). Once the fire goes off it completely spews the rear pellet wad forth, and the sound is like a bomb that can be heard for five hundred or more paces." The pellet wad mentioned is possibly the first true bullet in recorded history depending on how bullet is defined, as it did occlude the barrel, unlike previous co-viatives used in the fire lance. Fire lances transformed from the "bamboo- (or wood- or paper-) barreled firearm to the metal-barreled firearm" to better withstand the explosive pressure of gunpowder. From there it branched off into several different gunpowder weapons known as "eruptors" in the late 12th and early 13th centuries, with different functions such as the "filling-the-sky erupting tube" which spewed out poisonous gas and porcelain shards, the "orifice-penetrating flying sand magic mist tube" (鑽穴飛砂神霧筒) which spewed forth sand and poisonous chemicals into orifices, and the more conventional "phalanx-charging fire gourd" which shot out lead pellets.


title: History of gunpowder

text: The earliest artistic depiction of what might be a hand cannon – a rock sculpture found among the Dazu Rock Carvings – is dated to 1128, much earlier than any recorded or precisely dated archaeological samples, so it is possible that the concept of a cannon-like firearm has existed since the 12th century. This has been challenged by others such as Liu Xu, Cheng Dong, and Benjamin Avichai Katz Sinvany. According to Liu, the weight of the cannon would have been too much for one person to hold, especially with just one arm, and points out that fire lances were being used a decade later at De'an. Cheng Dong believes that the figure depicted is actually a wind spirit letting air out of a bag rather than a cannon emitting a blast. Stephen Haw also considered the possibility that the item in question was a bag of air but concludes that it is a cannon because it was grouped with other weapon wielding sculptures. Sinvany believes in the wind bag interpretation and that the cannonball indentation was added later on.


title: History of gunpowder

text: Archaeological samples of the gun, specifically the hand cannon (huochong), have been dated starting from the 13th century. The oldest extant gun whose dating is unequivocal is the Xanadu Gun because it contains an inscription describing its date of manufacture corresponding to 1298. It is so called because it was discovered in the ruins of Xanadu, the Mongol summer palace in Inner Mongolia. The Xanadu Gun is 34.7 cm in length and weighs 6.2 kg. The design of the gun includes axial holes in its rear which some speculate could have been used in a mounting mechanism. Like most early guns it is small, weighing just over six kilograms and thirty-five centimeters in length. Although the Xanadu Gun is the most precisely dated gun from the 13th century, other extant samples with approximate dating likely predate it. The Heilongjiang hand cannon is dated a decade earlier to 1288, but the dating method is based on contextual evidence; the gun bears no inscription or era date. According to the "History of Yuan", in 1287, a group of soldiers equipped with hand cannons led by the Jurchen commander Li Ting () attacked the rebel prince Nayan's camp. The "History" reports that the hand cannons not only "caused great damage," but also caused "such confusion that the enemy soldiers attacked and killed each other." The hand cannons were used again in the beginning of 1288. Li Ting's "gun-soldiers" or "chongzu" () were able to carry the hand cannons "on their backs". The passage on the 1288 battle is also the first to coin the name "chong" () for metal-barrel firearms. "Chong" was used instead of the earlier and more ambiguous term "huo tong" (fire tube; ), which may refer to the tubes of fire lances, proto-cannons, or signal flares.


title: History of gunpowder

text: Another specimen, the Wuwei Bronze Cannon, was discovered in 1980 and may possibly be the oldest as well as largest cannon of the 13th century: a 100 centimeter 108 kilogram bronze cannon discovered in a cellar in Wuwei, Gansu containing no inscription, but has been dated by historians to the late Western Xia period between 1214 and 1227. The gun contained an iron ball about nine centimeters in diameter, which is smaller than the muzzle diameter at twelve centimeters, and 0.1 kilograms of gunpowder in it when discovered, meaning that the projectile might have been another co-viative. Ben Sinvany and Dang Shoushan believe that the ball used to be much larger prior to its highly corroded state at the time of discovery. While large in size, the weapon is noticeably more primitive than later Yuan dynasty guns, and is unevenly cast. A similar weapon was discovered not far from the discovery site in 1997, but much smaller in size at only 1.5 kg. Chen Bingying disputes this however, and argues there were no guns before 1259, while Dang Shoushan believes the Western Xia guns point to the appearance of guns by 1220, and Stephen Haw goes even further by stating that guns were developed as early as 1200. Sinologist Joseph Needham and renaissance siege expert Thomas Arnold provide a more conservative estimate of around 1280 for the appearance of the "true" cannon.


title: History of gunpowder

text: Whether or not any of these are correct, it seems likely that the gun was born sometime during the 13th century.


title: History of gunpowder

text: The Mongols and their rise in world history as well as conflicts with both the Jin and Song played a key role in the evolution of gunpowder technology. Mongol aptitude in incorporating foreign experts extended to the Chinese, who provided artisans that followed Mongol armies willingly and unwillingly far into the west and even east, to Japan. Unfortunately textual evidence for this is scant as the Mongols left few documents. This lack of primary source documents has caused some historians and scholars such as Kate Raphael to doubt the Mongol's role in disseminating gunpowder throughout Eurasia. On the opposite side stand historians such as Tonio Andrade and Stephen Haw, who believe that the Mongol Empire not only used gunpowder weapons but deserves the moniker "the first gunpowder empire."


title: History of gunpowder

text: The first concerted Mongol invasion of Jin occurred in 1211 and total conquest was not accomplished until 1234. In 1232 the Mongols besieged the Jin capital of Kaifeng and deployed gunpowder weapons along with other more conventional siege techniques such as building stockades, watchtowers, trenches, guardhouses, and forcing Chinese captives to haul supplies and fill moats. Jin scholar Liu Qi (劉祈) recounts in his memoir, "the attack against the city walls grew increasingly intense, and bombs rained down as [the enemy] advanced." The Jin defenders also deployed gunpowder bombs as well as fire arrows ("huo jian" 火箭) launched using a type of early solid-propellant rocket. Of the bombs, Liu Qi writes, "From within the walls the defenders responded with a gunpowder bomb called the heaven-shaking-thunder bomb (震天雷). Whenever the [Mongol] troops encountered one, several men at a time would be turned into ashes."


title: History of gunpowder

text: A more fact based and clear description of the bomb exists in the "History of Jin": "The heaven-shaking-thunder bomb is an iron vessel filled with gunpowder. When lighted with fire and shot off, it goes off like a crash of thunder that can be heard for a hundred li [thirty miles], burning an expanse of land more than half a mu [所爇圍半畝之上, a mu is a sixth of an acre], and the fire can even penetrate iron armor." A Ming official named He Mengchuan would encounter an old cache of these bombs three centuries later in the Xi'an area: "When I went on official business to Shaanxi Province, I saw on top of Xi'an's city walls an old stockpile of iron bombs. They were called 'heaven-shaking-thunder' bombs, and they were like an enclosed rice bowl with a hole at the top, just big enough to put your finger in. The troops said they hadn't been used for a very long time." Furthermore, he wrote, "When the powder goes off, the bomb rips open, and the iron pieces fly in all directions. That is how it is able to kill people and horses from far away."


title: History of gunpowder

text: Heaven-shaking-thunder bombs, also known as thunder crash bombs, were used prior to the siege in 1231 when a Jin general made use of them in destroying a Mongol warship, but during the siege the Mongols responded by protecting themselves with elaborate screens of thick cowhide. This was effective enough for workers to get right up to the walls to undermine their foundations and excavate protective niches. Jin defenders countered by tying iron cords and attaching them to heaven-shaking-thunder bombs, which were lowered down the walls until they reached the place where the miners worked. The protective leather screens were unable to withstand the explosion, and were penetrated, killing the excavators.


title: History of gunpowder

text: Another weapon the Jin employed was an improved version of the fire lance called the flying fire lance. The "History of Jin" provides a detailed description: "To make the lance, use chi-huang paper, sixteen layers of it for the tube, and make it a bit longer than two feet. Stuff it with willow charcoal, iron fragments, magnet ends, sulfur, white arsenic [probably an error that should mean saltpeter], and other ingredients, and put a fuse to the end. Each troop has hanging on him a little iron pot to keep fire [probably hot coals], and when it's time to do battle, the flames shoot out the front of the lance more than ten feet, and when the gunpowder is depleted, the tube isn't destroyed." While Mongol soldiers typically held a view of disdain toward most Jin weapons, apparently they greatly feared the flying fire lance and heaven-shaking-thunder bomb. Kaifeng managed to hold out for a year before the Jin emperor fled and the city capitulated. In some cases Jin troops still fought with some success, scoring isolated victories such as when a Jin commander led 450 fire lancers against a Mongol encampment, which was "completely routed, and three thousand five hundred were drowned." Even after the Jin emperor committed suicide in 1234, one loyalist gathered all the metal he could find in the city he was defending, even gold and silver, and made explosives to lob against the Mongols, but the momentum of the Mongol Empire could not be stopped. By 1234, both the Western Xia and Jin dynasty had been conquered.


title: History of gunpowder

text: The Mongol war machine moved south and in 1237 attacked the Song city of Anfeng (modern Shouxian, Anhui) "using gunpowder bombs [huo pao] to burn the [defensive] towers." These bombs were apparently quite large. "Several hundred men hurled one bomb, and if it hit the tower it would immediately smash it to pieces." The Song defenders under commander Du Gao (杜杲) rebuilt the towers and retaliated with their own bombs, which they called the "Elipao," after a famous local pear, probably in reference to the shape of the weapon. Perhaps as another point of military interest, the account of this battle also mentions that the Anfeng defenders were equipped with a type of small arrow to shoot through eye slits of Mongol armor, as normal arrows were too thick to penetrate.


title: History of gunpowder

text: By the mid 13th century, gunpowder weapons had become central to the Song war effort. In 1257 the Song official Li Zengbo was dispatched to inspect frontier city arsenals. Li considered an ideal city arsenal to include several hundred thousand iron bombshells, and also its own production facility to produce at least a couple thousand a month. The results of his tour of the border were severely disappointing and in one arsenal he found "no more than 85 iron bomb-shells, large and small, 95 fire-arrows, and 105 fire-lances. This is not sufficient for a mere hundred men, let alone a thousand, to use against an attack by the ... barbarians. The government supposedly wants to make preparations for the defense of its fortified cities, and to furnish them with military supplies against the enemy (yet this is all they give us). What chilling indifference!" Fortunately for the Song, Möngke Khan died in 1259 and the war would not continue until 1269 under the leadership of Kublai Khan, but when it did the Mongols came in full force.


title: History of gunpowder

text: Blocking the Mongols' passage south of the Yangtze were the twin fortress cities of Xiangyang and Fancheng. What resulted was one of the longest sieges the world had ever known, lasting from 1268 to 1273. In 1273 the Mongols enlisted the expertise of two Muslim engineers, one from Persia and one from Syria, who helped in the construction of counterweight trebuchets. These new siege weapons had the capability of throwing larger missiles further than the previous traction trebuchets. One account records, "when the machinery went off the noise shook heaven and earth; every thing that [the missile] hit was broken and destroyed." The fortress city of Xiangyang fell in 1273.


title: History of gunpowder

text: The next major battle to feature gunpowder weapons was during a campaign led by the Mongol general Bayan, who commanded an army of around two hundred thousand, consisting of mostly Chinese soldiers. It was probably the largest army the Mongols had ever used. Such an army was still unable to successfully storm Song city walls, as seen in the 1274 Siege of Shayang. Thus Bayan waited for the wind to change to a northerly course before ordering his artillerists to begin bombarding the city with molten metal bombs, which caused such a fire that "the buildings were burned up and the smoke and flames rose up to heaven." Shayang was captured and its inhabitants massacred.


title: History of gunpowder

text: Gunpowder bombs were used again in the 1275 Siege of Changzhou in the latter stages of the Mongol-Song Wars. Upon arriving at the city, Bayan gave the inhabitants an ultimatum: "if you ... resist us ... we shall drain your carcasses of blood and use them for pillows." This didn't work and the city resisted anyway, so the Mongol army bombarded them with fire bombs before storming the walls, after which followed an immense slaughter claiming the lives of a quarter million. The war lasted for only another four years during which some remnants of the Song held up last desperate defenses. In 1277, 250 defenders under Lou Qianxia conducted a suicide bombing and set off a huge iron bomb when it became clear defeat was imminent. Of this, the "History of Song" writes, "the noise was like a tremendous thunderclap, shaking the walls and ground, and the smoke filled up the heavens outside. Many of the troops [outside] were startled to death. When the fire was extinguished they went in to see. There were just ashes, not a trace left." So came an end to the Mongol-Song Wars, which saw the deployment of all the gunpowder weapons available to both sides at the time, which for the most part meant gunpowder arrows, bombs, and lances, but in retrospect, another development would overshadow them all, the birth of the gun.


title: History of gunpowder

text: In 1280, a large store of gunpowder at Weiyang in Yangzhou accidentally caught fire, producing such a massive explosion that a team of inspectors at the site a week later deduced that some 100 guards had been killed instantly, with wooden beams and pillars blown sky high and landing at a distance of over 10 li (~2 mi. or ~3 km) away from the explosion, creating a crater more than ten feet deep.


title: History of gunpowder

text: By the time of Jiao Yu and his "Huolongjing" (a book that describes military applications of gunpowder in great detail) in the mid 14th century, the explosive potential of gunpowder was perfected, as the level of nitrate in gunpowder formulas had risen from a range of 12% to 91%, with at least 6 different formulas in use that are considered to have maximum explosive potential for gunpowder. By that time, the Chinese had discovered how to create explosive round shot by packing their hollow shells with this nitrate-enhanced gunpowder.


title: History of gunpowder

text: Gunpowder may have been used during the Mongol invasions of Europe. "Fire catapults", ""pao"", and "naphtha-shooters" are mentioned in some sources. However, according to Timothy May, "there is no concrete evidence that the Mongols used gunpowder weapons on a regular basis outside of China."


title: History of gunpowder

text: Shortly after the Mongol invasions of Japan (1274–1281), the Japanese produced a scroll painting depicting a bomb. Called tetsuhau in Japanese, the bomb is speculated to have been the Chinese thunder crash bomb. Japanese descriptions of the invasions also talk of iron and bamboo "pao" causing "light and fire" and emitting 2–3,000 iron bullets. The "Nihon Kokujokushi", written around 1300, mentions "huo tong" (fire tubes) at the Battle of Tsushima in 1274 and the second coastal assault led by Holdon in 1281. The "Hachiman Gudoukun" of 1360 mentions iron "pao" "which caused a flash of light and a loud noise when fired." The "Taiheki" of 1370 mentions "iron "pao" shaped like a bell."


title: History of gunpowder

text: According to historian Tonio Andrade, "Scholars today overwhelmingly concur that the gun was invented in China," however multiple independent gunpowder and gun invention theories continue to exist today, advocating for European, Islamic, or Indian origins. Opponents of Chinese invention and transmission criticize the vagueness of Chinese records on specific gunpowder usage in weaponry, the possible lack of gunpowder in incendiary weapons as described by Chinese documents, the weakness of Chinese firearms, the lack of evidence of guns between Europe and China before 1326, and emphasize the appearance of earlier or superior gunpowder weapons. For example, Stephen Morillo, Jeremy Black, and Paul Lococo's "War in World History" argues that "the sources are not entirely clear about Chinese use of gunpowder in guns. There are references to bamboo and iron cannons, or perhaps proto-cannons, but these seem to have been small, unreliable, handheld weapons in this period. The Chinese do seem to have invented guns independently of the Europeans, at least in principle; but, in terms of effective cannon, the edge goes to Europe." Independent invention theories include examples such as the attribution of gunpowder to Berthold Schwarz (Black Berthold), the usage of cannons by Mamluks at the Battle of Ain Jalut in 1260, and descriptions of gunpowder and firearms to various Sanskrit texts. The problem with all theories of non-Chinese invention boils down to lack of evidence and dating. It's not certain who exactly Berthold Schwarz was since there are no contemporary records of him. According to J.R. Partington, Black Berthold is a purely legendary figure invented for the purpose of providing a German origin for gunpowder and cannon. The source for Mamluk usage of cannons in the Battle of Ain Jalut is a text dated to the late 14th century. The dating of the cited Sanskrit texts is often dubious at best, with one example, "Sukraniti", containing descriptions of a musket and a cart-drawn gun.


title: History of gunpowder

text: Proponents of Chinese invention and transmission point out the acute dearth of any significant evidence of evolution or experimentation with gunpowder or gunpowder weapons leading up to the gun outside of China. Gunpowder appeared in Europe primed for military usage as an explosive and propellant, bypassing a process which took centuries of Chinese experimentation with gunpowder weaponry to reach, making a nearly instantaneous and seamless transition into firearm warfare, as its name suggests. Furthermore, early European gunpowder recipes shared identical defects with Chinese recipes such as the inclusion of the poisons sal ammoniac and arsenic, which provide no benefit to gunpowder. Bert S. Hall explains this phenomenon in his "Weapons and Warfare in Renaissance Europe: Gunpowder, Technology, and Tactics" by drawing upon the gunpowder transmission theory, explaining that "gunpowder came [to Europe], not as an ancient mystery, but as a well-developed modern technology, in a manner very much like twentieth-century 'technology-transfer' projects." In a similar vein, Peter Lorge supposes that the Europeans experienced gunpowder "free from preconceived notions of what could be done," in contrast to China, "where a wide range of formulas and a broad variety of weapons demonstrated the full range of possibilities and limitations of the technologies involved." There is also the vestige of Chinese influence on Muslim terminology of key gunpowder related items such as saltpeter, which has been described as either Chinese snow or salt, fireworks which were called Chinese flowers, and rockets which were called Chinese arrows. Moreover, Europeans in particular experienced great difficulty in obtaining saltpeter, a primary ingredient of gunpowder which was relatively scarce in Europe compared to China, and had to be obtained from "distant lands or extracted at high cost from soil rich in dung and urine." Thomas Arnold believes that the similarities between early European cannons and contemporary Chinese models suggests a direct transmission of cannon making knowledge from China rather than a home grown development.


title: History of gunpowder

text: The Muslim world acquired the gunpowder formula some time after 1240, but before 1280, by which time Hasan al-Rammah had written, in Arabic, recipes for gunpowder, instructions for the purification of saltpeter, and descriptions of gunpowder incendiaries. Early Muslim sources suggest that knowledge of gunpowder was acquired from China and may have been introduced by invading Mongols. This is implied by al-Rammah's usage of "terms that suggested he derived his knowledge from Chinese sources." Early Arab texts on gunpowder refer to saltpeter as "Chinese snow" ( ), fireworks as "Chinese flowers" and rockets as "Chinese arrows" ("sahm al-Khitai"). Similarly, the Persians called saltpeter "Chinese salt" or "salt from Chinese salt marshes" ( ). Fireworks listed by al-Rammah include "wheels of China" and "flowers of China".


title: History of gunpowder

text: The gunpowder formula of al-Rammah has a saltpetre content of 68% to 75%, which is too high for rocketry but suitable for explosives, however no explosives are mentioned. Al-Rammah's text, "The Book of Military Horsemanship and Ingenious War Devices" ("Kitab al-Furusiya wa'l-Munasab al-Harbiya"), does however mention fuses, incendiary bombs, naphtha pots, fire lances, and an illustration and description of the earliest torpedo. The torpedo was called the "egg which moves itself and burns." Two iron sheets were fastened together and tightened using felt. The flattened pear shaped vessel was filled with gunpowder, metal filings, "good mixtures," two rods, and a large rocket for propulsion. Judging by the illustration, it was evidently supposed to glide across the water.


title: History of gunpowder

text: Hasan al-Rammah was the first Muslim to describe the purification of saltpeter using the chemical processes of solution and crystallization. This was the first clear method for the purification of saltpeter.


title: History of gunpowder

text: According to Joseph Needham, fire lances were used in battles between the Muslims and Mongols in 1299 and 1303.


title: History of gunpowder

text: The earliest surviving documentary evidence for cannons in the Islamic world is from an Arabic manuscript dated to the early 14th century. The author's name is uncertain but may have been Shams al-Din Muhammad, who died in 1350. Dating from around 1320–1350, the illustrations show gunpowder weapons such as gunpowder arrows, bombs, fire tubes, and fire lances or proto-guns. The manuscript describes a type of gunpowder weapon called a "midfa" which uses gunpowder to shoot projectiles out of a tube at the end of a stock. Some consider this to be a cannon while others do not. The problem with identifying cannons in early 14th century Arabic texts is the term "midfa", which appears from 1342 to 1352 but cannot be proven to be true hand-guns or bombards. Contemporary accounts of a metal-barrel cannon in the Islamic world do not occur until 1365. Needham believes that in its original form the term "midfa" refers to the tube or cylinder of a naphtha projector (flamethrower), then after the invention of gunpowder it meant the tube of fire lances, and eventually it applied to the cylinder of hand-gun and cannon.


title: History of gunpowder

text: According to Paul E. J. Hammer, the Mamluks certainly used cannons by 1342. According to J. Lavin, cannons were used by Moors at the siege of Algeciras in 1343. A metal cannon firing an iron ball was described by Shihab al-Din Abu al-Abbas al-Qalqashandi between 1365 and 1376.


title: History of gunpowder

text: A common theory of how gunpowder came to Europe is that it made its way along the Silk Road through the Middle East. Another is that it was brought to Europe during the Mongol invasion in the first half of the 13th century. Some sources claim that Chinese firearms and gunpowder weapons may have been deployed by Mongols against European forces at the Battle of Mohi in 1241. It may also have been due to subsequent diplomatic and military contacts. Some authors have speculated that William of Rubruck, who served as an ambassador to the Mongols from 1253 to 1255, was a possible intermediary in the transmission of gunpowder. His travels were recorded by Roger Bacon, who was the first European to mention gunpowder, but the records of William's journey do not contain any mention of gunpowder.


title: History of gunpowder

text: The earliest European references to gunpowder are found in Roger Bacon's "Opus Majus" from 1267, in which he mentions a firecracker toy found in various parts of the world. The passage reads: "We have an example of these things (that act on the senses) in [the sound and fire of] that children's toy which is made in many [diverse] parts of the world; i.e., a device no bigger than one's thumb. From the violence of that salt called saltpeter [together with sulfur and willow charcoal, combined into a powder] so horrible a sound is made by the bursting of a thing so small, no more than a bit of parchment [containing it], that we find [the ear assaulted by a noise] exceeding the roar of strong thunder, and a flash brighter than the most brilliant lightning." In the early 20th century, British artillery officer Henry William Lovett Hime proposed that another work tentatively attributed to Bacon, "Epistola de Secretis Operibus Artis et Naturae, et de Nullitate Magiae" contained an encrypted formula for gunpowder. This claim has been disputed by historians of science including Lynn Thorndike, John Maxson Stillman and George Sarton and by Bacon's editor Robert Steele, both in terms of authenticity of the work, and with respect to the decryption method. In any case, the formula claimed to have been decrypted (7:5:5 saltpeter:charcoal:sulfur) is not useful for firearms use or even firecrackers, burning slowly and producing mostly smoke. However, if Bacon's recipe is taken as measurements by volume rather than weight, a far more potent and serviceable explosive powder is created suitable for firing hand-cannons, albeit less consistent due to the inherent inaccuracies of measurements by volume. One example of this composition resulted in 100 parts saltpeter, 27 parts charcoal, and 45 parts sulfur, by weight.


title: History of gunpowder

text: The oldest written recipes for gunpowder in Europe were recorded under the name Marcus Graecus or Mark the Greek between 1280 and 1300 in the "Liber Ignium", or "Book of Fires". One recipe for "flying fire" ("ignis volatilis") involves saltpeter, sulfur, and colophonium, which, when inserted into a reed or hollow wood, "flies away suddenly and burns up everything." Another recipe, for artificial "thunder", specifies a mixture of one pound native sulfur, two pounds linden or willow charcoal, and six pounds of saltpeter. Another specifies a 1:3:9 ratio.


title: History of gunpowder

text: The earliest known European depiction of a gun appeared in 1326 in a manuscript by Walter de Milemete, although not necessarily drawn by him, known as "De Nobilitatibus, sapientii et prudentiis regum" (Concerning the Majesty, Wisdom, and Prudence of Kings), which displays a gun with a large arrow emerging from it and its user lowering a long stick to ignite the gun through the touchole In the same year, another similar illustration showed a darker gun being set off by a group of knights, which also featured in another work of de Milemete's, "De secretis secretorum Aristotelis". On 11 February of that same year, the Signoria of Florence appointed two officers to obtain "canones de mettallo" and ammunition for the town's defense. In the following year a document from the Turin area recorded a certain amount was paid "for the making of a certain instrument or device made by Friar Marcello for the projection of pellets of lead."


title: History of gunpowder

text: The 1320s seem to have been the takeoff point for guns in Europe according to most modern military historians. Scholars suggest that the lack of gunpowder weapons in a well-traveled Venetian's catalogue for a new crusade in 1321 implies that guns were unknown in Europe up until this point. From the 1320s guns spread rapidly across Europe. The French raiding party that sacked and burned Southampton in 1338 brought with them a ribaudequin and 48 bolts (but only 3 pounds of gunpowder). By 1341 the town of Lille had a "tonnoire master," and a tonnoire was an arrow-hurling gun. In 1345, two iron cannons were present in Toulouse. In 1346 Aix-la-Chapelle too possessed iron cannons which shot arrows (busa ferrea ad sagittandum tonitrum). The Battle of Crécy in 1346 was one of the first in Europe where cannons were used. By 1350 Petrarch wrote that the presence of cannons on the battlefield was 'as common and familiar as other kinds of arms'.


title: History of gunpowder

text: Around the late 14th century European and Ottoman guns began to deviate in purpose and design from guns in China, changing from small anti-personnel and incendiary devices to the larger artillery pieces most people imagine today when using the word "cannon." If the 1320s can be considered the arrival of the gun on the European scene, then the end of the 14th century may very well be the departure point from the trajectory of gun development in China. In the last quarter of the 14th century, European guns grew larger and began to blast down fortifications.


title: History of gunpowder

text: In Southeast Asia, cannons were used by the Ayutthaya Kingdom in 1352 during its invasion of the Khmer Empire. Within a decade large quantities of gunpowder could be found in the Khmer Empire. By the end of the century firearms were also used by the Trần dynasty in Đại Việt.


title: History of gunpowder

text: The Mongol invasion of Java in 1293 brought gunpowder technology to the Nusantara archipelago in the form of cannon (Chinese: 炮—"Pào"). The knowledge of making gunpowder-based weapon has been known after the failed Mongol invasion of Java. The predecessor of firearms, the pole gun (bedil tombak), was recorded as being used in Java by 1413, while the knowledge of making "true" firearms came much later, after the middle of 15th century. It was brought by the Muslim traders from West Asia, most probably the Arabs. The precise year of introduction is unknown, but it may be safely concluded to be no earlier than 1460.


title: History of gunpowder

text: Portuguese influence to local weaponry after the capture of Malacca (1511) resulted in a new type of hybrid tradition matchlock firearm, the istinggar. Saltpeter harvesting was recorded by Dutch and German travelers as being common in even the smallest villages and was collected from the decomposition process of large dung hills specifically piled for this purpose. The Dutch punishment for possession of non-permitted gunpowder appears to have been amputation. Ownership and manufacture of gunpowder was later prohibited by the colonial Dutch occupiers. According to colonel McKenzie quoted in the book "The History of Java" (1817) by Thomas Stamford Raffles, the purest sulfur was supplied from a crater from a mountain near the straits of Bali.


title: History of gunpowder

text: Gunpowder technology is believed to have arrived in India by the mid-14th century, but could have been introduced much earlier by the Mongols, who had conquered both China and some borderlands of India, perhaps as early as the mid-13th century. The unification of a large single Mongol Empire resulted in the free transmission of Chinese technology into Mongol conquered parts of India. Regardless, it is believed that the Mongols used Chinese gunpowder weapons during their invasions of India. It was written in the "Tarikh-i Firishta" (1606–1607) that the envoy of the Mongol ruler Hulegu Khan was presented with a dazzling pyrotechnics display upon his arrival in Delhi in 1258. The first gunpowder device, as opposed to naphtha-based pyrotechnics, introduced to India from China in the second half of the 13th century, was a rocket called the "hawai" (also called "ban"). The rocket was used as an instrument of war from the second half of the 14th century onward, and the Delhi sultanate as well as the Bahmani Sultanate made good use of them. As a part of an embassy to India by Timurid leader Shah Rukh (1405–1447), 'Abd al-Razzaq mentioned naphtha-throwers mounted on elephants and a variety of pyrotechnics put on display. Roger Pauly has written that "while gunpowder was primarily a Chinese innovation," the saltpeter that led to the invention of gunpowder may have arrived from India, although it is also likely that it originated indigenously in China.


title: History of gunpowder

text: Firearms known as "top-o-tufak" also existed in the Vijayanagara Empire of Southern India by as early as 1366. In 1368–1369, the Bahmani Sultanate may have used firearms against Vijayanagara, but these weapons could have been pyrotechnics as well. By 1442 guns had a clearly felt presence in India as attested to by historical records. From then on the employment of gunpowder warfare in India was prevalent, with events such as the siege of Belgaum in 1473 by Muhammad Shah III. Muslim and Hindu states in the south were advanced in artillery compared to the Delhi rulers of this period because of their contact with the outside world, especially Turkey, through the sea route. The south Indian kingdoms imported their gunners (topci) and artillery from Turkey and the Arab countries, with whom they had developed good relations.


title: History of gunpowder

text: Korea had already come into possession of cannons by 1373, when a Korean mission was sent to China requesting gunpowder supplies for the artillery on their ships. However Korea did not natively produce gunpowder until the years 1374–76. In the 14th century a Korean scholar named Choe Museon discovered a way to produce it after visiting China and bribing a merchant by the name of Li Yuan for the gunpowder formula. In 1377 he figured out how to extract potassium nitrate from the soil and subsequently invented the juhwa, Korea's first rocket, and further developments led to the birth of singijeons, Korean arrow rockets. Korea also began producing cannons in 1377. The multiple rocket launcher known as hwacha ("fire cart" 火車) was developed from the juhwa and singijeon in Korea by 1409 during the Joseon Dynasty. Its inventors include Yi Do (이도, not to be mistaken for Sejong the Great) and Choi Hae-san (최해산, son of Choe Museon). However the first hwachas did not fire rockets, but used mounted bronze guns that shot iron-fletched darts. Rocket launching hwachas were developed in 1451 under the decree of King Munjong and his younger brother Pe. ImYung (Yi Gu, 임영대군 이구). This "Munjong Hwacha" is the well-known type today, and could fire 100 rocket arrows or 200 small Chongtong bullets at one time with changeable modules. At the time, 50 units were deployed in Hanseong (present-day Seoul), and another 80 on the northern border. By the end of 1451, hundreds of hwachas were deployed throughout Korea.


title: History of gunpowder

text: Naval gunpowder weapons also appeared and were rapidly adopted by Korean ships for conflicts against Japanese pirates in 1380 and 1383. By 1410, 160 Korean ships were reported to have equipped artillery of some sort. Mortars firing thunder-crash bombs are known to have been used, and four types of cannons are mentioned: chonja (heaven), chija (earth), hyonja (black), and hwangja (yellow), but their specifications are unknown. These cannons typically shot wooden arrows tipped with iron, the longest of which were nine feet long, but stone and iron balls were sometimes used as well.


title: History of gunpowder

text: Firearms seem to have been known in Japan around 1270 as proto-cannons invented in China, which the Japanese called teppō (鉄砲 lit. "iron cannon"). Gunpowder weaponry exchange between China and Japan was slow and only a small number of hand guns ever reached Japan. However Japanese samurai used Fire lances in 15th-century. The first recorded appearance of the Fire lances in Japan was in 1409. The use of gunpowder bombs in the style of Chinese explosives is known to have occurred in Japan from at least the mid-15th century onward. The first recorded appearance of the cannon in Japan was in 1510 when a Buddhist monk presented Hōjō Ujitsuna with a teppō iron cannon that he had acquired during his travels in China. Firearms saw very little use in Japan until Portuguese matchlocks were introduced in 1543. During the Japanese invasions of Korea (1592–1598), the forces of Toyotomi Hideyoshi effectively used matchlock firearms against the Korean forces of Joseon, although they would ultimately be defeated and forced to withdraw from the Korean peninsula.


title: History of gunpowder

text: In Africa, the Adal Empire and the Abyssinian Empire both deployed gunpowder weapons during the Adal-Abyssinian War. Imported from Arabia, and the wider Islamic world, the Adalites, led by Ahmed ibn Ibrahim al-Ghazi, were the first African power to introduce cannon warfare to the African continent. Later on as the Portuguese Empire entered the war it would supply and train the Abyssinians with cannon and muskets, while the Ottoman Empire sent soldiers and cannon to back Adal. The conflict proved, through their use on both sides, the value of firearms such as the matchlock musket, cannon, and the arquebus over traditional weapons.


title: History of gunpowder

text: Ernest Gellner in his book 'Nations and Nationalism' argues that the centralizing potential of the gun and the book, enabled both the Somali people and the Amhara people to dominate the political history of a vast area in Africa, despite neither of them being numerically predominant.


title: History of gunpowder

text: "In the Horn of Africa both the Amharas and the Somalis possessed both gun and Book (not the same Book, but rival and different editions), and neither bothered greatly with the wheel. Each of these ethnic groups was aided in its use of these two pieces of cultural equipment by its link to other members of the wider religious civilization which habitually used them, and were willing to replenish their stock." – Ernest Gellner


title: History of gunpowder

text: Gun development and proliferation in China continued under the Ming dynasty. The success of its founder Zhu Yuanzhang, who declared his reign to be the era of Hongwu, or "Great Martiality," has often been attributed to his effective use of guns.


title: History of gunpowder

text: Most early Ming guns weighed two to three kilograms while guns considered "large" at the time weighed around only seventy-five kilograms. Ming sources suggest guns such as these shot stones and iron balls, but were primarily used against men rather than for causing structural damage to ships or walls. Accuracy was low and they were limited to a range of only 50 paces or so.


title: History of gunpowder

text: Despite the relatively small size of early Ming guns, some elements of gunpowder weapon design followed world trends. The growing length to muzzle bore ratio matched the rate at which European guns were developing up until the 1450s. The practice of corning gunpowder had been developed by 1370 for the purpose of increasing explosive power in land mines, and was arguably used in guns as well according to one record of a fire-tube shooting a projectile 457 meters, which was probably only possible at the time with the usage of corned powder. Around the same year Ming guns transitioned from using stone shots to iron ammunition, which has greater density and increased firearm power. Aside from firearms, the Ming pioneered in the usage of rocket launchers known as "wasp nests", which it manufactured for the army in 1380 and was used by the general Li Jinglong in 1400 against Zhu Di, the future Yongle Emperor.


title: History of gunpowder

text: The peak of Chinese cannon development prior to the incorporation of European weaponry in the 16th century is exemplified by the muzzle loading wrought iron "great general cannon" (大將軍炮) which weighed up to 360 kilograms and could fire a 4.8 kilogram lead ball. Its heavier variant, the "great divine cannon" (大神銃), could weigh up to 600 kilograms and was capable of firing several iron balls and upward of a hundred iron shots at once. The great general and divine cannons were the last indigenous Chinese cannon designs prior to the incorporation of European models in the 16th century.


title: History of gunpowder

text: The lack of larger siege weapons in China unlike the rest of the world where cannons grew larger and more potent has been attributed to the immense thickness of traditional Chinese walls, which Tonio Andrade suggests provided no incentive for creating larger cannons, since even industrial artillery had trouble overcoming them. Asianist Kenneth Chase also argues that larger guns were not particularly useful against China's traditional enemies: horse nomads.


title: History of gunpowder

text: The development of large artillery pieces began by Burgundy. Originally a minor power, the duchy grew to become one of the most powerful states in 14th-century Europe, and a great innovator in siege warfare. The Duke of Burgundy, Philip the Bold (1363–1404), based his power on the effective use of big guns and promoted research and development in all aspects of gunpowder weaponry technology. Philip established manufacturers and employed more cannon casters than any European power before him.


title: History of gunpowder

text: Whereas most European guns before 1370 weighed about 20 to 40 lbs (9–14 kg), the French siege of Château de Saint-Sauveur-le-Vicomte in 1375 during the Hundred Years War saw the use of guns weighing over a ton (900 kg), firing stone balls weighing over 100 lbs (45 kg). Philip used large guns to help the French capture the fortress of Odruik in 1377. These guns fired projectiles far larger than any that had been used before, with seven guns that could shoot projectiles as heavy as 90 kilograms. The cannons smashed the city walls, inaugurating a new era of artillery warfare and Burgundy's territories rapidly expanded.


title: History of gunpowder

text: Europe entered an arms race to build ever larger artillery pieces. By the early 15th century both French and English armies were equipped with larger pieces known as bombards, weighing up to 5 tons (4,535 kg) and firing balls weighing up to 300 lbs (136 kg). The artillery trains used by Henry V of England in the 1415 Siege of Harfleur and 1419 Siege of Rouen proved effective in breaching French fortifications, while artillery contributed to the victories of French forces under Joan of Arc in the Loire Campaign (1429).


title: History of gunpowder

text: These weapons were transformational for European warfare. A hundred years earlier the Frenchman Pierre Dubois wrote that a "castle can hardly be taken within a year, and even if it does fall, it means more expenses for the king's purse and for his subjects than the conquest is worth," but by the 15th century European walls fell with the utmost regularity.


title: History of gunpowder

text: The Ottoman Empire was also developing their own artillery pieces. Mehmed the Conqueror (1432–1481) was determined to procure large cannons for the purpose of conquering Constantinople. Hungarian Urban produced for him a six-meter (20-foot) long cannon, which required hundreds of pounds of gunpowder to fire; during the actual siege of Constantinople the gun proved to be somewhat underwhelming. However, dozens of other large cannons bombarded Constantinople's walls in their weakest sections for 55 days, and despite a fierce defense, the city's fortifications were overwhelmed.


title: History of gunpowder

text: As a response to gunpowder artillery, European fortifications began displaying architectural principles such as lower and thicker walls in the mid-1400s. Cannon towers were built with artillery rooms where cannons could discharge fire from slits in the walls. However this proved problematic as the slow rate of fire, reverberating concussions, and noxious fumes produced greatly hindered defenders. Gun towers also limited the size and number of cannon placements because the rooms could only be built so big. Notable surviving artillery towers include a seven layer defensive structure built in 1480 at Fougères in Brittany, and a four layer tower built in 1479 at Querfurth in Saxony.


title: History of gunpowder

text: The star fort, also known as the bastion fort, "tracé à l'italienne", or renaissance fortress, was a style of fortification that became popular in Europe during the 16th century. The bastion and star fort was developed in Italy, where the Florentine engineer Giuliano da Sangallo (1445–1516) compiled a comprehensive defensive plan using the geometric bastion and full "tracé à l'italienne" that became widespread in Europe.


title: History of gunpowder

text: The main distinguishing features of the star fort were its angle bastions, each placed to support their neighbor with lethal crossfire, covering all angles, making them extremely difficult to engage with and attack. Angle bastions consisted of two faces and two flanks. Artillery positions positioned at the flanks could fire parallel into the opposite bastion's line of fire, thus providing two lines of cover fire against an armed assault on the wall, and preventing mining parties from finding refuge. Meanwhile, artillery positioned on the bastion platform could fire frontally from the two faces, also providing overlapping fire with the opposite bastion. Overlapping mutually supporting defensive fire was the greatest advantage enjoyed by the star fort. As a result, sieges lasted longer and became more difficult affairs. By the 1530s the bastion fort had become the dominant defensive structure in Italy.


title: History of gunpowder

text: Outside Europe, the star fort became an "engine of European expansion", and acted as a force multiplier so that small European garrisons could hold out against numerically superior forces. Wherever star forts were erected the natives experienced great difficulty in uprooting European invaders.


title: History of gunpowder

text: In China, Sun Yuanhua advocated for the construction of angled bastion forts in his "Xifashenji" so that their cannons could better support each other. The officials Han Yun and Han Lin noted that cannons on square forts could not support each side as well as bastion forts. Their efforts to construct bastion forts and their results were inconclusive. Ma Weicheng built two bastion forts in his home county, which helped fend off a Qing incursion in 1638. By 1641, there were ten bastion forts in the county. Before bastion forts could be spread any further, the Ming dynasty fell in 1644, and they were largely forgotten as the Qing dynasty was on the offensive most of the time and had no use for them.


title: History of gunpowder

text: Gun development and design in Europe reached its "classic" form in the 1480s – longer, lighter, more efficient, and more accurate compared to its predecessors only three decades prior. The design persisted, and cannons of the 1480s show little difference and surprising similarity with cannons three centuries later in the 1750s. This 300-year period during which the classic cannon dominated gives it its moniker.


title: History of gunpowder

text: The early classical European guns are exemplified by two cannons from 1488 now preserved in a plaza in Neuchâtel, Switzerland. The Neuchâtel guns are 224 centimeters long, with a bore of 6.2 centimeters and the other is slightly longer, 252 centimeters, with the same bore size. They are differentiated from older firearms by an assortment of improvements. Their longer length-to-bore ratio imparts more energy into the shot, enabling the projectile to shoot further. Not only longer, they were also lighter as the barrel walls were made thinner to allow for faster dissipation of heat. They also no longer needed the help of a wooden plug to load since they offered a tighter fit between projectile and barrel, further increasing the accuracy of gunpowder warfare – and were deadlier due to developments such as gunpowder corning and iron shot. When these guns reached China in the 1510s, the Chinese were highly impressed by them, primarily for their longer and thinner barrels.


title: History of gunpowder

text: The two primary theories for the appearance of the classic gun involve the development of gunpowder corning and a new method for casting guns.


title: History of gunpowder

text: The corning hypothesis stipulates that the longer barrels came about as a reaction to the development of corned gunpowder. Not only did "corned" powder keep better, because of its reduced surface area, but gunners also found that it was more powerful and easier to load into guns. Prior to corning, gunpowder would also frequently demix into its constitutive components and was therefore unreliable. The faster gunpowder reaction was suitable for smaller guns, since large ones had a tendency to crack, and the more controlled reaction allowed large guns to have longer, thinner walls. However, the corning hypothesis has been argued against on two grounds: One, the powder makers were probably more worried about spoilage than the effect of corned gunpowder on guns; and two, corning as a practice had existed in China (for explosives) since the 1370s.


title: History of gunpowder

text: The second theory is that the key to developing the classic gun may have been a new method of gun casting, muzzle side up. Smith observes: "The surviving pieces of ordnance from earlier in the 15th century are big pieces with large bore sizes. They do not look like the long thin gun.… Essentially they are parallel-sided tubes with flat ends. The explanation is, probably, that they were cast muzzle down in the traditional bell-founding method whereas the long thin guns were cast muzzle up.… Perhaps this marks the real 'revolution' in artillery. Once the technique of casting muzzle up with the attendant advantages, and it is not clear what those are at present, had been mastered by cannon founders, the way was open for the development of the 'classic' form of artillery." However, Smith himself states that it is not clear what advantages this technique would have conferred, despite its widespread adoption.


title: History of gunpowder

text: Across the 15th and 16th centuries there were primarily two different types of manufactured cannons. The wrought iron cannon and the cast-bronze cannon. Wrought iron guns were structurally composed of two layers: an inner tube of iron staves held together in a tight fit by an outer case of iron hoops. Bronze cannons on the other hand were cast in one piece similar to bells. The technique used in casting bronze cannons was so similar to the bell that the two were often looked upon as a connected enterprise.


title: History of gunpowder

text: Both iron and bronze cannons had their advantages and disadvantages. Forged iron cannons were up to ten times cheaper, but more unstable due to their piece built nature. Even without use, iron cannons were liable to rust away, while bronze cannons did not. Another reason for the dominance of bronze cannons was their aesthetic appeal. Because cannons were so important as displays of power and prestige, rulers liked to commission bronze cannons, which could be sculpted into fanciful designs containing artistic motifs or symbols. It was for all these reasons that the cast-bronze cannon became the preferred type by the late 1400s.


title: History of gunpowder

text: Composite iron/bronze cannons were far less common, but were produced in substantial numbers during the Ming and Qing dynasties. The resulting bronze-iron composite cannons were superior to iron or bronze cannons in many respects. They were lighter, stronger, longer lasting, and able to withstand more intensive explosive pressure. Chinese artisans also experimented with other variants such as cannons featuring wrought iron cores with cast iron exteriors. While inferior to their bronze-iron counterparts, these were considerably cheaper and more durable than standard iron cannons. Both types were met with success and were considered "among the best in the world" during the 17th century. The Chinese composite metal casting technique was effective enough that Portuguese imperial officials sought to employ Chinese gunsmiths for their cannon foundries in Goa, so that they could impart their methods for Portuguese weapons manufacturing. The Gujarats experimented with the same concept in 1545, the English at least by 1580, and Hollanders in 1629. However the effort required to produce these weapons prevented them from mass production. The Europeans essentially treated them as experimental products, resulting in very few surviving pieces today. Of the currently known extant composite metal cannons, there are 2 English, 2 Dutch, 12 Gujarati, and 48 from the Ming-Qing period.


title: History of gunpowder

text: The arquebus was a firearm that appeared in Europe and the Ottoman Empire in the early 15th century. Its name is derived from the German word "Hackenbüchse". Although the term "arquebus" was applied to many different forms of firearms from the 15th to 17th centuries, it was originally used to describe "a hand-gun with a hook-like projection or lug on its under surface, useful for steadying it against battlements or other objects when firing." These "hook guns" were in their earliest forms defensive weapons mounted on German city walls in the early 1400s, but by the late 1400s had transitioned into handheld firearms, with heavier variants known as "muskets" that were fired from resting Y-shaped supports appearing by the early 1500s.


title: History of gunpowder

text: The musket was able to penetrate all forms of armor available at the time, making armor obsolete, and as a consequence the heavy musket as well. Although there is relatively little to no difference in design between arquebus and musket except in size and strength, it was the term "musket" which remained in use up into the 1800s. It may not be completely inaccurate to suggest that the musket was in its fabrication simply a larger arquebus. At least on one occasion the musket and arquebus have been used interchangeably to refer to the same weapon, and even referred to as an "arquebus musket." A Habsburg commander in the mid-1560s once referred to muskets as "double arquebuses." The definition of arquebus and similar firearms is therefore quite convoluted as the term has been applied to different sorts of firearms as well as acquiring several names like "hackbut," "harquebus", "schiopo," "sclopus," "tüfenk", "tofak", "matchlock", and "firelock". Some say that the hackbut was a forerunner of the arquebus.


title: History of gunpowder

text: The dating of the "matchlock" firing mechanism's first appearance is disputed. The first references to the use of what may have been arquebuses ("tüfek") by the Janissary corps of the Ottoman army date them from 1394 to 1465. However it's unclear whether these were arquebuses or small cannons as late as 1444, but the fact that they were listed separate from cannons in mid-15th century inventories suggest they were handheld firearms. In Europe, a shoulder stock, probably inspired by the crossbow stock, was added to the arquebus around 1470 and the appearance of the matchlock mechanism is dated to a little before 1475. The matchlock arquebus was the first firearm equipped with a trigger mechanism. It is also considered to be the first portable shoulder-arms firearm.


title: History of gunpowder

text: Matchlock became a common term for the arquebus after it was added to the firearm. Prior to the appearance of the matchlock, handguns were fired from the chest, tucked under one arm, while the other arm maneuvered a hot pricker to the touch hole to ignite the gunpowder. The matchlock changed this by adding a firing mechanism consisting of two parts, the match, and the lock. The lock mechanism held within a clamp a two to three feet long length of smoldering rope soaked in saltpeter, which was the match. Connected to the lock lever was a trigger, which lowered the match into a priming pan when pulled, igniting the priming powder, causing a flash to travel through the touch hole, also igniting the gunpowder within the barrel, and propelling the bullet out the muzzle.


title: History of gunpowder

text: While matchlocks provided a crucial advantage by allowing the user to aim the firearm using both hands, it was also awkward to use. To avoid accidentally igniting the gunpowder the match had to be detached while loading the gun. In some instances the match would also go out, so both ends of the match were kept lit. This proved cumbersome to maneuver as both hands were required to hold the match during removal, one end in each hand. The procedure was so complex that a 1607 drill manual published by Jacob de Gheyn in the Netherlands listed 28 steps just to fire and load the gun. In 1584 the Ming general Qi Jiguang composed an 11 step song to practice the procedure in rhythm: "One, clean the gun. Two pour the powder. Three tamp the powder down. Four drop the pellet. Five drive the pellet down. Six put in paper (stopper). Seven drive the paper down. Eight open the flashpan cover. Nine pour in the flash powder. Ten close the flashpan, and clamp the fuse. Eleven, listen for the signal, then open the flashpan cover. Aiming at the enemy, raise your gun and fire." Reloading a gun during the 16th century took anywhere from between 20 seconds to a minute under the most ideal conditions.