title: Cue sports

text: Initially, the mace was used to push the balls, rather than strike them. The newly developed striking cue provided a new challenge. Cushions began to be stuffed with substances to allow the balls to rebound, in order to enhance the appeal of the game. After a transitional period where only the better players would use cues, the cue came to be the first choice of equipment.


title: Cue sports

text: The demand for tables and other equipment was initially met in Europe by John Thurston and other furniture makers of the era. The early balls were made from wood and clay, but the rich preferred to use ivory.


title: Cue sports

text: Early billiard games involved various pieces of additional equipment, including the "arch" (related to the croquet hoop), "port" (a different hoop, often rectangular), and "king" (a pin or skittle near the arch) in the early 17th to late 18th century, but other game variants, relying on the cushions (and pockets cut into them), were being formed that would go on to play fundamental roles in the development of modern billiards.


title: Cue sports

text: The early croquet-like games eventually led to the development of the carom billiards category. These games are games played with three or sometimes four balls, on a table without holes in which the goal is generally to strike one with a , then have the cue ball rebound off of one or more of the cushions and strike a second object ball. Variations include straight rail, balkline, one-cushion, three-cushion, five-pins, and four-ball, among others.


title: Cue sports

text: One type of obstacle remained a feature of many tables, originally as a hazard and later as a target, in the form of pockets, or holes partly cut into the table bed and partly into the cushions, leading to the rise of pocket billiards, including "pool" games such as eight-ball, nine-ball, straight pool, and one-pocket; Russian pyramid; snooker; English billiards; and others.


title: Cue sports

text: In the United States, pool and billiards had died out for a bit, but between 1878 and 1956 the games became very popular. Players in annual championships began to receive their own cigarette cards. This was mainly due to the fact that it was a popular pastime for troops to take their minds off from battle. However, by the end of World War II, pool and billiards began to die down once again. It was not until 1961 when the film "The Hustler" came out that sparked a new interest in the game. Now the game is generally a well-known game and has many players of all different skill levels.


title: Cue sports

text: The games with regulated international professional competition, if not others, have been referred to as "sports" or "sporting" events, not simply "games", since 1893 at the latest. Quite a variety of particular games (i.e., sets of rules and equipment) are the subject of present-day competition, including many of those already mentioned, with competition being especially broad in nine-ball, snooker, three-cushion, and eight-ball.


title: Cue sports

text: Snooker, though a pocket billiards variant and closely related in its equipment and origin to the game of English billiards, is a professional sport organized at an international level, and its rules bear little resemblance to those of modern pool, pyramid, and other such games.


title: Cue sports

text: A "Billiards" category encompassing pool, snooker, and carom has been part of the World Games since 2001.


title: Cue sports

text: Russian pyramid and kaisa have a size of 68 mm ( in). In Russian pyramid there are sixteen balls, as in pool, but fifteen are white and numbered, and the is usually red. In kaisa, five balls are used: the yellow (called the "kaisa" in Finnish), two red object balls, and the two white cue balls (usually differentiated by one cue ball having a dot or other marking on it and each of which serves as an object ball for the opponent).


title: Cue sports

text: Carom billiards balls are larger than pool balls, having a diameter of 61.5 mm ( in), and come as a set of two cue balls (one colored or marked) and an object ball (or two object balls in the case of the game four-ball).


title: Cue sports

text: Standard pool balls are 57.15 mm ( in), are used in many pool games found throughout the world, come in sets of two of object balls, seven and seven , an and a ; the balls are racked differently for different games (some of which do not use the entire ball set). Blackball (English-style eight-ball) sets are similar, but have unmarked of and balls instead of solids and stripes, known as "casino" style. They are used principally in Britain, Ireland, and some Commonwealth countries, though not exclusively, since they are unsuited for playing nine-ball. The diameter varies but is typically slightly smaller than that of standard solids-and-stripes sets.


title: Cue sports

text: Snooker balls are smaller than American-style pool balls with a diameter of 52.5 mm ( in), and come in sets of 22 (15 reds, 6 "", and a cue ball). English billiard balls are the same size as snooker balls and come in sets of three balls (two cue balls and a red object ball). Other games, such as bumper pool, have custom ball sets.


title: Cue sports

text: Billiard balls have been made from many different materials since the start of the game, including clay, bakelite, celluloid, crystallite, ivory, plastic, steel and wood. The dominant material from 1627 until the early 20th century was ivory. The search for a substitute for ivory use was not for environmental concerns, but based on economic motivation and fear of danger for elephant hunters. It was in part spurred on by a New York billiard table manufacturer who announced a prize of $10,000 for a substitute material. The first viable substitute was celluloid, invented by John Wesley Hyatt in 1868, but the material was volatile, sometimes exploding during manufacture, and was highly flammable.


title: Cue sports

text: There are many sizes and styles of billiard tables. Generally, tables are rectangles twice as long as they are wide. Table sizes are typically referred to by the nominal length of their longer dimension. Full-size snooker tables are long. Carom billiards tables are typically . Regulation pool tables are , though pubs and other establishments catering to casual play will typically use tables which are often coin-operated, nicknamed . Formerly, ten-foot pool tables were common, but such tables are now considered antiques.


title: Cue sports

text: High-quality tables have a made of thick slate, in three pieces to prevent warping and changes due to temperature and humidity. The slates on modern carom tables are usually heated to stave off moisture and provide a consistent playing surface. Smaller bar tables are most commonly made with a single piece of slate. Pocket billiards tables of all types normally have six pockets, three on each side (four corner pockets, and two side or middle pockets).


title: Cue sports

text: All types of tables are covered with billiard cloth (often called "felt", but actually a woven wool or wool/nylon blend called baize). Cloth has been used to cover billiards tables since the 15th century.


title: Cue sports

text: Bar or tavern tables, which get a lot of play, use "slower", more durable cloth. The cloth used in upscale pool (and snooker) halls and home billiard rooms is "faster" (i.e., provides less friction, allowing the balls to roll farther across the table ), and competition-quality pool cloth is made from 100% worsted wool. Snooker cloth traditionally has a nap (consistent fiber directionality) and balls behave differently when rolling against versus along with the nap.


title: Cue sports

text: The cloth of the billiard table has traditionally been green, reflecting its origin (originally the grass of ancestral lawn games), and has been so colored since at least the 16th century, but it is also produced in other colors such as red and blue. Television broadcasting of pool as well as 3 Cushion billiards prefers a blue colored cloth which was chosen for better visibility and contrast against colored balls.


title: Cue sports

text: A rack is the name given to a frame (usually wood, plastic or aluminium) used to organize billiard balls at the beginning of a game. This is traditionally triangular in shape, but varies with the type of billiards played. There are two main types of racks; the more common triangular shape which is used for eight-ball and straight pool and the diamond-shaped rack used for nine-ball.


title: Cue sports

text: There are several other types of less common rack types that are also used, based on a "template" to hold the billiard balls tightly together. Most commonly it is a thin plastic sheet with diamond-shaped cut-outs that hold the balls that is placed on the table with the balls set on top of the rack. The rack is used to set up the “break” and removed once the break has been completed and no balls are obstructing the template.


title: Cue sports

text: Billiards games are mostly played with a stick known as a cue. A cue is usually either a one-piece tapered stick or a two-piece stick divided in the middle by a joint of metal or phenolic resin. High-quality cues are generally two pieces and are made of a hardwood, generally maple for billiards and ash for snooker.


title: Cue sports

text: The end of the cue is of larger circumference and is intended to be gripped by a player's hand. The of the cue is of smaller circumference, usually tapering to an terminus called a (usually made of fiberglass or brass in better cues), where a rounded leather is affixed, flush with the ferrule, to make final contact with balls. The tip, in conjunction with chalk, can be used to impart spin to the cue ball when it is not hit in its center.


title: Cue sports

text: Cheap cues are generally made of pine, low-grade maple (and formerly often of ramin, which is now endangered), or other low-quality wood, with inferior plastic ferrules. A quality cue can be expensive and may be made of exotic woods and other expensive materials which are artfully inlaid in decorative patterns. Many modern cues are also made, like golf clubs, with high-tech materials such as woven graphite. Recently, carbon fiber woven composites have been developed and utilized by top professional players and amateurs. Advantages include less flexibility and no worry of nicks, scratches, or damages to the cue. Skilled players may use more than one cue during a game, including a separate cue with a hard phenolic resin tip for the opening break shot, and another, shorter cue with a special tip for .


title: Cue sports

text: The mechanical bridge, sometimes called a "rake", "crutch", "bridge stick" or simply "bridge", and in the UK a "rest", is used to extend a player's reach on a shot where the cue ball is too far away for normal hand bridging. It consists of a stick with a grooved metal or plastic head which the cue slides on.


title: Cue sports

text: Some players, especially current or former snooker players, use a screw-on cue butt extension instead of or in addition to the mechanical bridge.


title: Cue sports

text: Bridge head design is varied, and not all designs (especially those with cue shaft-enclosing rings, or wheels on the bottom of the head), are broadly tournament-approved.


title: Cue sports

text: For snooker, bridges are normally available in three forms, their use depending on how the player is hampered; the standard rest is a simple cross, the 'spider' has a raised arch around 12 cm with three grooves to rest the cue in and for the most awkward of shots, the 'giraffe' (or 'swan' in England) which has a raised arch much like the 'spider' but with a slender arm reaching out around 15 cm with the groove.


title: Cue sports

text: Chalk is applied to the tip of the cue stick, ideally before every shot, to increase the tip's friction coefficient so that when it impacts the cue ball on a non-center hit, no (unintentional slippage between the cue tip and the struck ball) occurs. Chalk is an important element to make good shots in pool or snooker. Cue tip chalk is not actually the substance typically referred to as "chalk" (generally calcium carbonate), but any of several proprietary compounds, with a silicate base. It was around the time of the Industrial Revolution that newer compounds formed that provided better grip for the ball. This is when the English began to experiment with side spin or applying curl to the ball. This was shortly introduced to the American players and is how the term "putting English on the ball" came to be. "Chalk" may also refer to a cone of fine, white ; like talc (talcum powder) it can be used to reduce friction between the cue and bridge hand during shooting, for a smoother stroke. Some brands of hand chalk are made of compressed talc. (Tip chalk is not used for this purpose because it is abrasive, hand-staining and difficult to apply.) Many players prefer a slick pool glove over hand chalk or talc because of the messiness of these powders; buildup of particles on the cloth will affect ball behavior and necessitate more-frequent cloth cleaning.


title: Cue sports

text: Cue tip chalk (invented in its modern form by straight rail billiard pro William A. Spinks and chemist William Hoskins in 1897) is made by crushing silica and the abrasive substance corundum or aloxite (aluminium oxide), into a powder. It is combined with dye (originally and most commonly green or blue-green, like traditional billiard cloth, but available today, like the cloth, in many colours) and a binder (glue). Each manufacturer's brand has different qualities, which can significantly affect play. High humidity can also impair the effectiveness of chalk. Harder, drier compounds are generally considered superior by most players.


title: Cue sports

text: The main carom billiards games are straight rail, balkline and three cushion billiards. All are played on a pocketless table with three balls; two cue balls and one object ball. In all, players shoot a cue ball so that it makes contact with the opponent's cue ball as well as the object ball. Others of multinational interest are four-ball and five-pins.


title: Cue sports

text: The most globally popular of the large variety of pocket games are pool and snooker. A third, English billiards, has some features of carom billiards. English billiards used to be one of the two most-competitive cue sports along with the carom game balkline, at the turn of the 20th century and is still enjoyed today in Commonwealth countries. Another pocket game, Russian pyramid and its variants like kaisa are popular in the former Eastern bloc.


title: Cue sports

text: In straight rail, a player scores a point and may continue shooting each time his cue ball makes contact with both other balls. Some of the best players of straight billiards developed the skill to the balls in a corner or along the same rail for the purpose of playing a series of to score a seemingly limitless number of points.


title: Cue sports

text: The first straight rail professional tournament was held in 1879 where Jacob Schaefer Sr. scored 690 points in a single turn (that is, 690 separate strokes without a miss). With the balls repetitively hit and barely moving in endless "nursing", there was little for the fans to watch.


title: Cue sports

text: In light of these skill developments in straight rail, the game of balkline soon developed to make it impossible for a player to keep the balls gathered in one part of the table for long, greatly limiting the effectiveness of nurse shots. A is a line parallel to one end of a billiards table. In the game of balkline, the players have to drive at least one object ball past a balkline parallel to each rail after a specified number of points have been scored.


title: Cue sports

text: Another solution was to require a player's cue ball to make contact with the rail cushions in the process of contacting the other balls. This in turn saw the three-cushion version emerge, where the cue ball must make three separate cushion contacts during a shot. This is difficult enough that even the best players can only manage to average one to two points per turn. This is sometimes described as "hardest to learn" and "require most skill" of all billiards.


title: Cue sports

text: There are many variations of games played on a standard pool table. Popular pool games include eight-ball, nine-ball, straight pool and one-pocket. Even within games types (e.g. eight-ball), there may be variations, and people may play recreationally using relaxed or local rules. A few of the more popular examples of pool games are given below.


title: Cue sports

text: In eight-ball and nine-ball, the object is to sink object balls until one can legally pocket the winning eponymous "". Well-known but waning in popularity is straight pool, in which players seek to continue sinking balls, rack after rack if they can, to reach a pre-determined winning score (typically 150). Related to nine-ball, another well-known game is rotation, where the lowest-numbered object ball on the table must be struck first, although any object ball may be pocketed (i.e., combination shot). Each pocketed ball is worth its number, and the player with the highest score at the end of the rack is the winner. Since there are only 120 points available (1 + 2 + 3 ⋯ + 15 = 120), scoring 61 points leaves no opportunity for the opponent to catch up. In both one-pocket and bank pool, the players must sink a set number of balls; respectively, all in a particular , or all by . In snooker, players score points by alternately potting and various special "".


title: Cue sports

text: Speed pool is a standard billiards game where the balls must be pocketed in as little time as possible. Rules vary greatly from tournament to tournament. The International Speed Pool Challenge has been held annually since 2006.


title: Cue sports

text: Dating to approximately 1800, English billiards, called simply billiards in many former British colonies and in the UK where it originated, was originally called the "winning and losing carambole game", folding in the names of three predecessor games, "the winning game", "the losing game" and "the carambole game" (an early form of straight rail), that combined to form it. The game features both (caroms) and the pocketing of balls as objects of play. English billiards requires two and a red . The object of the game is to score either a fixed number of points, or score the most points within a set time frame, determined at the start of the game.


title: Cue sports

text: Snooker is a pocket billiards game originated by British officers stationed in India during the 19th century, based on earlier pool games such as black pool and life pool. The name of the game became generalized to also describe one of its prime strategies: to "" the opposing player by causing that player to foul or leave an opening to be exploited.


title: Cue sports

text: In the United Kingdom, snooker is by far the most popular cue sport at the competitive level, and major national pastime along with association football and cricket. It is played in many Commonwealth countries as well, and in areas of Asia, becoming increasingly popular in China in particular. Snooker is uncommon in North America, where pool games such as eight-ball and nine-ball dominate, and Latin America and Continental Europe, where carom games dominate. The first World Snooker Championship was held in 1927, and it has been held annually since then with few exceptions. The World Professional Billiards and Snooker Association (WPBSA) was established in 1968 to regulate the professional game, while the International Billiards and Snooker Federation (IBSF) regulates the amateur games.


title: Sebastian Croft

text: Sebastian Croft (born 16 December 2001) is a British actor. He began his career as a child actor on stage before making his television debut as Young Ned Stark in "Game of Thrones" (2016). He earned a BAFTA Children's Award nomination for his role as Atti in "" (2019). Croft's voice work includes the film "Where Is Anne Frank" (2021) and "Ice", an installment of the Netflix anthology "Love, Death & Robots" (2021). In 2022, he starred as Ben Hope in the Netflix series "Heartstopper".


title: Sebastian Croft

text: Croft was born on 16 December 2001. He began taking acting classes at the Abingdon-on-Thames branch of Stagecoach when he was 7 and at Michael Xavier's MX Masterclass, of which Croft is now a patron. He attended the Dragon School for preparatory school and St Edward's School, Oxford for GCSEs. He completed A Levels in English, philosophy and film.


title: Sebastian Croft

text: Croft made his first West End stage appearance in 2010 in Sam Mendes' production of "Oliver!" (Theatre Royal Drury Lane). In 2011 he was cast as Gavroche in "Les Misérables" (Queen's Theatre). Croft was later hand picked by producer Cameron Mackintosh to return to "Oliver!" this time playing the title role in the UK touring company for eighteen months. In 2013 Croft played Tommy in the Royal Shakespeare Company production of "Matilda" (Cambridge Theatre). His final musical performance as a juvenile was in the title role of the world premiere production of "The Secret Diary of Adrian Mole" (Leicester Curve). Prominent musical theatre workshops include: "I Can't Sing", "The Secret Diary of Adrian Mole", "Bumblescratch", "Danny Hero" and "The Braille Legacy". Prominent one night concerts and performances include: "Rags: The Musical" (Lyric Theatre) and "A Charity Concert With Emeli Sande and Laura Wright". In June 2016 Croft appeared in the West End Live presentation of "Bumblescratch" in Trafalgar Square.


title: Sebastian Croft

text: In 2014, Croft's vocals were featured in the National Theatre Live's production of "Coriolanus" (Donmar Warehouse) with Tom Hiddleston. Croft workshopped the play "Emil and The Detectives" (National Theatre) in the title role of Emil Tischbein. In 2016 Croft was cast in the role of Prince Arthur in Sir Trevor Nunn's production of Shakespeare's "King John" (Rose Theatre) for which Croft received high praise from the national press.


title: Sebastian Croft

text: In 2016 Croft appeared in the ITV and Fox series "Houdini and Doyle" and the Sky Atlantic and Showtime series "Penny Dreadful". Croft rose to prominence portraying the role of a young Eddard Stark (portrayed by Sean Bean as an adult and Robert Aramayo as a young adult) in the sixth season of the HBO series "Game of Thrones".


title: Sebastian Croft

text: Croft made his feature film debut in 2017 as a Young David Logan in "The Hippopotamus". He appeared in the 2019 films "Music, War and Love" and "" as Young Robert Pulaski and Atti respectively, the latter of which earned him a BAFTA Children's Award nomination in the Young Performer category.


title: Sebastian Croft

text: Croft voiced Peter van Daan in the animated fantasy film "Where Is Anne Frank", which premiered at the 2021 Cannes Film Festival. He lent his voice to Volume II of the Netflix animated anthology "Love, Death & Robots" in the Creative Arts Emmy Award-winning episode "Ice". Croft and Ty Tennant were cast as the Dead Boy Detectives Charles Rowland and Edwin Paine respectively in season 3 of the DC Universe series "Doom Patrol".


title: Sebastian Croft

text: In April 2021, it was announced Croft would play Ben Hope in the 2022 Netflix series "Heartstopper", an adaptation of the webcomic and graphic novel of the same name by Alice Oseman. Croft has an upcoming role in the young adult romantic comedy "How to Date Billy Walsh" for Amazon Prime.


title: Sebastian Croft

text: Croft has dyslexia. For the LGBT Pride Month in 2022, Croft tweeted that he "designed a t-shirt with two gay dinosaurs kissing, reminding everyone that Queer has always been here". All of the money from these sales was to go to Choose Love and Rainbow Railroad – two charities helping LGBT refugees – according to Croft.


title: John Chrysostom

text: John Chrysostom (; ; 14 September 407) was an important Early Church Father who served as archbishop of Constantinople. He is known for his preaching and public speaking, his denunciation of abuse of authority by both ecclesiastical and political leaders, his "Divine Liturgy of Saint John Chrysostom", and his ascetic sensibilities. The epithet ("Chrysostomos", anglicized as Chrysostom) means "golden-mouthed" in Greek and denotes his celebrated eloquence. Chrysostom was among the most prolific authors in the early Christian Church, although both Origen of Alexandria and Augustine of Hippo exceeded Chrysostom.


title: John Chrysostom

text: He is honoured as a saint in the Oriental Orthodox, Eastern Orthodox, Catholic, Anglican, and Lutheran churches, as well as in some others. The Eastern Orthodox, together with the Byzantine Catholics, hold him in special regard as one of the Three Holy Hierarchs (alongside Basil the Great and Gregory of Nazianzus). The feast days of John Chrysostom in the Eastern Orthodox Church are 14 September, 13 November and 27 January. In the Roman Catholic Church he is recognized as a Doctor of the Church. Because the date of his death is occupied by the feast of the Exaltation of the Holy Cross (14 September), the General Roman Calendar celebrates him since 1970 on the previous day, 13 September; from the 13th century to 1969 it did so on 27 January, the anniversary of the translation of his body to Constantinople. Of other Western churches, including Anglican provinces and Lutheran churches, some commemorate him on 13 September, others on 27 January. John Chrysostom is honored on the calendars of the Church of England and the Episcopal Church on 13 September. The Coptic Church also recognizes him as a saint (with feast days on 16 Thout and 17 Hathor).


title: John Chrysostom

text: John was born in Antioch in 347. Different scholars describe his mother Anthusa as a pagan or as a Christian. His father was a high-ranking military officer. John's father died soon after his birth and he was raised by his mother. He was baptised in 368 or 373 and tonsured as a reader (one of the minor orders of the church). It is sometimes said that he was bitten by a snake when he was ten years old, leading to him getting an infection from the bite.


title: John Chrysostom

text: As a result of his mother's influential connections in the city, John began his education under the pagan teacher Libanius. From Libanius, John acquired the skills for a career in rhetoric, as well as a love of the Greek language and literature. Eventually, he became a lawyer.


title: John Chrysostom

text: As he grew older, however, John became more deeply committed to Christianity and went on to study theology under Diodore of Tarsus, founder of the re-constituted School of Antioch. According to the Christian historian Sozomen, Libanius was supposed to have said on his deathbed that John would have been his successor "if the Christians had not taken him from us".


title: John Chrysostom

text: John lived in extreme asceticism and became a hermit in about 375; he spent the next two years continually standing, scarcely sleeping, and committing the Bible to memory. As a consequence of these practices, his stomach and kidneys were permanently damaged and poor health forced him to return to Antioch.


title: John Chrysostom

text: John was ordained as a deacon in 381 by the bishop Meletius of Antioch who was not then in communion with Alexandria and Rome. After the death of Meletius, John separated himself from the followers of Meletius, without joining Paulinus, the rival of Meletius for the bishopric of Antioch. But after the death of Paulinus he was ordained a presbyter (priest) in 386 by Flavian, the successor of Paulinus. He was destined later to bring about reconciliation between Flavian I of Antioch, Alexandria, and Rome, thus bringing those three sees into communion for the first time in nearly seventy years.


title: John Chrysostom

text: In Antioch, over the course of twelve years (386–397), John gained popularity because of the eloquence of his public speaking at the Golden Church, Antioch's cathedral, especially his insightful expositions of Bible passages and moral teaching. The most valuable of his works from this period are his homilies on various books of the Bible. He emphasised charitable giving and was concerned with the spiritual and temporal needs of the poor. He spoke against abuse of wealth and personal property:Do you wish to honour the body of Christ? Do not ignore him when he is naked. Do not pay him homage in the temple clad in silk, only then to neglect him outside where he is cold and ill-clad. He who said: "This is my body" is the same who said: "You saw me hungry and you gave me no food", and "Whatever you did to the least of my brothers you did also to me"... What good is it if the Eucharistic table is overloaded with golden chalices when your brother is dying of hunger? Start by satisfying his hunger and then with what is left you may adorn the altar as well.


title: John Chrysostom

text: His straightforward understanding of the Scriptures – in contrast to the Alexandrian tendency towards allegorical interpretation – meant that the themes of his talks were practical, explaining the Bible's application to everyday life. Such straightforward preaching helped Chrysostom to garner popular support.


title: John Chrysostom

text: One incident that happened during his service in Antioch illustrates the influence of his homilies. When Chrysostom arrived in Antioch, Flavian, the bishop of the city, had to intervene with emperor Theodosius I on behalf of citizens who had gone on a rampage mutilating statues of the emperor and his family. During the weeks of Lent in 387, John preached more than twenty homilies in which he entreated the people to see the error of their ways. These made a lasting impression on the general population of the city: many pagans converted to Christianity as a result of the homilies. The city was ultimately spared from severe consequences.


title: John Chrysostom

text: In the autumn of 397, John was appointed archbishop of Constantinople, after having been nominated without his knowledge by the eunuch Eutropius. He had to leave Antioch in secret due to fears that the departure of such a popular figure would cause civil unrest.


title: John Chrysostom

text: During his time as archbishop he adamantly refused to host lavish social gatherings, which made him popular with the common people, but unpopular with wealthy citizens and the clergy. His reforms of the clergy were also unpopular. He told visiting regional preachers to return to the churches they were meant to be serving – without any pay-out. Also he founded a number of hospitals in Constantinople.


title: John Chrysostom

text: His time in Constantinople was more tumultuous than his time in Antioch. Theophilus, the patriarch of Alexandria, wanted to bring Constantinople under his sway and opposed John's appointment to Constantinople. Theophilus had disciplined four Egyptian monks (known as "the Tall Brothers") over their support of Origen's teachings. They fled to John and were welcomed by him. Theophilus therefore accused John of being too partial to the teaching of Origen. He made another enemy in Aelia Eudoxia, wife of emperor Arcadius, who assumed that John's denunciations of extravagance in feminine dress were aimed at herself. Eudoxia, Theophilus and other of his enemies held a synod in 403 (the Synod of the Oak) to charge John, in which his connection to Origen was used against him. It resulted in his deposition and banishment. He was called back by Arcadius almost immediately, as the people became "tumultuous" over his departure, even threatening to burn the imperial palace. There was an earthquake the night of his arrest, which Eudoxia took for a sign of God's anger, prompting her to ask Arcadius for John's reinstatement.


title: John Chrysostom

text: Peace was short-lived. A silver statue of Eudoxia was erected in the Augustaion, near his cathedral, the Constantinian Hagia Sophia. John denounced the dedication ceremonies as pagan and spoke against the empress in harsh terms: "Again Herodias raves; again she is troubled; she dances again; and again desires to receive John's head in a charger", an allusion to the events surrounding the death of John the Baptist. Once again he was banished, this time to the Caucasus in Abkhazia. His banishment sparked riots among his supporters in the capital, and in the fighting the cathedral built by Constantius II was burnt down, necessitating the construction of the second cathedral on the site, the Theodosian Hagia Sophia.


title: John Chrysostom

text: Around 405, John began to lend moral and financial support to Christian monks who were enforcing the emperors' anti-pagan laws, by destroying temples and shrines in Phoenicia and nearby regions.


title: John Chrysostom

text: The causes of John's exile are not clear, though Jennifer Barry suggests that they have to do with his connections to Arianism. Other historians, including Wendy Mayer and Geoffrey Dunn, have argued that "the surplus of evidence reveals a struggle between Johannite and anti-Johannite camps in Constantinople soon after John's departure and for a few years after his death". Faced with exile, John Chrysostom wrote an appeal for help to three churchmen: Pope Innocent I; Venerius, the bishop of Mediolanum (Milan); and Chromatius, the bishop of Aquileia. In 1872, church historian William Stephens wrote:


title: John Chrysostom

text: The Patriarch of the Eastern Rome appeals to the great bishops of the West, as the champions of an ecclesiastical discipline which he confesses himself unable to enforce, or to see any prospect of establishing. No jealousy is entertained of the Patriarch of the Old Rome by the patriarch of the New Rome. The interference of Innocent is courted, a certain primacy is accorded him, but at the same time he is not addressed as a supreme arbitrator; assistance and sympathy are solicited from him as from an elder brother, and two other prelates of Italy are joint recipients with him of the appeal.


title: John Chrysostom

text: Pope Innocent I protested John's banishment from Constantinople to the town of Cucusus (Göksun) in Cappadocia, but to no avail. Innocent sent a delegation to intercede on behalf of John in 405. It was led by Gaudentius of Brescia; Gaudentius and his companions, two bishops, encountered many difficulties and never reached their goal of entering Constantinople.


title: John Chrysostom

text: John wrote letters which still held great influence in Constantinople. As a result of this, he was further exiled from Cucusus (where he stayed from 404 to 407) to Pitiunt (Pityus) (in modern Georgia) where his tomb is a shrine for pilgrims. He never reached this destination, as he died at Comana Pontica on 14 September 407 during the journey.


title: John Chrysostom

text: He died in the Presbyterium or community of the clergy belonging to the church of Saint Basiliscus of Comana.


title: John Chrysostom

text: John came to be venerated as a saint soon after his death. Almost immediately after, an anonymous supporter of John (known as pseudo-Martyrius) wrote a funeral oration to reclaim John as a symbol of Christian orthodoxy. But three decades later, some of his adherents in Constantinople remained in schism. Proclus, archbishop of Constantinople (434–446), hoping to bring about the reconciliation of the Johannites, preached a homily praising his predecessor in the Church of Hagia Sophia. He said, "O John, your life was filled with sorrow, but your death was glorious. Your grave is blessed and reward is great, by the grace and mercy of our Lord Jesus Christ O graced one, having conquered the bounds of time and place! Love has conquered space, unforgetting memory has annihilated the limits, and place does not hinder the miracles of the saint."


title: John Chrysostom

text: These homilies helped to mobilize public opinion, and the patriarch received permission from the emperor to return Chrysostom's relics to Constantinople, where they were enshrined in the Church of the Holy Apostles on 28 January 438. The Eastern Orthodox Church commemorates him as a "Great Ecumenical Teacher", with Basil the Great and Gregory the Theologian. These three saints, in addition to having their own individual commemorations throughout the year, are commemorated together on 30 January, a feast known as the Synaxis of the Three Hierarchs.


title: John Chrysostom

text: Some 700 sermons and 246 letters by John Chrysostom survive, plus biblical commentaries, moral discourses, and theological treatises.


title: John Chrysostom

text: The best known of his many homilies is an extremely brief one, the Paschal Homily ("Hieratikon"), which is read at the first service of Pascha (Easter), the midnight Orthros (Matins), in the Eastern Orthodox Church.


title: John Chrysostom

text: Chrysostom's extant homiletical works are vast, including many hundreds of exegetical homilies on both the New Testament (especially the works of Paul the Apostle) and the Old Testament (particularly on Genesis). Among his extant exegetical works are sixty-seven homilies on Genesis, fifty-nine on the Psalms, ninety on the Gospel of Matthew, eighty-eight on the Gospel of John, and fifty-five on the Acts of the Apostles.


title: John Chrysostom

text: The homilies were written down by stenographers and subsequently circulated, revealing a style that tended to be direct and greatly personal, but formed by the rhetorical conventions of his time and place. In general, his homiletical theology displays much characteristic of the Antiochian school (i.e., somewhat more literal in interpreting biblical events), but he also uses a good deal of the allegorical interpretation more associated with the Alexandrian school.


title: John Chrysostom

text: John's social and religious world was formed by the continuing and pervasive presence of paganism in the life of the city. One of his regular topics was the paganism in the culture of Constantinople, and in his homilies he thunders against popular pagan amusements: the theatre, horseraces, and the revelry surrounding holidays. In particular, he criticizes Christians for taking part in such activities: If you ask [Christians] who is Amos or Obadiah, how many apostles there were or prophets, they stand mute; but if you ask them about the horses or drivers, they answer with more solemnity than sophists or rhetors.


title: John Chrysostom

text: One of the recurring features of John's homilies is his emphasis on care for the needy. Echoing themes found in the Gospel of Matthew, he calls upon the rich to lay aside materialism in favor of helping the poor, often employing all of his rhetorical skills to shame wealthy people to abandon conspicuous consumption: Do you pay such honor to your excrements as to receive them into a silver chamber-pot when another man made in the image of God is perishing in the cold? Along these lines, he wrote often about the need for almsgiving and its importance alongside fasting and prayer, e.g. "Prayer without almsgiving is unfruitful."


title: John Chrysostom

text: Cyril of Alexandria attributed the destruction of the Ephesian Temple of Artemis to John Chrysostom, referring to him as "the destroyer of the demons and overthrower of the temple of Diana". A later Archbishop of Constantinople, Proclus repeated the allegation, saying "In Ephesus, he despoiled the art of Midas". Both claims are considered spurious.


title: John Chrysostom

text: During his first two years as a presbyter in Antioch (386–387), John denounced Jews and Judaizing Christians in a series of eight homilies delivered to Christians in his congregation who were taking part in Jewish festivals and other Jewish observances. It is disputed whether the main targets were specifically Judaizers or Jews in general. His homilies were expressed in the conventional manner, utilizing the uncompromising rhetorical form known as the "psogos" (Greek: blame, censure).


title: John Chrysostom

text: One of the purposes of these homilies was to prevent Christians from participating in Jewish customs, and thus prevent the perceived erosion of Chrysostom's flock. In his homilies, John criticized those "Judaizing Christians", who were participating in Jewish festivals and taking part in other Jewish observances, such as the shabbat, submitted to circumcision and made pilgrimage to Jewish holy places. There had been a revival of Jewish faith and tolerance in Antioch in 361, so Chrysostom's followers and the greater Christian community were in contact with Jews frequently, and Chrysostom was concerned that this interaction would draw Christians away from their faith identity.


title: John Chrysostom

text: John claimed that synagogues were full of Christians, especially Christian women, on the shabbats and Jewish festivals, because they loved the solemnity of the Jewish liturgy and enjoyed listening to the shofar on Rosh Hashanah, and applauded famous preachers in accordance with the contemporary custom. Due to Chrysostom's stature in the Christian church, both locally and within the greater church hierarchy, his sermons were fairly successful in spreading anti-Jewish sentiment. This prompted the introduction of anti-Jewish legislation and social regulations, increasing the separation between the two communities.


title: John Chrysostom

text: In Greek the homilies are called "Kata Ioudaiōn" (), which is translated as in Latin and 'Against the Jews' in English. The original Benedictine editor of the homilies, Bernard de Montfaucon, gives the following footnote to the title: "A discourse against the Jews; but it was delivered against those who were Judaizing and keeping the fasts with them [the Jews]."


title: John Chrysostom

text: According to Patristics scholars, opposition to any particular view during the late 4th century was conventionally expressed in a manner, utilizing the rhetorical form known as the psogos, whose literary conventions were to vilify opponents in an uncompromising manner; thus, it has been argued that to call Chrysostom an "anti-Semite" is to employ anachronistic terminology in a way incongruous with historical context and record. This does not preclude assertions that Chrysostom's theology was a form of anti-Jewish supersessionism.


title: John Chrysostom

text: Anglican priest James Parkes called Chrysostom's writing on Jews "the most horrible and violent denunciations of Judaism to be found in the writings of a Christian theologian". According to historian William I. Brustein, his sermons against Jews gave further momentum to the idea that Jews are collectively responsible for the death of Jesus. Steven T. Katz cites Chrysostom's homilies as "the decisive turn in the history of Christian anti-Judaism, a turn whose ultimate disfiguring consequence was enacted in the political antisemitism of Adolf Hitler."


title: John Chrysostom

text: According to Robert H. Allen, "Chrysostom's learning and eloquence spans and sums up a long age of ever-growing moral outrage, fear and loathing of homosexuality." His most notable discourse in this regard is his fourth homily on , where he argues as follows: All these affections then were vile, but chiefly the mad lust after males; for the soul is more the sufferer in sins, and more dishonored, than the body in diseases. ... [The men] have done an insult to nature itself. And a yet more disgraceful thing than these is it, when even the women seek after these intercourses, who ought to have more sense of shame than men.


title: John Chrysostom

text: He says the active male victimizes the passive male in a way that leaves him more enduringly dishonored than even a victim of murder since the victim of this act must "live under" the shame of the "insolency". The victim of a murder, by contrast, carries no dishonor. He asserts that punishment will be found in Hell for such transgressors and that women can be guilty of the sin as much as men. Chrysostom argues that the male passive partner has effectively renounced his manhood and become a woman – such an individual deserves to be "driven out and stoned". He attributes the cause to "luxury". "Do not, he means (Paul), because you have heard that they burned, suppose that the evil was only in desire. For the greater part of it came of their luxuriousness, which also kindled into flame their lust".


title: John Chrysostom

text: According to scholar Michael Carden, Chrysostom was particularly influential in shaping early Christian thought that same-sex desire was an evil, claiming that he altered a traditional interpretation of Sodom as a place of inhospitality to one where the sexual transgressions of the Sodomites became paramount. However, other scholars – such as Kruger and Nortjé-Meyer – dispute this, arguing that the author of the Epistle of Jude already interpreted the sin of Sodom as homosexuality in the New Testament.


title: John Chrysostom

text: Apart from his homilies, a number of John's other treatises have had a lasting influence. One such work is John's early treatise "Against Those Who Oppose the Monastic Life", written while he was a deacon (sometime before 386), which was directed to parents, pagan as well as Christian, whose sons were contemplating a monastic vocation. Chrysostom wrote that, already in his day, it was customary for Antiochenes to send their sons to be educated by monks.


title: John Chrysostom

text: Another important treatise written by John is titled "On the Priesthood" (written 390/391, it contains in Book 1 an account of his early years and a defence of his flight from ordination by bishop Meletios of Antioch, and then proceeds in later books to expound on his exalted understanding of the priesthood). Two other notable books by John are "Instructions to Catechumens" and "On the Incomprehensibility of the Divine Nature". In addition, he wrote a series of letters to the deaconess Olympias, of which seventeen are extant.


title: John Chrysostom

text: Beyond his preaching, the other lasting legacy of John is his influence on Christian liturgy. Two of his writings are particularly notable. He harmonized the liturgical life of the church by revising the prayers and rubrics of the Divine Liturgy, or celebration of the Holy Eucharist. To this day, Eastern Orthodox and Eastern Catholic Churches of the Byzantine Rite typically celebrate the "Divine Liturgy of Saint John Chrysostom" as the normal Eucharistic liturgy, although his exact connection with it remains a matter of debate among experts.


title: John Chrysostom

text: During a time when city clergy were subject to criticism for their high lifestyle, John was determined to reform his clergy in Constantinople. These efforts were met with resistance and limited success. He was an excellent preacher whose homilies and writings are still studied and quoted. As a theologian, he has been and continues to be very important in Eastern Christianity, and is generally considered among the Three Holy Hierarchs of the Greek Church, but has been less important to Western Christianity. His writings have survived to the present day more so than any of the other Greek Fathers.


title: John Chrysostom

text: Regardless of his lesser influence compared to, say, Thomas Aquinas, John's influence on church teachings is interwoven throughout the current Catechism of the Catholic Church (revised 1992). The Catechism cites him in eighteen sections, particularly his reflections on the purpose of prayer and the meaning of the Lord's Prayer: Consider how [Jesus Christ] teaches us to be humble, by making us see that our virtue does not depend on our work alone but on grace from on high. He commands each of the faithful who prays to do so universally, for the whole world. For he did not say "thy will be done in me or in us", but "on earth", the whole earth, so that error may be banished from it, truth take root in it, all vice be destroyed on it, virtue flourish on it, and earth no longer differ from heaven.


title: John Chrysostom

text: Christian clerics, such as R. S. Storr, refer to him as "one of the most eloquent preachers who ever since apostolic times have brought to men the divine tidings of truth and love", and the 19th-century John Henry Newman described John as a "bright, cheerful, gentle soul; a sensitive heart".


title: John Chrysostom

text: John's liturgical legacy has inspired several musical compositions. Particularly noteworthy are Sergei Rachmaninoff's "Liturgy of St. John Chrysostom", Op. 31, composed in 1910, one of his two major unaccompanied choral works; Pyotr Tchaikovsky's "Liturgy of St. John Chrysostom", Op. 41; and Ukrainian composer Kyrylo Stetsenko's "Liturgy of St. John Chrysostom". Arvo Pärt's "Litany" sets Chrysostom's twenty-four prayers, one for each hour of the day, for soli, mixed choir and orchestra. And the compositions of Alexander Grechaninovs "Liturgy of Johannes Chrysostomos" No. 1, Op. 13 (1897), "Liturgy of Johannes Chrysostomos" No. 2, Op. 29 (1902), "Liturgia Domestica (Liturgy Johannes Chrysostomos" No. 3), Op. 79 (1917) and "Liturgy of Johannes Chrysostomos" No. 4, Op. 177 (1943) are noteworthy.


title: John Chrysostom

text: James Joyce's novel "Ulysses" includes a character named Mulligan who brings 'Chrysostomos' into another character (Stephen Dedalus)'s mind because Mulligan's gold-stopped teeth and his gift of the gab earn him the title which St. John Chrysostom's preaching earned him, 'golden-mouthed': ""[Mulligan] peered sideways up and gave a long low whistle of call, then paused awhile in rapt attention, his even white teeth glistening here and there with gold points. Chrysostomos.""


title: John Chrysostom

text: A late medieval legend relates that, when John Chrysostom was a hermit in the desert, he was approached by a royal princess in distress. John, thinking she was a demon, at first refused to help her, but the princess convinced him that she was a Christian and would be devoured by wild beasts if she were not allowed to enter his cave. He therefore admitted her, carefully dividing the cave in two parts, one for each of them. In spite of these precautions, the sin of fornication was committed, and in an attempt to hide it the distraught John took the princess and threw her over a precipice. He then went to Rome to beg absolution, which was refused. Realising the appalling nature of his crimes, Chrysostom made a vow that he would never rise from the ground until his sins were expiated, and for years he lived like a beast, crawling on all fours and feeding on wild grasses and roots. Subsequently, the princess reappeared, alive, and suckling John's baby, who miraculously pronounced his sins forgiven. This last scene was very popular from the late 15th century onwards as a subject for engravers and artists. The theme was depicted by Albrecht Dürer around 1496, Hans Sebald Beham and Lucas Cranach the Elder, among others. Martin Luther mocked this same legend in his "Die Lügend von S. Johanne Chrysostomo" (1537). The legend was recorded in Croatia in the 16th century.


title: John Chrysostom

text: John Chrysostom died in the city of Comana in 407 on his way to his place of exile. There his relics remained until 438 when, thirty years after his death, they were transferred to Constantinople during the reign of the empress Eudoxia's son, the emperor Theodosius II (408–450), under the guidance of John's disciple, Proclus, who by that time had become archbishop of Constantinople (434–447).


title: John Chrysostom

text: Most of John's relics were looted from Constantinople by crusaders in 1204 and taken to Rome, but some of his bones were returned to the Orthodox Church on 27 November 2004 by Pope John Paul II. Since 2004 the relics have been enshrined in the Church of St. George, Istanbul.


title: John Chrysostom

text: The skull, however, having been kept at the monastery at Vatopedi on Mount Athos in northern Greece, was not among the relics that were taken by the crusaders in the 13th century. In 1655, at the request of Tsar Alexei Mikhailovich, the skull was taken to Russia, for which the monastery was compensated in the sum of 2,000 rubles. In 1693, having received a request from the Vatopedi Monastery for the return of Saint John's skull, Tsar Peter the Great ordered that the skull remain in Russia but that the monastery was to be paid 500 rubles every four years. The Russian state archives document these payments up until 1735. The skull was kept at the Moscow Kremlin, in the Cathedral of the Dormition of the Mother of God, until 1920, when it was confiscated by the Soviets and placed in the Museum of Silver Antiquities. In 1988, in connection with the 1,000th anniversary of the Baptism of Russia, the head, along with other important relics, was returned to the Russian Orthodox Church and kept at the Epiphany Cathedral, until being moved to the Cathedral of Christ the Saviour after its restoration.


title: John Chrysostom

text: Today, the monastery at Vatopedi posits a rival claim to possessing the skull of John Chrysostom, and there a skull is venerated by pilgrims to the monastery as that of Saint John. Two sites in Italy also claim to have the saint's skull: the Basilica di Santa Maria del Fiore in Florence and the "Dal Pozzo" chapel in Pisa. The right hand of Saint John is preserved on Mount Athos, and numerous smaller relics are scattered throughout the world.


title: John Chrysostom

text: Widely used editions of Chrysostom's works are available in Greek, Latin, English, and French. The Greek edition is edited by Sir Henry Savile (eight volumes, Eton, 1613); the most complete Greek and Latin edition is edited by Bernard de Montfaucon (thirteen volumes, Paris, 1718–38, republished in 1834–40, and reprinted in Migne's "Patrologia Graeca", volumes 47–64). There is an English translation in the first series of the "Nicene and Post-Nicene Fathers" (London and New York, 1889–90). A selection of his writings has been published more recently in the original with facing French translation in "Sources Chrétiennes".


title: Kaunas

text: Kaunas (; ; also see other names) is the second-largest city in Lithuania after Vilnius and an important centre of Lithuanian economic, academic, and cultural life. Kaunas was the largest city and the centre of a county in the Duchy of Trakai of the Grand Duchy of Lithuania and Trakai Palatinate since 1413. In the Russian Empire, it was the capital of the Kaunas Governorate from 1843 to 1915.


title: Kaunas

text: During the interwar period, it served as the temporary capital of Lithuania, when Vilnius was seized and controlled by Poland between 1920 and 1939. During that period Kaunas was celebrated for its rich cultural and academic life, fashion, construction of countless Art Deco and Lithuanian National Romanticism architectural-style buildings as well as popular furniture, the interior design of the time, and a widespread café culture. The city interwar architecture is regarded as among the finest examples of European Art Deco and has received the European Heritage Label. It contributed to Kaunas being named as the first city in Central and Eastern Europe to be designated as a UNESCO City of Design. Kaunas has been selected as the European Capital of Culture for 2022, together with Esch-sur-Alzette, Luxembourg and Novi Sad, Serbia.


title: Kaunas

text: The city is the capital of Kaunas County, and the seat of the Kaunas city municipality and the Kaunas District Municipality. It is also the seat of the Roman Catholic Archdiocese of Kaunas. Kaunas is located at the confluence of the two largest Lithuanian rivers, the Nemunas and the Neris, and is near the Kaunas Reservoir, the largest body of water in the whole of Lithuania.


title: Kaunas

text: As defined by Eurostat, the population of Kaunas functional urban area, which stretches beyond the city limits, is estimated at 383,764 (as of 2017), while according to statistics of Kaunas territorial health insurance fund, there are 447,946 permanent inhabitants (as of 2022) in Kaunas and Kaunas district municipalities combined.


title: Kaunas

text: Before Lithuania regained independence, the city was generally known in English as "Kovno", the traditional Slavicized form of its name. The Polish name is ' ; the Belarusian name is , ' . An earlier Russian name was ', although ' has been used since 1940. The Yiddish name is ', and the names in German include ' and "". The city and its elderates also have names in other languages (see and names of Kaunas elderates in other languages).


title: Kaunas

text: A 16th century legend claims, that Kaunas was established by the Romans in ancient times. These Romans were supposedly led by a patrician named Palemon, who had three sons: Barcus, Kunas and Sperus. Palemon fled from Rome because he feared the mad Emperor Nero. Palemon, his sons and other relatives travelled to Lithuania. After Palemon's death, his sons divided his land. Kunas got the land where Kaunas now stands. He built a fortress near the confluence of the Nemunas and Neris rivers and the city that grew up there was named after him. A suburban region in the vicinity is named "Palemonas".


title: Kaunas

text: On 30 June 1993, the historical coat of arms of Kaunas city was re-established by a special presidential decree. The coat of arms features a white aurochs with a golden cross between its horns, set against a deep red background. The aurochs was the original heraldic symbol of the city, established in 1400. The heraldic seal of Kaunas, introduced in the early 15th century during the reign of Grand Duke Vytautas, is the oldest city heraldic seal known in the territory of the Grand Duchy of Lithuania. The current emblem was the result of much study and discussion on the part of the Lithuanian Heraldry Commission, and realized by the artist Raimondas Miknevičius. An aurochs has replaced a wisent, which was depicted in the Soviet-era emblem that was used since 1969.


title: Kaunas

text: Kaunas also has a greater coat of arms, which is mainly used for purposes of Kaunas city representation. The sailor, three golden balls, and Latin text ""Diligite justitiam qui judicatis terram"" (English: Cherish justice, you who judge the earth) in the greater coat of arms refers to Saint Nicholas, patron saint of merchants and seafarers, who was regarded as a heavenly guardian of Kaunas by Queen Bona Sforza.


title: Kaunas

text: According to the archeological excavations, the richest collections of ceramics and other artifacts found at the confluence of the Nemunas and the Neris rivers are from the second and first millennium BC. During that time, people settled in some territories of the present Kaunas: the confluence of the two longest rivers of Lithuania area, Eiguliai, Lampėdžiai, Linkuva, Kaniūkai, Marvelė, Pajiesys, Romainiai, Petrašiūnai, Sargėnai, and Veršvai sites.


title: Kaunas

text: A settlement had been established on the site of the current Kaunas old town, at the confluence of two large rivers, at least by the 10th century AD. Kaunas is first mentioned in written sources in 1361 when the brick Kaunas Castle was constructed. In 1362, the castle was captured after a siege and destroyed by the Teutonic Order. Commander Vaidotas of the Kaunas castle garrison, with 36 men, tried to break through but was taken prisoner. It was one of the largest and important military victories of the Teutonic Knights in the 14th century against the Grand Duchy of Lithuania. The Kaunas castle was rebuilt at the beginning of the 15th century.


title: Kaunas

text: In 1408, the town was granted Magdeburg rights by Vytautas the Great and became a centre of Kaunas Powiat in Trakai Voivodeship in 1413. Vytautas ceded Kaunas the right to own the scales used for weighing the goods brought to the city or packed on site, wax processing, and woolen cloth-trimming facilities. The power of the self-governing Kaunas was shared by three interrelated major institutions: "vaitas" (the Mayor), the Magistrate (12 lay judges and 4 burgomasters), and the so-called Benchers' Court (12 persons). Kaunas began to gain prominence, since it was at an intersection of trade routes and a river port. In 1441 Kaunas joined the Hanseatic League, and Hansa merchant office Kontor was opened—the only one in the Grand Duchy of Lithuania. By the 16th century, Kaunas also had a public school and a hospital and was one of the best-formed towns in the whole country.


title: Kaunas

text: In 1665, the Russian army attacked the city several times, and in 1701 the city was occupied by the Swedish Army during the Great Northern War. The bubonic plague struck the area in 1657 and 1708, killing many residents. Fires destroyed parts of the city in 1731 and 1732.


title: Kaunas

text: After the third and final partition of the Polish–Lithuanian state in 1795, the city was taken over by the Russian Empire and became a part of Vilna Governorate. During the French invasion of Russia in 1812, the Grand Army of Napoleon passed through Kaunas twice, devastating the city both times. A hill fort mound in Kaunas is named Napoleon's Hill.


title: Kaunas

text: To prevent possible easy access through the city and protect the western borders of Russia, the Kovno Fortress was built. It is still visible throughout the town.


title: Kaunas

text: Kovno Governorate, with a centre in Kovno (Kaunas), was formed in 1843. In 1862, a railway connecting the Russian Empire and Imperial Germany was built, making Kaunas a significant railway hub with one of the first railway tunnels in the Empire, completed in 1861. In 1898 the first power plant in Lithuania started operating.


title: Kaunas

text: After the unsuccessful January Uprising against the Russian Empire, the tsarist authority moved the Catholic Seminary of Varniai, prominent bishop Motiejus Valančius and Samogitian diocese institutions to Kaunas, where they were given the former Bernardine Monastery Palace and St. George the Martyr Church. Only selected noblemen were permitted to study in the Seminary, with the only exception being peasant son Antanas Baranauskas, who illegally received the nobleman documents from Karolina Praniauskaitė. He began lectures using the Lithuanian language, rather than Russian, and greatly influenced the spirit of the seminarians by narrating about the ancient Lithuania and especially its earthwork mounds. Later, many of the Seminary students were active in Lithuanian book smuggling; its chief main objective was to resist the Russification policy. Kaunas Spiritual Seminary finally became completely Lithuanian when in 1909 professor Jonas Mačiulis-Maironis became the rector of the Seminary, and replaced use of the Polish language for teaching with the Lithuanian language.


title: Kaunas

text: Prior to the Second World War, Kaunas, like many cities in Eastern Europe, had a significant Jewish population. According to the Russian census of 1897, Jews numbered 25,500, 35.3% of the total of 73,500. The population was recorded as 25.8% Russian, 22.7% Polish, 6.6% Lithuanian. It established numerous schools and synagogues and were important for centuries to the culture and business of the city.


title: Kaunas

text: During the Imperial Russian Army's Great Retreat of World War I, Paul von Hindenburg's German Tenth Army occupied Kaunas in August 1915.


title: Kaunas

text: After Vilnius was occupied by the Red Army in 1919, the Government of the Republic of Lithuania established its main base in Kaunas during the Lithuanian Wars of Independence. Later, after the capital, Vilnius, had been annexed by the Second Polish Republic, Kaunas became the temporary capital of Lithuania. It would hold this position until 28 October 1939, when the Red Army handed Vilnius over to Lithuania after its invasion of Poland. The Constituent Assembly of Lithuania first met in Kaunas on 15 May 1920. It passed some important laws, particularly on land reform, on the national currency, and adopted a new constitution. The military coup d'état took place in Kaunas on 17 December 1926. It was largely organized by the military, especially general Povilas Plechavičius, and resulted in the replacement of the democratically elected Government and President Kazys Grinius with a conservative nationalist authoritarian Government led by Antanas Smetona. Shortly afterwards, tension between Antanas Smetona and Augustinas Voldemaras, supported by the Iron Wolf Association, arose seeking to gain authority. After the unsuccessful coup attempt in June 1934, Voldemaras was imprisoned for four years and received an amnesty on condition that he leave the country.


title: Kaunas

text: During the interwar period, Kaunas was nicknamed as the "Little Paris" because of its rich cultural and academic life, fashion, Art Deco architecture, Lithuanian National Romanticism architectural style buildings as well as popular furniture, interior design of the time and widespread café culture. The interim capital and the country itself also had a Western standard of living with sufficiently high salaries and low prices. At the time, qualified workers there were earning very similar real wages to workers in Germany, Italy, Switzerland and France, the country also had a surprisingly high natural increase in population of 9.7 and the industrial production of Lithuania increased by 160% from 1913 to 1940.


title: Kaunas

text: Between the World Wars, industry prospered in Kaunas, which was the largest city in Lithuania. Under the direction of Mayor Jonas Vileišis (1921–1931) Kaunas grew rapidly and was extensively modernised. A water and waste water system, costing more than 15 million Lithuanian litas, was put in place, the city expanded from , more than 2,500 buildings were built, plus three modern bridges over the Neris and Nemunas rivers. All of the city's streets were paved, horse-drawn transportation was replaced with modern bus lines, new suburbs were planned and built (Žaliakalnis neighbourhood in particular), and new parks and squares were established. The foundations of a social security system were laid, three new schools were built, and new public libraries, including the Vincas Kudirka library, were established. Vileišis maintained many contacts in other European cities, and as a result, Kaunas was an active participant in European urban life.


title: Kaunas

text: The city also was a particularly important centre for the Lithuanian Armed Forces. In January 1919, during the Lithuanian Wars of Independence, the War School of Kaunas was established and started to train soldiers who were soon sent to the front to strengthen the fighting Lithuanian Armed Forces. Part of the Lithuanian armoured vehicles military unit was moved to Žaliakalnis, armed with advanced and brand new tanks, including the famous Renault FT, Vickers-Armstrong Model 1933 and Model 1936. In May 1919, the Lithuanian Aircraft State Factory was founded in Freda to repair and to supply the army with military aircraft. It was considerably modernized by Antanas Gustaitis and started to build Lithuanian ANBO military aircraft. The exceptional discipline and regularity caused the Lithuanian Air Force to be an example for other military units. The ANBO 41 was far ahead of the most modern foreign reconnaissance aircraft of that time in structural features, and most importantly in speed and in rate of climb.


title: Kaunas

text: In 1934–1935, the first mass trial of the Nazis in Europe was held in Kaunas in which the convicted were sentenced to imprisonments in a heavy labor prison and to capital punishment.


title: Kaunas

text: At the time, Kaunas had a Jewish population of 35,000–40,000, about one quarter of the city's total population. Jews made up much of the city's commercial, artisan, and professional sectors. Kaunas was a centre of Jewish learning, and the yeshiva in Slobodka (Vilijampolė) was one of Europe's most prestigious institutes of higher Jewish learning. Kaunas had a rich and varied Jewish culture. There were almost 100 Jewish organizations, 40 synagogues, many Yiddish schools, 4 Hebrew high schools, a Jewish hospital, and scores of Jewish-owned businesses. It was also an important Zionist centre.


title: Kaunas

text: Initially prior to World War II, Lithuania declared neutrality. However, on 7 October 1939, the Lithuanian delegation departed to Moscow, where it later had to sign the Soviet–Lithuanian Mutual Assistance Treaty because of the unfavorable situation. The treaty resulted in five Soviet military bases with 20,000 troops established across Lithuania in exchange for Lithuania's historical capital Vilnius. According to the Lithuanian Minister of National Defence Kazys Musteikis, Lithuanian Minister of Foreign Affairs Juozas Urbšys initially told that Lithuanians refused Vilnius Region as well as the Russian garrisons, but the nervous Joseph Stalin replied, "No matter if you take Vilnius or not, the Russian garrisons will enter Lithuania anyway". He also informed Juozas Urbšys about the Soviet–German secret protocols and showed maps of the spheres of influence. Two of the military bases with thousands of Soviet soldiers were established close to Kaunas in Prienai and Gaižiūnai. Despite regaining the beloved historical capital, the Presidency and the Government remained in Kaunas.


title: Kaunas

text: On 14 June 1940, just before midnight, the last meeting of the Lithuanian government was held in Kaunas. During it, the ultimatum presented by the Soviet Union was debated. President Antanas Smetona categorically declined to accept most of the ultimatum's demands, argued for military resistance and was supported by Kazys Musteikis, Konstantinas Šakenis, Kazimieras Jokantas, however the Commander of the Armed Forces Vincas Vitkauskas, Divisional General Stasys Raštikis, Kazys Bizauskas, Antanas Merkys and most of the Lithuanian government members decided that it would be impossible, especially the previously-stationed Soviet soldiers, and accepted the ultimatum. On that night before officially accepting the ultimatum, the Soviet forces executed the Lithuanian border guard near the Byelorussian SSR border. In the morning, the Lithuanian Government resigned, and the president left the country to avoid the fate of the Soviets' puppets and in the hope of forming a government-in-exile. Soon the Red Army flooded Lithuania through the Belarus–Lithuania border with more than 200,000 soldiers and took control of the most important cities, including Kaunas where the heads of state resided. The Lithuanian Armed Forces were ordered not to resist, and the Lithuanian Air Force remained on the ground. At the time, the Lithuanian Armed Forces had 26,084 soldiers (of which 1,728 officers) and 2,031 civil servants. While the Lithuanian Riflemen's Union, subordinate to the army commander, had over 62,000 members, of which about 70% were farmers and agricultural workers.


title: Kaunas

text: After the occupation, the Soviets immediately took brutal action against the high-ranking officials of the state. Both targets of the ultimatum, Minister of the Interior Kazys Skučas and the Director of the State Security Department of Lithuania Augustinas Povilaitis, were transported to Moscow and later executed. Antanas Gustaitis, Kazys Bizauskas, Vytautas Petrulis, Kazimieras Jokantas, Jonas Masiliūnas, Antanas Tamošaitis also faced that fate, and President Aleksandras Stulginskis, Juozas Urbšys, Leonas Bistras, Antanas Merkys, Pranas Dovydaitis, Petras Klimas, Donatas Malinauskas and thousands of others were deported. Stasys Raštikis, persuaded by his wife, secretly crossed the German border. After realizing this, NKVD started terror against the Raštikis family. His wife was separated from their one-year-old daughter and brutally interrogated at Kaunas Prison, his old father Bernardas Raštikis, three daughters, two brothers and sister were deported to Siberia. Soldiers, officers, senior officers and generals of the Lithuanian Army and LRU members, who were seen as a threat to the occupiers, were quickly arrested, interrogated and released to the reserve, deported to the concentration camps or executed, which made many, trying to avoid that fate, join the Lithuanian partisan forces. The army itself was initially renamed the Lithuanian People's Army but was later reorganised into the 29th Rifle Corps of the Soviet Union.


title: Kaunas

text: In June 1940, the Soviet Union occupied and annexed Lithuania in accordance with the Molotov–Ribbentrop Pact. Vladimir Dekanozov, a Soviet emissary from Moscow, gained effective power in Lithuania. Shortly afterwards, on 17 June 1940 the puppet People's Government of Lithuania was formed, which consistently destroyed Lithuanian society and political institutions and opened the way for the Communist Party to establish itself. To establish the legitimacy of the government and design the plans of Lithuania's "legal accession to the USSR", on 1 July, the Seimas of Lithuania was dismissed, and elections to the puppet People's Seimas were announced. The controlled (passports had imprints) and falsified elections to the People's Seimas were won by the Lithuanian Labour People's Union, which obeyed the occupiers' proposal to "ask" the Soviet authorities to have Lithuania admitted to the Soviet Union.


title: Kaunas

text: After the occupation, the Lithuanian Diplomatic Service did not recognize the new occupiers' authority and started the diplomatic liberation campaign of Lithuania. In 1941, Kazys Škirpa, Leonas Prapuolenis, Juozas Ambrazevičius and their supporters, including the former Commander of the Lithuanian Army General Stasys Raštikis, whose whole family was deported to Siberia, began organizing an uprising. After realizing the reality of the repressive and brutal Soviet rule, in the early morning of 22 June 1941 (the first day when the Nazi Germany attacked the Soviet Union), Lithuanians began the June Uprising, which was organized by the Lithuanian Activist Front, in Kaunas, where its main forces were concentrated. The uprising soon expanded to Vilnius and other locations. Its main goal was not to fight the Soviets but to secure the city from the inside (secure organizations, institutions, enterprises) and declare independence. By the evening of 22 June, the Lithuanians had controlled the Presidential Palace, post office, telephone and telegraph, and radio station. Control of Vilnius and most of the rest of Lithuanian territory was also shortly taken over by the rebels.


title: Kaunas

text: Multiple Red Army divisions stationed around Kaunas, including the brutal 1st Motor Rifle Division NKVD responsible for the June deportation, and the puppet Lithuanian Soviet Socialist Republic regime commanders were forced to flee into the Latvian SSR through the Daugava River. The commander of the Red Army's 188th Rifle Division colonel Piotr Ivanov reported to the 11th Army Staff that during the retreat of his division through Kaunas "local counterrevolutionaries from the shelters deliberately fired on the Red Army, the detachments suffering heavy losses of soldiers and military equipment". About 5,000 occupants were killed in Lithuania.


title: Kaunas

text: On 23 June 1941 at 9:28 am "Tautiška giesmė", the national anthem of Lithuania, was played on the radio in Kaunas. Many people listened to the Lithuanian national anthem with tears in their eyes. From Kaunas radio broadcasts, Lithuania learned that the rebellion was taking place in the country, the insurgents took Kaunas and the Proclamation of the Independence Restoration of Lithuania and the list of the Provisional Government were announced by Leonas Prapuolenis. The message was being repeated several times in different languages. The Provisional Government hoped that Nazi Germany would re-establish Lithuanian independence or at least allow some degree of autonomy (similar to the Slovak Republic), was seeking the protection of its citizens and did not support the Nazis' Holocaust policy. However, the Provisional Government did little to stop the anti-Jewish violence encouraged by the Nazis and the anti-Semitic leadership of the Lithuanian Activist Front.


title: Kaunas

text: Minister of National Defence General Stasys Raštikis met personally with the Wehrmacht generals to discuss the situation. He approached the Kaunas War Field Commandant General Oswald Pohl and the Military Command Representative General Karl von Roques by trying to plead for him to spare the Jews, but they replied that the Gestapo is handling those issues and that they could not help. Furthermore, in the beginning of the occupation, the prime minister of the Provisional Government of Lithuania, Juozas Ambrazevičius, convened the meeting in which the ministers participated together with the former President Kazys Grinius, Bishop Vincentas Brizgys and others. Ministers expressed distress at the atrocities being committed against the Jews but advised only that "despite all the measures which must be taken against the Jews for their Communist activity and harm done to the German Army, partisans and individuals should avoid public executions of Jews". According to the Lithuanian-American Holocaust historian Saulius Sužiedėlis, "none of this amounted to a public scolding which alone could have persuaded at least some of the Lithuanians who had volunteered or been co-opted into participating in the killings to rethink their behavior." Lithuanian police battalions formed by the Provisional Government were eventually enlisted by the Nazis to help carry out the Holocaust.


title: Kaunas

text: In the first issue of the daily "Į laisvę" (Towards Freedom) newspaper, the Independence Restoration Declaration was published, which had been previously announced on the radio. It stated that "The established Provisional Government of revived Lithuania declares the restoration of the Free and Independent State of Lithuania. The young Lithuanian state enthusiastically pledges to contribute to the organization of Europe on a new basis in front of the whole world innocent conscience. The Lithuanian Nation, exhausted from the terror of the brutal Bolsheviks, decided to build its future on the basis of national unity and social justice." and signatures.


title: Kaunas

text: On 24 June 1941, tank units of the Red Army in Jonava were ordered to retake Kaunas. The rebels radioed the Germans for assistance. The units were bombed by the Luftwaffe and did not reach the city. It was the first coordinated Lithuanian–German action. The first German scouts, lieutenant Flohret and four privates, entered Kaunas on 24 June and found it in friendly hands. A day later the main forces marched into the city without obstruction and almost as if they were on parade.


title: Kaunas

text: On 26 June 1941 the German Oberkommando der Wehrmacht ordered the rebel groups to disband and disarm. Two days later Lithuanian guards and patrols were also relieved of their duties. Already in July, in a conversation the Tilsit Nazi Gestapo agent Dr Heinz Gräfe clearly stated to Stasys Raštikis that the Provisional Government was formed without German knowledge. Such a form, although not having anything against individuals, is unacceptable to the Germans. The current Provisional Government should be transformed into a National Committee or Council under the German military authority. The Nazi Germans did not recognize the new Provisional Government, but they did not take any action to dissolve it. The Provisional Government, not agreeing to continue to be an instrument of the German occupiers, disbanded itself on 5 August 1941 after signing a protest for the Germans action of suspending the Lithuanian Government powers. Members of the Provisional Government then went as a body to the Garden of the Vytautas the Great War Museum, where they laid a wreath near the Tomb of the Unknown Soldier in the presence of numerous audience. The Sicherheitsdienst confiscated the pictures of the wreath-laying ceremony, thinking that it could be dangerous for the German occupation policy in Lithuania. On 17 July 1941 the German civil administration was established. The government's powers were taken over by the new occupants. Nazi Germany established the Reichskommissariat Ostland in the Baltic states and much of Belarus, and the administrative centre for Lithuania ("Generalbezirk Litauen") was in Kaunas ruled by a Generalkommissar Adrian von Renteln.


title: Kaunas

text: Jews began settling in Kaunas in the second half of the 17th century. They were not allowed to live in the city, so most of them stayed in the Vilijampolė settlement on the right bank of the Neris river. Jewish life in Kaunas was first disrupted when the Soviet Union occupied Lithuania in June 1940. The occupation was accompanied by arrests, confiscations, and the elimination of all free institutions. Jewish community organizations disappeared almost overnight. Soviet authorities confiscated the property of many Jews, while hundreds were exiled to Siberia.


title: Kaunas

text: As the Second World War began, there were 30,000 Jews living in Kaunas, comprising about 25% of the city's population. When the Soviet Union took over Lithuania in 1940, some Jewish Dutch residents in Lithuania approached the Dutch consul Jan Zwartendijk to get a visa to the Dutch West Indies. Zwartendijk agreed to help them and Jews who had fled from German-occupied Poland also sought his assistance. In a few days, with the help of aides, Zwartendijk produced over 2,200 visas for Jews to Curaçao. Then refugees approached Chiune Sugihara, a Japanese consul, who gave them a transit visa through the USSR to Japan, against the disapproval of his government. This gave many refugees an opportunity to leave Lithuania for the Russian Far East via the Trans-Siberian Railway. The fleeing Jews were refugees from German-occupied Western Poland and Soviet-occupied Eastern Poland, as well as residents of Kaunas and other Lithuania territories. The Sugihara House, where he was previously issuing transit visas, currently is a museum and the Centre For Asian Studies of Vytautas Magnus University.


title: Kaunas

text: Following Hitler's invasion of the Soviet Union on 22 June 1941, Soviet forces fled from Kaunas. Both before and during the German occupation starting 25 June, the anti-Communists, encouraged by the anti-Semitic leadership of the Berlin-based Lithuanian Activist Front (LAF), began to attack Jews, blaming them for the Soviet repressions, especially along Jurbarko and Kriščiukaičio streets. The LAF's manifesto-type essay "What Are the Activists Fighting for?" states: "The Lithuanian Activist Front, by restoring the new Lithuania, is determined to carry out an immediate and fundamental purging of the Lithuanian nation and its land of Jews ...". Nazi authorities took advantage of the Lithuanian TDA Battalions and established a concentration camp at the Seventh Fort, one of the city's ten historic forts, and 4,000 Jews were rounded up and murdered there. The Kaunas pogrom was a massacre of Jewish people living in Kaunas that took place on 25–29 June 1941; the first days of the Operation Barbarossa and of Nazi occupation of Lithuania. Prior to the construction of the Ninth Fort museum on the site, archaeologists unearthed a mass grave and personal belongings of the Jewish victims. The Ninth Fortress has been renovated into a memorial for the wars and is the site where nearly 50,000 Lithuanians were killed during Nazi occupation. Of these deaths, over 30,000 were Jews.


title: Kaunas

text: Beginning in 1944, the Red Army began offensives that eventually led to the reconquest of all three of the Baltic states.


title: Kaunas

text: Kaunas again became the major centre of resistance against the Soviet Union. From the very start of the Lithuanian partisans war, the most important partisan districts were based around Kaunas. Although guerrilla warfare ended by 1953, Lithuanian opposition to Soviet rule did not. In 1956 people in the Kaunas region supported the uprising in Hungary by rioting. On All Souls' Day in 1956, the first public anti-Soviet protest rally took place in Kaunas: citizens burned candles in the Kaunas military cemetery and sang national songs, resulting in clashes with the Militsiya.


title: Kaunas

text: On 14 May 1972, 19-year-old Romas Kalanta, having proclaimed "Freedom for Lithuania!", immolated himself in the garden of the Musical Theatre, after making a speech denouncing the Soviet suppression of national and religious rights. The event broke into a politically-charged riot, which was forcibly dispersed by the KGB and Militsiya. It led to new forms of resistance: passive resistance all around Lithuania. The continuous oppression of the Catholic Church and its resistance caused the appearance of the "Chronicle of the Catholic Church in Lithuania". In strict conspiracy, Catholic priest Sigitas Tamkevičius (now the Archbishop Metropolitan of Kaunas) implemented this idea and its first issue was published in the Alytus district on 19 March 1972. The Kronika started a new phase of resistance in the life of Lithuania's Catholic Church and of all Lithuania fighting against the occupation by making known to the world the violation of the human rights and freedoms in Lithuania for almost two decades. On 1 November 1987, a non-sanctioned rally took place near the Kaunas Cathedral Basilica, where people gathered to mark famous Lithuanian poet Maironis' 125th-birthday anniversary. On 10 June 1988, the initiating group of the Kaunas movement of Sąjūdis was formed. On 9 October 1988, the Flag of Lithuania was raised above the tower of the Military Museum. Kaunas, along with Vilnius, became the scene of nearly constant demonstrations as the Lithuanians, embarked on a process of self-discovery. The bodies of Lithuanians who died in Siberian exile were brought back to their homeland for reburial, and the anniversaries of deportations as well as the important dates in Lithuanian history began to be noted with speeches and demonstrations. On 16 February 1989 Cardinal Vincentas Sladkevičius, for the first time, called for the independence of Lithuania in his sermon at the Kaunas Cathedral. After the services, 200,000 persons gathered in the centre of Kaunas to participate in the dedication of a new monument to freedom to replace the monument that had been torn down by the Soviet authorities after World War II.


title: Kaunas

text: After World War II Kaunas became the main industrial city of Lithuania; it produced about a quarter of Lithuania's industrial output.


title: Kaunas

text: After the proclamation of Lithuanian independence in 1990, Soviet attempts to suppress the rebellion focused on the Sitkūnai Radio Station. They were defended by the citizenry of Kaunas. Pope John Paul II said Holy Mass for the faithful of the Archdiocese of Kaunas at the Kaunas Cathedral Basilica and held a meeting with the young people of Lithuania at the S. Darius and S. Girėnas Stadium, during his visit to Lithuania in 1993. Kaunas natives Vytautas Landsbergis and Valdas Adamkus became the Head of state in 1990, and, respectively, in 1998 and 2004. Since the restoration of independence, substantially improving air and land transport links with Western Europe have made Kaunas easily accessible to foreign tourists. Kaunas is famous for its basketball club, Žalgiris, which was founded in 1944 and was one of the most popular nonviolent expressions of resistance during its struggle with the CSKA Moscow. In 2011, the largest indoor arena in the Baltic states was built and was named Žalgiris Arena. Kaunas hosted finals of the EuroBasket 2011. In March 2015, Kaunas's interwar buildings received the European Heritage Label. On 10 January 2017, Kaunas's interwar modern architecture was included in the UNESCO World Heritage Site Tentative List. On 29 March 2017, Kaunas was named European Capital of Culture of 2022. On 28 September 2017, the winner of the M. K. Čiurlionis Concert Centre architectural competition was announced and the centre is planned to be completed by 2022, close to the Vytautas the Great Bridge.


title: Kaunas

text: The city covers 15,700 hectares. Parks, groves, gardens, nature reserves, and agricultural areas occupy 8,329 hectares. The city follows in suit of the country and is lowland.


title: Kaunas

text: Kaunas has a humid continental climate (Köppen climate classification Dfb) with an average annual temperature of approximately .


title: Kaunas

text: Despite its northern location, the climate in Kaunas is relatively mild compared to other locations at similar latitudes, mainly because of the Baltic Sea. Because of its latitude, Kaunas has 17 hours of daylight in midsummer but only around 7 hours in midwinter. The Kazlų Rūda Forest, west of Kaunas, creates a microclimate around the city, regulating humidity and temperature of the air, and protecting it from strong westerly winds.


title: Kaunas

text: Summers in Kaunas are warm and pleasant with average daytime high temperatures of and lows of around , but temperatures could reach on some days. Winters are relatively cold, and sometimes snowy with average temperatures ranging from , and rarely drop below . Spring and autumn are generally cool to mild.


title: Kaunas

text: Kaunas is a city centered around culture. The Old Town of Kaunas is located at the confluence of the Nemunas and Neris Rivers where old architectural monuments and other historical buildings are located. Located to the East of the Old Town is the city's New Town, which started developing in 1847 and got its name when it became a distinct part of the city. Central Kaunas is defined by two pedestrian streets: the 2-km-long Laisvės alėja (Liberty Avenue), a central street of the city, lined by linden trees and decorated with flower beds.


title: Kaunas

text: The Old Town is the historical center of Kaunas. The streets in Old Town have been turned to pedestrian sidewalks, so it is best to tour the place by foot. Prominent features of the Old Town include Kaunas Castle, the Town Hall, and the historical Presidential Palace. The Town Hall in Kaunas played an important role in the Medieval Times as a center for trade, festivals, and criminals were brought here for punishment. The Town Hall was originally built with wooden frames, however, after numerous fires in 1542 they began to construct buildings with stone. The stone buildings, however, also burned down so the Town Hall that stands today was constructed in a more advanced way, which took from 1771 to 1780. The Town Hall is still a center of culture today, it holds weddings and is the home of the Museum of Ceramics.


title: Kaunas

text: Kaunas is often called a city of museums, because of the abundance and variety of them. The museums in Kaunas include:


title: Kaunas

text: Kaunas is notable for the diverse culture life. Kaunas Symphony Orchestra is the main venue for classical music concerts. There is an old circus tradition in Kaunas. There was established static circus in the Vytautas park of Kaunas in the beginning of the 19th century. The only professional circus organisation in Lithuania, the Baltic Circus, was founded in Kaunas in 1995. Kaunas theatres play an important role in Lithuanian society. There are at least seven professional theatres, many amateur theatres, ensembles and abundant groups of art and sports. Some of the best examples of cultural life in Kaunas are theatres of various styles:


title: Kaunas

text: The city plan is mixed. The rectangular old town at the confluence of the Nemunas and the Neris rivers is rich in valuable buildings and their complexes. During the Gothic period, the Kaunas Castle (13th–16th centuries), Old Kaunas Ducal Palace (15th century), Church of Vytautas the Great (beginning of the 15th century; also known as the Church of the Assumption of the Blessed Virgin Mary), Church of Saint Nicholas (late 15th century), St. George's Church and the Bernardine Monastery (1472), Church of St. Gertrude (15th–16th centuries; also has Renaissance elements), Kaunas Cathedral Basilica (construction began in the 15th century; later was reconstructed and expanded), Kaunas Town Hall (construction began in 1542; later gained late Baroque and early Classicism forms), House of Perkūnas (late 15th century – early 16th century), residential houses in the Town Hall Square, Vilnius and Kurpių Streets were built. The ensemble of the Church of the Holy Trinity and the Bernardine monastery (started in the late 16th century), the so-called Napoleonic House (16th century) has Gothic, Renaissance, Baroque and Mannerist architecture features. The Renaissance remains of Kaunas defensive fortifications have survived (2nd half of the 17th century). One of the most famous monuments of Baroque architecture is the ensemble of Pažaislis Church and Monastery (started in 1667, architects G. Frediani, C. Puttini, P. Puttini). Other Baroque style buildings: Kaunas Lutheran Holly Trinity Church (1683; in 1862 Romanticism style bell tower was built, its architect was J. Woller), Corpus Christi Church (1690, in 1866 was reconstructed to an Orthodox church gained Byzantine forms), Church of St. Francis Xavier (1720; towers were built in 1725); Baroque and Classicism elements: the ensemble of the Church of the Holy Cross (1690) and the Carmelite Monastery (1777), Siručiai Palace (18th century; also known as Maironis House, from 1936 is used as the Maironis Lithuanian Literature Museum). Forms of classicist architecture are typical in the Aukštoji Freda Manor (early 19th century), post station building complex (early 19th century; architect J. Poussier). Notable buildings of the Historicism period in Kaunas are: Kaunas State Musical Theatre (1892; architect J. Golinevičius; was expanded in the 20th century), St. Michael the Archangel Church (Neo-Byzantine style; architect K. Limarenko), brick style Saulės Gymnasium building (1913; engineer F. Malinovskis, later E. A. Frykas), Kaunas Fortress (1889).


title: Kaunas

text: In the first half of the 20th century, when Kaunas became the temporary capital of Lithuania in 1919, the city was extensively modernized and thousands of new buildings were built. From 1918 to 1940 more than 12.000 construction permits were issued in Kaunas, which was an extremely rapid growth for a relatively small-scale city (90.000 inhabitants) that fundamentally changed the city's character. Neoclassicism prevailed in the 3rd decade of the 20th century (Kaunas School of Arts, built in 1923, Bank of Lithuania building, built in 1928, Palace of Justice and the Parliament with Art Deco elements, built in 1930) and a search for the Lithuanian national style was typical (e.g. residential house of "Ragutis" factory, built in 1925). The styles of Classicism and Modernism intertwined in buildings built in the beginning of 1930s (e.g. Faculty of Medicine at Vytautas Magnus University, built in 1933, now belongs to the Lithuanian University of Health Sciences, Vytautas the Great War Museum and M. K. Čiurlionis National Art Museum, built in 1936), while Modernism and national style intertwined in the Kaunas Central Post Office (architect F. Vizbaras), built in 1932, Kaunas Garrison Officers' Club Building (architect S. Kudokas and others), built in 1937. The most notable Rationalism style buildings in Kaunas are: Christ's Resurrection Church (construction began in 1933, but it was converted into a radio factory from 1952 and so it was returned to the believers only in 1990 and was reconstructed in 2005), palaces of "Pienocentras" (architects Vytautas Landsbergis-Žemkalnis, K. Reisonas), "Pažangos" with Art Deco decoration elements (architect F. Vizbaras), Physical Culture (architect V. Landsbergis‑Žemkalnis, now belongs to the Lithuanian Sports University), "Prekybos, pramonės ir amatų" (1938, architect V. Landsbergis‑Žemkalnis), "Taupomųjų kasų" (1939; architects A. Funkas, B. Elsbergas, A. Lukošaitis; now is the primary building of Kaunas City Municipality); Church of the Most Sacred Heart of Jesus (1938; architect A. Šalkauskis), Military Research Laboratory for the Lithuanian Ministry of National Defense (1938; architect V. Landsbergis‑Žemkalnis; now Faculty of Chemical Technology at Kaunas University of Technology), Kaunas Clinics complex (1939; French architect U. Cassan), Kaunas Sports Hall (1939; engineer A. Rozenbliumas), Pasaka Cinema (1939), Romuva Cinema (1940), residential houses complex in V. Putvinskio Street (formed in 1928–1937). In 2021, an application has been submitted to the UNESCO World Heritage Centre in order to include the Kaunas modernist architecture into the List of World Heritage Sites.


title: Kaunas

text: After World War II buildings of pseudoclassical forms were built (e.g. Kaunas railway station, built in 1953), complex engineering structures (Kaunas Hydroelectric Power Plant, built in 1960). From the 7th decade of the 20th century Modernism style buildings were further developed. New residential areas were built (e.g. Kalniečiai, completed in 1985), public buildings (e.g. Industrial Construction Design Institute, 1966, House for Political Education (now part of Vytautas Magnus University), 1976), shopping malls (e.g. Girstupis, 1975, Vitebskas, 1980, Kalniečių, 1986), shops (Viešnagė, 1982, Merkurijus, 1983), galleries (e.g. Kaunas Picture Gallery, 1978, Mykolas Žilinskas Art Gallery, 1989), educational institutions (e.g. Faculty of Light Industry at Kaunas University of Technology, 1983).


title: Kaunas

text: In the late 20th century and early 21st century, buildings were built in Kaunas based on the projects of architects V. Adomavičius (e.g. Ąžuolynas Sports Center Complex, 2003), G. Jurevičius (e.g. Peugeot, Toyota, Lexus, Honda car showrooms), A. Kančas (e.g. Aleksotas Church of St. Casimir, 1997, company Kraft Foods Lietuva administrative and laboratory buildings complex, 2001, shopping and entertainment center Akropolis, 2007), A. Karalius (building materials salon Iris, 2002, block of flats "Aušros namai", 2005), D. Paulauskienė (e.g. Catherine's Monastery, 2000) E. Miliūnas (e.g. Žalgiris Arena, 2001), G. Janulytė‑Bernotienė (e.g. Library and Health Sciences Information Center of Lithuanian University of Health Sciences, 2007, Center for Science Studies and Business of Kaunas University of Technology Santakos Valley, 2013), G. Balčytis (e.g. Kaunas Bus Station reconstruction, 2017), G. Natkevičius (e.g. Moxy Kaunas Center Hotel), A. Kaušpėdas, V. Klimavičius, D. Laurinaitienė.