title: Mother Gothel

text: Growing up a fan of Disney films, Murphy had never wanted to play a princess, preferring characters who were adventurous and "drove the action" instead. In the actress' opinion, villains continue to be the most dynamic characters in Disney films. Describing the opportunity to voice a Disney villain as a "juicy" experience, Murphy explained that this is because these characters are "not bound by ethics or moral codes or concern for what someone thinks or how it might hurt someone else", providing actors with more freedom. Upon her first session, Murphy appreciated the directors for exposing her to early concepts and ideas about Gothel. However, Murphy was not provided with a complete script because "They’re very protective about that." Murphy was directed to lower the pitch of her voice in favor of demonstrating a rather "flat" sound. Although Murphy did not base her own performance on any one individual in particular, she admitted to Babble that she was somewhat inspired by Betty Lou Gerson's performance as Cruella de Vil in Disney's "One Hundred and One Dalmatians" (1961). Comparing voice acting to Broadway, Murphy commented that, in animation, "You’re recording and you’re discovering it and giving the performance all at the same time. It's not like you have three weeks rehearsal." Additionally, Murphy never worked with co-star Mandy Moore, voice of Rapunzel; instead, Murphy revealed that scenes with Gothel and Rapunzel were actually recorded opposite one of the directors impersonating Moore, who also explained to Murphy that Gothel's design will continue to evolve as the character begins to adapt the actress' mannerisms. Howard enthused that Murphy "nailed" Gothel, admitting to ultimately using 90% of the actress' original material and takes because "The character just came right to life when she came in."


title: Mother Gothel

text: Convinced that "Disney does villains better than anyone," the directors felt pressured to create a villain who would ultimately "live up to the classic villains of [Disney's] past films." Greno and Howard wanted Gothel to be both a funny and frightening character, describing her as "a commanding and powerful presence ... who could also have warmth". Greno believes that Gothel is particularly scary because she is not a witch, explaining, "She's a real-world-type villain." Considered "one of the [film's] hardest characters to crack" by Greno, he and Howard wanted Gothel to be depicted as a conniving villain who is likeable and charismatic enough that audiences would be convinced by her and Rapunzel's unconventional relationship. Greno explained, "if Mother Gothel was a mean villainess, and looked like a villainess and acted scary, you'd be like, 'Why is Rapunzel staying in the tower?'" In early drafts, Gothel was inspired by Ursula from "The Little Mermaid" (1989), causing the character to become "too dark." Ultimately, the filmmakers voted in favor of having Gothel be subtle as opposed to having her remain "a one-note, domineering mother," similar to Lady Tremaine, Cinderella's cruel stepmother, from Disney's "Cinderella" (1950).


title: Mother Gothel

text: As reported by "The Korea Times", the thought of Gothel being a villain who is both a "greedy, selfish woman and a mother figure to Rapunzel" was initially "perplexing" for animator Jin Kim, and it wasn't until after Kim heard Gothel's "Mother Knows Best" for the first time that he "came up with the 1940s Hollywood screen siren motif" for the character. The directors also strived to make it obvious that Mother Gothel and Rapunzel are not related. Greno told Animation World Network, "When they're standing together, it is very clear that this is not a mother and daughter, just by the frames of their bodies, their hair, the pigments of their skin," as opposed to when Rapunzel is in close proximity with her true parents, the King and Queen. Howard added that, in comparison to Rapunzel, "Gothel is very tall and curvy, she's very voluptuous, she's got this very exotic look to her. Even down to that curly hair, we’re trying to say visually that this is not this girl's mother." The animators studied footage of Murphy to get "ideas about facial expressions" and "gestures." After much speculation, the directors finally admitted that, in addition to Murphy, Gothel's physical appearance was in fact influenced by American singer Cher. Howard explained that this was "because Cher is very exotic and Gothic looking," continuing that the singer "definitely was one of the people we looked at visually, as far as what gives you a striking character."


title: Mother Gothel

text: Because Mother Gothel is constantly lying to and belittling Rapunzel, the terms gaslighting and passive-aggressive has since gone on to be commonly associated with Gothel. Critics felt that Gothel could possibly pioneer "a new kind of Disney villainess," introducing "the undermining, passive-aggressive, guilt-trip-inducing witch." "The Village Voice" wrote that, as a villain, Gothel "is Disney's first villainess whose chief crime is being an underminer," warning Rapunzel that she is simply "too silly, too uneducated, too unsophisticated" to survive life outside of the tower. The "Los Angeles Times" referred to Gothel as "A guilt-tripping, overprotective, super-manipulative parent from hell." One film critic observed that "Gothel is one of the most understated villains Disney has used in a long time. She harkens back to the wicked step mother idea in "Cinderella" ... She proves it's possible to "be" evil without all the theatrics." The author continued, "Gothel is one for the ages with a bit of darkly comedic timing and the overall greed and menace a villain needs to be disdained." The character has received comparisons to the Evil Queen, Snow White's stepmother, from Disney's "Snow White and the Seven Dwarfs" (1937).


title: Mother Gothel

text: Mother Gothel performs two of the film's songs: "Mother Knows Best," described as a "brassy, Broadway-targeted tune" and an "authoritarian anthem" in which Gothel warns her daughter "all about the evils out to get Rapunzel," and "Mother Knows Best (Reprise)," both written by composer Alan Menken and lyricist Glenn Slater. While making Rapunzel's music more modern in the vein of a singer-songwriter, "young and contemporary and fresh," Menken decided to make Gothel's songs "more classic Broadway," described as more of "a big stage diva type" of music. Critics have observed similarities between "Mother Knows Best" and "Out There" from Disney's "The Hunchback of Notre Dame" (1996), on which Menken also served as a composer.


title: Mother Gothel

text: Musically, the filmmakers "were open ... to ideas that [Murphy] had," as the actress had felt different about "a slightly different ending to something musically in the arrangement," requesting to try something else, to which the filmmakers responded, "Absolutely!"


title: Mother Gothel

text: Mother Gothel appears in "Tangled" (2010). For hundreds of years, Gothel hoarded the rejuvenation powers of a magical golden flower to remain young and beautiful, while keeping the flower's existence a secret from the rest of the world. However, when the pregnant Queen of Corona falls fatally ill, the flower is desperately retrieved and fed to her, healing her and in turn inadvertently stripping Gothel of her access to the only thing keeping her alive. The King and Queen's newborn daughter Rapunzel is gifted with the flower's abilities, which manifest via her golden hair when a special song is sung. Gothel cuts the baby's hair in an attempt to use it for her own needs, but kidnaps Rapunzel when she discovers that the hair turns brown and powerless once cut. She then raises Rapunzel as her daughter in an isolated tower for eighteen years.


title: Mother Gothel

text: As her eighteenth birthday approaches, Rapunzel wishes to leave the tower to view the "floating lights", lanterns released annually by the King and Queen in remembrance of their lost daughter. Gothel forbids this, but agrees to Rapunzel's request to take a three-day journey to retrieve art supplies for Rapunzel's birthday. Her absence gives Rapunzel enough time to escape the tower, aided by a wanted thief named Flynn Rider. Gothel quickly realizes Rapunzel has gone missing, and begins pursuing Rapunzel and Flynn.


title: Mother Gothel

text: Enlisting the help of the Stabbington brothers, a duo of thieves who were once betrayed by Flynn, Gothel offers them both revenge on Flynn Rider and the use of Rapunzel's gift once they agree to help her find them, not intending to keep the latter part of her promise as she wants Rapunzel for herself. When her initial attempt to convince Rapunzel to return home with her fails, Gothel tricks the brothers into immobilizing Flynn and leaving him to be captured by the royal guard. She stages a rescue by knocking the brothers unconscious when they attempt to kidnap Rapunzel.


title: Mother Gothel

text: Convincing Rapunzel that Flynn has betrayed her, they return to the tower. As Flynn escapes from the dungeon, Rapunzel suddenly realizes her true identity and rebels against Gothel, only to be chained and gagged. Gothel fatally stabs Flynn upon his arrival and attempts to leave with Rapunzel, who offers to go willingly with her if she can heal Flynn. Gothel reluctantly releases her. However, Flynn unexpectedly cuts Rapunzel's hair, causing it to lose its magic and turn brown. Failing to salvage the hair, Gothel falls from the tower's window and disintegrates into dust. Flynn succumbs to his wound and dies in Rapunzel's arms, but is miraculously returned to life by Rapunzel's tears, and she is finally reunited with her biological parents.


title: Mother Gothel

text: Having died six months prior to the film's events, Mother Gothel appears in the 2D "" as a painting in Rapunzel's mural on her bedchamber walls. Eugene (Flynn Rider) described how she had hoarded the mystical healing powers of the golden Sundrop Flower to sustain her youth and how she had stolen the infant princess and kept her locked up in a tower for eighteen long years. She is last mentioned when Eugene had saved Rapunzel from her wrath, which had resulted in him being stabbed to death by her silver knife.


title: Mother Gothel

text: A few days later, when the coronation ceremony was interrupted by the arrival of the notorious criminal Lady Cain had told Rapunzel that she had no idea who she was dealing with, to which Rapunzel replied that she has "dealt with much worse", referencing her experience with Gothel,


title: Mother Gothel

text: She appears in a nightmare Princess Rapunzel had, in "What the Hair!?" after her seventy-feet long magical blonde hair had mysteriously returned nearly a . She had bragged about how Rapunzel thought that she was "gone forever" and had expressed her wicked delight in seeing that her "daughter's" golden hair and its mystical properties had returned. She then comfortingly told Rapunzel that she came back to bring her back to her tower, where she would be "safe and secure." It was then that the black rock spikes, which resulted in the regrowth of Rapunzel's 70-feet golden hair, appear all around her.


title: Mother Gothel

text: In "The Quest for Varian", a smug Eugene had shown Maximus the window of the tower was "where Mother Gothel fell to her doom."


title: Mother Gothel

text: In "The Alchemist Returns", Princess Rapunzel says to her father King Fredric that he is not the first person to lie to her and say that she is not ready for the real world, as a reference to her adopted mother.


title: Mother Gothel

text: In the second season's episode "Rapunzel: Day One", Gothel is referenced by an amnesic Rapunzel who, having lost her memories, naturally thinks that Gothel is her mother. She excitedly pointed out to Cassandra that she should "try the special spice Mother makes".


title: Mother Gothel

text: She reappeared in "Rapunzeltopia" in a nightmare created by the evil magic of Tromus the Eternal, one of the ghostly disciples of the dark sorcerer Zhan Tiri. In "Lost and Found", a flashback of Lord Demantius' implies that Gothel was formerly one of his three disciples who had double-crossed him to his longtime archenemy Zhan Tiri.


title: Mother Gothel

text: In the first half of the final season premiere "Rapunzel's Return", Cassandra encountered a child-like spirit later revealed to be Zhan Tiri. Zhan Tiri reveals to Cassandra that she is Gothel's biological daughter, showing her the events following the newborn Rapunzel's abduction where Gothel abandoned her four-year old Cassandra when the Captain of Royal Guard stumbled across her cottage with him adopting the girl. Zhan Tiri exploits that resentment to turn Cassandra on her friends, lashing out at her adopted father in "Islands Apart" for hiding the truth of her mother from her. She also lashes at Rapunzel in the 2-part episode "Cassandra's Revenge", sarcastically stating to Rapunzel that they should "have a chat" about her mother choosing Rapunzel over her own flesh and blood. Rapunzel tried to explain that Gothel had abducted her and held her against her will, that it was not her decision. Still incensed, Cassandra asked if it was her decision to push her out a window.


title: Mother Gothel

text: In "A Tale of Two Sisters", it is said that Gothel's restless spirit now haunts the cottage where she had lived with a young Cassandra before deserting her. A curious Cassandra and Rapunzel go to investigate these rumors, but it is actually a ruse by the Enchanted Girl (Zhan Tiri) to further push the human hosts of the Sundrop Flower and Moonstone Opal apart. By further exploring, the two women find out that Gothel had a diary of sorts in the form of magic mirrors, that displayed her overly narcissistic self and disdain for her young daughter Cassandra. A painting of her is seen above the fireplace before it was burned by green fire. A missing broken hand mirror then showed a seemingly loving memory of Gothel expressing her motherly affection toward Cassandra but was, in truth, hiding the fact that she had only said such sweet words to keep Cassandra out of her hair for awhile, as she always considered her own child a "lousy, little pest."


title: Mother Gothel

text: In addition to the popular Mother Gothel Classic Doll and appearing alongside Rapunzel, Flynn, Pascal and Maximus in the Rapunzel Tangled Figure Play Set, the character's likeness has since been adapted and modified by Disney into a much more glamorous doll for sale alongside several re-imagined Disney villainesses as part of the company's Disney Villains Designer Collection, released in 2012. Costumed in a long burgundy gown made of satin, Gothel wears her thick black hair in "a theatrical up-do."


title: Mother Gothel

text: Mother Gothel appears on the ABC television series "Once Upon a Time", portrayed by actress Emma Booth. She débuts in the seventh season and is one of the main antagonists. This version is a dryad who inherits the title of Mother Nature from the previous Queen of the Dryads named Mother Flora (portrayed by Gabrielle Miller) following a massacre on the dryads. She is the mother of Alice with the Captain Hook of the Wish Realm and became a powerful witch who is the leader of the Coven of the Eight. In Hyperion Heights, she is an accomplice of Drizella and is known as Eloise Gardener.


title: Mother Gothel

text: Mother Gothel made her debut appearance in the "Kingdom Hearts" series in "Kingdom Hearts III", with Murphy reprising her role in the English version. Her role plays out as in the film, but here, she strikes an alliance with the True Organization XIII in exchange for bringing Rapunzel back to the tower. But after she restrains Rapunzel and attacks Eugene, they conclude that her extreme darkness could destroy her world and turn her into a Heartless called the Grim Guardianess to use in the Second Keyblade War, but she is quickly vanquished by Sora.


title: Mother Gothel

text: In the fifth book in the Villains series by author Serena Valentino, Gothel lives in the Dead Woods alongside her sisters Primrose and Hazel and their mother Manea. In order to obtain the skills of magic, the sisters must drink their mother's blood. During the ceremony, Manea threatens to kill both Primrose and Hazel, and in response Gothel sets fire to her and the magical rapunzel flowers that grant youth and health. One flower survives. Soon the vengeful spirit of Manea attacks Gothel and her sisters. While Gothel survives and banishes her mother's spirit once and for all, her sisters get sick and weak. The Odd Sisters arrive in the Woods and claim they wish to help Gothel heal her sisters. But despite this promise, Hazel and Primrose die. Using dark magic and the one flower, Gothel and the Odd Sisters put Primrose and Hazel into a kind of stasis, even though Hazel and Primrose beg Gothel to let them die. Gothel succumbs to sleep while their loyal servant, Jacob, buries Primrose and Hazel in a grave and uses the one flower left to keep Gothel alive for years.


title: Mother Gothel

text: Gothel awakens after many years once Jacob is instructed by the Odd Sisters to do so. Gothel finds out the King of Corona has sent a force to the Dead Woods to obtain the last golden flower for his sick queen. Gothel flees to a cottage far away, along with the bodies of her two sisters that have been kept in stasis all this time. At the cottage she once again encounters the Odd Sisters. Lucinda goes out into the village nearby and hires a housekeeper, Mrs. Tiddlebottom. The sisters then depart. Soon the forces of Corona come to the cottage, seeking the flower again. Gothel hides while Mrs. Tiddlebottom distracts the soldiers, but loses the flower in the process. Gothel then goes and kidnaps the baby Rapunzel. However, Gothel does not have a hand in raising her, and Mrs. Tiddlebottom, alongside a nanny named Mrs. Lovelace, raises her till her eighth birthday.


title: Mother Gothel

text: On Rapunzel's eighth birthday, the Odd Sisters come to find Gothel has gone totally mad. She is dressing like the sisters and claims she is one of them. While the sisters are stunned and put off by this, they agree to help Gothel by attempting to use Rapunzel's hair to resurrect Primrose and Hazel. Mrs. Lovelace walks in and discovers them, screaming in the middle of the dark ceremony. As a result, Mrs Lovelace is killed, Mrs Tiddlebottom's memory is wiped, and the Odd Sisters put Rapunzel and her new pet Pascal to sleep. Gothel stores them in a tower and for the next decade Rapunzel sleeps, unaware that rather than having a happy childhood, she has been asleep the whole time, with Gothel using her hair to keep herself young.


title: Mother Gothel

text: Following the events of the previous book, the Odd Sisters are trapped in the realm of mirrors. When Gothel reaches out to them, they reveal Rapunzel has awakened, and that they cannot help Gothel. When Gothel snaps at them in anger, the sisters refuse to help, and watch what transpires from their mirrors. Through their influence, Flynn Rider arrives at the tower while Gothel is away to check on her sisters, and he and Rapunzel escape. The events after this mirror those of the film, as the Odd Sisters watch with glee as Gothel eventually dies when Flynn cuts Rapunzel's hair and she falls out of the tower, turning to dust.


title: Mother Gothel

text: In the sixth book "The Odd Sisters", it is revealed she is the younger sister of the Odd Sisters, having been born following the events that led to the creation of the Odd Sisters.


title: Mother Gothel

text: Mother Gothel has garnered mostly positive reviews from film critics. Nigel Andrews of the "Financial Times" felt that the character was given the film's "best lines and tunes". Film4 described Gothel as a "fun" character "to the extent that she risks making the good guys seem a bit dull." Hailing Gothel as the film's ""pièce de résistance"", Georgie Hobbs of "Little White Lies" wrote that Gothel "performs ... 'Mother Knows Best' ... with a schizophrenic frenzy worthy of the very best of [Stephen] Sondheim's crazed heroines". IGN's Jim Vejvoda penned, "Mother Gothel nearly steals the show, with her overprotective tyranny being made to seem almost rational". Dubbed Disney's "first passive-aggressive villain" by Helen O'Hara of "Empire", the author reviewed, "the fact that [Gothel] is entirely bereft of superpowers and reliant on her considerable wits to keep her going makes her strangely admirable". Writing for the "Milwaukee Journal Sentinel", Cathy Jakicic called the character "a great contemporary villain" who "many daughters (and mothers) will find ... funny and a little too familiar". In "The New York Times" A. O. Scott's opinion, "The Disney pantheon is full of evil stepmothers, though none quite match Mother Gothel for sheer sadistic intensity." According to Jake Coyle of the "Southtown Star", Gothel is "one of Disney's best" villains, while Gary Thompson of the "Philadelphia Daily News" dubbed the character "one reason to love Disney". Michael Smith of the "Tulsa World" reviewed Gothel as "perfectly wicked as she kills Rapunzel's dreams". Kirk Baird of "The Blade" identified Gothel as the film's "strongest character". Colin Covert of the "Star Tribune" commented," ""In her own way, Gothel is scarier than Snow White's wicked stepmother" because the character "doesn't cast spells; she's fully capable of manipulating, guilt-tripping and emotionally undermining the girl". Several comparisons have been made between Gothel and the Evil Queen in Disney's "Snow White and the Seven Dwarfs" (1937), while several critics observed the character's likeness to singer Cher; Peter Howell of the "Toronto Star" joked that Gothel is "suspiciously Cher-like in her quest for eternal youth".


title: Mother Gothel

text: However, critics were not unanimous in their praise, as some reviewers felt that the character was too passive and tame to be a convincing villain. Jeff Meyers of the "Detroit Metro Times" wrote that the film's "villain isn't all that villainous", while Tyler Hanley of the "Palo Alto Daily News "received Gothel as too "one-dimensional and generic". PopMatters' Bill Gibron wrote that, as a villain, Gothel "can't compete with traditional miscreants like Maleficent or Cruella de Vil". Alison Gang of "U-T San Diego" felt that Gothel was an "annoying" character at times, while "USA Today"s Claudia Puig wrote that "Gothel plays the role of Rapunzel's loving mom [only] sometimes convincingly". Although Michelle Orange of Movieline enjoyed Gothel's personality to an extent, the author criticized the character in a mixed review that "By reducing Mother Gothel to a vain woman who doesn't want immortality so much as she's determined to keep her profile taut, the film misses the chance to get seriously mythical, and as a result the narrative lacks dramatic impact."


title: Mother Gothel

text: Meanwhile, Murphy's performance has garnered unanimous praise. Lisa Schwarzbaum of "Entertainment Weekly" highlighted Gothel as "a firecracker" amidst an otherwise "sedate" cast. Joe Morgenstern of "The Wall Street Journal "wrote that "Donna Murphy does evil deliciously as the voice of Mother Gothel", while "Now"s Norman Wilner felt that the actress successfully "channelled" Broadway actress Patti LuPone in her performance. Meanwhile, Tim Robey of "The Daily Telegraph" compared Murphy's performance to actress Julie Andrews, writing, "the Julie-Andrews-on-stimulants vocal stylings of Broadway star Donna Murphy ... makes Mother Gothel into a memorable manipulative diva". Joe Neumaier of the "Daily News" called Murphy's acting "deliciously mischievous". Meanwhile, Jonathan Crocker of Total Film wrote, "Donna Murphy's vocal performance as the vain, villainous fake-matriarch is marvellous", adding, "her belted-out rendition of 'Mother Knows Best' is easily the film's top musical number". Likewise, the "Tampa Bay Times" Steve Persall penned, "Nobody but Murphy should be cast as Gothel", continuing, "her 'Mother Knows Best' is a knockout". Simon Reynolds of "Digital Spy "felt that "Donna Murphy steals the show". Similarly dubbing Murphy a scene-stealer, Canoe.ca's Lindsey Ward wrote that "Murphy ... turns into a giant spectacle with her voice, a powerful force to be reckoned with". David Edelstein of Vulture.com hailed Murphy as "Broadway's gift to animated movies", praising in particular the actress' delivery of "the movie's best line: "Oh, so I'm the bad guy now?” Quickflix deemed Murphy "wonderful", while Stephen Witty of "The Star-Ledger" called her "terrific". Sandie Angulo Chen of Common Sense Media opined, "As for the dramatic tension, it's best in the form of Mother Gothel – brilliantly played by Murphy, whose signature Broadway voice ... adds the necessary punch". Chen added that Gothel "is ... a personal favorite" while comparing the character to Cher and actress Sophia Loren. "The A.V. Club"s Tasha Robinson wrote that Gothel was "magnificently voiced by star Murphy". Murphy's performance of "Mother Knows Best" has also been very positively received, with critics again comparing the actress to Julie Andrews. While calling Gothel's voice "to die for", Peter Travers of "Rolling Stone" deemed her performance of the song "comic bliss". Linda Cook of the "Quad-City Times" penned that the song was "belted out wonderfully by Murphy and makes the purchase of the soundtrack worthwhile". Marjorie Baumgarten of "The Austin Chronicle" opined, "Murphy brings stage showmanship to her musical interludes as Mother Gothel, which drip with sarcasm and biting wit." "Slant Magazine"s Christian Blauvelt, who felt that the film's songs lacked as a result of Moore's "pop-star vocals", happened to very much enjoy Gothel's performances, writing, "when Broadway vet Murphy takes to scaling Menken's octave-climbing melodies like a vocal escalator, it's a different story". Calling Gothel "one of the most potent schemers in the Disney canon", "Time"s Richard Corliss felt that Murphy's performance was worthy of a Tony Award for Best Actress, concluding, "no one can summon the malice in humor, and the fun in pain, like this prima Donna". In his review of the film's soundtrack, James Christopher Monger of AllMusic wrote that both "Moore and Murphy take on the lion's share of the work here, and both deliver the goods".


title: Mother Gothel

text: IGN ranked Mother Gothel fourth on their list of "the 12 Disney Villainesses". In a list of the thirty-three greatest Disney villains conducted by E!, Mother Gothel was ranked twenty-fifth.


title: Dejan Savićević

text: Dejan Savićević (, ; born 15 September 1966) is a Montenegrin former footballer who played as an attacking midfielder. Since 2004, he has been the president of the Montenegrin Football Association (FSCG), currently in his fifth term at the post.


title: Dejan Savićević

text: Savićević was considered one of the best players in the world during the 1990s, and is regarded as one of the greatest Montenegrin and Yugoslav footballers of all time. During his time in A.C. Milan, he was nicknamed "Il Genio" (The Genius) by the Italian sports press.


title: Dejan Savićević

text: After beginning his professional career with hometown Budućnost Titograd in Yugoslavia, Savićević moved to the more established Yugoslav First League club Red Star Belgrade in 1988 where he became prominent part of the team that won the 1990–91 European Cup—coming second in the 1991 Ballon d’Or voting—before making a big money transfer to Italian champions A.C. Milan in 1992. With Milan, he won three Serie A titles and the 1993–94 UEFA Champions League, among other trophies. He later returned to Red Star for half a season in 1999, before ending his career with Rapid Wien in 2001.


title: Dejan Savićević

text: At the international level, he represented Yugoslavia at the 1990 and 1998 FIFA World Cups and, after retiring from playing, coached the Serbia and Montenegro national team from 2001 until 2003.


title: Dejan Savićević

text: Following an illustrious professional playing career that lasted 18 seasons, as well as a short and unsuccessful head coaching stint during the early 2000s, he has turned to administrative matters—becoming, during the summer of 2004, the president of the Montenegrin FA.


title: Dejan Savićević

text: Born to father Vladimir Savićević, an employee of the state-owned Titograd railway transport company, and mother Vojislava "Vojka" Đurović, an administrative clerk in the same company, Dejan grew up with a younger brother Goran in the family's apartment located in Titograd's Drač neighbourhood near the Titograd railway station.


title: Dejan Savićević

text: From early adolescence, he took up street football as an activity with neighbourhood friends, playing on outdoor surfaces in the vicinity of his apartment building.


title: Dejan Savićević

text: Savićević began playing structured association football during summer 1981 in the youth teams of OFK Titograd under youth team coach Vaso Ivanović. Two years prior, in 1979, he had gone through a short three-month episode within FK Budućnost's youth system, quitting as soon as his youth coach got transferred to the club's first team.


title: Dejan Savićević

text: Almost fifteen-years-of-age at the time of joining OFK Titograd—considered fairly late to be starting out by professional football standards—his only continual prior involvement with competitive football revolved around outdoor concrete and clay surface futsal tournaments, which he continued to participate in parallel to playing with OFK. Due to the popularity of this five-a-side "scaled-down football" in Titograd at the time (known as "mali fudbal" throughout the Balkans), many tournaments of semi-formal character were being organized in and around town, giving the youngster plenty of opportunities to showcase his skills. Barely a teenager at this point, Savićević played for an informal futsal team—consisting of men from his street—named Tehnohemija after the entire block of apartment buildings in the neighoubourhood where they lived. More than able to hold his own with and against men considerably older than him, the youngster quickly marked himself out as a skilled street baller with great ball control and good overall technical ability. During this time, Savićević often played with or against a neighbourhood friend three years his senior, Željko Gašić, who would go on to become widely recognized as the best futsal player in Montenegro and among the best in SFR Yugoslavia.


title: Dejan Savićević

text: After year and a half at OFK Titograd's youth setup, in January 1983, sixteen-year-old Savićević was attached to the club's full squad struggling near the bottom of the Yugoslav Second League East Division. Within weeks of joining the full squad, as part of the winter break training, he played at a friendly tournament against the SR Montenegro-based Second League competitors Sutjeska Nikšić, as well as FK Lovćen from the third-tier Montenegro League and top-tier league club FK Budućnost. Spotted at the tournament by Budućnost's head coach Milutin Folić, by February 1983, teenage Savićević transferred across town to the more established FK Budućnost without appearing in any competitive matches for OFK Titograd's full squad.


title: Dejan Savićević

text: Teenage Savićević played at Budućnost's youth setup from January 1983 until summer 1984, a period during which he recorded nine league appearances (most of them substitute) for the full squad as well. The club signed him to a 4-year stipend-based agreement, which was not a professional contract. Furthermore, he had been receiving regular call-ups to the Yugoslavia national under-20 football team as well as SR Montenegro youth select team (alongside future notable professionals such as Božidar Bandović and Refik Šabanadžović) that competed at annual tournaments against other Yugoslav republics' select squads.


title: Dejan Savićević

text: On 5 October 1983, week 10 of the league season, due to an injury incurred by the starting forward Željko Janović, head coach Folić gave the seventeen-year-old Savićević his first full-squad starting appearance at home versus Red Star Belgrade and the youngster ended up scoring on an 81st minute put-back that he chased down ahead of Red Star's defender Zoran Banković and its goalkeeper Tomislav Ivković. Savićević's first-ever top-flight goal ended up being the winning one as Budućnost recorded a famous 1-0 league victory over the heavily favoured Belgrade visitors.


title: Dejan Savićević

text: In summer 1984, in preparation for the upcoming 1984–85 league season, newly arrived head coach Josip Duvančić made seventeen-year-old Savićević a full squad member at the expense of the thirty-two-year-old club legend Ante Miročević who was essentially incentivized to retire by being given a position on the club's coaching staff.


title: Dejan Savićević

text: With a new coach in addition to two established player acquisitions—goalkeeper Rade Zalad from FK Partizan and striker Radomir Savić who arrived following a season at Spartak Subotica but with a previous big match pedigree from Red Star Belgrade and FK Sarajevo—expectations were raised. With a team featuring long-time club regulars Duško Vlaisavljević, forward Žarko Vukčević, Muhamed Koljenović, Rade Vešović, defender Zoran Vorotović, striker Željko Janović, midfielder Dragoljub Brnović, and defender Slavko Vlahović, after two consecutive seasons of finishing barely above the relegation zone, the club was hoping for a top half of the table league performance. However, the season quickly turned out to be a disaster as Budućnost barely avoided relegation again while Duvančić got sacked after only six months at the helm. For Savićević personally, the campaign marked a bit of breakthrough as he recorded 29 league appearances, scoring 6 goals and clearly establishing himself as the club's best young asset.


title: Dejan Savićević

text: During the summer 1985 transfer window, not content with waiting around for the Budućnost management to accommodate him financially, soon to be nineteen-year-old Savićević looked to leave the club in search of a professional contract. To that end, he went to Red Star Belgrade on his own initiative and got to the club's technical director Dragan Džajić who in turn had former referee Konstantin Zečević look at Savićević's scholarship agreement at Budućnost with a view of examining the legal basis for a possible transfer. Zečević reportedly determined that in order to transfer to Red Star at this time, despite not being under a professional contract with Budućnost, Savićević would still require Budućnost's permission, which the Titograd club was unlikely to give. Another option was for Red Star to financially compensate Budućnost in order to let the player go, however, the Belgrade club was not sufficiently interested in Savićević at this particular time to do that. As a parting bit of career advice on this occasion, Džajić reportedly counseled Savićević not to sign a professional contract with Budućnost at all and then come to Red Star two years later in 1987 on a free transfer once his scholarship agreement expires.


title: Dejan Savićević

text: Wanting the security of a professional contract, Savićević continued pursuing it, going straight to Nikšić the same summer and getting a verbal agreement with FK Sutjeska that seemed ready to pay a large sum to Budućnost in order to have the talented youngster. However, the move soon fell through and Savićević was back home in Titograd where Budućnost offered him a 4-year professional contract, which he decided to accept thus putting his scholarship agreement with the club out of effect. Several years later, looking back on his summer 1985 thought process during his push for a professional contract, Savićević said: In addition to the YUD35-40 million monthly salary, his Budućnost contract contained a stipulation about the entire deal being void if the club fails to provide him with a two-bedroom apartment by summer 1987.


title: Dejan Savićević

text: The season, Savićević's first as a professional footballer, was marked by another desperate struggle to stay up until the very last week of league fixtures. With a new head coach Srboljub Markušević and a team featuring midfielder Dragoljub Brnović, Duško Vlaisavljević, Muhamed Koljenović, defender Zoran Vorotović, Rade Vešović, striker Željko Janović, and defender Slavko Vlahović, Budućnost managed to avoid relegation again amid a huge league-wide match-fixing scandal that erupted in Yugoslavia. For Savićević personally, despite good numbers, team-leading 10 goals in 32 league matches, the season was one of stagnation and antagonism as he butted heads with the club's management and head coach Markušević on a regular basis, even losing his starting spot and getting suspended over a row with teammate Vorotović towards the end of the league campaign.


title: Dejan Savićević

text: Ahead of the 1986–87 season, head coach Milan Živadinović took over the reins, bringing in a number of new signings such as midfielder Miladin Pešterac.


title: Dejan Savićević

text: The team started their league campaign off exceptionally well, continually keeping pace with teams at the top of the table. Among the notable results Budućnost posted during this great run was getting a 1–1 draw versus Partizan away at JNA Stadium in mid August 1986, beating Red Star Belgrade 1–2 away at their Marakana ground in mid October 1986 as well as winning over Hajduk Split by the same score away at their Poljud Stadium in late November 1986. As the league winter break commenced in mid December 1986, the Titograd club was in 4th place—behind Vardar, FK Partizan, and Velež.


title: Dejan Savićević

text: Talented Savićević had truly came into his own over those four months, becoming the team's focal point. The success led to increased attention, resulting in the skilled midfielder getting his first cap for the national side in October 1986 against Turkey. Two months later, in late December 1986 during the league winter break, he got voted the league's "breakthrough player of the season". He furthermore placed high in "Tempo" magazine's 1986 Yugoslav Player of the Year poll—with the top prize going to Red Star's sweeper Marko Elsner while Velež's Semir Tuce, Savićević, and Željezničar's Haris Škoro placed just behind. Yugoslav media couldn't get enough of outspoken Savićević with numerous print interviews and electronic media appearances. In February 1987 just as league season was about to restart, asked how he envisions his football career, the twenty-year-old replied:


title: Dejan Savićević

text: In the second half of the domestic campaign, Budućnost ran out of steam, eventually finishing in 7th spot and missing out on Europe. However, Savićević further solidified his play-making and goalscoring credentials as it became clear he would soon be making the move to a bigger club.


title: Dejan Savićević

text: By the 1987–88 season, bigger Yugoslav teams, primarily Red Star Belgrade and FK Partizan, began expressing strong interest in the Montenegrin's services. The twenty-one-year-old became the most sought-after young asset in Yugoslav football resulting in his entire league season at Budućnost being marked by the chase for his signature. Budućnost was reportedly more inclined on selling him to Partizan, however by January 1988 he reached a verbal agreement with Red Star's representatives—managing board member Miloš Slijepčević, scout Nastadin Begović, football director Dragan Džajić, and general secretary Vladimir Cvetković—about transferring to the club because their offer was "direct and financially more concrete than Partizan's".


title: Dejan Savićević

text: Simultaneously, despite putting in another confident season under new head coach Špaco Poklepović with 10 league goals from 29 appearances, Savićević butted heads with the Budućnost management resulting in the player not being taken to winter training with the rest of the team during the winter break. Under Poklepović, the Budućnost roster went through some notable changes. Though forward Željko Janović was still the number one option up front, talented youngsters Predrag Mijatović and Anto Drobnjak from the club's youth system were attached to the first team and immediately began getting regular opportunities at forward spots. In late March 1988, Hajduk Split also joined the chase for Savićević's signature and, according to the player's claims in later interviews, offered the largest sum of money of the three suitors, but he still decided to honour his agreement with Red Star. It was precisely against Hajduk—a team finishing up a disastrous league season—that Savićević played one of his last matches in the Budućnost shirt, scoring twice away at Poljud on 15 May 1988 for a memorable 1-2 come-from-behind win.


title: Dejan Savićević

text: On 20 June 1988, the first day of the summer transfer window, Savićević went to Belgrade and signed with league champions Red Star Belgrade. The young creative midfielder thus joined the squad led by twenty-three-year-old attacking midfielder Dragan Stojković who had already established himself as the team leader. They additionally had supremely talented nineteen-year-old midfielder Robert Prosinečki as well as a potent up-and-coming all around squad.


title: Dejan Savićević

text: Barely a few days after signing with Red Star Belgrade, twenty-one-year-old Savićević promptly got called in to serve the mandatory Yugoslav People's Army (JNA) stint that would keep him out of action for the entire 1988–89 league season. Also signing with Red Star on the same day was Darko Pančev, a twenty-two-year-old natural striker with great goalscoring pedigree from Vardar Skopje, who also got called up to the army right after signing. There was much speculation at the time that the timing of the call-ups was FK Partizan's (Yugoslav army club with many ties to top military authorities) revenge to both players for signing with their biggest rivals. Right after reporting to the military, Savićević got transferred to the barracks in Skopje with an agreement that he'll be allowed to turn up for Red Star's European ties and national team matches. In order to help him maintain his conditioning, Red Star dispatched its trainer and youth team coach Vojkan Melić to Skopje in order to work with Savićević individually by putting him through daily training regiment.


title: Dejan Savićević

text: JNA soldier Savićević, still stationed in the city of Skopje, was approved a leave to make his competitive debut for Red Star during September 1988 in the European Cup first-round clash versus Irish champion Dundalk FC, scoring his first goal in the new uniform during the 3–0 return leg rout. Six weeks later, soldier Savićević re-appeared in the epic second-round tie against A.C. Milan played over three matches in late October and early November 1988. He played a prominent part in the first leg at San Siro as Red Star played to a hard-fought 1–1 draw with Dragan Stojković scoring the valuable away goal. The return leg in Belgrade was even more eventful as Savićević had his team up 1–0 with an excellent strike, but German referee Dieter Pauly stopped and voided the match because of thick fog that engulfed the city. The second leg replay was played the very next day, resulting again in 1–1 scoreline, taking the match to penalties where the Italians came up on top 2–4 as Savićević and Mitar Mrkela failed to convert their spot-kicks.


title: Dejan Savićević

text: In the meantime, Yugoslav FA president Miljan Miljanić was successful in his lobbying efforts with the JNA chief of staff Veljko Kadijević to create the so-called "sporting company" (sportska četa) within a Belgrade-based First Army battalion thereby allowing young professional footballers to serve their army stint together while also providing them the conditions to continue with their sporting regiment. After five months of serving in SR Macedonia, in late fall 1988, Savićević thus got transferred back to the nearby Topčider barracks in Belgrade. Other recruits in the sporting company were fellow professional footballers: Savićević's Red Star teammate Pančev, Zvonimir Boban from Dinamo Zagreb, Fadil Vokri from Partizan, Aljoša Asanović from Hajduk Split, goalkeeper Ilica Perić from NK Osijek, Ante Miše from Hajduk, Dragan Jakovljević from FK Sarajevo, Goran Stevanović from Partizan, Dragi Setinov from Hajduk, Goran Bogdanović from Partizan, Stjepan Andrijašević from Hajduk, Milinko Pantić from Partizan, Dragutin Čelić from Hajduk, Kujtim Shala from Dinamo Zagreb, Milko Đurovski from Partizan, Predrag Jurić from FK Velež, etc. Right after being established, the sporting company formed a select squad—occasionally referred to as the "Yugoslav People's Army representative team"—that toured the country making appearances such as: playing friendly matches at the Republic Day tournament in Jajce in late November 1988, friendly match versus the third-tier club in Rudo on 22 December 1988, and Marjan tournament in Split during spring 1989.


title: Dejan Savićević

text: Describing his time in the JNA's sporting company, Savićević said: "The players all served in Belgrade, which in and of itself was a perk since it meant we weren't in some godforsaken remote location. Furthermore, we only spent time in the barracks in the morning while in the afternoon we'd be at the stadium training. We were certainly privileged compared to other JNA soldiers".


title: Dejan Savićević

text: Midway through the season, head coach Branko Stanković was let go and Dragoslav Šekularac was brought in as replacement. The change suited Savićević just fine as he and another key player Dragan Stojković never saw eye to eye with Stanković.


title: Dejan Savićević

text: Savićević helped Red Star win three consecutive national titles – in 1989–90, 1990–91 and 1991–92, two national Cups in 1990 and 1992 as well as a European Cup and an Intercontinental Cup, both in 1991.


title: Dejan Savićević

text: In 1991, following Red Star's European success, Savićević came joint second in the voting for the European Footballer of the Year ("Ballon d'Or"). In the "Sport" daily newspaper's choice, he was declared the best Yugoslav athlete.


title: Dejan Savićević

text: Savićević's tremendous close control and vision convinced Serie A champions A.C. Milan to secure his services for the reported DM30 million (≈ £9.4 million) ahead of the 1992–93 season as part of the £34 million worth of transfer fees club owner Silvio Berlusconi injected into the team that summer. Also arriving to an already star-laden squad during the same transfer window were the world-class players Jean-Pierre Papin (world record signing for £10 million if only for a few weeks until Juve bought Gianluca Vialli from Sampdoria for £12 million), Zvonimir Boban, Gianluigi Lentini (another Berlusconi's world record signing for £13 million), and Stefano Eranio.


title: Dejan Savićević

text: Savićević was thus handed the opportunity to demonstrate his abilities in the financial centre of European club football at the time—the league where the world's best footballers played. His competitive debut in AC Milan shirt saw him score twice in a 4-0 Coppa Italia rout at home versus lowly Serie B side Ternana. A week later, he added another goal in the return leg against the same opponent. His Serie A debut took place on 13 September 1992, week 2 of the season, away at Pescara, two days before his 26th birthday as Milan won 4–5 at Stadio Adriatico.


title: Dejan Savićević

text: However, Savićević's first season for the "Rossoneri" under head coach Fabio Capello would turn out to be a rather modest affair with only 10 league appearances, contributing four goals to Milan's successful title defence. As Savićević was seen to be Berlusconi's rather than Capello's signing, the head coach overlooked him during the majority of the first half of the season. The all-star Milan squad already had a creative attacking presence in the highly influential Marco van Basten who, when healthy, was the preferred option by Capello throughout most of the season. Similarly, thirty-year-old Ruud Gullit, increasingly a peripheral figure under Capello, was still chosen ahead of Savićević in the pecking order most of the time. Due to UEFA enforcing the three foreigners rule at the time, Savićević often found himself omitted from the squad on matchdays as, in addition to Gullit and Van Basten, the Milan roster also featured several other high quality foreigners in midfield and attack, such as Frank Rijkaard, Papin, and Boban. Additionally, Capello often preferred hard-working midfielders such as Demetrio Albertini and Stefano Eranio for his tactical setup over the high-priced creative imports. Not taken with the Montenegrin's superior technical abilities, though recognizing his talents, Capello's assessment of Savićević was that he played "a Yugoslav style—he was the star and the others had to run for him".


title: Dejan Savićević

text: Furthermore, from the start of the Champions League competition in September 1992, Savićević was completely omitted from the squads selected for the European matches. Savićević and Capello quickly developed an antagonistic relationship with the former frustrated at being regularly dropped from the first team, and the latter unwilling to change the winning formula that had the team on an undefeated run in the league dating back to May 1991 (the streak would eventually end after 58 matches in March 1993 versus Parma A.C.). In November 1992, when asked how he copes with leaving out world class players such as Savićević or Papin, Capello responded:


title: Dejan Savićević

text: By December 1992, Savićević was so unhappy with his status at the club that he made a firm decision to leave during the winter transfer window as he had offers from Olympique Marseille and Atlético Madrid that ended up falling though and the player staying put.


title: Dejan Savićević

text: It was not until 24 January 1993 that Savićević scored his first league goal for Milan—a 78th-minute penalty kick effort at home versus Genoa that turned out to be the game-winner. Finally opening his scoring account encouraged Savićević somewhat and two weeks later he got another one versus lowly Pescara. His shining moment in the otherwise forgettable debut league season in Italy came on 7 March 1993 at home versus Fiorentina when he scored a second-half brace for a 2–0 Milan win.


title: Dejan Savićević

text: In mid-March 1993, Savićević finally made his European debut for Milan, entering the Champions League group stage match versus Porto as a 77th minute substitute for Marco Simone. Three weeks later, in early April 1993, he got the full ninety minutes away at IFK Göteborg followed by another full ninety minutes two weeks after that at home versus PSV Eindhoven. To cap off the frustrating season, in late May 1993, Savićević was not included in the team Capello took to Munich to face Olympique de Marseille in the 1993 UEFA Champions League Final as the three foreigners chosen were van Basten, Rijkaard, and Papin.


title: Dejan Savićević

text: At the end of the campaign, following his less than mediocre season, Savićević's fate at the club was being decided among Milan brass. Capello wanted him out while Berlusconi was adamant about the player staying and getting more opportunities to play.


title: Dejan Savićević

text: The summer 1993 off-season brought some player personnel changes that would end up benefiting Savićević. His main two attacking midfield competitors Gullit and Van Basten were gone; the former transferring to Sampdoria frustrated at seeing his role at Milan greatly reduced and the latter taking a year off to heal his ankle injury that would eventually turn out to be career-ending. Also, Frank Rijkaard transferred to Ajax, which freed up even more room. New foreign summer arrivals Brian Laudrup and Florin Răducioiu would find little playing time in Capello's structure, all of which made the competition for three foreign spots easier for the remaining foreigners Savićević, Boban, and Papin during the first part of the season.


title: Dejan Savićević

text: The competitive season began on 21 August 1993 in Washington, D.C. in front of the half-empty RFK Stadium where Milan beat AC Torino 1–0 to win the Supercoppa Italiana with Savićević getting a start before being subbed off for Roberto Donadoni after 60 minutes.


title: Dejan Savićević

text: A week later at the beginning of the new league campaign, it looked like Savićević would be getting more first-team opportunities as he started the league season opener away at Lecce before again making way for Donadoni fifteen minutes into the second half. However, it turned out to be a false dawn as Savićević didn't get a minute of action in the following five league matches as Capello preferred Donadoni. During that time, frustrated Savićević initiated another run-in with the head coach, deepening their simmering row. The Montenegrin gave an interview to the Italian papers, openly blasting Capello over the way he's running the team, and specifically about the lack of playing time he's been given by the coach. Decades later, in March 2013, Savićević talked about the incident:


title: Dejan Savićević

text: It wouldn't be until week 7 in early October 1993 that Savićević reappeared with a home start and full ninety minutes versus Lazio. Although still not a regular, he finally began to establish himself in the club with confident displays when given a chance though Capello still wasn't convinced enough to play the Montenegrin in bigger matches, notably dropping him from the squad versus fellow title contenders Juventus in week 9 and city rivals Inter in week 11.


title: Dejan Savićević

text: The player's tense relations with Capello soon inflamed again. First, as the Champions League group phase began in late November 1993, Capello named Savićević to the reserves for the opening match away at Anderlecht, which the player protested by refusing to travel to Brussels with the team. Then, in mid-December 1993, the row deepened when Capello dropped him from the squad altogether for the 1993 Intercontinental Cup in Tokyo versus Telê Santana's São Paulo FC, choosing Papin, freshly arrived Desailly, and Răducioiu as the three match/day foreigners were. The omission sparked another round of antagonism between the player and head coach through the Italian press. Years later, Capello admitted in hindsight that Savićević's big match quality probably would've swung the match in Milan's favour but that at the time he wanted to stick with Răducioiu in the lineup since the Romanian was among the group of players Capello had been preparing the Cup final with in the days leading up to the contest.


title: Dejan Savićević

text: The playing setup Capello employed throughout this season was an extremely defensive 4–4–2 that resulted in the entire squad scoring only 36 goals in 34 league matches while letting in only 15, as they won their third consecutive Serie A title. Further solidifying the defensive focus was the November 1993 arrival of Marcel Desailly who became a regular right away. Still, for the Montenegrin's inspirational and creative play, Milan-based journalist Germano Bovolenta of "La Gazzetta dello Sport" hailed Savićević as "Il Genio" (The Genius), a nickname that initially drew snickers and even occasional ridicule from other journalists – especially those writing for the Turin-based "Tuttosport" and Rome-based "Corriere dello Sport" – but would eventually gain wider acceptance in the country after Savićević's performance in the 1994 Champions League Final. For the time being, as of late 1993, his footballing talents had continually been admired by club president Berlusconi with whom Dejan developed a great rapport, and it was basically Berlusconi's personal support that kept Savićević from leaving the club at various low points of his relationship with Capello.


title: Dejan Savićević

text: Still, the season would end on a high note for Savićević. His performance in the 1994 UEFA Champions League Final at Athens' Olympic Stadium on 18 May would turn out to be his greatest moment in football and arguably one of the finest individual displays seen in the competition. He had already given indications of improved form and confidence in the second part of the Champions League season, scoring twice during March 1994 right after the winter break in consecutive home-and-away matches versus Werder Bremen (though the goal at San Siro came as result of an atrocious mistake by Werder defender). Still, despite smoothly finishing top of the group and easily winning the one-match semifinal, Milan was in a bit of disarray heading into the final as both central defenders Franco Baresi and Alessandro Costacurta, the core of Capello's tactical defensive setup, were suspended. Considering that the opponent was the high-flying Johan Cruijff's FC Barcelona "dream team" with Romário, Hristo Stoichkov, Ronald Koeman, José Mari Bakero, Pep Guardiola, etc., Capello made a decision to fight fire with fire by sending out a lot more offense-minded formation. The changed approach suited Savićević just fine: he created the opening goal for Daniele Massaro and then scored a spectacular 35-yard half volley for 3–0 to put the game beyond Barcelona's reach. The sheer audacity and technical brilliance of the goal – decision to go for a well-placed lob from the right edge of the penalty area on Barca goalkeeper Andoni Zubizarreta who was slightly off his line in a situation when most would get closer and opt for a hard-driven shot as no defender was near – won Savićević much praise and accolades.


title: Dejan Savićević

text: As a result of his much publicized Champions League final outstanding performance, Savićević's stock at AC Milan was raised to the point of club chairman and CEO Adriano Galliani contacting him during the summer 1994 offseason to seek input regarding the club's intent of acquiring David Ginola from Paris Saint-Germain and Faustino Asprilla from AC Parma. Speaking to Galiani from a vacation, Savićević was reportedly vehemently against both proposed moves due to increasing the number of squad foreigners to five or six thus limiting his playing opportunities, even telling Galliani that if Ginola and Asprilla are brought in he would not show up for training camp and would be seeking to be transferred out of the club.


title: Dejan Savićević

text: Though neither Ginola nor Asprilla ended up being acquired, the following 1994–95 season at AC Milan began much the same way for Savićević since Capello returned to his usual manner of running the team with tactics and defence dominating over offensive creativity, meaning the player was still forced to endure occasional omissions on match days (though the competition for foreign spots became easier with only returnee Gullit who left again by mid-season, Boban, and Desailly as competition). On top of that, nagging injuries followed Savićević throughout the season limiting the Montenegrin's league appearances to 19 matches out of 34. However, he managed to score 9 league goals (his greatest single season scoring output in Serie A), including 4 goals in a single match on 14 January 1995 versus Bari at Stadio San Nicola, the site of his European Cup triumph with Red Star. In the second leg of the 1994 UEFA Super Cup Final against Arsenal in Milan, he set up Daniele Massaro's goal to give Milan a 2–0 aggregate victory.


title: Dejan Savićević

text: Despite the team's mid-table Serie A form in 1995, Savićević continually played well for the "rossoneri" in the Champions League en route to their third successive final that, for him, culminated in a spectacular semi-final versus Paris Saint-Germain, where he scored twice in the return leg at San Siro. Two weeks prior in the first leg at the Parc des Princes, Savićević set up Boban in injury time for the only goal of the match. Despite his brilliant performance against PSG and his statistical importance to the team in 1995, he was not part of the team Capello took to Vienna for the 1995 Champions League Final due to 'injury', even though Savićević insisted he was fit. In the final, a very negative and defense-minded Milan side created few opportunities and ultimately lost 1–0 to Louis van Gaal's young Ajax side.


title: Dejan Savićević

text: New foreign arrivals Paulo Futre and George Weah as well as the signing of Roberto Baggio increased the midfield competition, but 29-year-old Savićević managed to turn in a successful season with 23 league appearances and 6 league goals as Milan managed to recapture the league title. His brightest moments occurred in the Derby della Madonnina as he finally scored a goal versus the cross-town rivals Inter. On more than one occasion Savićević displayed his amazing technical skills and ball control such as when he dribbled and danced around Parma defenders Fernando Couto and Luigi Apolloni to set up Baggio for the opening goal against Parma at San Siro, before scoring one of his own in the eventual 3–0 win.


title: Dejan Savićević

text: Savićević's final seasons at Milan were less successful. The 1996–97 season saw the arrival of several new players, as well as manager Óscar Tabárez; Milan started the season with a 2–1 loss in the 1996 Supercoppa Italiana to Fiorentina, with Savićević scoring Milan's only goal of the match. A series of disappointing results in the league saw Milan's former coach Arrigo Sacchi return to the club as a replacement. Milan failed to retain their league title, finishing the season in a disappointing 11th place, while they were once again knocked out in the quarter-finals of the Coppa Italia, and also suffered a group stage elimination in the UEFA Champions League.


title: Dejan Savićević

text: The following season saw Fabio Capello recalled to the Milan bench and several more arrivals. Milan once again failed to qualify for Europe, placing tenth in Serie A, although they managed to reach the final of the Coppa Italia; Savićević's final goal for Milan came in the first leg of the quarter-finals of the tournament, on 8 January 1998, a 5–0 win against cross-city rivals Inter. Savićević was released by Milan during the summer 1998 transfer window.


title: Dejan Savićević

text: In his total time at the San Siro, he won 7 trophies, including 3 scudetti (Serie A championships) – 1992–93, 1993–94, 1995–96, 1 European Cup – 1993–94 and 1 European Super Cup), totalling 144 appearances and 34 goals between 1992 and 1998. In spite of his skill and success with Milan, he was also criticized in the Italian media during his time with the club for his poor work-rate and lack of consistency, in particular for not always running or trying against smaller teams, and his performances regularly blew hot and cold.


title: Dejan Savićević

text: In January 1999, following six months away from playing competitive football, thirty-two-year-old Savićević returned to his former club Red Star Belgrade under head coach Vojin Lazarević. Coming back to Marakana, the site of his great career successes, the club was third in the league at the winter break, behind FK Partizan and reigning league champions FK Obilić. Featuring a solid young team core of Goran Drulić, Goran Bunjevčević, and Branko Bošković, the club had just sold its best young prospect Perica Ognjenović to Real Madrid while simultaneously bringing in Mihajlo Pjanović from OFK Beograd.


title: Dejan Savićević

text: Veteran Savićević—who was immediately given the captain's armband—made his debut as the league restarted following the winter break. His most notable outing took place on 20 March 1999 against cross-town rivals FK Partizan where he earned the man of the match performance. Four days later NATO attacked FR Yugoslavia, forcing the league season to be interrupted and eventually ended prematurely.


title: Dejan Savićević

text: He played his final two seasons with Austrian side Rapid Wien, before retiring in 2001, after persistent injury struggles.


title: Dejan Savićević

text: Spanning 13 years, Savićević's national team career is divided in two distinct parts: first six years under head coach Ivica Osim when the country was called SFR Yugoslavia featuring six republics and last five years under head coach Slobodan Santrač representing FR Yugoslavia, which consisted of Serbia and Montenegro.


title: Dejan Savićević

text: His years under Osim were marked by the tumultuous relationship the two men shared, with conservative Osim often distrustful of Savićević's talents, preferring players he considered to be more mature and reliable for the forward and attacking midfield positions such as Zlatko Vujović, Mehmed Baždarević, Dragan Stojković, and even veteran Safet Sušić.


title: Dejan Savićević

text: Under Santrač, Savićević was an automatic regular, but due to the UN embargo imposed on FR Yugoslavia and resulting sporting sanctions, he missed two and a half years of national team football altogether. Also, since Yugoslavia did not resume playing competitive matches until mid-1996, it meant Savićević was prevented from playing any competitive national team matches from the time he was 25 until almost turning 30.


title: Dejan Savićević

text: Twenty-year-old FK Budućnost midfielder Savićević made his national team debut on 29 October 1986 in a Euro 88 qualifier versus Turkey in Split. Head coach Ivica Osim—himself only in his fourth match overall coaching the national team (and his first doing it alone as he previously shared the coaching duties with Ivan Toplak)—put the talented twenty-year-old in as a 53rd-minute substitute for Haris Škoro with Yugoslavia up 2–0 through Zlatko Vujović's first half brace. Debutante Savićević wasted no time in making a mark, scoring the 3–0 goal in the 73rd minute before Vujović completed a hat-trick for a 4–0 final scoreline. However, despite getting a goal on his debut, Savićević's thunder was somewhat stolen by another debutante—twenty-two-year-old sub Semir Tuce whose confident midfield display on the left wing grabbed all the headlines. Two weeks later, Osim did not call up Savićević for the important qualifier away at Wembley versus England while Tuce was called up, making a second-half substitute appearance. Yugoslavia lost 0–2.


title: Dejan Savićević

text: Within months, furious over lack of playing time and overall status in the national team, young Savićević began viciously criticizing Osim in the Yugoslav press, questioning the coach's expertise and even professional integrity. In a February 1987 interview for the "Duga" magazine, twenty-year-old FK Budućnost attacking midfielder Savićević launched a blistering broadside at the Yugoslavia head coach:


title: Dejan Savićević

text: Youngster Savićević would wait a whole year for his second cap. In mid October 1987, with Euro 1988 qualifying still on and Yugoslavia playing Northern Ireland at Grbavica in Sarajevo, the FK Budućnost attacking midfielder came on as a second half sub again, this time in the 76th minute for the double scorer Fadil Vokrri. With the contest already decided, Osim brought Savićević and his Budućnost teammate Dragoljub Brnović on as part of the double substitution, with Brnović coming on for Marko Mlinarić. Yugoslavia won the game convincingly 3–0, and with England destroying Turkey 8–0 at home on the same day, the stage was set for the crucial Yugoslavia vs. England clash that would decide who goes to West Germany. England needed a win or draw it to automatically qualify while for Yugoslavia the match was a must-win, though the Yugoslavs would then also have to later win away at Turkey in order to qualify and overtake England. The contest was played on 11 November 1987 in front of a packed house of 70,000 at Marakana in Belgrade and Savićević again did not get a chance to play as Yugoslavia was destroyed 1–4 by Bobby Robson's England, thus failing to qualify for the Euro.


title: Dejan Savićević

text: A month later, Osim gave 21-year-old Savićević his first national team start in a meaningless remaining qualifier versus Turkey in İzmir.


title: Dejan Savićević

text: Over the coming period between two qualifying cycles, Yugoslavia played six friendlies from March to September 1988 and Savićević featured only in the first two (full 90 minutes versus Wales and Italy in late March 1988) as his uneasy relationship with Osim – who was not fired by the Yugoslav FA despite the failure to qualify for Euro 88 – continued.


title: Dejan Savićević

text: The 1990 FIFA World Cup qualifying started in October 1988 with Savićević—who had in the meantime completed the big-time summer 1988 move to Red Star Belgrade and right away got sent to serve the mandatory army service—not being called up for the first match away at Scotland.


title: Dejan Savićević

text: Then, a month later—perhaps surprisingly knowing the coach's conservative nature—Osim brought on the JNA soldier Savićević (who was also coming off a great performance in Red Star's European Cup tie versus Milan) as a 69th-minute sub for Bora Cvetković right after France went ahead 1–2 a minute earlier on a goal by Franck Sauzée. The substitution paid off in a big way as French players had no answer for Savićević's fresh legs and midfield creativity. Dejan first initiated a Yugoslav offensive movement that ended with Sušić scoring the equalizer and then with two players guarding him provided a perfect cross from the left for Red Star teammate Stojković to score the winning goal in 83rd minute as Yugoslavia recorded a big comeback 3–2 win at the JNA Stadium in Belgrade.


title: Dejan Savićević

text: Savićević's great performance against France put him in Osim's good books, for the time being at least, as he got a chance to start the next qualifier at home versus Cyprus in December 1988. Dejan, still officially in his army service, returned the favour, scoring a hat-trick as Yugoslavia won 4–0 at Marakana. The following qualifier in late April 1989 was a crucial one away at France and Osim decided not to play Savićević, choosing instead to continue with his older regulars up front such as Zlatko Vujović, Sušić, and Baždarević as Yugoslavia eked out a hard-fought scoreless draw at the Parc des Princes.


title: Dejan Savićević

text: Savićević would also not play in the next qualifier away at Norway, returning only as a second-half sub for Dragan Jakovljević in September 1989 at Maksimir in Zagreb versus Scotland. With the 3–1 win over Scotland, Yugoslavia overtook the Scots at the top of the table. So, with two matches remaining, Yugoslavia were now leading the pack with 10 points (4 wins and 2 draws) followed by Scotland with 9, and France and Norway with 5. In such circumstances, conservative Osim certainly was not about to tinker with the team, which meant that Savićević only got his chance in friendlies. The match point for Yugoslavia took place at Koševo in Sarajevo versus Norway in October 1989, and not surprisingly Savićević again did not get a single minute of play. The team won 1–0, and combined with the fact that Scotland got beaten by France 0–3 in Paris, Yugoslavia clinched the top spot in the group, qualifying for the World Cup in Italy. The last qualifier was a meaningless affair away at Cyprus (the match was actually played in Athens since Cyprus were penalized for the riots during their match versus Scotland), and Savićević got a chance to start along with a slew of other young and up-and-coming players from the domestic league that Osim normally shied away from using in competitive matches such as Darko Pančev, Robert Prosinečki, Branko Brnović, and Slobodan Marović.


title: Dejan Savićević

text: Heading into the World Cup, Savićević's chances of playing a larger national team role looked to have received a bit of a boost as Mehmed Baždarević, one of his competitors for an attacking midfield spot, was suspended by FIFA for spitting at the Turkish referee Yusuf Namoğlu during the crucial qualifier versus Norway. However, Savićević did not get a single minute in the first two friendlies – in March 1990 at Poland and in May 1990 at home versus Spain – leading to conclusions that he would again be looking from the outside in. But then in early June, only seven days before the opening World Cup match, he got to play the full 90 minutes at the "dress rehearsal" at Maksimir in Zagreb versus Holland where he put in an inspired performance. The game itself, however, took a back seat to the controversy caused by nationalist Croatian fans who booed the Yugoslav national anthem and thoroughly insulted the players.


title: Dejan Savićević

text: Savićević chose the number 19 jersey for the tournament "out of admiration for his childhood idol Vahid Halilhodžić" who wore the number for Yugoslavia at the 1982 FIFA World Cup.


title: Dejan Savićević

text: At San Siro on 10 June 1990, the same starting eleven that faced Holland in the final friendly also started versus West Germany, including Savićević. Playing in front of almost 75,000 fans (the largest crowd of the entire 1990 FIFA World Cup), the team was picked apart by speed and strength of the German players as Lothar Matthäus and Jürgen Klinsmann had the Elf 2–0 up before halftime. Shortly after the break Davor Jozić pulled one back for Yugoslavia, which was a signal for head coach Osim to make changes in hopes of sparking a comeback. One minute later he took off Savićević who was mostly invisible, having a game to forget much like most of the Yugoslav team, and put Dragoljub Brnović on as part of the double midfield substitution that also saw Prosinečki replace Sušić. The move did not do much, though, as Matthäus rampaged through Yugoslav defense before unleashing a powerful shot for another score. Fourth German goal came as the final insult as goalkeeper Ivković made a mess of Brehme's easy shot.


title: Dejan Savićević

text: Getting nothing from the West Germany match pretty much meant that the next group contest versus Colombia was a must win. Osim made three changes in the starting lineup, and one of them was Savićević who got benched in favour of Brnović. Yugoslavia made tough work of the plucky Colombians, but got a 1–0 victory in the end with Savićević not getting a single minute of action. More or less the same lineup faced minnows United Arab Emirates in the final group match, which meant that Savićević was again surplus to Osim's requirements as Yugoslavia won easily 4–1.


title: Dejan Savićević

text: In the knockout stages, Savićević was again on the bench for the start of the match against Spain in the excruciating late afternoon heat of Verona, but got his chance early into the second half with the score still tied at 0–0, coming on for largely ineffective club teammate Darko Pančev. Substituting striker for a midfielder, meant that Osim changed his formation from 3–5–2 to a bit more defensive 3–6–1 with only Zlatko Vujović up front. The match was soon taken over by Dragan Stojković who scored a beautiful goal in the 78th minute, but the score at the end of 90 minutes was 1–1, with Savićević putting in a confident performance. In the extra-time Stojković scored his second of the match on a masterfully placed free-kick. Incidentally, the free-kick came after a foul on Savićević during one of his surging runs across the midfield from right to left.


title: Dejan Savićević

text: Despite his satisfactory showing against the Spaniards, Savićević was benched again for the quarterfinal clash against reigning world champions Argentina four days later. Starting the match in 4–5–1 formation, Osim had Zoran Vulić back in the lineup as part of the four-man defensive unit, and youngster Prosinečki replacing injured Katanec in midfield while Vujović was now alone in attack from the very start. Riding behind midfield playmaker Stojković, Yugoslavia looked very good throughout the match even when reduced to ten men following the 31st minute expulsion of Refik Šabanadžović. Somewhat surprisingly, Osim did not make any substitutions after the sending off, deciding to wait until 15 minutes into the second half to put on Savićević instead of Sušić. Savićević's fresh legs gave the team a much needed infusion of energy and another target in the middle for Stojković to pass to after his surging runs, however Savićević was not able to convert on any of them. The most glaring miss came early on in the extra-time as Stojković masterfully got free on the right side before providing a perfect pass to Savićević who was unmarked 5–6 meters from the goal line. Alone in front of keeper Sergio Goycochea and with goal at his mercy, Savićević somehow put the ball over the bar. It was one of the best chances created by either team throughout the entire match.


title: Dejan Savićević

text: Dejan Savićević was called by Yugoslavia national football team to UEFA Euro 1992, but the nation would be suspended due to the Yugoslav Wars.


title: Dejan Savićević

text: Dejan Savićević was picked as a part of Yugoslavia's national squad for the 1998 FIFA World Cup. He appeared in two games, the first one being a group-stage game against the United States and the second one against the Netherlands.


title: Dejan Savićević

text: Considered by many in the sport to be the best footballer that Montenegro has ever produced, Savićević was a classic number 10 who preferred functioning in a free role as a playmaker; throughout his career, he was usually deployed in an attacking midfield role, either in a central position behind the striker(s), or out wide on the wings, on either flank, due to his ability to provide crosses to teammates in the area from the left wing, or cut into the centre onto his stronger left foot from the right. He was also deployed as a supporting forward, and occasionally in a central midfield role as a deep-lying playmaker in midfield, or, with even less frequency, along the front line as a main striker. A quick, fast, agile, explosive, fluid, elegant, graceful, and technically gifted player, with an athletic physique, he was known in particular for his outstanding strength, balance, co-ordination, pace, acceleration, agility and quick feet on the ball, as well as his excellent dribbling ability, feints, tricks and close control, which allowed him to beat opposing players with ease; he was also highly regarded for his vision, tactical knowledge, and passing accuracy, which made him a highly effective assist provider, although he was also capable of scoring goals himself as well as creating them, due to his powerful and accurate shot on the run, as well as his precision from free kicks and penalties. A naturally gifted left footed player, he was also effective using his right foot. One of the greatest dribblers of all time and one of the most technically accomplished players, he possessed an excellent first touch. His talent, unpredictability and exploits during his time at Milan earned him the nickname "Il Genio" ("the genius", in Italian).


title: Dejan Savićević

text: In addition to numerous accolades for his skill, technique, flair, class, and creativity, he also received criticism over his poor work rate, limited stamina, lack of consistency, selfishness, and his tactical indiscipline on the pitch, as well as his strong character, which led to frequent clashes with his managers and referees; he also frequently struggled with injuries throughout his career.


title: Dejan Savićević

text: Widely regarded by pundits as the greatest Montenegrin player of all time, while Savićević often received praise throughout his career from pundits, players, and managers, for his playing ability, technical skill, success, talent, and creativity, he also came under criticism over his poor work-rate, lack of discipline, and inconsistency. Sports journalist Gabriele Marcotti, for example, once described Savićević as "the languid genius who played the game at his own pace and, for long stretches, appeared to be in his own world".


title: Dejan Savićević

text: Fabio Capello, who coached Savićević at A.C. Milan for four seasons, during which their relationship featured no shortage of confrontation and antagonism, said: "Without question, Savićević is the player with whom I had the most rows. He hardly trained, he hardly worked. And, when he was on the pitch, everybody else had to work twice as hard to make up for him. But he was an exceptional talent. And we turned him into a superstar". In 2018, Capello commented on the clashes that he and Milan's chairman at the time, Berlusconi, had over Savićević's role in the team during his time as the club's manager, stating: "I have always had an excellent relationship with Berlusconi, the only strong point of discussion was regarding Savićević. He wanted him to play, I told him that I would keep him on the pitch as long as he could run. We also had some problems with Savićević, but then we became great friends, he was one of the best players overall that I have ever coached. He was very important throughout the whole period that I was with Milan. Let us not forget that I had a half-fit Van Basten for a year, then everything that was done was done without Van Basten. He was a great player who lost himself a bit because he wanted to be operated without question."


title: Dejan Savićević

text: Ivica Osim coached Savićević from 1986 until 1992 in the Yugoslav national team and butted heads with him regularly over playing time. In 2014, the retired coach said: "Yes, I had issues with him. He was a fiery character who felt he had to play. But what was I supposed to do, get rid of Zlatko Vujović who was every coach's dream and put in Savićević who was perhaps the better player, but with whom you never knew what he's going to give you on the pitch in a given match. Savićević is one of the best players I ever coached, but he also fell victim to some bad advice at that time. Today we've got decent relations, we talked it all out... Back during the time of those frosty relations with Savićević, for me personally, it got to the point where I lost the will to coach. I got sick of going to training sessions knowing I'll be looking at Savićević, that we'll be staring each other down, that he'll be unhappy for not playing... I was unhappy about that too".


title: Dejan Savićević

text: Talking in October 2015 about Savićević's playing days, the 1985-2001 Red Star Belgrade general-secretary Vladimir Cvetković said: "He really was a genius. When he felt like playing, that is. The problem is he frequently didn't feel like playing. But the things he did and the moves he pulled off [for us], for example in Munich and Manchester, are a thing of beauty—truly unbelievable stuff. Kind of like what Messi is doing today, only with even more flair and style. Yes, Savićević had more flair and style than Messi does today".


title: Dejan Savićević

text: Red Star goalkeeper Stevan Stojanović, Savićević's teammate from 1988 until 1991, talked about the midfielder's quality and lack of application in training during a May 2021 interview: "He hated morning training sessions... When he felt like playing, he was virtually unstoppable. He was at his best when he's irritated".


title: Dejan Savićević

text: Savićević's two-year spell as head coach of the national side was a polar opposite of his distinguished playing career.


title: Dejan Savićević

text: Immediately after retiring from playing in May 2001, the thirty-four-year-old was named the FR Yugoslavia national team head coach, in succession to the short, tempestuous, and hugely disappointing 3-month tenure of Milovan Đorić. Despite Savićević's complete lack of any relevant coaching experience and the side's already faint chances of qualifying for the 2002 World Cup, the announcement was generally well received by the Yugoslav public. His appointment came as part of the general changing of the guard in the Yugoslav FA (FSJ) with Savićević's close friend Dragan Stojković taking over as FSJ president.


title: Dejan Savićević

text: At first, Savićević was part of a 3-man coaching commission with the experienced Vujadin Boškov and Ivan Ćurković by his side. At the time of their arrival to the bench, Yugoslavia was sitting in fourth place of the qualifying group with only 5 points from 4 matches, behind Russia (13 points), Switzerland (8), and Slovenia (7). However, Yugoslavia had a game in hand and with a win in Moscow had a chance to overtake Slovenia and join the Swiss tied on points in the second spot. On the other hand, a loss to Russia in Moscow would probably mean losing any hope of finishing in the top two.


title: Dejan Savićević

text: Savićević thus faced a make it or break it prospect right on his coaching debut. Despite the fact that national team was officially headed by the three-man commission, Savićević was the only one of the trio present on the sidelines during matches and was the only one available to the press. The team fielded on 2 June 2001 at Luzhniki Stadium was substantially the same as Đorić's, both in names called up and playing formation. Other than two debutants – goalkeeper Radovan Radaković and defensive midfielder Boban Dmitrović – the gist of the starting squad was still made up of old guard: players like Predrag Mijatović, Siniša Mihajlović, and Miroslav Đukić, all of whom were well over thirty, as well as longtime defensive mainstays such as Zoran Mirković and Goran Đorović. With a defensive approach and mostly unimaginative play with very little created through midfield, Yugoslavia never looked capable of winning. The match ended 1–1 as Russians went ahead following Radaković's poor reaction and Yugoslavia tied some fifteen minutes later on Mijatović's scrambled goal that he managed to put away after Savo Milošević's header hit the post. The press reaction was not overly negative as the tied score still had the team on course for a second-place finish.


title: Dejan Savićević

text: After the next two qualifiers, home and away against Faroe Islands, in which Yugoslavia recorded easy wins, came the decision time – facing Switzerland in a must-win situation away on Saturday, 1 September 2001. Cheered on by a large expatriate crowd in Basel, Yugoslavia ended up winning 1–2 in what was easily the team's best showing under Savićević to date, setting up the deciding match at home versus Slovenia four days later.


title: Dejan Savićević

text: Playing on difficult surface as the Partizan Stadium pitch was soaked from the heavy rain that had been pouring throughout the match day, Yugoslavia went behind early and only managed to tie the score by the end, which was not enough for the second place. Despite dominating proceedings through veteran Mijatović who was the offensive focal point, the second goal proved elusive. The chance still existed in theory if Faroe Islands managed to win or draw at Slovenia in the final match, however such unlikely scenario did not happen. After Slovenia game Savićević bemoaned the bad luck, citing playing in the rain on a soaked surface without injured regulars Mirković and Vladimir Jugović as the main reasons why his team failed to beat Slovenia.


title: Dejan Savićević

text: Savićević was handed the coaching duties all by himself in late December 2001. At the time, he claimed to have taken the solo job on temporary basis only, since Dušan Bajević rejected it. Savićević also intimated the new permanent coach would take over by the summer of 2002. However, that did not happen and he remained in post until June 2003.


title: Dejan Savićević

text: Throughout his reign, he failed to achieve a settled team, and his personal disputes with Mateja Kežman precipitated the striker to temporarily retire from international football. Savićević finally resigned on 20 June 2003, after a humiliating 1–2 defeat to Azerbaijan in a Euro 2004 qualifier, which was also the team's fifth defeat in a row; he was replaced by Ilija Petković. His overall managerial record was 4 wins, 11 losses, and 2 draws, in addition to 4 wins, 2 losses, and 2 ties as part of the commission.


title: Dejan Savićević

text: Savićević is active in the political life of Montenegro and is a member and public supporter of the Democratic Party of Socialists (DPS), a political organization that ruled Montenegro continually from 1990 until 2020. During fall 1996, while an active player with A.C. Milan, Savićević appeared in the DPS television campaign ads ahead of the 1996 parliamentary election in Montenegro. In 1997, during a split in the party leadership between Momir Bulatović and Milo Đukanović, Savićević came out in support of Đukanović who eventually ended up prevailing in the inter-party showdown and thus cemented his hold on power in Montenegro.


title: Dejan Savićević

text: In the summer of 2004, approximately one year after unceremoniously ending his Serbia and Montenegro national team head coaching stint, thirty-seven-year-old Savićević became the president of the Football Association of Montenegro (FSCG), a local regional football sub-association under the umbrella of the Football Association of Serbia and Montenegro (FSSCG).


title: Dejan Savićević

text: On 10 July 2009, Savićević got re-elected as Montenegrin FA president for another four-year period at the FSCG delegate vote where he was the only candidate. On 11 July 2013, he got re-elected one more time, again as the only candidate. On 5 July 2017, he got re-elected for his fifth term until 2021, again as the only candidate.


title: Dejan Savićević

text: With the DPS losing power in Montenegro after thirty years following the 2020 parliamentary election, reports appeared about Savićević's DPS-sponsored twenty-year FSCG reign also being challenged for the first time. During spring 2021, ahead of the late June 2021 FSCG presidential vote, it became clear Savićević would have a candidate running against him for the first time since he became the FSCG president.


title: Dejan Savićević

text: As FA president, Savićević has so far presided over seven national team qualifying cycles—2010 World Cup (with Zoran Filipović as head coach), Euro 2012 (Zlatko Kranjčar as head coach), 2014 World Cup (Branko Brnović as head coach), Euro 2016 (Brnović again as head coach), 2018 World Cup (Ljubiša Tumbaković as head coach), Euro 2020 (Tumbaković followed by Faruk Hadžibegić in the head coaching post), and 2022 World Cup (Miodrag Radulović as head coach)—with Montenegro failing to qualify each time; the best result coming in Euro 2012 qualifying when they managed to get to the two-leg play-offs, losing 0–3 on aggregate to Czech Republic. As of fall 2019, Montenegro remains among nineteen UEFA national teams – alongside Andorra, Armenia, Azerbaijan, Belarus, Cyprus, Estonia, Faroe Islands, Georgia, Gibraltar, Kazakhstan, Kosovo, Israel, Lichtenstein, Lithuania, Luxembourg, Malta, Moldova, North Macedonia, and San Marino – never to have qualified for a FIFA World Cup or UEFA Euro.


title: Dejan Savićević

text: Additionally, the Montenegrin under-21 national team has participated in eight European U-21 Championship qualifying campaigns during Savićević's presidency—2009, 2011, 2013, 2015, 2017, 2019, 2021, and 2023—failing to make the final tournament each time.


title: Dejan Savićević

text: Furthermore, Savićević's time at the job has been marked with frequent public feuding and controversy.


title: Dejan Savićević

text: On 17 November 2004, Serbia-Montenegro under-21 national team lost 0–4 against the Belgian u-21 team in a 2006 European under-21 Championship qualifier played in Lokeren. In the wake of the disappointing result, FSCG president Savićević publicly came out against the u-21 head coach Milorad Kosanović, calling on the coach to resign over the loss and specifically taking issue with the fact Kosanović did not call up any players from the Montenegro-based clubs for the Belgium match. In support of his claims, Savićević added that "twenty-one-year-old Miroslav Vujadinović from Budućnost Podgorica wasn't even called up for the under 21 squad despite being the best young goalkeeper in Europe" before adding that such state of affairs constitutes "discrimination of Montenegro".


title: Dejan Savićević

text: Over the coming months, Savićević exerted continuous pressure within the FSSCG ranks for Kosanović to be fired, even going so far as to semi-officially boycott the under-21 team by refusing to allow Montenegrin players to turn up for Kosanović's callups. Savićević's bullish behaviour strained the internal relations within the FSSCG to a maximum. In late 2004, in an effort to ease the tense standoff, FSSCG president Dragan Stojković (Savićević's close personal friend and longtime Red Star and Yugoslavia teammate during their playing days) reportedly asked Kosanović to resign, which the coach vehemently refused. As a result of the episode, all four Serbia (FSS)-delegated members of the FSSCG expert council—Dušan Savić, Jovica Škoro, Milovan Đorić, and Miroslav Tanjga—resigned in protest, with Savić stating he "wants no part in this dirty political game" while criticizing Savićević and FSCG for interfering in under-21 head coach's job.


title: Dejan Savićević

text: After initially managing to resist, Kosanović eventually gave in, resigning some four months later on 8 March 2005.


title: Dejan Savićević

text: Savićević then publicly came out in favour of Montenegrin independence, becoming an important part of the pro-independence campaign organized by Movement for Independent Montenegro. He attended, and spoke at, rallies alongside Montenegrin Prime Minister Milo Đukanović. Savićević's face also appeared on billboards urging the citizens of Montenegro to vote 'Yes' at the referendum.


title: Dejan Savićević

text: In spring 2006 while interviewed for Montenegrin local station NTV Montena, Savićević admitted to playing "in a couple of fixed matches" while with Budućnost in the old Yugoslav First League during the 1980s. He also claimed on the same occasion that most of the matches in that season's (2005–06) Serbia-Montenegro Superliga are fixed, but declined to elaborate or provide evidence, saying: "I don't want to be killed because of football like Branko Bulatović". Such controversial claims caused a lot of reaction. Serbia-Montenegro FA (FSSCG) announced formal investigation, arranging a hearing for Savićević to provide details and evidence of his claims. Others, like FK Partizan vice-president Ratomir Babić, accused Savićević of "scoring political points for his mentors in the separatist-oriented Montenegrin regime by intentionally spreading explosive false rumours in order to bring the union's league into disrepute".


title: Dejan Savićević

text: In parallel, all throughout 2006, Savićević butted heads with his own second-in-command—FSCG vice-president and FK Zeta club president Radojica "Rajo" Božović.


title: Dejan Savićević

text: Their feud began in mid-March 2006 in the aftermath of the Zeta vs. Budućnost Serbia-Montenegro SuperLiga fixture at Zeta's Trešnjica ground on 10 March 2006 that saw visitors Budućnost walk off the pitch 11 minutes before full time, an action initiated and carried out from the pitch sidelines by the club's director Žarko Vukčević in protest over Zeta's 2-2 equalizer that Budućnost felt was offside. Following a round of internal FSSCG investigations amid continual sniping in the press, the match was registered with a 3-0 administrative scoreline for Zeta and Budućnost was docked 3 points as punishment.


title: Dejan Savićević

text: Initially, the row between the two leading FSCG executives culminated on 12 May 2006 during an FSSCG executive board meeting in Belgrade where Savićević and Božović participated as representatives of the provincial Montenegrin FA (FSCG) sub-association. At the said meeting, Savićević reportedly abruptly left the premises following a vicious two-minute shouting match with Božović that started after Božović introduced a motion for an FSSCG investigation of Savićević's media claims about match-fixing as well his mentions of FK Zeta in this regard.


title: Dejan Savićević

text: Since Montenegro became independent some ten days later on 21 May 2006, the FSCG became the newly created country's top footballing body, responsible for organizing its football league as well as for assembling its national team. Savićević's FSCG presidential term continued with Božović as his vice-president.


title: Dejan Savićević

text: Several months later, during late summer 2006, the vicious public rift between the top two FSCG administrators got reignited following cancellation of the FK Zeta versus Budućnost Montenegrin First League fixture that had been scheduled for 4 September 2006 but ended up not getting played due to threats of fan violence and incidents outside of Zeta's Trešnjica ground in the Podgorica suburb of Golubovci as scuffles broke out between members of the two clubs' respective managements after Božović refused to let the rivals enter the stadium. Božović subsequently publicly accused Savićević of favouring his old club Budućnost, working against Zeta, and tampering with the Montenegrin First League referee selection process.


title: Dejan Savićević

text: An element of the public feuding between two men—both with deep ties within Montenegro's ruling political party, the Democratic Party of Socialists (DPS)—also had a political background over a protracted contentious issue of the redrawing of Podgorica municipal borders and status of Golubovci within the potentially new boundaries. As different internal DPS factions pursued their own interests regarding the municipal borders issue, press outlets portrayed Savićević as closely aligned with the DPS' so-called 'Podgorica lobby' (centred around Podgorica mayor, high-ranking DPS member, and FK Budućnost's financial benefactor Miomir Mugoša as well as the city service manager and FK Budućnost club president Vladan Vučelić) while Božović was being mentioned as a protege of the powerful security state operative, presidential security advisor, and former DPS cabinet minister who had been pushing the so-called 'Zeta lobby' within DPS with the help of a cabinet minister Migo Stijepović. One day after the incident in Golubovci, Savićević responded by publicly calling on the Montenegrin government and ruling political party, the DPS, to "get involved and solve the issues within the FSCG".


title: Dejan Savićević

text: In mid-October 2006, FSCG held an assembly meeting, convened by its president Savićević, during which the majority of delegates supported his motion to remove Božović, deciding by a 37–5 vote to relieve Božović of his FSCG vice-presidential duties as well as his seat on the FSCG executive committee. For his part, Božović, who was not present at the assembly due to "unforeseen family obligations", mostly accepted the turn of events and began keeping lower profile, reportedly on instruction from senior DPS members.