title: Bill Kenwright

text: In February 2005, Keith Wyness stated that the club had begun to look for other potential investors. In April 2005, Samuelson stated that "the Fund is completed and registered" but Everton director Paul Gregg publicly questioned the FSF: "As a director I have not received any proof of funds – or that they even exist." The "Liverpool Echo" described the FSF situation as a "farce". Paul Gregg stated that he had been "led down the garden path and that the whole exercise has embarrassed the club." Samuelson re-iterated that funds were ready; "The fund is approved and ready to go. I have not received the actual certificate of incorporation of the fund but that is a technicality." He stated that an EGM was necessary to confirm the FSF fund. "As far as I'm concerned it's a fait accompli – subject to the approval of an EGM of shareholders." An EGM was never called and the question of investment into Everton from the FSF fell away from the public eye.


title: Bill Kenwright

text: In November 2005, at the following AGM. Kenwright said that Samuelson "was someone who I believed could have come up with the money, he had his credentials and thought he could come up with a deal that was good for the club ... but he didn't, like many many other people, come up with the goods." He added: "I am spending 24 hours a day trying to raise finance for this club. I had a meeting today, three yesterday, all involving money that would dilute my shareholding – but I'm not interested in that."


title: Bill Kenwright

text: By September 2004, concerns amongst fans had grown about the future of the club. An Extraordinary General Meeting was called by shareholders; ""The shareholders of the Company express their deep concern at the current state of affairs in the Company"". It called for the board of directors to resign if they did not address previous motions to the satisfaction of shareholders Kenwright is considered approachable by fans and prior to the EGM he contacted a fan website before the press regarding the meeting.


title: Bill Kenwright

text: In 2007, Kenwright announced that he would like to move the club to Kirkby as part of a proposal known as Destination Kirkby which included a Tesco supermarket and a retail park. The pursuit of this project led to minor shareholders of the club calling for an Extraordinary General Meeting in 2008. After it was confirmed that the EGM would go ahead, Keith Wyness resigned and was replaced by Robert Elstone who was promoted to the position from within.


title: Bill Kenwright

text: At this meeting, Kenwright revealed that he took business advice from retail industry leaders Sir Philip Green and Sir Terry Leahy. The EGM vote determined that the club should not pursue the project due to a growing number of concerns.


title: Bill Kenwright

text: In April 2008, he agreed to produce "Dixie: The People's Legend", a documentary on Everton legend Dixie Dean produced by Liverpool-based company Tabacula.


title: Bill Kenwright

text: Kenwright was married to actress Anouska Hempel from 1978 to 1980 and has a daughter and two grandchildren from his relationship with the actress Virginia Stride. He is currently in a long-term relationship with the actress Jenny Seagrove. They live in London. The West End theatre publicist Adam Kenwright is his nephew who runs advertising and marketing company aka.


title: Bill Kenwright

text: He received an Honorary Fellowship from Liverpool's John Moores University and is an Honorary Professor of University of West London in London.


title: Bill Kenwright

text: Kenwright was awarded the CBE for his services to film and theatre in the 2001 New Years Honours List.


title: Bill Kenwright

text: In November 2008 he was awarded an Honorary degree of Doctor of Letters (D.Litt) from Nottingham Trent University in recognition of his outstanding contribution and commitment to British theatre.


title: Bill Kenwright

text: On 3 January 2014, Kenwright appeared on the BBC show "Pointless Celebrities". He and his partner Jenny Seagrove reached the final and won the Pointless trophy, but gave three incorrect answers and missed out on the £2,500 jackpot.


title: Young and Beautiful (Lana Del Rey song)

text: "Young and Beautiful" is a song by American singer and songwriter Lana Del Rey used for the soundtrack to the drama film "The Great Gatsby".


title: Young and Beautiful (Lana Del Rey song)

text: Contemporary music critics lauded the single, calling it "haunting" and "somber". Lyrically, "Young and Beautiful" follows a young lover's apprehension about whether love can last. A music video, directed by Chris Sweeney and filmed by Sophie Muller, was released on May 10, 2013.


title: Young and Beautiful (Lana Del Rey song)

text: "Young and Beautiful" reached the top ten in Australia where it was later certified platinum by the Recording Industry Association of America (RIAA). In May 2013, the song broke into the "Billboard" Hot 100; it peaked at 22 on the chart, making it Del Rey's highest peak up to that point. Shortly after, the song also peaked at 3 on the Hot Rock Songs chart.


title: Young and Beautiful (Lana Del Rey song)

text: Del Rey and Nowels received accolades for their songwriting from various music and film awards, including nominations for Best Song Written for Visual Media at the 56th Annual Grammy Awards, and Best Song at the 19th Critics' Choice Awards. They eventually won the Best Original Song at the 18th Satellite Awards. On January 26, 2014, "Young and Beautiful" was announced as number 7 on the annual Triple J's Hottest 100 in Australia. In 2022, the song appeared in the trailer of the Amazon Prime Video documentary "Lucy and Desi", which focuses on the love story of Lucille Ball and Desi Arnaz, stars of the sitcom "I Love Lucy".


title: Young and Beautiful (Lana Del Rey song)

text: Working with the film's director, co-writer, and co-producer Baz Luhrmann, Del Rey penned the original song "Young and Beautiful" for the soundtrack of the 2013 film adaptation of the novel "The Great Gatsby", written from the perspective of Daisy Buchanan.


title: Young and Beautiful (Lana Del Rey song)

text: In an interview with Catalunya Ràdio, Del Rey said she had three new songs for her third extended play, "Paradise": "I Sing the Body Electric", "In the Land of Gods and Monsters" and "Will You Still Love Me When I'm No Longer Young and Beautiful." Del Rey sang the chorus of "Young and Beautiful" during the Catalunya Ràdio broadcast.


title: Young and Beautiful (Lana Del Rey song)

text: Baz Luhrmann later gave an interview which contained a Skype chat with Del Rey, where Luhrmann said "we are very lucky that the song found a film", implying the song had already been penned prior to the film.


title: Young and Beautiful (Lana Del Rey song)

text: Luhrmann changed some of the lyrics in the beginning of the second verse from the demo version of "Will You Still Love Me" to fit with the film. Clearly, it was always intended for "Paradise", which did get picked up by various media.


title: Young and Beautiful (Lana Del Rey song)

text: The song was released to contemporary hit radio as a single and was used as the film's kickoff single. A snippet of the track appeared in the official trailer for the film and played during the scene where the characters portrayed by Leonardo DiCaprio and Carey Mulligan express their romantic feelings for one another.


title: Young and Beautiful (Lana Del Rey song)

text: In October 2013, a remix by Cedric Gervais was commissioned for the record label Universal Germany. It was sent to Italian contemporary hit radio by Universal Music on January 10, 2014.


title: Young and Beautiful (Lana Del Rey song)

text: With the lyrics "Will you still love me when I'm no longer young and beautiful?", Del Rey adds a hint of desperation which parallels the idiosyncrasies faced by the characters in F. Scott Fitzgerald's classic novel "The Great Gatsby". Del Rey's dreamy vocals are draped over sedated strings and canned percussion. The soft and dreary vocals, falling in line with Del Rey's retro affectation, fits the atmosphere of the 1920s when the novel is set. The lyrics rotate around the themes of pleasing a lover, nostalgia, and the gloom of aging. The Cedric Gervais remix of the song was released on October 11, 2013.


title: Young and Beautiful (Lana Del Rey song)

text: The music video for "Young and Beautiful" was set to be released on April 22, 2013, but was officially released on May 10, 2013. Directed by Chris Sweeney, the video's production was helmed by Adam Smith and Jacob Swan-Hyam, with Sophie Muller shooting the footage. Flanked by a full-string orchestra, Del Rey sings Dan Heath's Orchestral version of her song in 1920s art deco fashion. She is shown singing the song in a dark room with glittery diamond-tears on her cheek which look like tattoos. Jason Lipshutz of "Billboard" magazine described the video as "somber" and the singer's look as "especially demure". Lipshutz concluded that "the clip ends without ever reaching any kind of conclusion -- much like the rhetorical question 'Will you still love me when I'm no longer young and beautiful?' at the heart of the song." "Spin"s Marc Hogan described it as "elegantly conceived, but succeed[s] only as much as the music does".


title: Young and Beautiful (Lana Del Rey song)

text: Critical reception of "Young and Beautiful" has been fairly positive. Hip hop magazine "Rap-Up" called the single "haunting", while MTV called it "somber-sounding". Jason Lipshutz of "Billboard" called the ballad, "typically lush", paralleling the single with Del Rey's previous hits, "Video Games" and "Born to Die". Canadian journal "National Post" said "Young and Beautiful" picks up where "Video Games" left off, stating the song was relevant to the book because of "...its obsession with decay and the fleeting nature of the good life certainly resonate." The journal continued to call it an "artifact" of Del Rey's consistently dark tone, adding that by the second play-through "its bald directness becomes its appeal." MTV commented that the track "falls very much in-line with what Lana Del Rey's fans have come to expect" from Del Rey. Jeff Benjamin of Fuse said the track featured "a big, sweeping ballad with piano, violins and Lana's warbly delivery." He added that "if the single takes off, perhaps the songbird can finally scrub her image clean of that 'Girl that totally f-cked up her Saturday Night Live debut' tag." "Rolling Stone" Jody Rosen recognized "Young and Beautiful" as the album's centerpiece, calling it "inert" and "a drag" despite its symmetry with the album's entire theme. Finding the track restrained in comparison to her earlier work, August Brown, writing for "The Los Angeles Times", called the single "clean" and "classy". "Young and Beautiful" was given a positive review by "Stereogum"s Tom Breihan, although he disapproved of the vapidity of the line: "make me wanna party". Nathan Ellis, writing for "Far Out Magazine", praised the track for the "silky vocals" and "dulcet tones."


title: Young and Beautiful (Lana Del Rey song)

text: Debuting at number 89 on the United States' "Billboard" Hot 100, "Young and Beautiful" became Del Rey's second highest mark on that chart up to that point. With 48,000 units in first-week sales, the song also entered the Hot Digital Songs chart at 36. The song later peaked at number 22, became Del Rey's highest charting song at the time.


title: Young and Beautiful (Lana Del Rey song)

text: The single was sampled by Flo Rida's artist iRome on his Radio hit "Homicide" where Del Rey's vocals are heard throughout the song. "Young And Beautiful" became one of her best-selling singles in the United States, nearly on par with "Video Games", which is certified for 500,000 download and streaming units. Later that year, "Young and Beautiful" was nominated for Best Original Song at the World Soundtrack Awards 2013. It won the Best Original Song at the 18th Satellite Awards.


title: Modern English (band)

text: Modern English are an English new wave/post-punk band formed in 1979 in Colchester, Essex, England. They are best known for their songs "I Melt with You", "Hands Across the Sea", and "Ink and Paper". The group disbanded in 1987, only to re-form two years later and then disband after another two years (1991). They reunited again in 1995 and have continued in various lineups since that time.


title: Modern English (band)

text: Formed in Colchester, Essex, in 1979 by Robbie Grey (vocals), Gary McDowell (guitar, vocals), and Michael Conroy (bass, vocals) (born 9 August 1962), Modern English were originally known as The Lepers. The group expanded to "Modern English" when Richard Brown (drums) and Stephen Walker (keyboards) were added to the lineup of the band.


title: Modern English (band)

text: After a single on their own 'Limp' label (not to be confused with America's Limp Records) in 1979, the band signed to 4AD the following year; with two further singles released, and a session for John Peel of BBC Radio 1 recorded before the band's debut album, "Mesh & Lace", in 1981. In the band's early days, they showed a strong Joy Division influence. A second Peel session was recorded in October 1981. The second album, "After the Snow" (April 1982), was more keyboard-oriented and was compared to Simple Minds and Duran Duran. It was also released in the US by Sire Records the following year, where it reached number 70 on the "Billboard" chart, and sold over 500,000 copies. Grey said of the album, "We used to think 'God, we'll never make a pop record. We're artists!', but things don't always turn out as you planned and when you actually create a pop record, it's so much more of a thrill than anything else". The second single from the album was also a hit in the US, "I Melt with You" reaching number 76. When he reviewed the album, Johnny Waller of "Sounds" described the track as "A dreamy, creamy celebration of love and lust, which deserves to be showcased on as 12" single all by itself, with no B-side", while his colleague Tony Mitchell described it as "suburban amateurism at its most unrewarding". The band relocated to New York City and worked on a third album, "Ricochet Days", which again made the top 100 in the US, after which the band left 4AD and were solely signed to Sire outside the UK and Canada. The album "Stop Start" (1986) was the last Modern English record released by Sire, the band splitting up after its release. During 1983–1984, Grey, McDowell and Conroy were also involved with This Mortal Coil.


title: Modern English (band)

text: Robbie Grey re-formed Modern English with Mick Conroy and Aaron Davidson in 1989 to record a new album, "Pillow Lips", released in 1990 on the American TVT label. The album featured a re-recorded "I Melt with You", which was released as a single, and saw the band again in the "Billboard" top 100. The band split up for a second time in 1991, after contractual problems with TVT, and Grey formed Engine. In 1995, with legal issues with TVT sorted out, Engine evolved into the next incarnation of Modern English and signed to the Imago label, with Grey and Matthew Shipley (keyboards). This lineup recorded the 1996 album "Everything's Mad".


title: Modern English (band)

text: Robbie Grey toured the US with a new Modern English lineup from 1998 to 2002. They travelled coast to coast across the US, and recorded a new album with Hugh Jones, who had been producer of earlier Modern English records. The songs written with guitarist Steven Walker (not to be confused with the band's original keyboardist) and including Matthew Shipley came together on the road and back home in London between tours. After a few years on the shelf, this collection of songs, entitled "Soundtrack", was released on 24 May 2010 on Darla, with Jon Solomon on drums.


title: Modern English (band)

text: The original lineup of the band (minus drummer Richard Brown) re-formed in 2010 and toured the US in July and September and the UK and Paris in June the following year. They were invited by film director Mark Pellington to re-record "I Melt with You" once again for his movie of the same name. The current re-formed line-up of the band includes original members Robbie Grey, Mick Conroy, Gary McDowell and Stephen Walker, augmented by Roy Martin on drums. They recorded a new album which was funded via Pledge with an originally planned March 2016 release date. The album was recorded, produced and mixed by Martyn Young from Colourbox and MARRS, who also adds additional keyboards. They also toured the "Mesh & Lace" album in the US in 2016.


title: Football (ball)

text: A football is a ball inflated with air that is used to play one of the various sports known as football. In these games, with some exceptions, goals or points are scored only when the ball enters one of two designated goal-scoring areas; football games involve the two teams each trying to move the ball in opposite directions along the field of play.


title: Football (ball)

text: The first balls were made of natural materials, such as an inflated pig bladder, later put inside a leather cover, which has given rise to the American slang-term "pigskin". Modern balls are designed by teams of engineers to exacting specifications, with rubber or plastic bladders, and often with plastic covers. Various leagues and games use different balls, though they all have one of the following basic shapes:


title: Football (ball)

text: The precise shape and construction of footballs is typically specified as part of the rules and regulations.


title: Football (ball)

text: The oldest football still in existence, which is thought to have been made circa 1550, was discovered in the roof of Stirling Castle, Scotland, in 1981. The ball is made of leather (possibly from a deer) and a pig's bladder. It is roughly spherical with a diameter of between , weighs and is currently on display at the Smith Art Gallery and Museum in Stirling.


title: Football (ball)

text: Law 2 of the game specifies that the ball is an air-filled sphere with a circumference of , a weight of , inflated to a pressure of 0.6 to 1.1 atmospheres () "at sea level", and covered in leather or "other suitable material". The weight specified for a ball is the dry weight, as older balls often became significantly heavier in the course of a match played in wet weather. There are a number of different types of football balls depending on the match and turf including: training footballs, match footballs, professional match footballs, beach footballs, street footballs, indoor footballs, turf balls, futsal footballs and mini/skills footballs.


title: Football (ball)

text: Most modern Association footballs are stitched from 32 panels of waterproofed leather or plastic: 12 regular pentagons and 20 regular hexagons. The 32-panel configuration is the spherical polyhedron corresponding to the truncated icosahedron; it is spherical because the faces bulge from the pressure of the air inside. The first 32-panel ball was marketed by Select in the 1950s in Denmark. This configuration became common throughout Continental Europe in the 1960s, and was publicised worldwide by the Adidas Telstar, the official ball of the 1970 World Cup. This design in often referenced when describing the truncated icosahedron Archimedean solid, carbon buckyballs, or the root structure of geodesic domes.


title: Football (ball)

text: In the United States and Canada, the term football usually refers to a ball made of cow hide leather, which is required in professional and collegiate football. Footballs used in recreation and in organized youth leagues may be made of rubber or plastic materials (the high school football rulebooks still allow the inexpensive all-rubber footballs, though they are less common than leather). Since 1941, Horween Leather Company has been the exclusive supplier of leather for National Football League footballs. The arrangement was established by Arnold Horween, who had played and coached in the NFL. Horween Leather Company also supplies leather to Spalding, supplier of balls to the Arena Football League.


title: Football (ball)

text: Leather panels are typically tanned to a natural brown color, which is usually required in professional leagues and collegiate play. At least one manufacturer uses leather that has been tanned to provide a "tacky" grip in dry or wet conditions. Historically, white footballs have been used in games played at night so that the ball can be seen more easily however, improved artificial lighting conditions have made this no longer necessary. At most levels of play (but not, notably, the NFL), white stripes are painted on each end of the ball, halfway around the circumference, to improve nighttime visibility and also to differentiate the college football from the pro football. However, the NFL once explored the usage of white-striped footballs – in Super Bowl VIII.


title: Football (ball)

text: In the CFL the stripes traverse the entire circumference of the ball. The UFL used a ball with lime-green stripes. The XFL of 2001 used a novel color pattern, a black ball with red curved lines in lieu of stripes, for its footballs; this design was redone in a tan and navy color scheme for the Arena Football League in 2003. A ball with red, white and blue panels was introduced in the American Indoor Football League in 2005 and used by its successors, as well as the Ultimate Indoor Football League of the early 2010s and the Can-Am Indoor Football League during its lone season in 2017. The XFL of 2020 uses standard brown but with X markings on each point instead of stripes.


title: Football (ball)

text: Footballs used in gridiron-style games have prominent points on both ends. The shape is generally credited to official Hugh "Shorty" Ray, who introduced the new ball in 1934 as a way to make the forward pass more effective.


title: Football (ball)

text: The football used in Australian football is similar to a rugby ball but generally slightly smaller and more rounded at the ends, but more elongated in overall appearance, being longer by comparison with its width than a rugby ball. A regulation football is in circumference, and transverse circumference, and inflated to a pressure of . In the AFL, the balls are red for day matches and yellow for night matches.


title: Football (ball)

text: The first games of Australian football were played with a round ball, because balls of that shape were more readily available. In 1860, Australian football pioneer Tom Wills argued that the oval rugby ball travelled further in the air and made for a more exciting game. It became customary in Australian football by the 1870s.


title: Football (ball)

text: The Australian football ball was invented by T. W. Sherrin in 1880, after he was given a misshapen rugby ball to fix. Sherrin designed the ball with indented rather than pointy ends to give the ball a better bounce.


title: Football (ball)

text: Australian football ball brands include Burley, Ross Faulkner, and Sherrin (the brand used by the Australian Football League).


title: Football (ball)

text: The game is played with a round leather football made of 18 stitched leather panels, similar in appearance to a traditional volleyball (but larger), with a circumference of , weighing between when dry. It may be kicked or "hand passed". A hand pass is not a punch but rather a strike of the ball with the side of the closed fist, using the knuckle of the thumb.


title: Football (ball)

text: Until 1870, rugby was played with a near spherical ball with an inner-tube made of a pig's bladder. In 1870 Richard Lindon and Bernardo Solano started making balls for Rugby school out of hand stitched, four-panel, leather casings and pigs' bladders. The rugby ball's distinctive shape is supposedly due to the pig's bladder, although early balls were more plum-shape than oval. The balls varied in size in the beginning depending upon how large the pig's bladder was. Because of the pliability of rubber the shape gradually changed from a sphere to an egg. In 1892 the RFU endorsed ovalness as the compulsory shape. The gradual flattening of the ball continued over the years.


title: Football (ball)

text: The introduction of synthetic footballs over the traditional leather balls, in both rugby codes, was originally governed by weather conditions. If the playing surface was wet, the synthetic ball was used, because it wouldn't absorb water and become heavy. Eventually, the leather balls were phased out completely.


title: Football (ball)

text: Rugby league is played with a prolate spheroid shaped football which is inflated with air. A referee will stop play immediately if the ball does not meet the requirements of size and shape. Traditionally made of brown leather, modern footballs are synthetic and manufactured in a variety of colours and patterns. Senior competitions should use light-coloured balls to allow spectators to see the ball more easily. The football used in rugby league is known as "international size" or "size 5" and is approximately long and in circumference at its widest point. Smaller-sized balls are used for junior versions of the game, such as "Mini" and "Mod". A full size ball weighs between . Rugby league footballs are slightly more pointed than rugby union footballs and larger than American footballs.


title: Football (ball)

text: The Australasian National Rugby League and Super League use balls made by Steeden. Steeden is also sometimes used in Australia as a noun to describe the ball itself.


title: Football (ball)

text: The ball used in rugby union, usually referred to as a rugby ball, is a prolate spheroid essentially elliptical in profile. Traditionally made of brown leather, modern footballs are manufactured in a variety of colours and patterns. A regulation football is long and in circumference at its widest point. It weighs and is inflated to .


title: Football (ball)

text: In 1980, leather-encased balls, which were prone to water-logging, were replaced with balls encased in synthetic waterproof materials. The Gilbert Synergie was the match ball of the 2007 Rugby World Cup.


title: Kayla Braxton

text: Kayla Becker (born June 7, 1991) is an American sports broadcaster. She is signed to WWE, where she appears under the ring name Kayla Braxton.


title: Kayla Braxton

text: Becker was born in Wadley, Alabama, on June 7, 1991. She is biracial. When she was nine years old, her mother was sent to prison; she subsequently grew up in a foster home. As a teenager, she participated in public speaking competitions. She graduated from Belmont University with a degree in broadcast journalism. During her time in college, she started creating online content and had a few digital entertainment shows for her school and around Nashville, Tennessee. Six months after she graduated, she began hosting her own entertainment web and TV segment in the top-20 television market in Orlando, Florida.


title: Kayla Braxton

text: In October 2016, Becker signed with the American professional wrestling promotion WWE and was given the ring name Kayla Braxton. She debuted on the October 20, 2016 episode of "NXT" held in Lakeland, Florida as a host and ring announcer. She appeared on her first pay-per-view as a backstage interviewer during Backlash on May 21, 2017 and followed it up with appearances at Battleground 2017, SummerSlam 2017, Hell in a Cell 2017 and more PPVs. While working as a ring announcer on NXT, Braxton appeared on "Raw", "205 Live" and "SmackDown" where she would act as ring announcer and backstage interviewer. She permanently left NXT on August 17, 2019 to the main roster and was replaced by Alicia Taylor the following week. Braxton is currently a backstage interviewer on "SmackDown" and co-host of "The Bump". Since August 22, 2020, she has been the host of "Talking Smack" alongside Paul Heyman.


title: Publicis Sapient

text: Publicis Sapient is an American digital consulting company, founded as Sapient in Cambridge, Massachusetts in 1990 by Jerry Greenberg and J. Stuart Moore.


title: Publicis Sapient

text: On February 6, 2015, Sapient became a fully owned division of French advertising giant Publicis, in a deal valued at $3.7bn (£2.3bn).


title: Publicis Sapient

text: On November 17, 2016, Publicis Sapient announced SapientNitro was merging with sister agency Razorfish to form SapientRazorfish, which would be led by former SapientNitro CEO Alan Wexler. At the time, Sapient consisted of both SapientRazorfish and Sapient Consulting, and was co-led by Alan Wexler and Sapient Consulting CEO Chip Register.


title: Publicis Sapient

text: On February 13, 2019, SapientRazorfish and Sapient Consulting were merged into one brand, Publicis Sapient, led by CEO Nigel Vaz.


title: Publicis Sapient

text: Sapient was founded on November 6, 1990 by Jerry Greenberg and Stuart Moore, who met while working at Cambridge Technology Partners. They chose to use a fixed-term, fixed-price model for IT consulting pricing projects, rather than charging on a time and materials basis.


title: Publicis Sapient

text: During this period, Sapient was also an early adopter of internet-based technology, and internet-based work grew to over 70% of total revenue by 1999. This led to rapid growth in the period from 1992 to 2000, with revenue growing from $950,000 to $503 million in that period.


title: Publicis Sapient

text: After a period of contraction following the dot-com bubble burst in the early 2000s, Sapient looked overseas to grow a substantial portion of revenue, rising over 30% in 3 years. This growth was driven by a strategy called "Global Distributed Delivery," which sought to capitalize on the quickly growing tech market in India to grow Sapient's software development capabilities. The operations in India would supplement project teams globally.


title: Publicis Sapient

text: Sapient has made numerous acquisitions throughout its history, beginning in 2006 with Planning Group International. Another important acquisition was DCG group in 2008, which augmented its existing capital markets offerings.


title: Publicis Sapient

text: In April 1996, Sapient went public with a price of $21 a share. In the following four years, share prices in the technology sector increased substantially. Sapient shares soared to a split-adjusted price of $550. However, when the dot-com bust in late 2000, Sapient's shares declined to a low of $0.75/share. The share hit an all-time high of $17.95 in 2014.


title: Kate Mulvany

text: Kate Mulvany (born 24 February 1977) is an Australian actress, playwright and screenwriter. She works in theatre, television and film, with roles in "Hunters" (2020), "The Great Gatsby" (2013), "Griff the Invisible" (2010) and "The Final Winter" (2007). She has played lead roles with Australian theatre companies as well as appearing on television and in film. In 2004 she won the Philip Parsons Young Playwrights Award for "The Seed". In 2017, she won the Helpmann Award for Best Female Actor in a Play for her role in "Richard 3".


title: Kate Mulvany

text: Mulvany has played Cassius, Lady Macbeth, and was lauded for her performance as Richard III in which she revealed her real-life spinal disability. Her adaptation of Craig Silvey’s novel "Jasper Jones" has been performed in Perth by Barking Gecko Theatre Company, in Sydney by Belvoir St Theatre, and in Melbourne by the Melbourne Theatre Company. In 2015 it was shortlisted for the Nick Enright Prize for Playwriting, New South Wales Premier's Literary Awards.


title: Kate Mulvany

text: In 2018, Mulvany adapted Ruth Park's "The Harp in the South" trilogy as a two-part play for Sydney Theatre Company. In 2019, she followed this with an adaptation of the Schiller play "Mary Stuart" - the first to be undertaken by a woman - again for Sydney Theatre Company. One review said, "Mulvany’s bold adaptation recentres the queens, shearing away nearly every male soliloquy and interaction held exclusively between men, of which there are an abundance in Schiller’s text", while others called it "dazzlingly different", and a "feminist" reimagining of a classic.


title: Kate Mulvany

text: In April 2019, "Deadline" announced that Mulvany had been cast as a series regular in Amazon Prime Video's new 10-episode Nazi-hunting series "Hunters", created by David Weil and produced by Jordan Peele. She will play one of the Hunters, Sister Harriet,


title: Kate Mulvany

text: Kate Mulvany's father, Danny, was a Vietnam Veteran. Her mother, Glenys, is a schoolteacher. She has a sister, Tegan, who is an actor and an improvisor. In 1997, Mulvany received her Bachelor of Arts degree from Curtin University, Perth.


title: Kate Mulvany

text: Mulvany was diagnosed with a Wilms's tumor (renal cancer) at age two and spent much of her childhood in the hospital. Her cancer has been linked to her father's exposure to Agent Orange during his service in the Vietnam War.


title: Kate Mulvany

text: Mulvany was partner to actor Mark Priestley. In 2015 she wed fellow actor Hamish Michael in New York. She is an ambassador for MiVAC (Mines, Victims and Clearance), a landmine advocacy and support group.


title: Kate Mulvany

text: In 2017, Mulvany received an honorary doctorate from Curtin University for her services to the arts in Australia and she was awarded the Medal of the Order of Australia (OAM) in the 2020 Australia Day Honours for "service to the performing arts". She also received the 2020 Mona Brand Award, worth $35,000 which is "presented to a woman who has a body of outstanding work which displays broad array and which has been widely performed or screened to critical acclaim".


title: The Arsenio Hall Show

text: The Arsenio Hall Show is an American syndicated late-night talk show created by and starring comedian Arsenio Hall.


title: The Arsenio Hall Show

text: There have been two different incarnations of "The Arsenio Hall Show". The original series premiered on January 3, 1989, and ran until May 27, 1994. Nineteen years after the original series ended, Hall returned for a revival. It premiered on September 9, 2013, and was cancelled after one season, with the finale airing on May 21, 2014.


title: The Arsenio Hall Show

text: Both series were produced by Hall's production company, Arsenio Hall Communications. The original series was produced and distributed by Paramount Domestic Television, and taped at Stage 29 at Paramount Studios in Los Angeles. The second series was shot at Sunset Bronson Studios in Hollywood, and was produced by Tribune Broadcasting, Octagon Entertainment and Eye Productions. It was distributed by CBS Television Distribution.


title: The Arsenio Hall Show

text: Hall had been a host on "The Late Show" in 1987, another talk show on Fox, after the dismissal of Joan Rivers. He was given a 13-week run, during which he became unexpectedly popular. During the monologue of his final appearance as host, Hall stated that the reason he had agreed to only do 13 weeks was because that was as long as he was able to stay, as he had plans "to do other things". He subsequently began working on the Eddie Murphy vehicle "Coming to America". He ultimately signed with Paramount Television before Fox finally decided, after the fact, that it wanted to keep him. Hall had a fairly long connection with Paramount before this, having been the in-house comedian on Paramount's weekly music series "Solid Gold" for several years and serving as a co-host for its final two years.


title: The Arsenio Hall Show

text: "Arsenio" was one of two late-night shows to premiere in January 1989; the other was "The Pat Sajak Show" on CBS, hosted by longtime "Wheel of Fortune" host Pat Sajak. Unlike Sajak, Hall benefited from prior experience hosting a late-night program, especially when compared with Sajak's lack of emceeing experience outside of his "Wheel" duties. Hall also had a clear demographic to serve (whereas Sajak was targeting the already-taken demographic that was watching "Johnny Carson"), and his show premiered exactly one week before Sajak's, giving him a head start. While Hall's show became a near-instant hit, Sajak's show was a ratings flop and was canceled after little more than a year.


title: The Arsenio Hall Show

text: Burton Richardson's long intro of the show's host (in which he holds the letter "O" in "Arsenio" for as long as ten seconds right before Hall came out onto the stage, and then in the same breath, immediately announced "HALL!") is a staple of the show. In the intro to the final episode, Richardson held his one-breath introduction for exactly twenty seconds, one of the few times he had done so. While being introduced (and as seen on show titles and promos), Arsenio stood with his head down, hands together and legs apart, in the shape of the letter "A".


title: The Arsenio Hall Show

text: One of the show's recurrent themes was affixing a humorous label to a section of the studio audience in rows behind/near the band, called the "Dog Pound", based on the Dawg Pound fan section of Cleveland Stadium and later FirstEnergy Stadium of the Cleveland Browns National Football League team. Members of the "Dog Pound", led by jazz pianist Michael Wolff, jubilantly interacted with Hall, standing up and making a pumping, whirling motion with their raised fists and howling "Woof, woof, woof". The labeling was a staple of Hall's opening monologue and almost always began with the phrase "Those are people who..." In one variation of Hall ridiculing the "Dog Pound", Hall designated the section as "People who are currently in a Witness Protection Program", at which point a camera pans over to that section to reveal a digitally pixilated view of the audience that made it impossible to identify them.


title: The Arsenio Hall Show

text: A frequent joke in Hall's opening monologue suggested that he still lives in Cleveland and drives himself to Los Angeles every day to host the show. While on these alleged long drives, Hall ponders certain thoughts, referring to them as "things that make you go hmmm..." The running gag inspired a 1991 C+C Music Factory song by the same title. "Things That Make You Go Hmmm..." reached No. 1 on the "Billboard" Dance Club Songs chart and No. 4 on the "Billboard" Hot 100 chart.


title: The Arsenio Hall Show

text: "The Arsenio Hall Show" was aimed primarily at, although not limited to, the younger urban audience. Eddie Murphy (a personal friend of Hall's), George Lopez and other performers were often featured, such as semi-regular guests including Andrew Dice Clay and Paula Abdul. The show quickly appealed to young people of all races and began to attract a wide variety of guests not common on other talk shows. It became the show for entertainers to go to in order to reach the "MTV Generation". The show was commonly dubbed a "Night Thing" and reflected a party or nightclub theme.


title: The Arsenio Hall Show

text: Hall's friend M.C. Hammer was also a frequent interview and musical guest. Additionally, Hall interviewed "Jason Voorhees", the main character from the popular "Friday the 13th" series of films around the time of the release of "". Muppets creator Jim Henson also appeared on the show 12 days before his death in May 1990, marking one of Henson's last public appearances. Hall often featured World Wrestling Federation wrestlers, like Hulk Hogan (who first denied using steroids on the program), "Ravishing" Rick Rude (who made a special set of tights with Hall's face on the back) with Bobby Heenan, Randy Savage, Roddy Piper, Bad News Brown, the Big Bossman, and Akeem with Slick and The Ultimate Warrior.


title: The Arsenio Hall Show

text: Hall was also well known for his long fingers, which he would often use to point at the audience. Michael Wolff led the house band, which Hall called "Posse".


title: The Arsenio Hall Show

text: During a December 1990 taping, three or four members of Queer Nation, seated in the back row in different sections of the audience, interrupted Hall's opening monologue demanding to know why he never had any gay guests on the show. Hall's initial answer was that since most of the guests were not open about their sexuality, neither Hall nor the producers knew whether they were gay or not.


title: The Arsenio Hall Show

text: When the protesters voiced their offense because the show failed to book filmmaker Gus Van Sant (whose "My Own Private Idaho" was in production at the time) or actor Harvey Fierstein, Hall defended the show by saying that Elton John had been a guest. Increasingly infuriated, Hall added that he booked guests due to his interest in what they were working on at the time, not because of their sexual preference. (Specifically, in the case of Fierstein, saying that if he was doing something that Hall found interesting, he would book him as a guest.) The heated exchange went on for several minutes, and Hall continued to defend himself as both a comedian and a host, pointing out that he also had gay friends, and that a person's sexual preference was really nobody else's business. Fierstein eventually did become a guest on the show months later.


title: The Arsenio Hall Show

text: In June 1992, then-presidential candidate Bill Clinton (who was a fan of the show) was a guest on the show, playing "Heartbreak Hotel" on the saxophone (causing Arsenio to quip, "It's nice to see a Democrat blow something besides the election"). The appearance is often considered an important moment in Clinton's political career, helping build his popularity among minority and young voters. Clinton went on to win the election in November 1992.


title: The Arsenio Hall Show

text: The program remained popular into 1993, airing on 178 stations throughout America. As the year went on, Hall and Paramount began having ratings problems due in large part to the premiere of three late-night series before the year was out.


title: The Arsenio Hall Show

text: At the end of the 1992–93 season one of Hall's strongest bases consisted of CBS affiliates. At the time, CBS did not offer much in the way of late night programming other than its nightly crime drama rerun block and its overnight newscast "CBS News Nightwatch" (later replaced by "Up to the Minute") and had not offered a late-night variety program since "The Pat Sajak Show" was cancelled in 1990. Among the reported 44 CBS stations that aired "Arsenio" at the time were WJW-TV, then the network's affiliate in Hall's hometown of Cleveland; WJBK-TV in Detroit (which, like WJW, is now a Fox affiliate); WUSA in Washington, D.C.; WAGA-TV in Atlanta (also now a Fox affiliate) and WBBM-TV in Chicago, one of the network's owned-and-operated stations. Some of these stations picked up Hall's show to fill the void left by Sajak's cancellation, while many others had chosen to carry Hall's program in lieu of Sajak's. Another prominent group of stations that carried the program were affiliates of the still-young Fox, many of which picked up "Arsenio" to fill the gaps left when "The Late Show", which never was able to find an audience, was finally canceled in 1988. This group, numbering 72 stations total, included WTXF-TV in Philadelphia, a station that Paramount acquired in 1991.


title: The Arsenio Hall Show

text: In the summer of 1993, David Letterman, who had spent over 13 years at NBC and the previous 11 as the host of the popular post-"Tonight Show" program "Late Night", left the network due to his dissatisfaction with being passed over as host of "The Tonight Show" after the retirement of Johnny Carson in favor of Jay Leno the previous year. Letterman signed with CBS to do a late-night program which would compete head-to-head with "The Tonight Show", and which would also compete with Hall's program. Unlike the situation that prevailed when he was competing against Sajak, Hall was now up against one of the most popular hosts in late night television. Several CBS stations, including WBBM-TV, dropped Hall's show when "Late Show with David Letterman" debuted in August or pushed it back further in the night. Most of the rest dropped Hall when Letterman's show became a runaway hit. WUSA was one of the exceptions, having rebuffed an edict by CBS for all of its affiliates to clear the "Late Show" at the normal network time for their respective time zones, while in Milwaukee, "Arsenio" was paired by Fox affiliate WCGV-TV with the "Late Show" back-to-back, which was refused clearance by CBS affiliate WITI for syndicated sitcoms. WBAL-TV also retained the show when "The Late Show" started (being cleared by WNUV). "Arsenio" also found itself losing some of its audience to cable, as MTV launched the daily thirty-minute program "The Jon Stewart Show", which became popular in its own right.


title: The Arsenio Hall Show

text: Subsequently, Fox decided to get back into the late-night television battle after several years, despite "Arsenio" drawing solid ratings on many of its affiliates. In September 1993, the network premiered "The Chevy Chase Show" running directly against Hall, Leno and Letterman. Fox demanded that all of its affiliates air Chase's show, leading the Fox stations airing "Arsenio" to either drop the series or relocate it to a less desirable time slot. Although "The Chevy Chase Show" was a critical and ratings flop and left the air after only five weeks, the stations that "Arsenio" had been or was still airing on were not immediately inclined to move it back, which caused more of a dip in the ratings.


title: The Arsenio Hall Show

text: On February 7, 1994, Hall announced that he would be featuring controversial Nation of Islam leader Louis Farrakhan. He had also booked gospel singer Kirk Franklin and his singing group The Family for the show as well and promised that he would give them both equal time on the show, which was to air eighteen days following the announcement, as he had drawn criticism for even considering booking Farrakhan as a guest. Instead, nearly the entire show was devoted to Hall interviewing Farrakhan and he received widespread criticism for conducting what was considered too "soft" of an interview. This resulted in a further ratings slide during the fifth season, with the "Los Angeles Times" citing a 24% drop from 1992–93 to 1993–94.


title: The Arsenio Hall Show

text: Although Paramount did say publicly that the show was not in imminent danger of cancellation, Hall announced on April 18, 1994, that he was not going to continue the show, simply saying "it's time". The final episode aired on May 27, 1994.


title: The Arsenio Hall Show

text: Shortly before "The Arsenio Hall Show" was canceled, Paramount's merger with Viacom was finalized. Since this now meant that Paramount and MTV were corporate siblings, there was a ready-made replacement for "Arsenio" and after a retooling and expansion, a syndicated version of "The Jon Stewart Show" was launched in late 1994. Despite being sold to most of the same "Arsenio" affiliates, "The Jon Stewart Show" was never able to find an audience in syndication as it had on MTV and the show was canceled after its lone season as a syndicated series.


title: The Arsenio Hall Show

text: After the decline of "Arsenio" and the failure of "The Jon Stewart Show", Paramount did not make another attempt at producing a late-night variety show. Nonetheless, they were not willing to give up on the idea fully and in 1998, Paramount developed a daytime variety show for comedian Howie Mandel. "The Howie Mandel Show" premiered in May 1998, but could not find an audience in what was then a syndicated landscape saturated with talk shows, and Paramount canceled the show in early 1999. Paramount subsequently gave up on the variety format altogether and did not attempt it again before its television operations were folded into those of CBS.


title: The Arsenio Hall Show

text: In the 2000s, VH1 aired a repacked version of the show called "Arsenio Jams" featuring musical performances and select interviews from the show's first run.


title: The Arsenio Hall Show

text: In May 2012, Hall was said to be shopping around an idea for a new late-night program and had garnered interest from Fox and TBS as to picking the show up. On June 18, 2012, Hall announced that he had brokered a deal with CBS Television Distribution and Tribune Broadcasting to bring his late-night talk show back to television. Although the show was agreed upon in time for the 2012–13 season, the agreement was to see "Arsenio" return at the beginning of the next season.


title: The Arsenio Hall Show

text: The revived "Arsenio Hall Show" debuted on September 9, 2013. Stations that also carried Hall's original program, such as CBS-owned station KBCW in the San Francisco Bay Area and CFMT-DT in Toronto, picked up the revived series as well. Tribune-owned stations airing "Arsenio" included: KTLA in Los Angeles, KDAF in Dallas-Fort Worth, WPIX in New York City, WGN-TV in Chicago, KCPQ in Seattle and WDCW in Washington, D.C. The show also aired on CBS-owned stations affiliated with either CBS or The CW.


title: The Arsenio Hall Show

text: Unlike Hall's previous series, this version was taped at the Sunset Bronson Studios in Hollywood, whose lot houses KTLA. As with the original series, Hall referred to his house band as "The Posse 2.0" which consisted of Robin DiMaggio as the music leader/director and drummer, Alex Al on bass, Rob Bacon on guitar, Sean Holt on saxophone and Victoria Theodore on keyboards. Additionally, Hall's opening monologue still mostly consisted of jokes about current events. Hall ended each show by saying, "I'll see you in 23 (71 on each Friday show) hours."


title: The Arsenio Hall Show

text: In another notable difference from Hall's previous show, Diana Steele's intro to the show's host (in which she held the "O" in "Arsenio" for a long as five seconds right before Hall came out onto the stage, and then in the same breath, finally/immediately announced, "HALL!") was also a staple of the show.


title: The Arsenio Hall Show

text: In mid-October 2013, executive producer Neal Kendeall stepped down due to creative differences. The senior VP of programming and development, Eric Pankowski, took over while Hall conducted a search for a new show-runner, in an effort to revamp the show and boost ratings. Reruns were aired during the brief transition period until new episodes resumed the week of October 28.


title: The Arsenio Hall Show

text: During an interview with Oprah Winfrey that same month, Hall and Winfrey discussed a "feud" between the two based on jokes he told nearly 20 years earlier about her weight and Oprah's partner, Stedman Graham. During their talk on "Oprah's Next Chapter", Hall also mentioned his long-time friendship with Jay Leno, how David Letterman was an influence on him and the late-night talk show competition in general, including the 2010 "Tonight Show" conflict between Leno and Conan O'Brien.


title: The Arsenio Hall Show

text: The debut episode beat out all late night shows in viewership that evening. However, after its premiere week in September 2013, the show's record-setting ratings dropped 40% (falling from an average 1.5 rating to 0.4 with 18–49 target audiences). While ratings spiraled downward, show executives were optimistic.


title: The Arsenio Hall Show

text: Critical reactions to the updated show were mixed since its premiere week. According to "Media Life Magazine", Hall's flashy, edgy and laid-back approach to late-night talk shows in the early 1990s was having little effect on audiences after its reincarnation. "The New York Times" reported the show had much familiarity and that "Mr. Hall's return to the screen was mostly a little sad. He is better than this and deserved a more convincing comeback." While also reporting Hall's talk show is similar to his original series, "Variety" gave a better review/reception of the revived show, stating "while he might not be the hippest guy in late-night anymore, Arsenio 2.0 can still emerge as a survivor".


title: The Arsenio Hall Show

text: In 2013, the Orange County Register described the original run of show as "energenic, groundbreaking", and a "cultural phenomenon, noting Hall's confident personality, diverse guests and musical acts, and the parodies that have been inspired by the show since it first aired.


title: The Arsenio Hall Show

text: The revived "Arsenio" program was initially renewed for a second season on February 26, 2014; the announcement was made to that night's audience on air by Jay Leno in his first post-"Tonight Show" appearance. However, the decision was later reversed, and the program was cancelled by CBS Television Distribution and Tribune, on May 30, 2014.


title: The Arsenio Hall Show

text: Throughout the series, there were notable guests and several special episodes, including the 1000th show.


title: The Arsenio Hall Show

text: In 1990, Hall decided to develop a companion program to his own as what he termed to be his show's "afterparty". This idea became "The Party Machine", a 30-minute late night music show in the same vein as shows like "Club MTV" or "Soul Train". Hall co-produced the series with its host, singer/actress Nia Peeples, and it debuted on January 7, 1991, in syndication (usually following its parent series). Although initial ratings were high, especially in its larger markets, "The Party Machine" began sliding in the ratings quickly and the program was cancelled five months after its debut. Its final episode aired on September 15, 1991.


title: Fallon Sherrock

text: Fallon Sherrock (born 2 July 1994) is an English professional darts player who plays in World Darts Federation (WDF) and Professional Darts Corporation (PDC) events. Born in Milton Keynes, Sherrock reached the final of the 2015 BDO Women's World Darts Championship, where she was runner up to Lisa Ashton.


title: Fallon Sherrock

text: In 2019, Sherrock became the first female player to win a match, and subsequently, two consecutive matches, at the PDC World Championships, first by beating Ted Evetts 3–2 in the first round, and then Mensur Suljović 3–1 in the second round, before eventually losing 2–4 to Chris Dobey in the third round. The event saw her earn the nickname "Queen of the Palace" from the name of the venue, the Alexandra Palace.


title: Fallon Sherrock

text: During the 2021 Grand Slam of Darts, Sherrock became the first woman to reach the last 16 of a major darts tournament, after she beat Gabriel Clemens 5–3 in her final group stage match. She then went on to beat Mensur Suljović 10–5 in the last 16, to reach the quarter-finals and become the first woman in darts history to do so. She was beaten in the quarter-finals by Peter Wright 16–13.


title: Fallon Sherrock

text: Sherrock was born in Milton Keynes, Buckinghamshire, England. She began playing darts at the county youth level at the age of 17; her mother Sue and her father Steve had played the game on a recreational basis. She played for the Bedford Darts Organisation, and represented the England Youth team in the girls' singles division at the 2011 WDF Europe Cup Youth tournament. Sherrock was the Girls World Masters winner in 2012, along with the Women's Jersey Open, before following it up with success in the Women's British Classic in 2013. After finishing her A-level examinations, she opted against studying forensic science at university to focus on playing darts.


title: Fallon Sherrock

text: She appeared at the BDO World Championship for the first time in January 2014, where she made the Quarter Final. She beat Rilana Erades in round one by 2 sets to 0, and was just eliminated in the quarter-finals by reigning champion Anastasia Dobromyslova.


title: Fallon Sherrock

text: Sherrock improved on her debut performance by reaching the final of the 2015 BDO Ladies World Championship after she beat Dobromyslova 2–1 in the semi-finals at Lakeside, setting a world championship record by hitting five 180s in the semi-final. Sherrock lost 3–1 to Lisa Ashton in the final, but still impressed and hit six 180s in what was her first World Championship final.


title: Fallon Sherrock

text: On 17 December 2019, Sherrock became the first woman to beat a man at the PDC World Championships, beating Ted Evetts 3–2 in the first round at the 2020 World Championship. She followed this up with a 3–1 win over 11th seed Mensur Suljović in the second round, before losing to 22nd seed Chris Dobey 4–2 in the third round.


title: Fallon Sherrock

text: On 31 December 2019, Sherrock withdrew from the 2020 BDO Women's World Championship due to 'unexpected changes' to the event.


title: Fallon Sherrock

text: Sherrock was also invited to participate in German channel ProSieben's pro-am doubles event just after the World Championships alongside Phil Taylor, Michael van Gerwen, Gerwyn Price, Max Hopp and just-crowned world champion Peter Wright at the Maritim Hotel in Bonn. Sherrock partnered with former Italy striker and World Cup winner Luca Toni and went 1-3 during the event.


title: Fallon Sherrock

text: Sherrock competed for a tour card at the 2020 PDC Q School, but was unable to secure one. On 1 February 2020, Sherrock won the Rileys Wolverhampton qualifier for the 2020 UK Open, meaning she would make her debut there. She lost to Kyle McKinstry from Northern Ireland 1–6 in the first round.


title: Fallon Sherrock

text: She took part in the 2020 Premier League Darts as a 'challenger', appearing at the Motorpoint Arena Nottingham on 13 February 2020, where she drew 6-6 against Glen Durrant. She failed to qualify for the 2021 PDC World Championship, losing out to Deta Hedman on legs difference.


title: Fallon Sherrock

text: Sherrock has faced hateful comments online after her PDC matches of 2019, but said she learned how to use the feeling to perform better; "If I'm feeling a bit slouchy, I'll look at some of the comments and I'll be like: 'OK, now I need to prove you wrong.<nowiki>"</nowiki>


title: Fallon Sherrock

text: In September 2021, Sherrock reached the final of the 2021 Nordic Darts Masters. In the first round she defeated Niels Heinsøe 6–1. She then had a walkover in her quarter-final match against Gerwyn Price, who withdrew due to an elbow injury. In the semi-finals she beat world n°5 Dimitri Van den Bergh 11–10, after initially trailing 9–3. She eventually lost to Michael van Gerwen 11–7 in the final (although having led 6–3). Sherrock is the only woman in the history of the PDC to have reached the final of a TV tournament. Just a week off her run to the Nordic Masters final, Sherrock competed in the first 2021 Women's Series events. Though she lost to tour card holder Lisa Ashton in the last 16 of the first event, she won the next two events with 5–2 and 5–3 victories over Corrine Hammond and Deta Hedman respectively. The second day saw Sherrock losing to Lisa Ashton in the finals of both events 4 and 5, before whitewashing the 4-time World Champion in the final of the sixth event. This let Sherrock maintain her place at the top of the ranking table and secure her debut at the 2021 Grand Slam of Darts.


title: Fallon Sherrock

text: In October 2021, Sherrock qualified for the 2022 World Championship, after ensuring a top-two finish in the PDC Women's Series. She lost 3–2 to Steve Beaton in the first round.


title: Fallon Sherrock

text: In July 2022, Sherrock won the inaugural Women's World Matchplay, beating Katie Sheldon and Lorraine Winstanley to reach the final, where she defeated Aileen de Graaf 6-3. The win meant that Sherrock qualified for the 2022 Grand Slam of Darts.


title: Fallon Sherrock

text: (W) Won; (F) finalist; (SF) semifinalist; (QF) quarterfinalist; (#R) rounds 6, 5, 4, 3, 2, 1; (RR) round-robin stage; (Prel.) Preliminary round; (DNQ) Did not qualify; (DNP) Did not participate; (NH) Not held


title: Fallon Sherrock

text: Sherrock has a son, born in 2014. Her twin sister Felicia also plays darts and the pair represented England Youth at the WDF Europe Cup Youth in 2011. In 2017, Sherrock had treatment for a kidney problem. This caused her face to swell up, for which she received online abuse. The condition made her teetotal and she is required to drink water regularly to keep her kidneys cleansed. Sherrock is currently in a relationship with PDC pro tour player Cameron Menzies.


title: Aldo Nova

text: Aldo Nova (born Aldo Caporuscio on November 13, 1956) is a Canadian guitarist, keyboardist, vocalist, and producer. He initially gained fame and popularity with the release of his 1982 debut album "Aldo Nova" which peaked to "Billboard"'s number 8 position, and its accompanying single, "Fantasy", which peaked to number 23 on the US " Billboard" Hot 100 and boosted sales for its parent album. "Fantasy" is Nova's highest-charting signature song often being recognized as a classic.


title: Aldo Nova

text: Signing with Portrait Records, Nova released a self-produced album "Aldo Nova" in 1982, that had two singles: "Fantasy" and "Foolin' Yourself". His second album "Subject...Aldo Nova" from 1983, had two singles: "Monkey on Your Back" and "Always Be Mine". His third album "Twitch" from 1985, had two singles: "Rumours of You" and "Tonite (Lift Me Up)".


title: Aldo Nova

text: Nova was displeased with the album and the record company's insistence on making a more commercial album. After supporting the "Twitch" album, Nova asked to be released from his contract, which the record company would not do. Nova decided to move to Montreal and work on jingles, waiting for his contract to expire in 1991, stating he would not work on an album he did not have full creative control over. In 1990, Aldo Nova wrote the main guitar riff that would be used in the Jon Bon Jovi song, "Blaze of Glory". In 1991, to return the favor, Bon Jovi worked with Nova on his Jambco Records (Jon Bon Jovi's label) release "Blood on the Bricks". It had three singles: "Blood on the Bricks", "Medicine Man", and "Someday".


title: Aldo Nova

text: In addition, Nova produced some early Celine Dion albums. He co-wrote the hit song, "A New Day Has Come" for Dion, and has been featured playing guitar, synthesizer, and percussion on her records. He also wrote her songs "Your Light" and "I Can't Fight the Feelin'", "You and I" (which was used as Hillary Clinton's campaign song and as the Air Canada theme song). He co-wrote the Blue Öyster Cult song "Take Me Away" and was a member of "The Guitar Orchestra of the State Of Imaginos" on their album "Imaginos".


title: Aldo Nova

text: In 1996, he received a Grammy Award as producer for Celine Dion's "Falling into You" for Album of the Year. In 1997, he released the much acclaimed, mostly instrumental album, "Nova's Dream", which featured a different side of his talents as a musician writer. The album is considered by his fans as one of his best alongside his eponymous debut and "Subject". He co-wrote the Latin Grammy nominated song "Aqui" for the Chilean rock group La Ley on the album "Uno". He also co-wrote and co-produced 4 other tracks on that album, which later that year won a Grammy for best Latin/Alternative/Rock Album.


title: Aldo Nova

text: As a songwriter, Nova's hits include Clay Aiken's "This Is The Night" (co-written with Chris Braide and Gary Burr), which in the US was a number one hit and the best-selling single of 2003. He was also the only writer to have written or co-written five songs on Dion's "Taking Chances" album.


title: Aldo Nova

text: In 2003, Nova received an International Achievement Award at the SOCAN Awards in Toronto for co-writing the Dion song "A New Day Has Come".


title: Aldo Nova

text: In 2008, he began working on a Rock Opera named "The Life and Times of Eddie Gage " which underwent significant work throughout the years, and by 2015 the album was renamed " Spaceman " having gone through 12 different versions. By this time Aldo had written over 100 songs and even posting some scrapped songs to his Facebook page such as " That's What Love Can Do, The Border, and Dyin' From a Broken Heart". In the early months of 2016 Aldo finally finished the rock opera now renamed " Space " with 20 songs and said that it was " mixed, mastered, and ready to go ".


title: Aldo Nova

text: The album's release was halted and by late 2016 Aldo decided to re-record Fantasy which inspired him to re-record 5 other songs from his first album with 1 new song " I'm a Survivor". Aldo recorded this new album in 2017, and in mid 2018 released the first single Fantasy 2.0, which received mixed reviews. The album was revealed to be "2.0" and was to be released on October 19, 2018.


title: Aldo Nova

text: During interviews for the promotion of " 2.0 " Aldo said that the rock opera " Space " now had 32 songs and was to be released in 2019 after he had toured "2.0". However he wasn't sure because he said the release of "2.0" had reignited a flame in him and that he was writing new music again extensively.


title: Aldo Nova

text: In early 2019, Aldo released the music video to "I'm a Survivor" and announced a fall tour. In an interview with Loudwire, Aldo announced that his rock opera would release in June 2020 under the name "The Life and Times of Eddie Gage". He wrote 142 songs for the album from 2008 to 2016, finally settling on the 21 that would be included for a total of 1 hour and 52 minutes of music. In an interview from 2016 with Best Magazine, Aldo describes the album as “...the story of Eddie Gage, and his evolution from light, de-evolution to darkness, and climb back up to the light again.” All of the songs are his own composition and he plays all the characters, changing his voice in each song. Nova also announced a press promotion tour of the album in the US and Canada in a post on Facebook.


title: Nguni people

text: The Nguni people are a Bantu ethnic group from South Africa, with off-shoots in neighbouring countries in Southern Africa. Swazi (or Swati) people live in both South Africa and Eswatini, while Northern Ndebele people live in both South Africa (as immigrants) and Zimbabwe.


title: Nguni people

text: A group of the Nguni living in present day Malawi and Zambia originated from South Africa and are known as AbaNgoni (or Ngoni/Nguni). The name AbaNgoni can be translated to "People who doesn't commit sins". Both the Ndebele of Zimbabwe and the Ngoni migrated northwards out of South Africa in the early 19th century, during a politically tumultuous era that included the so-called Mfecane and Great Trek.


title: Nguni people

text: In South Africa, the historic Nguni kingdoms of the Ndebele, Swazi, Xhosa and Zulu are in the present-day provinces of Southern and Eastern Cape, Gauteng, KwaZulu-Natal, Limpopo and Mpumalanga. The most notable of these kingdoms are the Zulu Kingdom, which was ruled by Shaka, a warrior king whose conquest took place in the early nineteenth century, and the Xhosa Kingdom, a paramouncy that had multiple states as tributaries and would become notorious for the wars they fought against European colonists, which lasted for a period of 100 years. In Zimbabwe the Ndebele people live primarily in the provinces of Matabeleland.


title: Nguni people

text: Most of what is believed about ancient Nguni history comes from oral history and legends. Traditionally, their partial ancestors are said to have migrated to Africa's Great Lakes region from the north. According to linguistic evidence and historians (including John H. Robertson, Rebecca Bradley, T. Russel, Fabio Silva and James Steele), what would be some of the ancestors of the Nguni people migrated from west of the geographic centre of Africa towards modern-day South Africa 7000 years ago (5000 BC). Nguni ancestors had migrated within South Africa to KwaZulu-Natal by the 1st century AD, and were also present in the Transvaal region at the same time. These partially nomadic ancestors of modern Nguni people brought with them sheep, cattle, goats and horticultural crops, many of which had never been used in South Africa at that time.


title: Nguni people

text: Other provinces in present-day South Africa, such as the Cape, saw the emergence of Nguni speakers at around the same time. Some groups split off and settled along the way, while others kept going. Thus, the following settlement pattern formed: the southern Ndebele in the north, the Swazi in the northeast, the Xhosa in the south and Zulu towards the east. Because these peoples had a common origin, their languages and cultures show marked similarities. Partial ancestors of the Nguni eventually met and merged with San hunters, which accounts for the use of click consonants in the languages of Nguni.


title: Nguni people

text: Many tribes and clans in KwaZulu-Natal are said to have been forcibly united under Shaka Zulu. Shaka Zulu's political organisation was efficient in integrating conquered tribes, partly by the age regiments, where men from different villages bonded with each other.


title: Nguni people

text: Many versions in the historiography of southern Africa state that during the South African upheaval known as Mfecane, the Nguni peoples spread across a large part of southern Africa, absorbing, conquering or displacing many other peoples. However, the notion of the mfecane/difaqane has been disputed by some scholars, notably Julian Cobbing. The Mfecane was initiated by Zwide and his Ndwandwes. They attacked the Hlubi and stole their cattle, leaving them destitute. The remnants of the Hlubi under their chief Matiwane fled into what is now the Free State and attacked the Batlokwa in the Harrismith Vrede area. This displaced the Batlokwa under Mmanthatisi, and she and her people spread conflict further into the central interior. Moshoeshoe and his Bakwena sought the protection of Shaka and sent him tribute in return. When Matiwane settled at Mabolela, near present-day Clocolan, Moshoeshoe complained to Shaka that this prevented him from sending his tribute whereupon an impi was sent to drive Matiwane from this area. Matiwane fled south and raided one of the Xhosa kingdoms, which got his whole tribe annihilated by Paramount Hintsa, at the Battle Of Mbholompo. Mmanthatisi and her Batlokwa settled near what is now Ficksburg and was followed by her son, Sekonyela, as chief of the Batlokwa. It was he who had stolen Zulu cattle that Piet Retief in his dealings with Dingane, Shaka's successor, retrieved. After the defeat of Zwide and his Ndwandwes by Shaka, two of his commanders, Soshangane and Zwengendaba, fled with their followers northwards, engaging in conflict as they went. Soshangane eventually founded the Shangane nation in Mozambique and Zwengendaba moved all the way to what is now Tanzania. Mzilikazi in his flight from Shaka depopulated the eastern highveld and northern Free State, killing the men and capturing the women to form his Matabele nation. Initially, he settled near what is now Pretoria, then moved to Mosega, near present day Zeerust, but after his defeat by the Voortrekkers he moved to present-day Zimbabwe where he founded his capital Bulawayo.


title: Nguni people

text: Within the Nguni nations, the clan, based on male ancestry, formed the highest social unit. Each clan was led by a chieftain. Influential men tried to achieve independence by creating their own clan. The power of a chieftain often depended on how well he could hold his clan together. From about 1800, the rise of the Zulu clan of the Nguni, and the consequent Mfecane that accompanied the expansion of the Zulus under Shaka, helped to drive a process of an alliance between and consolidation among many of the smaller clans.


title: Nguni people

text: For example, the kingdom of Eswatini was formed in the early nineteenth century by different Nguni groups allying with the Dlamini clan against the threat of external attack. Today, the kingdom encompasses many different clans who speak a Nguni language called Swati and are loyal to the king of Eswatini, who is also the head of the Dlamini clan.


title: Nguni people

text: "Dlamini" is a very common clan name among all documented Nguni languages (including Swati and Phuthi), associated with "AbaMbo" cultural identity.


title: Nguni people

text: Ngunis may be Christians (Catholics or Protestants), practitioners of African traditional religions or members of forms of Christianity modified with traditional African values.They also follow a mix of these two religions, most of the time not separately.


title: Nguni people

text: Ngoni people by ethnicity are found in Malawi (under Paramount Chief Mbelwa and Maseko Paramouncy), Zambia (under Paramount Chief Mpezeni), Mozambique and Tanzania. In Malawi and Zambia, they speak a mixture of languages of the people they conquered, such as Chewa, Nsenga and Tumbuka.


title: Tammy Rivera

text: Tammy Rivera is an American television personality, singer, fashion designer, and businesswoman. She is a former cast member of the VH1 reality show "".


title: Tammy Rivera

text: Rivera was born in July 30, 1986. She grew up in Baltimore, Maryland, where she lived since age 8. Rivera's mother relocated the family to the city after her father, Oscar Rivera, was sentenced to 30 years in prison. Rivera remained a Baltimore resident throughout the rest of her youth and early adult years. Rivera is of African American and Nicaraguan descent. Rivera shared on Instagram that she met her father Oscar for the first time when she was 14 years old.


title: Tammy Rivera

text: In 2013, it was announced that Rivera's husband Waka Flocka Flame had joined the cast of the franchise of "Love & Hip Hop".


title: Tammy Rivera

text: In 2015, Rivera started a swimwear line, T-Rivera. The T-Rivera website claims, "The swimwear line features all sizes for women taking a fashion forward approach. Its inspiring designs & patterns are cutting edge, yet constructed to hug all those delicious curves in the right way to beautifully accentuate the female body."


title: Tammy Rivera

text: March 2020, WETV aired "Waka & Tammy: What The Flocka", as a look into the marriage dynamic between the pop singer & rap star husband Waka Flocka.


title: Understeer and oversteer

text: Understeer and oversteer are vehicle dynamics terms used to describe the sensitivity of a vehicle to steering. Oversteer is what occurs when a car turns (steers) by more than the amount commanded by the driver. Conversely, understeer is what occurs when a car steers less than the amount commanded by the driver.


title: Understeer and oversteer

text: Automotive engineers define understeer and oversteer based on changes in steering angle associated with changes in lateral acceleration over a sequence of steady-state circular turning tests. Car and motorsport enthusiasts often use the terminology more generally in magazines and blogs to describe vehicle response to steering in a variety of maneuvers.


title: Understeer and oversteer

text: Standard terminology used to describe understeer and oversteer are defined by the Society of Automotive Engineers (SAE) in document J670 and by the International Organization for Standardization (ISO) in document 8855. By these terms, understeer and oversteer are based on differences in steady-state conditions where the vehicle is following a constant-radius path at a constant speed with a constant steering wheel angle, on a flat and level surface.


title: Understeer and oversteer

text: Understeer and oversteer are defined by an understeer gradient (K) that is a measure of how the steering needed for a steady turn changes as a function of lateral acceleration. Steering at a steady speed is compared to the steering that would be needed to follow the same circular path at low speed. The low-speed steering for a given radius of turn is called Ackermann steer. The vehicle has a positive understeer gradient if the difference between required steer and the Ackermann steer increases with respect to incremental increases in lateral acceleration. The vehicle has a negative gradient if the difference in steer decreases with respect to incremental increases in lateral acceleration.


title: Understeer and oversteer

text: Understeer and oversteer are formally defined using the gradient “K”. If K is positive, the vehicle shows understeer; if K is negative, the vehicle shows oversteer; if K is zero, the vehicle is neutral.


title: Understeer and oversteer

text: Several tests can be used to determine understeer gradient: constant radius (repeat tests at different speeds), constant speed (repeat tests with different steering angles), or constant steer (repeat tests at different speeds). Formal descriptions of these three kinds of testing are provided by ISO. Gillespie goes into some detail on two of the measurement methods.


title: Understeer and oversteer

text: Results depend on the type of test, so simply giving a deg/g value is not sufficient; it is also necessary to indicate the type of procedure used to measure the gradient.


title: Understeer and oversteer

text: Vehicles are inherently nonlinear systems, and it is normal for K to vary over the range of testing. It is possible for a vehicle to show understeer in some conditions and oversteer in others. Therefore, it is necessary to specify the speed and lateral acceleration whenever reporting understeer/oversteer characteristics.


title: Understeer and oversteer

text: Many properties of the vehicle affect the understeer gradient, including tire cornering stiffness, camber thrust, lateral force compliance steer, self aligning torque, lateral weight transfer, and compliance in the steering system. Weight distribution affects the normal force on each tire and therefore its grip. These individual contributions can be identified analytically or by measurement in a Bundorf analysis.


title: Understeer and oversteer

text: While much of this article is focused on the empirical measurement of understeer gradient, this section concentrates on road performance.


title: Understeer and oversteer

text: Understeer can typically be understood as a condition where, while cornering, the front tires begin to slip first. Since the front tires are slipping and the rear tires have grip, the vehicle will turn less than if all tires had grip. Since the amount of turning is less than it would be if all tires had traction, this is known as under-steering.


title: Understeer and oversteer

text: The opposite is true if the rear tires break traction first. The front tires will continue to accelerate the front of the vehicle laterally, tracing a circle. The rear tires will have a tendency to continue along the tangent of that circle but cannot because of their attachment to the front of the car, which still has traction. The result is that the rear tires will swing outwards relative to the front of the vehicle. This turns the vehicle towards the inside of the curve. If the steering angle is not changed (i.e. the steering wheel stays in the same position), then the front wheels will trace out a smaller and smaller circle while the rear wheels continue to swing around the front of the car. This is what is happening when a car 'spins out'. A car susceptible to oversteer is sometimes known as 'tail happy', as in the way a dog wags its tail when happy and a common problem in negative-k vehicles is fishtailing.


title: Understeer and oversteer

text: A car is called 'neutral' when the front and rear tires will lose traction at the same time. This is desirable because while the vehicle may slide towards the outside of the turn, it maintains the effective steering angle set by the driver. This makes it 'safer' to drive near the limit condition of traction because the outcome of breaking traction is more predictable.


title: Understeer and oversteer

text: In real-world driving (where both the speed and turn radius may be constantly changing) several extra factors affect the distribution of traction and the tendency to oversteer or understeer. These can primarily be split up into things that affect weight distribution to the tires and extra frictional loads put on each tire.


title: Understeer and oversteer

text: The weight distribution of a vehicle at standstill will affect handling. If the center of gravity is moved closer to the front axle, the vehicle tends to understeer due to tire load sensitivity. When the center of gravity is toward the back of the vehicle, the rear axle tends to swing out, which is oversteer. Weight transfer is inversely proportional to the direction and magnitude of acceleration, and is proportional to the height of the center of gravity. When braking, weight is transferred to the front and the rear tires have less traction. When accelerating, weight will transfer to the rear and decrease front tire traction. In extreme cases, the front tires may completely lift off the ground meaning no steering input can be transferred to the ground at all.


title: Understeer and oversteer

text: Tires must transmit the forces of acceleration and braking to the ground in addition to lateral forces of turning. These vectors are added, and if the new vector exceeds the tire's maximum static frictional force in any direction, the tire will slip. If a rear-wheel-drive vehicle has enough power to spin the rear wheels, it can initiate oversteer at any time by sending enough engine power to the wheels that they start spinning. Once traction is broken, they are relatively free to swing laterally. Under braking load, more work is typically done by the front brakes. If this forward bias is too great, then the front tires may lose traction, causing understeer.


title: Understeer and oversteer

text: While weight distribution and suspension geometry have the greatest effect on measured understeer gradient in a steady-state test, power distribution, brake bias and front-rear weight transfer will also affect which wheels lose traction first in many real-world scenarios.


title: Understeer and oversteer

text: When an understeer vehicle is taken to the grip limit of the tires, where it is no longer possible to increase lateral acceleration, the vehicle will follow a path with a radius larger than intended. Although the vehicle cannot increase lateral acceleration, it is dynamically stable.


title: Understeer and oversteer

text: When an oversteer vehicle is taken to the grip limit of the tires, it becomes dynamically unstable with a tendency to spinout. Although the vehicle is unstable in open-loop control, a skilled driver can maintain control past the point of instability with countersteering, and/or correct use of the throttle or even brakes; this can be referred to as drifting.


title: Understeer and oversteer

text: Understeer gradient is one of the main measures for characterizing steady-state cornering behavior. It is involved in other properties such as characteristic speed (the speed for an understeer vehicle where the steer angle needed to negotiate a turn is twice the Ackermann angle), lateral acceleration gain (g's/deg), yaw velocity gain (1/s), and critical speed (the speed where an oversteer vehicle has infinite lateral acceleration gain).


title: Delayed ejaculation

text: Delayed ejaculation (DE) describes a man's inability or persistent difficulty in achieving orgasm, despite typical sexual desire and sexual stimulation. Generally, a man can reach orgasm within a few minutes of active thrusting during sexual intercourse, whereas a man with delayed ejaculation either does not have orgasms at all or cannot have an orgasm until after prolonged intercourse which might last for 30–45 minutes or more. Delayed ejaculation is closely related to anorgasmia.


title: Delayed ejaculation

text: In the Diagnostic and Statistical Manual of Mental Disorders (DSM), fifth edition, the definition of DE requires 1 of 2 symptoms: either a marked delay in or a marked infrequency or absence of ejaculation on "75% to 100%" of occasions for "at least 6 months" of partnered sexual activity without the individual desiring delay, and causing significant distress to the individual. DE is meant to describe any and all of the ejaculatory disorders that result in a delay or absence of ejaculation. The Third International Consultation on Sexual Medicine defined DE as an IELT threshold beyond 20 to 25


title: Delayed ejaculation

text: minutes of sexual activity, as well as negative personal consequences such as bother or distress. Of note, most men's intravaginal ejaculation latency time range is approximately 4 to 10 minutes. While ejaculatory latency "and" control were significant criteria to differentiate men with DE from those without ejaculatory disorders, bother/distress did not emerge as a significant factor.


title: Delayed ejaculation

text: Delayed ejaculation is the least common of the male sexual dysfunctions, and can result as a side effect of some medications. In one survey, 8% of men reported being unable to achieve orgasm over a "two-month period or longer" in the previous year. DEs are either primary and lifelong or acquired. Acquired DEs may be situational. While most men do experience occasional or short term delayed ejaculation issues, the prevalence of lifelong DE and acquired long term DE is estimated around 1% and 4%, respectively.


title: Delayed ejaculation

text: Delayed ejaculation can be "mild" (men who still experience orgasm during intercourse, but only under certain conditions), "moderate" (cannot ejaculate during intercourse, but can during fellatio or manual stimulation), "severe" (can ejaculate only when alone), or "most severe" (cannot ejaculate at all). All forms may result in a sense of sexual frustration. In most cases, delayed ejaculation presents the condition in which the man can climax and ejaculate only during masturbation, but not during sexual intercourse.


title: Delayed ejaculation

text: The etiologies of delayed ejaculation can be age-related, organic, psychological, or pharmacological.


title: Delayed ejaculation

text: Primary lifelong DEs are poorly understood and rarely explained by few congenital anatomic causes (viz., Müllerian duct cyst, Wolfian duct abnormalities, prune belly syndrome, imperforate anus, congenital ejaculatory duct obstruction, genetic abnormalities including cystic fibrosis, etc.)


title: Delayed ejaculation

text: Diagnosis and management of DE warrant one of the most comprehensive medical evaluation in sexual health assessment that includes a full medical and sexual history performed along with a detailed physical examination. Understanding the quality of the sexual response cycle (desire, arousal, ejaculation, orgasm, and refractory period); details of the ejaculatory response, sensation, frequency, and sexual activity/techniques; cultural context and history of the disorder; partner's assessment of the disorder and if the partner has any sexual dysfunction themselves; and the overall satisfaction of the sexual relationship are all important to garner during history-taking.


title: Delayed ejaculation

text: Relatively normal latency to orgasm with self masturbation as compared to insertive or intravaginal ejaculation latency time reasonably rules out most of the organic causes of DEs.


title: Delayed ejaculation

text: Primary, lifelong DEs are poorly understood and hence less well studied. Organic causes in the acquired DEs should be addresses promptly. Retraining masturbatory practices and re-calibrating the mismatch of sexual fantasies with arousal are essential when these are contributing to DE. Techniques geared towards reduction of anxiety are important skills that can help overcome performance anxiety, as this can often interrupt the natural erectile function through orgasmic progression.


title: Delayed ejaculation

text: Therapy usually involves homework assignments and exercises intended to help a man get used to having orgasms through insertional intercourse, vaginal, anal, or oral, that is through the way to which he is not accustomed. Commonly, the couple is advised to go through three stages. At the first stage, a man masturbates in the presence of his partner. Sometimes, this is not an easy matter as a man may be used to having orgasms alone. After a man learns to ejaculate in the presence of his partner, the man's hand is replaced with the hand of his partner. In the final stage, the receptive partner inserts the insertive partner's penis into the partner's vagina, anus, or mouth as soon as the ejaculation is felt to be imminent. Thus, a man gradually learns to ejaculate inside the desired orifice by an incremental process.


title: Delayed ejaculation

text: There is as yet no reliable medication for all cases of delayed ejaculation. Some studies have found that PDE5 inhibitors such as Viagra have little effect. Viagra can have a delaying effect on ejaculation, possibly through additional effect in the brain or decrease of sensitivity in the head of the penis.


title: Delayed ejaculation

text: Cabergoline, an agonist of dopamine D receptors which inhibits prolactin production, was found in a small study to fully restore orgasm in one third of anorgasmic subjects, and partially restore orgasm in another third. Limited data has shown that the drug amantadine may help to relieve SSRI-induced orgasmic dysfunction. Cyproheptadine, buspirone, stimulants such as amphetamines (including the antidepressant bupropion), nefazodone has been used to treat SSRI-induced anorgasmia. Reducing the SSRI dosage may also resolve anorgasmia problems. Yohimbine has been shown to be effective in the treatment of orgasmic dysfunction in men.


title: B major

text: B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major.


title: B major

text: Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes).


title: B major

text: Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera "Rigoletto" is in the key, as is the "Flower Duet" from "Lakmé". Brahms's Piano Trio No. 1, Op. 8, is in B major, though the piece ends in B minor. Brahms also wrote the slow movement to his Second Symphony in B major, as well as the fourth and last piece of the Ballades, Op. 10. The second movement of Beethoven's Piano Concerto No. 5 "Emperor" is in B major. The "Tuileries" movement from Mussorgsky's "Pictures at an Exhibition" is in the key. Tchaikovsky's Manfred Symphony in B minor ends in B major.


title: Lithuanian Air Force

text: The Lithuanian Air Force or LAF (, abbreviated as "LK KOP") is the military aviation branch of the Lithuanian armed forces. It is formed from professional military servicemen and non-military personnel. Units are located at Zokniai Air Base near the city Šiauliai, at Radviliškis and Kaunas.


title: Lithuanian Air Force

text: After the declaration of Lithuania to be an independent state on February 16, 1918, the most urgent task of the new government was to organize a military force that could repel enemy armies that were coming from all sides. The first order for the creation of a Lithuanian army came on November 23, 1918.


title: Lithuanian Air Force

text: In January 1919, an Engineering Company was formed within the military, which contained an Aviation Squad. On March 12, 1919, the group was reorganized into an Aviation Company and became an independent military unit. Its leader was appointed to be marine engineer officer Petras Petronis. This date is considered to be the birthday of the Lithuanian Air Force.


title: Lithuanian Air Force

text: Between March and December 1919 and between 1932 and 1940, the Kaunas Military Aviation School operated in that city. The school trained officers in many aviation disciplines: pilots, observers, gunners and mechanics.


title: Lithuanian Air Force

text: The first aircraft (Sopwith 1½ Strutter) was taken by the Lithuanian military from the Red Army, on February 5, 1919, at the city of Jieznas. On February 27, 1919, eight new reconnaissance aircraft, LVG C.VI, were received. They had been purchased in Germany. In June, five more aircraft were purchased. In the following years some aircraft were taken as war booty and repaired in Lithuanian Aviation workshops, many were purchased from various countries. Later during the interwar period, Lithuania had its native ANBO series of aircraft built by the Lithuanian designers Jurgis Dobkevičius and Antanas Gustaitis.


title: Lithuanian Air Force

text: The Lithuanian Military Aviation was active in Lithuanian wars of independence battles with the Red Army and Polish military units. The pilot performing the most military sorties was Jurgis Dobkevičius, who later became the first Lithuanian aircraft designer and builder. On May 12, 1920, Vytautas Rauba was the first Lithuanian aviator to lose his life in an aircraft crash. On October 4 of the same year, in a fight with the Polish military, the first aircraft with a Lithuanian crew was shot down. The pilot of the aircraft, Juozas Kumpis, commander of Lithuania's First Air Squadron, was severely injured and died as prisoner of the Polish military.


title: Lithuanian Air Force

text: Starting in 1920 the military aviation branch was renamed a number of times and some time after 1928 it was named to the equivalent of the Lithuanian Air Force.


title: Lithuanian Air Force

text: The Lithuanian Air Force supported and encouraged various aeronautics related activities, such as the sport of gliding. In 1933, in cooperation with Aero Club of Lithuania, they helped establish a Lithuanian Gliding School in Nida and send their only experienced glider pilot, Gregorius Radvenis, to be the school's instructor and supervisor.


title: Lithuanian Air Force

text: In 1940, the Lithuanian Air Force consisted of eight Air Squadrons, including reconnaissance, fighter, bomber and training units. Air Force bases had been established in the cities and towns of Kaunas / Žagariškės, Šiauliai / Zokniai Air Base), Panevėžys / Pajuostis. In the summer time, airfields near the cities of Palanga and Rukla were also used. A total of 117 aircraft and 230 pilots and observers were listed in the books by mid-1940, at the moment of occupation of Lithuania by the Soviet Union.


title: Lithuanian Air Force

text: Following the Soviet occupation of Lithuania the Lithuanian Air Force was formally disbanded on October 23, 1940. Part of Lithuanian Air Force (77 senior officers, 72 junior officers, 59 privates, 20 aircraft) was reorganized into Red Army's 29th Territorial Rifle Corps Aviation, also referred to as National Squadron ("Tautinė eskadrilė"). Other planes and equipment were taken over by Red Army's Air Force Bases No. 13 and 213. About third of Tautinė eskadrilė's personnel latter suffered repressions by Soviet authorities, significant share joined June uprising, after the start of German invasion into Soviet Union several pilots of Tautinė eskadrilė and fewer than six planes withdrew with Soviet army.


title: Lithuanian Air Force

text: On 23 January 1992, the Minister of Defense signed an order establishing the staff for the Aviation Base of the Aviation Service. But an actual base in the Šiauliai airport territory (Barysiai airfield) was not established until March, when all the infrastructure, buildings, territory and 24 An-2 aircraft were transferred from Lithuanian Airlines to the Aviation Service of the Ministry of Defense in January 1992. On 12 June 1992, the first time after regaining the independence of Lithuania, An-2 aircraft, marked with the double cross of Vytis on its wings – the distinguishing sign of Lithuanian Air Force – took off from Barysiai airfield. This date is considered to be the Aviation Base foundation date. In February 1993 four L-39C Albatros aircraft were brought from Kyrgyzstan.


title: Lithuanian Air Force

text: After 1 March 1993 Aviation Service was reformed to the Lithuanian Air Force and Aviation Base was renamed the First Aviation Base of the Lithuanian Air Force. In January 1994 Lithuania officially applied for NATO membership. From 1995 to 1999, the First Aviation Base was relocated to Zokniai aerodrome nearby Šiauliai, which was used for fighter wing, radio-electronic fight and reconnaissance squadrons dislocation during the Soviet occupation. By the decree of the Minister of Defense of the Republic of Lithuania Linas Linkevičius, the First Aviation Base and the Second Aviation Base were reorganized into the Lithuanian Air Force Aviation Base as of 1 October 2004. Up to 2004, there were only light attack jet aircraft and transport aircraft located at the Air Base, after the reconstruction of First and Second Air Bases, helicopters are located at the Air Base too.


title: Lithuanian Air Force

text: In 2007, two L-39ZA aircraft underwent extension of technical resources in Romania. Maintenance works included exhaustive check-up of the aircraft units and major engine repairs. New navigation equipment GNS 530 was installed and radio communication sets changed in pilot cabins. These planes are used to train fighter control officers in air policing mission and fighter command officers. Furthermore, a complex program of capital overhaul, upgrade and modernisation of the Air Force's helicopters Mi-8 and twin engine short-range transport aircraft L-410 was conducted.


title: Lithuanian Air Force

text: The Lithuanian Air Force Headquarters and the Airspace Surveillance and Control Command are located in Kaunas, while the Air Space Control Centre and the Baltic Air Surveillance Network's Regional Airspace Surveillance Coordination Centre (RASCC) are located nearby in Karmėlava. Air Base, and Air Force Armament and Equipment Repair Depot are located at Šiauliai Air Base. The Air Defence Battalion, formed in 2000, is located in Radviliškis.


title: Lithuanian Air Force

text: The main air base is located in Šiauliai city. It is manned with professional military and also non-military personnel. It consists of a headquarters, air operation group and operational support group. The base operates various fixed wing and rotary blade aircraft. The staff, aircraft and equipment of the Air Base has participated in many international training missions abroad and at home.


title: Lithuanian Air Force

text: Development of infrastructure is one key missions of the Air Defence Battalion currently in the stage of development.


title: Lithuanian Air Force

text: The Airspace Surveillance and Control Command works closely with the Baltic States Air Surveillance System, BALTNET. The appropriate legal documentation of the BALTNET project was developed, the Reciprocal Memorandum of Understanding concerning military personnel training was signed among Lithuanian, Estonian, Latvian, and Danish Ministries of Defence.