title: Penny Smith

text: Smith has written for a number of national newspapers and magazines, including a beauty column for "Femail" in the "Daily Mail" and articles in "Essentials" magazine, "Good Housekeeping", and "Woman and Home".


title: Penny Smith

text: Smith has produced three yoga videos: "Penny Smith's Power Yoga", "Penny Smith's Essential Guide to Yoga" presented alongside Howard Napper and "Penny Smith's Yoga Masterclass".


title: Penny Smith

text: Smith married journalist Tony Birtley in May 1984 in Grantham; they divorced in 1987. She counts Rory Bremner and Paul McKenna amongst her ex-boyfriends. Since September 2001, Smith has been in a long term relationship with the actor Vince Leigh.


title: The Monster (2016 film)

text: The Monster (originally titled There Are Monsters) is a 2016 American-Canadian monster horror film written and directed by Bryan Bertino, and starring Zoe Kazan and Ella Ballentine. Its plot follows a troubled mother and her adolescent daughter who find themselves stranded at night on a country road with a malicious creature hunting them.


title: The Monster (2016 film)

text: The film was released through DirecTV Cinema on October 6, 2016, before opening in a limited release on November 11, 2016, via A24.


title: The Monster (2016 film)

text: Kathy (Zoe Kazan) is driving her teenage daughter Lizzy (Ella Ballentine) to her father's house as it's his turn for custody. Tired of taking care of her abusive, alcoholic mother, Lizzy makes it clear she wants to live with her father permanently. As night falls, Kathy hits a wolf with her car. But its injuries look like they were sustained by an animal attack rather than their car. Kathy is injured in the collision, forcing Lizzy to call a tow truck and ambulance.


title: The Monster (2016 film)

text: The tow truck arrives and its driver, Jesse, begins working underneath the car. Lizzy notices the wolf's body is gone and now becomes frightened. Tired with bickering, Kathy gets out of the car to talk to Jesse but cannot find him. Jesse's severed arm abruptly lands on the hood of the car. A severely mauled Jesse crawls out of the woods, only for a monstrous creature to drag him under the tow truck and eat him before Kathy can help.


title: The Monster (2016 film)

text: Attracted by the sound of music emanating from Lizzy's teddy bear, the monster drags Kathy out from the car. Luckily, it is scared away by the approaching ambulance before it is able to kill Kathy. As Kathy and Lizzy cower in the ambulance, the monster slaughters the EMT team. It smashes into the ambulance when Kathy tries to drive off, causing her to swerve into the woods.


title: The Monster (2016 film)

text: Kathy begins vomiting up blood and realizes she has internal bleeding. Now aware that the monster is scared away by bright light (and her inevitable death is coming), Kathy uses her lighter to make a torch and tells her daughter her plan. She's going to run into the woods so the monster will chase her while Lizzy escapes into the road to get help. Kathy finally admits to Lizzy she does truly love her; even more than life itself.


title: The Monster (2016 film)

text: Under the impression Lizzy has gotten away, Kathy allows the monster to attack (and kill) her. But Lizzy, who was unwilling to leave her mother behind, chases it away with the flashlight. Upon realizing her mother is dead, a distraught and enraged Lizzy (now determined to avenge Kathy's death) uses a spray can from the ambulance combined with her mother's lighter to set the monster ablaze. It attempts to lunge at her with its last bits of strength while near-fatally wounded, but Lizzy beats it to death with a large stick finally killing it.


title: The Monster (2016 film)

text: Lizzy remembers after a particularly hateful, alcohol-fueled encounter, Kathy apologized and correctly predicted Lizzy would grow up to be a better person than she was. As the sun rises, Lizzy emerges from the woods.


title: The Monster (2016 film)

text: In 2014, Bryan Bertino announced that he would direct the film from a screenplay he also wrote. William Green and Aaron Ginsburg of Atlas Entertainment and Adrienne Biddle of Unbroken Pictures would serve as producers, while Richard Suckle and Sonny Mallhi would serve as executive producers.


title: The Monster (2016 film)

text: Elisabeth Moss was originally announced to star in the film in May 2014. The following year, after Moss dropped out of the production, Zoe Kazan joined the cast, replacing Moss. Commenting on committing to the project, Kazan stated that she was "really captured by the story of these two people, especially of the mother really struggling against her worst behaviors to protect her child. She’s not in the habit of taking very good care of her daughter and I don’t think she’s well equipped for motherhood. I was moved by that storyline." To get into the mindset of being a mother, Kazan asked Ballentine's mother for baby photos of her.


title: The Monster (2016 film)

text: In August 2015, it was announced that Scott Speedman, Aaron Douglas and Ella Ballentine all joined the cast of the film. Speedman, who had previously starred in Bertino's directorial debut "The Strangers" (2008), was cast as Roy, Kathy's boyfriend.


title: The Monster (2016 film)

text: Filming began in Ottawa, Ontario in the summer of 2015. Principal photography concluded on August 21, 2015. Reflecting on the shoot, Kazan stated: "We were in a very isolated situation shooting in rural Ontario, and there wasn’t a lot around. [Ella Ballentine and I] were basically the only actors in the film, so we spent a tremendous amount of time together and with her mom. It wasn’t all because we were just trying to bond for the movie, it was also because we enjoyed each other’s company. It definitely helped that bond as did the three days of rehearsal."


title: The Monster (2016 film)

text: In May 2015, A24 acquired U.S distribution rights to the film. In April 2016, the first image of Kazan's character was revealed. The film’s original title, "There Are Monsters", was changed to "The Monster" in August 2016.


title: The Monster (2016 film)

text: The film was released on the DirecTV Cinema platform on October 6, 2016. On November 11, 2016, the film was given a limited theatrical release simultaneously with its debut on other video on demand platforms.


title: The Monster (2016 film)

text: The film screened at the Beyond Fest on October 6, 2016, the Tacoma Film Festival on October 7, 2016, and the Sitges Film Festival on October 15, 2016.


title: The Monster (2016 film)

text: Manohla Dargis, in her review for "The New York Times", compared the film to other horror stories about "monstrous motherhood" released for art house and multiplex crowds, saying "The Monster" was "cleverly pitched somewhere in between." Of the two main actresses and their roles, Dargis noted "Ms. Kazan gives her lungs a workout, and while she’s more persuasive as a scream queen than as a mother, she and Ms. Ballentine get the job done." Justin Chang of the "Los Angeles Times" praised Bertino's establishment of suspense, writing that he "doles out the jolts with a judicious hand. For a while, "The Monster" smartly keeps its teeth-snapping main attraction either on the edges of the frame or draped in shadow, distracting us instead with the sinister patter of raindrops on the windshield, or the glow of a flashlight beam...  Not least of the surprises here is that even when "The Monster" is trying to scare you witless, its every scene insistently reaffirms its characters’ humanity."


title: The Monster (2016 film)

text: Brian Tallerico of RogerEbert.com praised the creature effects, likening to those in "Alien", as well as Kazan's performance, which he wrote "captures the truth of the moment in which Kathy struggles. Kazan doesn’t play the symbolism of the piece. She plays a mother fighting for the life of her child and herself. It’s a committed, fearless performance in how it never betrays the reality of her dilemma. It’s not a typical performance from Kazan, but it’s a great one." "The Hollywood Reporter"s Justin Lowe wrote that the film "reduces primal fear to its fundamental elements," praising cinematographer Julie Kirkwood’s "ominously prowling camera and sometimes deliberately murky lighting consistently amplify tension by obscuring the threat lurking just beyond the frame." Dennis Harvey of "Variety" commended the film's establishment of characters and its "conceptual simplicity...  sharply assembled in all departments, wringing the maximum suspense and variety out of what might have easily become a claustrophobically monotonous handful of outdoor and car-interior locations."


title: Obsession (1976 film)

text: Obsession is a 1976 American neo-noir psychological thriller film directed by Brian De Palma, starring Cliff Robertson, Geneviève Bujold and John Lithgow. The screenplay was written by Paul Schrader, from a story by De Palma and Schrader. Bernard Herrmann provided the film's soundtrack before his death in 1975. The story is about a prominent New Orleans businessman who is haunted by guilt following the death of his wife and daughter during a kidnapping-rescue attempt gone wrong. Years later, he meets and falls in love with a young woman who is the exact look-alike of his long dead wife.


title: Obsession (1976 film)

text: Both De Palma and Schrader have pointed to Alfred Hitchcock's "Vertigo" (1958) as the major inspiration for "Obsession"'s narrative and thematic concerns. Schrader's script was extensively rewritten and pared down by De Palma before shooting, causing the screenwriter to proclaim a complete lack of interest in the film's subsequent production and release.


title: Obsession (1976 film)

text: Completed in 1975, Columbia Pictures picked up the distribution rights but demanded that minor changes be made to reduce potentially controversial aspects of the plot. When finally released in the late summer of 1976, it became De Palma's first substantial box-office success and received mixed reviews from critics.


title: Obsession (1976 film)

text: In 1959, Michael Courtland, a New Orleans real estate developer, has his life shattered when his youthful wife Elizabeth and his little daughter Amy are abducted. The police recommend he provide the kidnappers with a briefcase of plain paper cut into dollars instead of the demanded ransom, as the kidnappers will then be more likely to surrender when cornered rather than flee with cash. Courtland accepts this plan, occasioning a bungled car chase and a spectacular explosion in which the kidnappers and victims perish. Courtland blames himself for his family's passing.


title: Obsession (1976 film)

text: Sixteen years later, in 1975, Courtland is obsessed with his late wife and often visits a monument he has had built in her memory, a replica of the church (the Basilica di San Miniato al Monte) in Florence, Italy where the two of them first met. His business partner Robert LaSalle convinces Courtland to tag along on a work trip to Florence. While there, Courtland revisits the church and finds a young woman named Sandra who resembles his late wife. The already slightly unhinged Courtland begins to court Sandra and subtly attempts to transform her into Elizabeth's duplicate.


title: Obsession (1976 film)

text: Courtland returns to New Orleans with Sandra so they can marry. On their wedding night, Sandra is kidnapped and a note left by her abductors that is a replica of the kidnappers' message sixteen years ago. This time, Courtland decides to deliver the ransom though it will drive him to ruin, withdrawing massive amounts from his accounts and holdings and signing over his interest in the real estate business to LaSalle. This leads him to the discovery that everything, including the original kidnapping, had been engineered by LaSalle to control Courtland's shares. The now nearly insane Courtland stabs LaSalle to death.


title: Obsession (1976 film)

text: Knowing Sandra must have been an accomplice in the plot, he goes to the airport to kill her. Before boarding the plane, it is revealed in a flashback that Sandra is Courtland's daughter Amy. Following the original kidnapping, LaSalle concealed Amy's survival and sent her to dwell in secret with an Italian caretaker who raised her as her own and named her Sandra. Down the years, LaSalle deceived Sandra about Courtland, convincing her Courtland failed to furnish the ransom as he did not love her enough. Sandra, who has come to love Courtland, attempts suicide on the plane and departs the flight in a wheelchair. Courtland sees and runs at her, gun drawn. A security guard attempts to halt him, but Courtland stuns the staff with the money-laden briefcase, spilling its contents. Sandra, sighting fluttering bills, stands and shouts: "Daddy! You brought the money!" Courtland apprehends at last Sandra's identity, and father and daughter embrace.


title: Obsession (1976 film)

text: De Palma and Schrader devised a story with a narrative inspired by Alfred Hitchcock's "Vertigo", a film both admired. Schrader's original screenplay, titled "Déjà Vu", was reportedly much longer than the final film, with a coda that extended another 10 years beyond where the film now ends. De Palma ultimately found Schrader's screenplay unfilmable due to its length, and rewrote and condensed the finale after Schrader refused to make the requested changes. According to De Palma, "Paul Schrader's ending actually went on for another act of obsession. I felt it was much too complicated, and wouldn't sustain, so I abbreviated it." Bernard Herrmann, the film's composer, agreed that the original ending should be jettisoned, telling De Palma after reading Schrader's version "Get rid of it — that'll never work". Schrader remained resentful of De Palma's rewrite for years and claimed to have lost all interest in the project once the change was made. Schrader indicated that "the original three-part story conclude with a section set in the future (1985). My original idea in the script was to write an obsessive love where transcended the normal strictures of time."


title: Obsession (1976 film)

text: De Palma said "It made Schrader very unhappy: he thought I'd truncated his masterpiece. He's never been the same since." Schrader stated that "the future section was cut from the script for budgetary reasons"; however rumor had it that Bernard Herrmann suggested the cuts when he was working on the score for the film because he felt the last third set in the future didn't work. In 2011, Schrader's full three-part script was released as part of the Arrow Video Blu-ray.


title: Obsession (1976 film)

text: Columbia executives expressed unease over the incest theme, especially as it was portrayed in such a heavily romanticized manner. Consequently, a few minor changes were made to a pivotal sequence between Robertson and Bujold, in which dissolves and visual "ripples" were inserted over the wedding and post-wedding scenes to suggest that the consummation of their marriage only took place in a dream sequence. Paul Hirsch, the film's editor, agreed with the decision to obscure the incest theme, noting "I thought it was a mistake to drag incest into what was basically a romantic mystery, so I suggested to Brian 'What if it never happened? What if instead of having them get married, Michael only dreams of getting married? We have this shot of Cliff Robertson asleep. We could use that and then cut to the wedding sequence.' And that's what we did. It became a projection of his desires rather than actual fact."


title: Obsession (1976 film)

text: In the documentary "De Palma", the director indicated that he felt the major flaw of the film was in casting Cliff Robertson. De Palma felt that Robertson couldn't play the anguish of the character, and was frequently difficult on-set. De Palma was effusive in his praise of Bujold who he felt had the more difficult role, which she played admirably, giving the film the emotional resonance needed for the project.


title: Obsession (1976 film)

text: The film was an unexpected financial success. Columbia held on to the movie for almost a year before sending it into theaters in late August, traditionally the "dog days" of movie attendance. "Obsession" had managed to obtain enough positive critical notices to spark interest, and it earned the distributor over $4 million in domestic (U.S. and Canada) rentals.


title: Obsession (1976 film)

text: Initial critical reaction to "Obsession" was mixed. Roger Ebert wrote "Brian De Palma's "Obsession" is an overwrought melodrama, and that's what I like best about it...I don't just like movies like these; I relish them. Sometimes overwrought excess can be its own reward. If "Obsession" had been even a little more subtle, had made even a little more sense on some boring logical plane, it wouldn't have worked at all." "Variety"'s review described it as "an excellent romantic and non-violent suspense drama...Paul Schrader's script...is a complex but comprehensible mix of treachery, torment and selfishness..."


title: Obsession (1976 film)

text: In "Time", Richard Schickel called the film "...exquisite entertainment...The film also throws into high melodramatic relief certain recognizable human truths: the shock of sudden loss, the panic of the effort to recoup, the mourning and guilt that blind the protagonist to a multitude of suspicious signs as he seeks expiation and a chance to relive his life. In a sense, the movie offers viewers the opportunity to do the same thing—by going back to a more romantic era of the cinema and the simple, touching pleasures denied the audience by the current antiromantic spirit of the movies."


title: Obsession (1976 film)

text: Other reviewers praised the stylish cinematography by Vilmos Zsigmond, and Bernard Herrmann's beautiful, highly romantic score was one of the more acclaimed in his distinguished career, earning him a posthumous Academy Award nomination (the composer died in December 1975, a few hours after completing the score of Martin Scorsese's "Taxi Driver"). The National Board of Review named "Obsession" one of the Top Ten Films of 1976.


title: Obsession (1976 film)

text: But several critics complained that the film was all too clearly a mere homage to "Vertigo", without being original or interesting enough in itself as a thriller. Pauline Kael, normally one of De Palma's greatest admirers, dismissed the film as "no more than an exercise in style, with the camera whirling around nothingness..." Vincent Canby wrote "To be blunt, "Obsession" is no "Vertigo", Hitchcock's witty, sardonic study of obsession that did transcend its material, which wasn't all that bad to start with. The Schrader screenplay...is most effective when it's most romantic, and transparent when it attempts to be mysterious...The plot...is such that you'll probably have figured out the mystery very early."


title: Obsession (1976 film)

text: Decades later, "Obsession"'s reputation improved considerably. Rotten Tomatoes lists the film as having a 73% favorability rating, based on the critiques of a sampling of 26 reviewers. The site's consensus reads: ""Obsession" suffers in comparison to the Alfred Hitchcock masterpiece that it mirrors, but director Brian De Palma's unique preoccupations give this thriller its own compulsive, twisted fingerprint".


title: Obsession (1976 film)

text: The CD soundtrack composed and conducted by Bernard Herrmann is available on Music Box Records label. Disc one presents "The Film Score" and disc two, "The Original 1976 Soundtrack Album". "complete film score" was recorded by the City of Prague Orchestra and Chorus, conducted by Nic Raine (Tadlow 2015). It includes a second disc Blu-ray CD recording of the session.


title: James Dean Bradfield

text: James Dean Bradfield (born 21 February 1969) is a Welsh singer-songwriter, musician and record producer. He is known for being the lead vocalist and guitarist for the Welsh alternative rock band Manic Street Preachers.


title: James Dean Bradfield

text: Born in Tredegar, Monmouthshire, Bradfield attended the local Oakdale Comprehensive School where he suffered years of cruelty and bullying (he claims he was "a Woody Allen-esque little nerd") for his name (nicknamed Crossfire), lazy eye, musical bend and small size. James formed a close relationship with three friends: his cousin Sean Moore, who lived with James and his family throughout their childhood after his own parents' divorce, and future bandmates Nicky Wire and Richey Edwards.


title: James Dean Bradfield

text: Bradfield loved to run and was a steeplechaser, and soon grew fond of punk rock band The Clash, although his earliest musical love was ELO. He gave up his dream of "being like Napoleon" and decided that he wanted to be a rock star. He learnt to play guitar by learning how to play Guns N' Roses's "Appetite for Destruction" with the curtains drawn in his parents' front room.


title: James Dean Bradfield

text: In late April 2006, a track from Bradfield's debut solo single entitled "That's No Way to Tell a Lie" premiered on Janice Long's show on BBC Radio 2. It became the first single from the album and was released on 10 July while the album, entitled "The Great Western", was released on 24 July. The single debuted at No. 18 in the UK singles chart while the album debuted at No. 22 on the album chart. The positions were considered relatively successful considering the lack of promotion.


title: James Dean Bradfield

text: In support of the album, Bradfield played a series of solo gigs in May 2006 in Manchester, Glasgow, Dundee, Nottingham, Birmingham, and London. The setlists consisted of tracks from "The Great Western" as well as several Manics tracks including "This Is Yesterday" and "Ocean Spray". He also played one further date at London ULU in June 2006, featuring a similar setlist to the other gigs. Bradfield also performed at the 2006 V Festival in late August. He embarked on his first full UK tour – consisting of 15 dates – in October. A second single, "An English Gentleman", was lifted from "The Great Western" before the tour and entered the UK chart at No. 31 on 1 October 2006.


title: James Dean Bradfield

text: The second album by Bradfield, "Even in Exile", was confirmed in March 2020 to "NME" alongside the announcement of a 2021 Manics album. That June, the album was confirmed to be inspired by the life and death of Chilean communist activist Víctor Jara, with lyrics written as unpublished poetry by Patrick Jones. Two tracks, "There'll Come a War" and the instrumental "Seeking the Room With the Three Windows" were released the same day. The next week, the album was given a title and date alongside the launch of its first single, "The Boy From the Plantation", which debuted on Steve Lamacq's show on BBC Radio 6 Music. The album was released on 14 August 2020 on digital, CD, cassette, and vinyl and entered the UK charts at No. 6, giving Bradfield his first solo top 10 album.


title: James Dean Bradfield

text: He currently lives in Llandaff, Cardiff. Despite having once said “I always get bored of the company of women really quickly,” he married the band's PR agent Mylène Halsall in a ceremony in Florence, Italy on 11 July 2004. The couple have two children. He is a supporter of Cardiff Blues and Nottingham Forest. In 2015, Bradfield and fellow Manic Sean Moore went to Patagonia in aid of the Velindre charity.


title: End of the Line (Traveling Wilburys song)

text: "End of the Line" is a song by the British-American supergroup the Traveling Wilburys. It was the final track on their debut album "Traveling Wilburys Vol. 1", released in October 1988. It was also issued in January 1989 as the band's second single. The recording features all the Wilburys except Bob Dylan as lead singers; George Harrison, Jeff Lynne and Roy Orbison sing the choruses in turn, while Tom Petty sings the verses. The song was mainly written by Harrison and was assigned to his publishing company, Umlaut Corporation. However, all five members of the group received a songwriting credit in keeping with the collaborative concept behind the Wilburys project.


text: In the United States, the single peaked at No. 63 on the "Billboard" Hot 100 chart and at No. 2 on the Album Rock Tracks chart, blocked from the top spot by both "Driven Out" by The Fixx and "Working on It" by Chris Rea. In the United Kingdom, the single peaked at No. 52 on the UK Singles Chart.


text: The music video for "End of the Line" was directed by Willy Smax and filmed in Los Angeles in December 1988. Set in a moving passenger car (carriage) pulled by a steam locomotive, it features Dylan playing guitar and session musician Jim Keltner (credited as Buster Sidebury on the albums) playing brushes. As Orbison died after recording his vocals but before the video was shot, a shot of a guitar sitting in a rocking chair and a photo of him are shown when his vocals are heard.


text: The song was used over the end credits of the final episode of the British sitcom "One Foot in the Grave" and the American comedy "Parks and Recreation".


text: The song has also been included in TV spots for the 2004 film "The Terminal", as well as the trailer for the 2007 hit comedy "Knocked Up".


text: Harrison was honoured in the parody song "No Where Near the End of My Time" by radio on-air personality Bob Rivers.


text: The song was used on the end credits of the Australian family comedy film "" in 2016 and for an episode of HBO's "Crashing" in 2018.


title: Ramachandran plot

text: In biochemistry, a Ramachandran plot (also known as a Rama plot, a Ramachandran diagram or a [φ,ψ] plot), originally developed in 1963 by G. N. Ramachandran, C. Ramakrishnan, and V. Sasisekharan, is a way to visualize energetically allowed regions for backbone dihedral angles ψ against φ of amino acid residues in protein structure. The figure on the left illustrates the definition of the φ and ψ backbone dihedral angles (called φ and φ' by Ramachandran). The ω angle at the peptide bond is normally 180°, since the partial-double-bond character keeps the peptide planar. The figure in the top right shows the allowed φ,ψ backbone conformational regions from the Ramachandran et al. 1963 and 1968 hard-sphere calculations: full radius in solid outline, reduced radius in dashed, and relaxed tau (N-Cα-C) angle in dotted lines. Because dihedral angle values are circular and 0° is the same as 360°, the edges of the Ramachandran plot "wrap" right-to-left and bottom-to-top. For instance, the small strip of allowed values along the lower-left edge of the plot are a continuation of the large, extended-chain region at upper left.


title: Ramachandran plot

text: A Ramachandran plot can be used in two somewhat different ways. One is to show in theory which values, or conformations, of the ψ and φ angles are possible for an amino-acid residue in a protein (as at top right). A second is to show the empirical distribution of datapoints observed in a single structure (as at right, here) in usage for structure validation, or else in a database of many structures (as in the lower 3 plots at left). Either case is usually shown against outlines for the theoretically favored regions.


title: Ramachandran plot

text: One might expect that larger side chains would result in more restrictions and consequently a smaller allowable region in the Ramachandran plot, but the effect of side chains is small. In practice, the major effect seen is that of the presence or absence of the methylene group at Cβ. Glycine has only a hydrogen atom for its side chain, with a much smaller van der Waals radius than the CH, CH, or CH group that starts the side chain of all other amino acids. Hence it is least restricted, and this is apparent in the Ramachandran plot for glycine (see Gly plot in gallery) for which the allowable area is considerably larger. In contrast, the Ramachandran plot for proline, with its 5-membered-ring side chain connecting Cα to backbone N, shows a limited number of possible combinations of ψ and φ (see Pro plot in gallery). The residue preceding proline ("pre-proline") also has limited combinations compared to the general case.


title: Ramachandran plot

text: The first Ramachandran plot was calculated just after the first protein structure at atomic resolution was determined (myoglobin, in 1960), although the conclusions were based on small-molecule crystallography of short peptides. Now, many decades later, there are tens of thousands of high-resolution protein structures determined by X-ray crystallography and deposited in the Protein Data Bank (PDB). Many studies have taken advantage of this data to produce more detailed and accurate φ,ψ plots (e.g., Morris "et al." 1992; Kleywegt & Jones 1996; Hooft "et al." 1997; Hovmöller "et al." 2002; Lovell "et al." 2003; Anderson "et al." 2005". Ting "et al." 2010).


title: Ramachandran plot

text: The four figures below show the datapoints from a large set of high-resolution structures and contours for favored and for allowed conformational regions for the general case (all amino acids except Gly, Pro, and pre-Pro), for Gly, and for Pro. The most common regions are labeled: α for α helix, Lα for left-handed helix, β for β-sheet, and ppII for polyproline II. Such a clustering is alternatively described in the ABEGO system, where each letter stands for α (and 3) helix, right-handed β sheets (and extended structures), left-handed helixes, left-handed sheets, and finally unplottable cis peptide bonds sometimes seen with proline; it has been used in the classification of motifs and more recently for designing proteins.


title: Ramachandran plot

text: While the Ramachandran plot has been a textbook resource for explaining the structural behavior of peptide bond, an exhaustive exploration of how a peptide behaves in every region of the Ramachandran plot was only recently published (Mannige 2017).


title: Ramachandran plot

text: The Molecular Biophysics Unit at Indian Institute of Science celebrated 50 years of Ramachandran Map by organizing International Conference on Biomolecular Forms and Functions from 8–11 January 2013.


title: Daniel Ash

text: Daniel Ash (born 31 July 1957) is an English musician, songwriter and singer. He became prominent in the late 1970s as the guitarist for the iconic goth rock band Bauhaus, which spawned two related bands led by Ash: Tones on Tail and Love and Rockets. Recently, he reunited with bandmate Kevin Haskins to form Poptone, a retrospective of their respective careers, featuring Kevin's daughter Diva Dompe on bass. He has also recorded several solo albums. Several guitarists have listed Ash as an influence, including Dave Navarro of Jane's Addiction, Kim Thayil of Soundgarden, Hide of X Japan and John Frusciante of the Red Hot Chili Peppers.


title: Daniel Ash

text: After going to concerts in his teenage years, Ash decided to perform on a stage in some way. He started playing guitar around the age of 15, but confessed to having been very lazy and learning only three chords, and nothing more, for about three years. He began playing in cover bands, often together with future band mates David J and Kevin Haskins, whom he had known since nursery school. His first gig was in the Glasgow Rangers Workman's Club.


title: Daniel Ash

text: Ash had become friends with Peter Murphy during his teenage years. Ash went to art school and Murphy went to work in a printing factory. They met up again five years later and Ash suggested forming a band. Rigging up a makeshift rehearsal space, Ash played an Echo 12 – bar blues, while Murphy sang a series of newspaper articles. Four weeks later, they formed Bauhaus and recorded "Bela Lugosi's Dead".


title: Daniel Ash

text: That song, released in 1979, became one of the most influential songs in gothic rock music, even though they saw themselves as a "dark glam" band and have always distanced themselves from the gothic label. From early on, he was intent on sounding original, and often tried to "make the guitar not sound like a guitar". He worked to develop a guitar style that included other-worldly and atmospheric sounds by the use of an EBow. He typically has used a Telecaster guitar, HH amplifiers and Marshall 4x12 cabinets for his stage gear. Later in his career, he relied heavily on the Fernandes Sustainer system to achieve sounds similar to the EBow.


title: Daniel Ash

text: After nearly five years of recording and performing, Bauhaus broke up and Ash put together Tones on Tail with Bauhaus drummer Kevin Haskins. As Ash described them: "We were a motley crew of individuals who essentially wanted to sound like a band from Venus or Mars!" In 1984, Tones on Tail was disbanded; Ash founded Love and Rockets in 1985 with Haskins and David J, also of Bauhaus. In an interview in June 2009, Ash emphatically stated that he had no further plans to play with Love and Rockets.


title: Daniel Ash

text: Ash has stated that guitar solos do not interest him much, since they rely on a musician's ego. He cares much more for the craft of songwriting and the overall production of a song rather than a focus on guitar or any other single instrument. During the last ten years, he has been experimenting more with electronic music, both with Love and Rockets and solo, limiting the use of guitar as an extra element to the songs. Since the last reformation of Bauhaus, however, he has been returning to a more guitar-based rock sound.


title: Daniel Ash

text: In 2008, Bauhaus released "Go Away White", (their first studio album in 25 years) which was followed by a world tour.


title: Daniel Ash

text: In June 2009, Ash released a cover of the David Essex song "Rock On", featuring singer Zak Ambrose on vocals. Recorded at the Swing House rehearsal and recording complex in Hollywood, the track is on the "Swing House Sessions Vol 1" EP. Later in 2009, Ash released a four-song EP exclusively through iTunes, entitled "It's A Burn Out".


title: Daniel Ash

text: In March 2017, Daniel Ash, Kevin Haskins and Haskin's daughter Diva Dompé announced Poptone and a US tour, featuring songs by Tones on Tail, Love and Rockets and Bauhaus.


title: Daniel Ash

text: In 2020, during the Covid pandemic, Ash created a new band, Ashes and Diamonds, comprising Paul Denman on bass, formerly of Sade, and Bruce Smith the former drummer with The Pop Group, Rip Rig + Panic and Public Image Ltd. An album was recorded and is


title: Daniel Ash

text: Ash joined Jane's Addiction on stage at Madison Square Garden in 2022 to perform Jane's Addiction's "Jane Says" and "Slice of Life" by Bauhaus.


title: Ovule

text: In seed plants, the ovule is the structure that gives rise to and contains the female reproductive cells. It consists of three parts: the "integument", forming its outer layer, the "nucellus" (or remnant of the megasporangium), and the female gametophyte (formed from a haploid megaspore) in its center. The female gametophyte — specifically termed a "megagametophyte"— is also called the "embryo sac" in angiosperms. The megagametophyte produces an egg cell for the purpose of fertilization. The ovule is a small structure present in the ovary. It is attached to the placenta by a stalk called a funicle. The funicle provides nourishment to the ovule.


title: Ovule

text: In flowering plants, the ovule is located inside the portion of the flower called the gynoecium. The ovary of the gynoecium produces one or more ovules and ultimately becomes the fruit wall. Ovules are attached to the placenta in the ovary through a stalk-like structure known as a "funiculus" (plural, funiculi). Different patterns of ovule attachment, or placentation, can be found among plant species, these include:


title: Ovule

text: In gymnosperms such as conifers, ovules are borne on the surface of an ovuliferous (ovule-bearing) scale, usually within an ovulate cone (also called megastrobilus). In the early extinct seed ferns, ovules were borne on the surface of leaves. In the most recent of these taxa, a cupule (a modified branch or group of branches) surrounded the ovule (e.g. "Caytonia" or "Glossopteris").


title: Ovule

text: Ovule orientation may be "anatropous", such that when inverted the micropyle faces the placenta (this is the most common ovule orientation in flowering plants), "amphitropous", "campylotropous", or "orthotropous" (anatropous are common and micropyle is in downward position and chalazal end in on the upper position


title: Ovule

text: hence, in amphitropous the anatropous arrangement is tilted 90 degrees and in orthotropus it is completely inverted) .


title: Ovule

text: The ovule appears to be a megasporangium with integuments surrounding it. Ovules are initially composed of diploid maternal tissue, which includes a megasporocyte (a cell that will undergo meiosis to produce megaspores). Megaspores remain inside the ovule and divide by mitosis to produce the haploid female gametophyte or megagametophyte, which also remains inside the ovule. The remnants of the megasporangium tissue (the nucellus) surround the megagametophyte. Megagametophytes produce archegonia (lost in some groups such as flowering plants), which produce egg cells. After fertilization, the ovule contains a diploid zygote and then, after cell division begins, an embryo of the next sporophyte generation. In flowering plants, a second sperm nucleus fuses with other nuclei in the megagametophyte forming a typically polyploid (often triploid) endosperm tissue, which serves as nourishment for the young sporophyte.


title: Ovule

text: An integument is a protective layer of cells surrounding the ovule. Gymnosperms typically have one integument (unitegmic) while angiosperms typically have two integuments (bitegmic). The evolutionary origin of the inner integument (which is integral to the formation of ovules from megasporangia) has been proposed to be by enclosure of a megasporangium by sterile branches (telomes). "Elkinsia", a preovulate taxon, has a lobed structure fused to the lower third of the megasporangium, with the lobes extending upwards in a ring around the megasporangium. This might, through fusion between lobes and between the structure and the megasporangium, have produced an integument.


title: Ovule

text: The origin of the second or outer integument has been an area of active contention for some time. The cupules of some extinct taxa have been suggested as the origin of the outer integument. A few angiosperms produce vascular tissue in the outer integument, the orientation of which suggests that the outer surface is morphologically abaxial. This suggests that cupules of the kind produced by the Caytoniales or Glossopteridales may have evolved into the outer integument of angiosperms.


title: Ovule

text: The integuments do not enclose the nucellus completely but retain an opening at the apex referred to as the "micropyle". The micropyle opening allows the pollen (a male gametophyte) to enter the ovule for fertilization. In gymnosperms (e.g., conifers), the pollen is drawn into the ovule on a drop of fluid that exudes out of the micropyle, the so-called pollination drop mechanism. Subsequently, the micropyle closes. In angiosperms, only a pollen tube enters the micropyle. During germination, the seedling's radicle emerges through the micropyle.


title: Ovule

text: Located opposite from the micropyle is the chalaza where the nucellus is joined to the integuments. Nutrients from the plant travel through the phloem of the vascular system to the funiculus and outer integument and from there apoplastically and symplastically through the chalaza to the nucellus inside the ovule. In chalazogamous plants, the pollen tubes enter the ovule through the chalaza instead of the micropyle opening.


title: Ovule

text: The "nucellus" (plural: nucelli) is part of the inner structure of the ovule, forming a layer of diploid (sporophytic) cells immediately inside the integuments. It is structurally and functionally equivalent to the megasporangium. In immature ovules, the nucellus contains a megasporocyte (megaspore mother cell), which undergoes sporogenesis via meiosis. In the megasporocyte of "Arabidopsis thaliana", meiosis depends on the expression of genes that facilitate DNA repair and homologous recombination.


title: Ovule

text: In gymnosperms, three of the four haploid spores produced in meiosis typically degenerate, leaving one surviving megaspore inside the nucellus. Among angiosperms, however, a wide range of variation exists in what happens next. The number (and position) of surviving megaspores, the total number of cell divisions, whether nuclear fusions occur, and the final number, position and ploidy of the cells or nuclei all vary. A common pattern of embryo sac development (the "Polygonum" type maturation pattern) includes a single functional megaspore followed by three rounds of mitosis. In some cases, however, two megaspores survive (for example, in "Allium" and "Endymion"). In some cases all four megaspores survive, for example in the "Fritillaria" type of development (illustrated by "Lilium" in the figure) there is no separation of the megaspores following meiosis, then the nuclei fuse to form a triploid nucleus and a haploid nucleus. The subsequent arrangement of cells is similar to the "Polygonum" pattern, but the ploidy of the nuclei is different.


title: Ovule

text: After fertilization, the nucellus may develop into the "perisperm" that feeds the embryo. In some plants, the diploid tissue of the nucellus can give rise to the embryo within the seed through a mechanism of asexual reproduction called nucellar embryony.


title: Ovule

text: The haploid megaspore inside the nucellus gives rise to the female gametophyte, called the "megagametophyte".


title: Ovule

text: In gymnosperms, the megagametophyte consists of around 2000 nuclei and forms archegonia, which produce egg cells for fertilization.


title: Ovule

text: In flowering plants, the megagametophyte (also referred to as the "embryo sac") is much smaller and typically consists of only seven cells and eight nuclei. This type of megagametophyte develops from the megaspore through three rounds of mitotic divisions. The cell closest to the micropyle opening of the integuments differentiates into the egg cell, with two "synergid cells" by its side that are involved in the production of signals that guide the pollen tube. Three "antipodal cells" form on the opposite (chalazal) end of the ovule and later degenerate. The large "central cell" of the embryo sac contains two "polar nuclei".


title: Ovule

text: The pollen tube releases two sperm nuclei into the ovule. In gymnosperms, fertilization occurs within the archegonia produced by the female gametophyte. While it is possible that several egg cells are present and fertilized, typically only one zygote will develop into a mature embryo as the resources within the seed are limited.


title: Ovule

text: In flowering plants, one sperm nucleus fuses with the egg cell to produce a zygote, the other fuses with the two polar nuclei of the central cell to give rise to the polyploid (typically triploid) endosperm. This double fertilization is unique to flowering plants, although in some other groups the second sperm cell does fuse with another cell in the megagametophyte to produce a second embryo. The plant stores nutrients such as starch, proteins, and oils in the endosperm as a food source for the developing embryo and seedling, serving a similar function to the yolk of animal eggs. The endosperm is also called the albumen of the seed. the zygote then develops into a megasporophyte, which in turn produces one or more megasporangia. The ovule, with the developing megasporophyte, may be described as either tenuinucellate or crassinucellate. The former has either no cells or a single cell layer between the megasporophyte and the epidermal cells, while the latter has multiple cell layers between.


title: Ovule

text: Embryos may be described by a number of terms including "Linear" (embryos have axile placentation and are longer than broad), or "rudimentary" (embryos are basal in which the embryo is tiny in relation to the endosperm).


title: Ovule

text: Megagametophytes of flowering plants may be described according to the number of megaspores developing, as either "monosporic", "bisporic", or "tetrasporic". (RF)


title: The Butter Battle Book

text: The Butter Battle Book is a rhyming story written by Dr. Seuss and published by Random House on January 12, 1984. It is an anti-war story; specifically, a parable about arms races in general, mutually assured destruction and nuclear weapons in particular. "The Butter Battle Book" was a "New York Times" Notable Book of the Year.


title: The Butter Battle Book

text: This book was written during the Cold War era and reflects the concerns of the time, as well as his own, regarding the perceived possibility that humanity could be destroyed in a nuclear war. It can also be seen as a satirical work, with its depiction of a deadly war based on a senseless conflict over something as trivial as a breakfast food.


title: The Butter Battle Book

text: Plot elements of the book were adapted for Warner Bros. Animation's "Green Eggs and Ham: The Second Serving".


title: The Butter Battle Book

text: The Yooks and the Zooks live on opposite sides of a long curving wall. The Yooks wear blue clothes; the Zooks wear orange. The primary dispute between the two cultures is that the Yooks eat their bread with the butter-side up, while the Zooks eat their bread with the butter-side down. The conflict between the two sides leads to an escalating arms race, which results in the threat of mutual assured destruction.


title: The Butter Battle Book

text: The race begins when a Zook patrolman named Van Itch slingshots the Yook patrolman's "Tough-Tufted Prickly Snick-Berry Switch" (a many-pronged whip). The Yooks then develop a machine with three slingshots interlinked, called a "Triple-Sling Jigger". This works once; but the Zooks counterattack with their own creation: The "Jigger-Rock Snatchem", a machine with three nets to fling the rocks fired by the Triple-Sling Jigger back to the Yooks' side.


title: The Butter Battle Book

text: The Yooks then create a gun called the "Kick-A-Poo Kid", loaded with "powerful Poo-A-Doo powder and ants' eggs and bees' legs and dried-fried clam chowder", and carried by a dog named Daniel. The Zooks counterattack with an "Eight-Nozzled Elephant-Toted Boom Blitz", a machine that shoots "high-explosive sour cherry stone pits". The Yooks then devise the "Utterly Sputter": a large blue vehicle intended "to sprinkle blue goo all over the Zooks". The Zooks counterattack with a Sputter identical to the Yooks'. Eventually, each side possesses a small but extremely destructive red bomb called the "Bitsy Big-Boy Boomeroo", and neither has any defense against it.


title: The Butter Battle Book

text: No resolution is reached by the book's end, with the generals of both sides on the wall poised to drop their bombs and waiting for the other to strike. The Yook patrolman's grandson (who had followed his grandfather to the wall) asks, "Who's gonna drop it? Will you or will he?" To which he replies, "Be patient. We'll see. We will see."


title: The Butter Battle Book

text: There was an animated TV special by animator and filmmaker Ralph Bakshi, narrated by Charles Durning and produced by and aired on TNT on November 13, 1989. The special followed the book quite closely, notably in its preservation of its original cliffhanger ending, with the addition of a title card "To Be Continued..." at the conclusion of the story. Seuss himself called the short the most faithful adaptation of his work.


title: The Butter Battle Book

text: The book serves as the basis for the second season of "Green Eggs and Ham", subtitled "The Second Serving". Here, it is established that Yookia and Zookia are ruled by a "Dooka" and "Dookess", respectively; residents of both nations are relatively harmless, yet are convinced that the other is evil. Sam-I-Am and Guy-Am-I end up on opposite sides of the conflict. The Bitsy Big-Boy Boomeroo is omitted in favor of a conflict over "Moo-Lacka-Moo", the substance said to serve as the Boomeroo's core in the book, which is acquired by the Yooks while the Zooks hire Guy to build a machine due to his habit of creating inventions that explode. Unlike the book, the conflict is resolved when the respective weapons destroy the wall, due in part to Sam-I-Am and his mother Pam's meddling, and Guy's step-daughter E.B. and the Dooka's son Looka share a butter sandwich with everyone watching.


title: The Butter Battle Book

text: "The Butter Battle Book" was removed from the shelves of some Canadian public libraries during the Cold War because of the book's controversial position regarding the arms race. The book was initially criticized over its dark moral nature being too much for the eyes and minds of children. Dr. Seuss himself was unsure if "The Butter Battle Book" was for adults or children when he approached Random House to have it published.


title: The Butter Battle Book

text: An article in the July 27, 1984, issue of the conservative magazine "National Review" found it plausible that the book was not more popular because of Seuss' promotion of a theme of "moral equivalence", where the difference between the Soviet Union and the United States was equivalent to a disagreement over the proper side on which to butter bread. On the other hand, Roger S. Clark, a professor at Rutgers University School of Law, argued in an article in the "New York Law School Law Review" that "The Butter Battle Book" stood out to him when it first came out because of its timing and context. Further, he noted the fact that Dr. Seuss portrayed an arms race during the time period in which the book was published made Seuss's intentions clear.


title: The Butter Battle Book

text: Dr. Seuss wrote "The Butter Battle Book" while Ronald Reagan was in office, visioning the potential of nuclear war with Russia. Reflecting back on his time in Europe in 1926; he remembered the Ghibellines and Guelphs from northern Italy that fought over their differing opinions on the Pope. Dr. Seuss distinctly recalled one group cutting their apples horizontally while the other cut them vertically. This concept of a war based on toast is similar to the war between Lilliput and Blefuscu in Jonathan Swift's 1726 satire "Gulliver's Travels", which was nominally based on an argument over the correct end to crack an egg once soft-boiled.


title: Llanito

text: Llanito or Yanito () is a form of Andalusian Spanish heavily laced with words from English and other languages, such as Ligurian; it is spoken in the British overseas territory of Gibraltar. It is commonly marked by a great deal of code switching between Andalusian Spanish and British English and by the use of Anglicisms and loanwords from other Mediterranean languages and dialects.


title: Llanito

text: The English language is becoming increasingly dominant in Gibraltar, with the younger generation speaking little or no Llanito despite learning Spanish in school.


title: Llanito

text: The etymology of the term is uncertain. In Spanish, means "little flatland" and has been interpreted as "people of the flatlands". It is thought that the inhabitants of La Línea with important social and economic ties with Gibraltar, were actually the first to be referred to as since La Línea lies in the plain and marsh land surrounding The Rock.


title: Llanito

text: Another theory for the origin of the word is that it is a diminutive of the name : "gianito", pronounced in Genoese slang with the "g" as "j". During the late 18th century 34% of the male civilian population of Gibraltar came from Genoa and was a common Italian forename. To this day, nearly 20% of Gibraltarian surnames are Italian in origin.


title: Llanito

text: Andalusian Spanish from the surrounding "Campo de Gibraltar" is the main constituent of "Llanito", but it is also heavily influenced by British English. However, it borrows words and expressions of many other languages, with over 500 words of Genoese (Ligurian) medieval dialect (with additionally some of Hebrew origin via Judaeo-Spanish). Its other main language constituents are Maltese and Portuguese.


title: Llanito

text: It often also involves code-switching (using different languages for different sentences) and code mixing (using different languages for different words in the same sentence) from Spanish to English.


title: Llanito

text: Some "Llanito" words are also widely used in the neighbouring Spanish town of La Línea de la Concepción (due to the influx of people from La Línea working in Gibraltar over many years).


title: Llanito

text: To some outsiders who speak either only English or only Spanish, "Llanito" may sound incomprehensible, as speakers appear to switch languages in mid-sentence, but to people who are bilingual in both languages, it can sound interesting and unique. One feature of the language is the pronunciation of Anglicisms with an Andalusian flavour. For example, "bacon" is pronounced '; "cake", ' (although these particular words are not prevalent today); and porridge is called (a hispanicisation of the brand Quaker Oats).


title: Llanito

text: Most Gibraltarians, especially those with higher education, also speak standard Spanish with Andalusian pronunciations and standard English of a British English variety.


title: Llanito

text: For example, "Gibraltar" may be pronounced in English within an English sentence and in Spanish within a Spanish sentence.


title: Llanito

text: Like other Andalusian varieties, "Llanito" is marked by high rates of final velarisation, neutralisation and elision of pre-consonantal and word-final and , and reduction of final. One difference from surrounding dialects is that Gibraltarians tend to maintain this high rate of reduction of final consonants even in very elevated registers, whereas Andalusians would try to adopt a more neutral pronunciation.


title: Llanito

text: Llanito has undergone some degree of lexical restructuring as a result of its reduction of final consonants and the unofficial status of Spanish. For example, 'tunnel' is often pronounced , and its plural form may be pronounced as instead of .


title: Llanito

text: According to the Italian scholar Giulio Vignoli, Llanito originally, in the first decades of the 19th century, was full of Genoese words, later substituted mainly by Spanish words and by some English words.


title: Llanito

text: Llanito has significant Jewish influence, because of a long standing Jewish population in Gibraltar. They introduced words and expressions from Haketia, a largely extinct Judeo-Spanish language spoken by the Sephardic communities of Northern Morocco, such as Tetuan and Tangiers and the Spanish exclaves of Ceuta and Melilla in North Africa.


title: Llanito

text: Even though Llanito is seldom written, a Llanito dictionary, , was published in 1978 by Manuel Cavilla, and in 2001 Tito Vallejo published "The Yanito Dictionary. Including Place Names and Yanito Anecdotes".


title: Llanito

text: Although Llanito is largely based on the colloquial Spanish spoken in the Campo de Gibraltar, there are numerous elements beyond code-switching to English which make it unique. These are as follows.


title: Llanito

text: Llanito frequently uses verbal expressions with , or , mirroring use of English phrasal verbs ending in "back".


title: Llanito

text: Usage of expressions is also widespread in US Spanish, including in Isleño Spanish. expressions are unique as a calque of an English verbal particle since other phrasal verbs are almost never calqued into Spanish. Because of this, and because expressions are both consistent with Spanish structure and distinctly structured to their English equivalents, they are likely a result of a conceptual, not linguistic loan.


title: Llanito

text: Many Llanito terms have been introduced into the Andalusian Spanish dialect of the bordering city La Línea de la Concepción, where the resulting dialect is known as Linense. However, according to Gibraltarian linguist Tito Vallejo, a few words common throughout Spain may be of Llanito origin, notably meaning "cool" or "brilliant" (from Winston Churchill) and meaning "big nose" from the Governor Robert Napier, 1st Baron Napier of Magdala. Churchill was associated with foreign imports from the United Kingdom which were highly sought in Gibraltar and, according to Vallejo, Lord Napier had a particularly big nose.


title: Llanito

text: However, linguists also propose to be a contraction of the Caló term meaning "truth", since this language is the source of a significant proportion of Spanish slang.


title: Llanito

text: The Gibraltar Broadcasting Corporation has also aired some programmes in Llanito including "Talk About Town" – a discussion series in which three presenters discuss local affairs, from the need to replace a street sign to important political affairs.


title: Llanito

text: A documentary film, "People of the Rock: The Llanitos of Gibraltar" (2011) discusses Llanito speech characteristics, history and culture. Notable interviews include Pepe Palmero (of GBC's "Pepe's Pot"), Kaiane Aldorino (Miss World 2009), and Tito Vallejo (author of "The Llanito Dictionary").


title: Llanito

text: The official demonym of Gibraltar is "Gibraltarians". However, the people of Gibraltar may also be referred to as (female: ). This term is commonly used in the neighbouring towns of La Línea, San Roque, Algeciras and the rest of the Campo de Gibraltar, as well as in Gibraltar itself. When speaking in English, the people of Gibraltar tend to use the word "Gibraltarians" to refer to themselves but when speaking in Spanish they prefer to use the word rather than the Spanish name for their official demonym, .


title: Llanito

text: The truncated term is also used by the people of Gibraltar, where it can be heard all around the territory and chanted in songs during the annual Gibraltar National Day.


title: Tomáš Satoranský

text: Tomáš Satoranský (born 30 October 1991) is a Czech professional basketball player for FC Barcelona of the Spanish Liga ACB and the EuroLeague. Standing at , he primarily plays at the point guard position, but he can also play as a shooting guard or small forward due to his height and wingspan.


title: Tomáš Satoranský

text: In 2009, Satoranský signed with CB Sevilla of the Spanish ACB League, where he played for the next five seasons. He was selected in the second round of the 2012 NBA draft (32nd overall) by the Washington Wizards. He played at the 2012 NBA Summer League.


title: Tomáš Satoranský

text: In July 2014, Satoranský signed a two-year deal with FC Barcelona Lassa. In July 2016, he parted ways with Barcelona in order to join the NBA.


title: Tomáš Satoranský

text: On 21 July 2016, Satoranský signed with the Washington Wizards. On 1 December 2017, he scored a career-high 17 points in a 109–91 win over the Detroit Pistons. On 3 February 2018, he set a new career high with 19 points in a 115–98 win over the Orlando Magic. He surpassed that mark a week later, scoring 25 points on 10-of-12 shooting in a 101–90 win over the Chicago Bulls. On 11 January 2019, he recorded his first career triple-double with 18 points, a career-high 12 rebounds and 10 assists in a 113–106 win over the Milwaukee Bucks.


title: Tomáš Satoranský

text: On 6 July 2019, Satoranský was traded to the Chicago Bulls in a sign-and-trade deal. On 6 January 2020, Satoranský logged 11 points, 5 rebounds and a career-high 14 assists in a 110–118 loss to the Dallas Mavericks.


title: Tomáš Satoranský

text: On August 8, 2021, Satoranský was traded to the New Orleans Pelicans, along with Garrett Temple and draft picks, for Lonzo Ball.


title: Tomáš Satoranský

text: On February 8, 2022, the Portland Trail Blazers acquired Satoranský, Nickeil Alexander-Walker, Josh Hart, Didi Louzada, a protected 2022 first-round draft pick, the better of New Orleans’ and Portland’s 2026 second-round draft picks and New Orleans’ 2027 second-round draft pick from the New Orleans Pelicans in exchange for CJ McCollum, Larry Nance Jr. and Tony Snell. A day later, Satoranský was traded yet again, this time to the San Antonio Spurs in a three-team trade. He played one game for the Spurs before agreeing to a contract buyout on February 26, 2022.


title: Tomáš Satoranský

text: On July 4, 2022, Satoranský penned a four-year deal with his former club FC Barcelona of the Spanish Liga ACB and the EuroLeague, joining his national squad teammate Jan Veselý under the guidance of coach Šarūnas Jasikevičius.


title: Tomáš Satoranský

text: Satoranský has played in all of the age categories for the Czech Republic national basketball team. He joined the senior national team for the first time during EuroBasket 2009 qualifiers. In 2010, he played at the 2010 FIBA Europe Under-20 Championship, with the Czech Republic Under-20 junior national team. Satoranský has also represented the Czech senior national team at EuroBasket 2013 and EuroBasket 2015. He also played at EuroBasket 2017, and helped the Czech Republic qualify to the 2019 FIBA World Cup for the first time.


title: Tomáš Satoranský

text: Satoransky scored 14 points in a loss to France in the preliminary round of the 2020 Olympics in Tokyo.


title: Chashme Baddoor (2013 film)

text: Chashme Baddoor is an Indian 2013 Hindi language slapstick comedy film directed by David Dhawan and written by Sajid and Farhad Samji. An official remake of the 1981 film "Chashme Buddoor", it was produced by Viacom 18 Motion Pictures and stars Ali Zafar and debutante Taapsee Pannu with Divyenndu and Siddharth in lead roles. The film was released on 5 April 2013


title: Chashme Baddoor (2013 film)

text: Seema Ranjan (Taapsee Pannu) is a young girl who lives in Mumbai with her father Suryakant “Santru” Ranjan (Anupam Kher). He, being an active military officer, wants Seema to marry an armyman. He had arranged Seema's marriage to such people five times in a row, with Seema evading all five arrangements. Her father had now arranged her marriage for the sixth time, which Seema evades again and escapes to Goa to live with her uncle Chandrakant “Chiku” Ranjan, her father Suryakant’s younger twin brother (Anupam Kher), who wants her to marry a civilian.


title: Chashme Baddoor (2013 film)

text: Siddharth “Sid” Kashyap (Ali Zafar), Jai (Siddharth) and Omkar "Omi" Sharma (Divyenndu) are three friends who live in a rented apartment in Goa. Miss Josephine (Lilette Dubey) is their landlady. All the three are frequent visitors to a café owned by Joseph Furtado (Rishi Kapoor). The three owe huge amounts of money to Joseph and Josephine. One day, Omi spots Seema taking a walk with her dog. Attracted to her, he calls Jai. Both of them try to impress her. One after the other, they break into Seema's house. Omi tries to impress Seema with his poetry. Meanwhile, Seema mistakes him for a dog trainer and takes him straight into her bedroom. Omi assumes Seema is interested him and starts browsing her bedroom while Seema prepares her dog. Unable to handle the dog as it bites him, Omi runs back home, where he tells everyone a completely different story. Omi tells his friends that they had sex and were deeply in love. Jealous, Jai tries his luck. Jai breaks in, telling them he is a reputed film-maker. Upon realization, Seema calls her grandmother and makes her beat up Jai until he finally makes his run. Back home, Jai tells a similar story. Jai tells the other two that they two were deeply in love and were now dating. Siddharth, meanwhile, isn't interested in Seema.


title: Chashme Baddoor (2013 film)

text: However, one day, Siddharth accidentally bumps into Seema, unaware of the fact that she is the girl Jai and Omi failed to impress. Both of them have a chat over lunch. Seema is impressed with Sid and asks him out on a date. Both of them get along very well and date frequently, until one day, Jai and Omi spot them. Both of them, jealous of the fact that they are now dating, tell Sid that she isn't a good girl and ask him to break up with her. Seema, on the other hand is shocked about the fact that they are both Sid's friends. Sid pretends to beat up both his friends to impress Seema, which later turns out to be Omi and Jai's imagination. Albeit the fight, they continue to try and split Sid and Seema. One day, Josephine gets caught in heavy rain. Joseph too was present at the scene and helps out Josephine. Both of them were amused at the similarities between them. They both fall in love but hesitate to start dating. Jai and Omi try to take advantage of the situation. They assume that Joseph would stop asking them to pay the café bills and Josephine would let them stay at her apartment for free if they helped unite them. In their many attempts, they somehow unite Joseph and Josephine. Despite that, Joseph & Josephine still don't forgive the three. So Jai and Omi start lying about each of the two to the other. They get the money they wanted. However, Joseph and Josephine do not break up as they soon realize that all the secrets told to them were lies.


title: Chashme Baddoor (2013 film)

text: Soon after that, Sid and Seema break up, following successful attempts by Jai and Omi. However, Sid is deeply hurt and gets drunk. Later, one day, Omi and Jai find a poison bottle in Sid's drawer and assume that he has committed suicide even though he hasn't . Realizing that they have made a really big mistake, Jai and Omi try several times to unite Sid and Seema again. But they fail, causing Seema to get frustrated and blame Sid. One day, finally, they go to Seema's house and meet her grandmother. She comes up with a rather filmy solution and suggests Jai and Omi to play kidnappers and supposedly kidnap Seema. Then, the aunt goes to Sid and asks him to rescue Seema from the kidnappers. Finally, Sid and Seema start dating again. Seema's uncle, who had always been trying to marry Seema to a civilian rather than a military officer, suggests Seema to marry Sid. At the same time, Seema's father turns up trying to take Seema back home. In order to solve the problem, Sid unites the brothers by telling them, that every military officer was once a civilian. The military officer & his brother are impressed and they both let Sid and Seema marry.


title: Chashme Baddoor (2013 film)

text: Development on the "Chashme Baddoor" remake began in 2006, with Onir initially attached to the film. David Dhawan was later announced to be directing the film, and Sai Paranjpye, the director of the 1981 film, would be writing the script. Dhawan commented that there would be some changes for the remake, such as the story getting updated to modern day and the remake having a larger budget than the 1981 film.


title: Chashme Baddoor (2013 film)

text: In 2011 Siddharth was confirmed as portraying Jomo, with Dhawan stating that it was difficult casting the role due to Ravi Baswani's death in 2010 and that he wanted to cast someone that could "do justice to his part". Divyendu Sharma was later announced as performing Omi.


title: Chashme Baddoor (2013 film)

text: Filming took place in Mauritius, in 2012, with Ali Zafar becoming injured during a fight sequence with Ayaz Khan.


title: Chashme Baddoor (2013 film)

text: The songs were composed by the duo Sajid–Wajid and received a positive review from IBN Live which stated that it doesn't have a "dull moment" and brings back "the simple joys of the 1980s".


title: Chashme Baddoor (2013 film)

text: The movie received mostly positive reviews praising the performances and humour. Taran Adarsh of "Bollywood Hungama" gave the film a rating of 3.5 out of 5 and said, "An entertainer with dollops of humour and wild situations thrown in, this one's a laugh-riot". Srijana Mitra Das of "The Times of India" awarded it 3.5 out of 5 stars, stating, "It retains the original's madness, masti and movie-mania". Rajeev Masand of CNN-IBN gave it 2.5 out of 5 stating that the film "doesn't entirely work because Dhawan appears conflicted between taking the characters on a journey of his making, and sticking to the blueprint of the original film." Vinayak Chakravorty of "India Today" rated it 2.5 out of 5 and wrote, "The gags are simply not funny enough even if you are game to grant the licence of brainlessness". The "Deccan Herald" stated that the remake is "far(ce) removed" from the original and that "Exclamation marks are the only punctuations in this seamless comedy of courtship played at an impossibly high octave, without getting shrill." "Emirates 24/7" stated that "Dhawan has upped his standard, just enough to warrant a trip to the cinemas".


title: Chashme Baddoor (2013 film)

text: "Chashme Baddoor" opened good especially at multiplexes in North India where it collected on its first day. It grew further positively on second day and netted around nett. The film netted very good figures of around over its first weekend.


title: Chashme Baddoor (2013 film)

text: "Chasme Bhaddoor" earned with a distributor share of around over its first week. The movie grossed in two weeks and finished at around in India and was declared a Blockbuster at box office.


title: Chashme Baddoor (2013 film)

text: The film collected from overseas markets in its opening week it did well in Pakistan and UAE markets. The film collected from overseas markets.


title: Dance Plus

text: Dance Plus (tagline: "Ise Kehte Hain Dance") is an Indian Hindi-language reality dance competition television series produced by Frames Production house and Urban Brew Studios. The seasons hosted by Raghav Juyal. The series features dance performers, including solo acts, Duo and larger groups, representing any style of dance, competing for a grand prize.


title: Dance Plus

text: Season 1 of Dance Plus premiered on 3 July 2015. V Company from Team Dharmesh won Season 1, Question Mark Crew from Team Sumeet was first runner up and Hardik Rawat from Team Dharmesh was second runner up. Kumar Priyadarshi is one of the editor of this season of Dance Plus.


title: Dance Plus

text: Season 2 of "Dance Plus" started on 2 July 2016. The auditions took place across several cities of India from 3 May 2016 to 26 May 2016.Tanay Malhara from Team Dharmesh won the second season.


title: Dance Plus

text: Season 3 of "Dance Plus" started on 1 July 2017. Bir Radha Sherpa of Team Punit won the third season.


title: Dance Plus

text: Season 4 of "Dance Plus" was started from 6 October 2018 Saturday at 8 pm. The channel Star Plus released the first promo of the show. It was hosted by Raghav Juyal and Sugandha Mishra. Chetan Salunkhe of Team Punit won the fourth season.


title: Dance Plus

text: An all-kids crew named S-Unity Crew made a special appearance on the show as Team Raghav. They later shifted to Team Dharmesh after getting into the top 10.


title: Dance Plus

text: Season 5 of "Dance Plus" started airing from 9 November 2019 at 8 pm, hosted by Raghav Juyal and Sugandha mishra (as guest). Rupesh bane from team Dharmesh became the winner of season 5. Janam from team Punit became the runner-up of season 5


title: Dance Plus

text: The sixth season aired on 13 September 2021 on Disney+ Hotstar. The show hosted by Raghav Juyal with the super judge Remo D'Souza and the team captains are Punit Pathak, Shakti Mohan and Salman Yusuff Khan. Harsh, Tejas, Sneha from team Shakti won Season 6 (in all of her 5 seasons of being a captain, this is the first win of team Shakti).


title: Brann Dailor

text: Brann Timothy Dailor (born March 19, 1975) is an American musician, best known as a member of heavy metal band Mastodon, in which he is the drummer and one of three vocalists.


title: Brann Dailor

text: Dailor first started playing in a band called Evisceration from 1991 to 1993, when the band broke up. Dailor was also a founding member of mathcore band Lethargy, and the progressive rock/funk metal band Gaylord and played with Today Is the Day.


title: Brann Dailor

text: In 2015, Dailor announced his side project called Arcadea. The group features Dailor on drums alongside Atlanta musicians Core Atoms and Raheem Amlani.


title: Brann Dailor

text: Dailor, Bill Kelliher, and Brent Hinds portrayed "wildlings" on S05E08 episode of "Game of Thrones", which was filmed in Belfast in Northern Ireland. As previously reported, the band's original song "White Walker" is featured on the "Game of Thrones" mixtape "Catch the Throne Vol. 2", but in the instance of their physical appearance, a press release from Reprise Records reports that the band was personally invited to participate in the show by "Game of Thrones" executive producer Dan Weiss, who is a fan of the band.


title: Brann Dailor

text: Dailor appeared in a balloon suit from OppoSuits at the 2015 Grammys. Together with Brent Hinds who sported a full Dodgers outfit they made several headlines.


title: Brann Dailor

text: Dailor appeared on a 2018 episode of the History Channel reality show "Counting Cars" called "Heavy Metal Caddy" in which he had his 1970 Cadillac Coupe DeVille restored. He calls his car "Twinkle Toes".


title: Brann Dailor

text: Dailor's main influence is Phil Collins of Genesis in its 1970s era. He said that watching Sean Reinert with progressive metal band Cynic opened his eyes as a teen about the possibilities of technical drumming. He is also inspired by Mikkey Dee, Dave Lombardo, Elvin Jones, Tony Williams, Billy Cobham, Bill Bruford, Stevie Wonder and Dave Witte. Dailor's metal bands before Mastodon, Lethargy and Gaylord, were both heavily influenced by avant-garde rock group Mr. Bungle.


title: Brann Dailor

text: Dailor uses and endorses Tama drums and hardware, Meinl cymbals, Evans Drumheads, and Vater drumsticks.


title: 2021 AFL Grand Final

text: The 2021 AFL Grand Final was an Australian rules football match contested between and the at Optus Stadium in Perth, Western Australia, on Saturday 25 September 2021. It was the 126th annual grand final of the Australian Football League (AFL), staged to determine the premiers of the 2021 AFL season. As the top-placed side on the ladder at the end of the 2021 home-and-away season, Melbourne finished minor premiers, whereas the Western Bulldogs faded in the final four home-and-away games to finish 5th, thus needing to win all of their finals games to qualify for the grand final.


title: 2021 AFL Grand Final

text: The match was played at Optus Stadium in Perth because an ongoing COVID-19 lockdown prevented the match from being played with spectators at its contracted ground, the Melbourne Cricket Ground in Melbourne, Victoria. It was the first grand final played in Perth and the second consecutive grand final to be played outside Victoria. The event set a new attendance record for Australian rules football in Western Australia, eclipsing the previous record set in 2018 despite not featuring any WA-based teams and being played during the COVID pandemic.


title: 2021 AFL Grand Final

text: Melbourne won the match by a 74-point margin, defeating the Western Bulldogs 21.14 (140) to 10.6 (66). Christian Petracca won the Norm Smith Medal. The win was Melbourne's first premiership since 1964.


title: 2021 AFL Grand Final

text: For the second consecutive season, the COVID-19 pandemic caused alterations to the grand final scheduling. As the 2021 AFL finals series approached, the state of Victoria was under lockdown restrictions that made mass gatherings at stadiums impossible; the Victorian lockdown had commenced on 6 August, and case numbers continued to rise through August, resulting in repeated extensions of the lockdown. Although the league had been playing matches behind closed doors in Victoria right up to the end of the home-and-away season, it was committed to playing the finals and grand final in front of a crowd. Throughout August, contingency arrangements for the 2021 Grand Final were explored.


title: 2021 AFL Grand Final

text: On 16 August, the league brought the finals one week forward, dropping the conventional pre-finals bye from the fixture; this provided flexibility for a number of COVID-impacted finals scenarios, and in particular allowed enough time for a mid-finals bye which would allow clubs to serve Western Australia's quarantine requirements without impacting the grand final date.


title: 2021 AFL Grand Final

text: While the Melbourne Cricket Ground remained the default host of the game if it was possible, the State Governments of Western Australia and South Australia put forward pitches to host the game at Optus Stadium or Adelaide Oval, respectively. The Queensland Government kept the Gabba available, but it made no active pitch to host the game. On 25 August, Optus Stadium was officially announced as the standby venue for the match, in the event that the Melbourne Cricket Ground was not capable of hosting a crowd larger than Optus Stadium's 60,000-seat capacity. The reasoning given for the selection of Optus Stadium over Adelaide Oval was the restricted capacity of the latter with the South Australian Government only permitting 30,000 spectators for the match. The 'Dreamtime Game' held in Round 12 also helped the Western Australian Government's pitch, with 55,656 spectators attending the fixture that featured two Victorian clubs, and . On 31 August, shortly after Victoria's lockdown was extended into October, the switch of the venue to Optus Stadium was officially confirmed; the originally fixtured date of 25 September was confirmed, with the mid-finals bye week scheduled for the week between the preliminary finals and grand final. No back-up venue to Optus Stadium was announced, with the league intending to play the match one week later in Perth should local COVID-19 cases have resulted in a lockdown during grand final week.


title: 2021 AFL Grand Final

text: The change of venue required the permission of the Victorian Government and Melbourne Cricket Club, which was contracted to host the grand final until 2058; this was obtained, in exchange for the long-term contract at the Melbourne Cricket Ground being extended by one year to 2059, eight additional home-and-away matches scheduled for the ground between 2022 and 2026, four additional AFLW matches per season scheduled for regional Victoria between 2022 and 2024, and Victoria to host the 2022 and 2023 AFL drafts.


title: 2021 AFL Grand Final

text: The start time for the game was 5:15 pm AWST / 7:15 pm AEST, making it the first grand final played in the twilight timeslot and second consecutive grand final in the east-coast night timeslot. The league opted for this over the traditional and originally scheduled start time of 2:30 pm AEST because this would have resulted in an impractically early local start time of 12:30 pm AWST.


title: 2021 AFL Grand Final

text: At the time of the announcement, Western Australia had no spectator restrictions on major events at outdoor stadiums, as well as the strictest entry quarantine restrictions on interstate travellers. The Western Australian Government's border restrictions allowed only for those essential to the staging of the game to travel into the state, meaning guests of the clubs and league who would usually attend—such as the families of players and coaches, non-critical media or administrators, etc.—were absent. The Norm Smith Medal and Jock McHale Medal were presented by 2006 winners Andrew Embley and John Worsfold, respectively; under the convention that the medal be awarded by prior winners in chronological order, Nathan Buckley or Chris Judd would have been next in line to present the Norm Smith Medal, and Paul Roos to present the Jock McHale Medal, but they, too, were denied entry. Two Victoria-based Melbourne fans, Mark Babbage and Hayden Burbank, were convicted and spent three months in prison for illegally travelling from Melbourne to Perth via Darwin for the match.


title: 2021 AFL Grand Final

text: The AFL elected not to host a full-scale grand final parade featuring the competing teams, citing threats from COVID-19, staffing availability, and terrorism, despite the state government and the Western Australian Police Force considering it safe to hold the event. The city put on a smaller-scale "people's parade" in Forrest Place on the Friday before the game, celebrating the game but not featuring the clubs.


title: 2021 AFL Grand Final

text: Melbourne finished the home-and-away season as minor premiers with a 17–4–1 record, its best finish since 1964. The club then recorded comfortable victories in both of its finals—by 33 points against in the qualifying final and by 83 points against in the preliminary final—to qualify. It was Melbourne's first grand final appearance since 2000, and the club was attempting to win its first premiership since 1964 and break a 57-year premiership drought, the longest active drought in the league and fourth-longest drought in league history.


title: 2021 AFL Grand Final

text: The Western Bulldogs, for their part, spent much of their season in a battle with Melbourne for the minor premiership; however, after losing its last three home-and-away games, the Bulldogs slipped to fifth place on the ladder, with a record of 15–7. The club then showed strong form in the finals, defeating in the elimination final by 49 points, by one point in the semi-final, and by 71 points in the preliminary final to qualify. It was the Bulldogs' first grand final berth since its victory in the 2016 decider.


title: 2021 AFL Grand Final

text: The match was the second grand final between the two clubs; they had previously contested the 1954 VFL Grand Final, which was won by the Western Bulldogs (who were at the time known as Footscray). After the conclusion of both preliminary finals, Melbourne were backed as favourites, with bookmakers paying out $1.67 for a Melbourne victory; it was the first time Melbourne had entered the grand final as the favourites since 1964.


title: 2021 AFL Grand Final

text: The two sides faced each other twice during 2021: Melbourne winning by 28 points at Marvel Stadium in Round 11, and the Bulldogs winning by 20 points at the Melbourne Cricket Ground in Round 19. Due to COVID-19 lockdowns in Victoria being in place at the time on both occasions, both of these matches were played behind closed doors.


title: 2021 AFL Grand Final

text: The Western Bulldogs made two changes to its starting 22 from the preliminary final: Cody Weightman and Alex Keath returned from injury, while Laitham Vandermeer and Ryan Gardner were omitted. Melbourne's starting 22 was unchanged. The teams' medical substitutes were not announced until immediately prior to the match. James Jordon was the medical sub for Melbourne, and Vandermeer (despite being omitted from the main 22) was selected as the Bulldogs' medical sub. The medical sub of the winning team (Jordon) was awarded a premiership medallion despite not being activated.


title: 2021 AFL Grand Final

text: Both clubs wore their regular home guernseys, with the wearing white shorts as the lower-seeded club.


title: 2021 AFL Grand Final

text: The umpiring panel—comprising three field umpires, four boundary umpires, two goal umpires, and an emergency in each position—is given below.


title: 2021 AFL Grand Final

text: The entertainment for the 2021 AFL Grand Final was centred around artists from Western Australia due to COVID-19 restrictions. The Welcome to Country was given by Noongar man Richard Walley. Mike Brady performed "Up There Cazaly", a song traditionally sung at AFL grand finals, remotely from Melbourne. The pre-match live entertainment began with a performance of AC/DC's "Thunderstruck" by Abbe May from the roof of the stadium. Baker Boy performed a mashup of Kylie Minogue's "Spinning Around" and Baker Boy's "Meditjin", including a didgeridoo solo in the middle. John Butler performed Icehouse's iconic 1982 hit "Great Southern Land", joined in by Stella Donnelly, Donna Simpson and Vikki Thorn of The Waifs, Gina Williams, and Guy Ghouse. Eskimo Joe performed "Black Fingernails, Red Wine" and INXS's "Kick", featuring saxophonist Erin Royer. Colin Hay from Men At Work performed "Land Down Under" from a beach in Los Angeles, joined in by the rest of the performers live at the stadium. Soprano Amy Manford performed Australia's national anthem, "Advance Australia Fair".


title: 2021 AFL Grand Final

text: At half-time, Birds of Tokyo and the West Australian Symphony Orchestra performed "Lanterns", a cover of Silverchair's "Straight Lines", and "Unbreakable".


title: 2021 AFL Grand Final

text: After a few early misses by Melbourne early in the first quarter, the first goal was scored by Melbourne's Christian Petracca from the arc from about a 40-degree angle. Cody Weightman collided with a goal post after attempting a mark near the goal line. A fumble by the Bulldogs' Bailey Williams in Melbourne's forward half allowed Charlie Spargo to pick up the ball and score a goal – Melbourne's third overall. Williams would then drop a mark and give another goal to Bayley Fritsch two minutes later. The quarter ended with Melbourne 21 points ahead, having scored four goals to the Western Bulldogs' one.


title: 2021 AFL Grand Final

text: The momentum of the game shifted to the Bulldogs in the second quarter. Adam Treloar started off by kicking back-to-back goals. Just after that, Aaron Naughton kicked the Bulldog's third goal in four minutes. Melbourne's Max Gawn scored what he initially thought to be a goal, but the goal umpire deemed it a behind as it had passed over the goal post. Ultimately, the Bulldogs scored six goals to one in the second quarter to take an eight-point lead at the main change, including two goals from Marcus Bontempelli.


title: 2021 AFL Grand Final

text: The Bulldogs continued their good streak through the first half of the third quarter. Jason Johannisen took an impressive mark next to the goal posts, resulting in a goal to extend the lead for the Bulldogs. Bontempelli slotted his third goal with a snap shot from 35 metres out to extend their lead to 19 points and firming up his Norm Smith Medal chances in the process. However, the momentum shifted again, this time towards the Demons. Fritsch kicked back-to-back goals, and Ben Brown kicked another, bringing them within one point. Melbourne players Angus Brayshaw, Petracca, Tom Sparrow and Clayton Oliver each scored goals, giving Melbourne a four-goal lead at three quarter time.


title: 2021 AFL Grand Final

text: Melbourne ran away with the win, kicking nine goals in the final quarter compared to the Bulldogs' one. Fritsch added multiple goals to bring his tally to six; it was the first time a player had scored six goals or more in a grand final since Adelaide's Darren Jarman's six-goal performance in 1997. Adam Treloar kicked the only Bulldogs goal for the quarter. Tom McDonald kicked a goal after the siren to bring the margin to 74 points, the largest-ever grand final win for Melbourne.


title: 2021 AFL Grand Final

text: The victory was Melbourne's first VFL/AFL premiership in 57 years, ending the longest active premiership drought of any team in the competition. The television broadcast showed reactions from many interstate Melbourne supporters who were precluded from attending the match due to COVID-19 restrictions, including former Melbourne Coach Neale Daniher, who was seen draping his scarf over a TV in celebration of Melbourne's long-awaited premiership. The Bulldogs statistically led Melbourne with the total number of kicks (207–206), handballs (172–160), and marks (76–68), but the Demons had six more free kicks (19–13); however, the Demons had 15 more inside-50s (64–49), including 13 more marks inside 50 (17–4), and 11 more clearances (44–33). The premiership cup was awarded by Melbourne Hall of Fame member and Melbourne Team of the Century member Garry Lyon. Master of ceremonies Basil Zempilas received criticism for failing to allow Melbourne premiership coach Simon Goodwin to speak after the win.


title: 2021 AFL Grand Final

text: Due to Optus Stadium's extensive corporate facilities, the AFL generated A$40 million from hosting the AFL Grand Final in Perth.


title: 2021 AFL Grand Final

text: With a record-equalling grand final possession tally of 39 (shared with Simon Black in 2003)—and despite six goals from Fritsch—Petracca secured the medal after unanimously being judged best afield by an expert panel chaired by Luke Hodge. The possession tally was initially reported as 40, which would have broken the grand final record, but this was revised after the match to 39. Andrew Embley awarded the medal to Petracca; somewhat controversially, however, Zempilas announced the Norm Smith Medal winner before Embley had the chance, receiving further criticism. The votes were as follows:


title: 2021 AFL Grand Final

text: Per the AFL TV rights, the Seven Network had the exclusive broadcast rights within Australia, with Fox Footy showing the replay of the match after the game despite broadcasting its own pre-game, half-time and post-game coverage.


title: 2021 AFL Grand Final

text: Once streaming services were factored in, the match had an average national viewership of 4.11 million, eclipsing the 2016 AFL Grand Final by just 21,000 and about 200,000 more than the 2020 AFL Grand Final. It is the fourth most-watched VFL/AFL game in history, and it was the most-watched Grand Final since 2005, which averaged a national audience of 4.449 million.


title: 2021 AFL Grand Final

text: Due to quarantine requirements for Victorian residents to enter Western Australia, Seven Network commentators James Brayshaw, Brian Taylor and Daisy Pearce, and Fox Footy's Garry Lyon and Kath Loughnan, all quarantined for two weeks in the lead-up to the match. For Taylor, this was his fifth AFL Grand Final he called on commercial television, while for Brayshaw, it was his first, having been promoted to Seven's Friday night AFL commentary team at the beginning of the season when Bruce McAvaney scaled back his duties with the network.


title: Applied arts

text: The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing. The term is used in distinction to the fine arts, which are those that produce objects with no practical use, whose only purpose is to be beautiful or stimulate the intellect in some way. In practice, the two often overlap. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design.


title: Applied arts

text: Art movements that mostly operated in the applied arts include the following. In addition, major artistic styles such as Neoclassicism, Gothic and others cover both the fine and applied or decorative arts.


title: Jackie Joseph

text: Jackie Joseph (born November 7, 1933) is an American actress and writer. She is best known for her role as Jackie Parker on "The Doris Day Show" (1971–1973) and Audrey in "The Little Shop of Horrors" (1960), as well as a supporting role in "Gremlins" (1984).


title: Jackie Joseph

text: Joseph was born in Los Angeles County, California. Her mother was 19 at the time of Joseph's birth, and her father had died three months earlier. She studied at Los Angeles' John Marshall High School and UCLA.


title: Jackie Joseph

text: Joseph began her career as a featured performer and singer in the "Billy Barnes Review of 1958", with future husband and actor Ken Berry.


title: Jackie Joseph

text: Joseph's roles on television programs included Miss Oglethorpe on "Run, Buddy, Run", Jackie Parker on "The Doris Day Show", Sandy on "The All New Popeye Hour". She was also a regular on "The Bob Newhart Show" (1961) and "The Magic Land of Allakazam".


title: Jackie Joseph

text: She is also known for portraying Audrey Fulquard in the original version of "The Little Shop of Horrors" (1960), as well as Charlene Hensley in "Hogan's Heroes" (1966), Sheila Futterman in "Gremlins" (1984) and "" (1990), Mrs Kirkland in "" (1985) and "" (1987), and the voice of Melody in the animated series "Josie and the Pussycats" and "Josie and the Pussycats in Outer Space".


title: Jackie Joseph

text: She played the love interest of Willie (played by Bob Denver) in the film "Who's Minding the Mint?" (1967). Her other film work includes roles in "A Guide for the Married Man" (1967), "With Six You Get Eggroll" (1968), "The Split" (1968), "The Good Guys and the Bad Guys" (1969), "The Cheyenne Social Club" (1970), "Get Crazy" (1983), and "Small Soldiers" (1998).


title: Jackie Joseph

text: Joseph's other television credits include "The Andy Griffith Show" (Season 4 Episode 17: "My Fair Ernest T. Bass" as Ramona Ankrum), "The Dick Van Dyke Show" (two appearances), "That Girl", "F Troop" (Season 1 Episode 17: "Our Hero, What's His Name" as Corporal Randolph Agarn's girlfriend Betty Lou MacDonald), "Hogan's Heroes" (Season 1 Episode 28: "I Look Better in Basic Black" as Charlene Hemsley), "McHale's Navy", "Gomer Pyle, U.S.M.C." (four appearances), "Petticoat Junction" (1967 episode: 'A House Divided'), "CHiPs" (in a two-part episode), "Full House" and "Designing Women" (as Mary Jo's mother). She also appeared for a week on the game show "Match Game '74". Although she appeared only once on the 1964 sitcom "My Living Doll," as one of the few surviving actors to appear on the series she participated in a retrospective featurette included on the 2012 DVD release of the series.


title: Jackie Joseph

text: In 1977, Joseph became a fashion show producer, staging the Western Children's Brand Wagon show. An audience of 600 watched youngsters model one garment each from 85 companies.


title: Jackie Joseph

text: Joseph married her first husband, Ken Berry on May 29, 1960. On November 29, 1962, their son, Joseph Larson Berry, was born but died 6 days later, on December 5, 1962. they then adopted two children, (John and Jennifer). Joseph and Barry divorced in June of 1976.


title: Jackie Joseph

text: She has since remarried, to David Lawrence. Her son John died of brain cancer in 2016 at the age of 51, and her daughter Jennifer died in 2020 of natural causes.


title: Randy Harrison

text: Randolph Clarke Harrison (born November 2, 1977) is an American actor best known for his portrayal of Justin Taylor on the Showtime drama "Queer as Folk".


title: Randy Harrison

text: Harrison was born in Nashua, New Hampshire, where he starting acting early. He attended Bicentennial Elementary School and starred as Peter Pan in the school play. He was also active in the Actorsingers and played Winthrop in a 1987 production of "The Music Man". He moved to Alpharetta, Georgia, with his family at age eleven. He attended Pace Academy, a private prep school in Atlanta. His father is an executive with a large paper company, while he has described his mother as a "thwarted artist." His only sibling, an older brother, is a bank manager.


title: Randy Harrison

text: Harrison attended the University of Cincinnati's College-Conservatory of Music (CCM), graduating with a Bachelor of Fine Arts degree in musical theatre. During his time at CCM, Harrison starred in university productions such as "Hello Again", "Shopping and Fucking," and "Children of Eden". He also had roles in other theatrical venues across the U.S., in productions such as "Violet" at the Ensemble Theatre of Cincinnati, "1776" at the St. Louis Municipal Theatre and "West Side Story" at the Forestburg Playhouse, as well as productions of "A Midsummer Night's Dream", "The Real Inspector Hound" and "A Cheever Evening".


title: Randy Harrison

text: Harrison made his television debut playing Justin Taylor, a gay teen, in 2000's American version of "Queer as Folk", based on the British television series. The series ran for five seasons, ending in 2005. In 2002, Harrison played the character Sean in "Bang Bang You're Dead", a made-for-television movie based on the play of the same name. Harrison stars as Brutus in cinematographer/director/writer Patrick Donelley's postmodern feature film adaptation of "Julius Caesar" opposite actor John Shea as the title role.


title: Randy Harrison

text: In 2002, Harrison starred in the play "Deviant" at the New York International Fringe Festival. In summer 2004, Harrison made his Broadway debut as Boq in the musical "Wicked". His Off Broadway credits include "A Letter for Ethel Kennedy" (MCC Theatre, 2002), the Father in "Oak Tree" (Perry Street Theatre, 2006), Young Spencer in "Edward II" (Red Bull Theatre, 2007–08), Eros in "Antony and Cleopatra" (Theatre for a New Audience, 2008), Laszlo Fickes/Gerhardt Zeitzler in "A Singing Forest" (Public Theatre, 2009), and Kevin Adams-Weller in "Harbor" (Primary Stages, 2013). Harrison has also done several staged readings for Red Bull Theatre and starred in their "In the Raw" workshop production of "A Tyger's Heart" in February 2011.


title: Randy Harrison

text: Harrison has a substantial résumé in regional theatre, most prominently as a featured player since 2005 at the Berkshire Theatre Festival. Roles with BTF include Alan Strang in "Equus" (2005), the title role in "Amadeus" (2006), Bill Bibbit in "One Flew Over the Cuckoo's Nest" (2007), Frank Gardner in "Mrs. Warren's Profession" (2007), Lucky in "Waiting for Godot" (2008), Osvald Alving in "Ghosts" (2009), Nagg in "Endgame" (2010), and the title character in "The Who's "Tommy"" (2011). Other regional theatre credits include Lysander/Thisbe/Cobweb in the Alabama Shakespeare Festival production of "A Midsummer Night's Dream", presented in spring 2006 by the SITI Company (where Harrison has studied extensively through Skidmore College and in Manhattan); Tom in the Guthrie Theater's production of "The Glass Menagerie" (2007); Andy Warhol in the Yale Repertory Theatre's production of "Pop!" (2009); Sebastian in the Shakespeare Theatre Company's production of "Twelfth Night" (2010); Tim in the Studio Theatre's production of "Habit of Art"; and Ken in the George Street Playhouse's production of "Red" (2012).


title: Randy Harrison

text: In 2006, Harrison co-founded the Arts Bureau (tAB) , an umbrella organization encompassing theatre, film, music, and writing. In July 2007, he starred in tAB's first production, "a heartwarming story, ultimately", based on the work of Anton Chekhov. In late 2007/early 2008, Harrison shot and starred in the first tAB short film, "Thinking", which has been shown at several film festivals. In Summer 2008, tAB shot its first feature film "Lorton Lake".


title: Randy Harrison

text: Harrison, who is gay, dated "Advertising Age" columnist Simon Dumenco from 2002 to 2008; the two met when Dumenco interviewed Harrison for a "New York" magazine cover story. As of December 2009, Harrison lives in Williamsburg, Brooklyn, with his cats Ella and Aggie.


title: Lee Hee-joon

text: Lee Hee-joon and model Lee Hye-jung confirmed their relationship in August 2015. They registered their marriage prior to the ceremony and had their private wedding ceremony in a wedding hall in Yongsan, Seoul on April 23, 2016.