title: Harrison Wells

text: Harrison "H. R." Wells of Earth-19 is one of several versions of Harrison Wells in season three who finds the cryptogram sent by Harry through the multiverse and expresses interest in aiding Team Flash. Although Harry objects, Team Flash finalizes H. R. as his replacement. H. R. is later revealed to not be a scientist; he admits that he came to Earth-1 primarily to get material for a novel, and is only the founder and "idea man" for S.T.A.R. Labs on Earth-19. Barry suggests letting the overbearingly good-natured H. R. stay a few weeks, and he proves his worth by helping form plans and locating powered criminals. He trains Wally West in the use of the youth's newly-acquired speedster powers and, after discovering how many criminals breached the facility, attempts to transform S.T.A.R. Labs into a museum to maintain Team Flash's cover. Gypsy, an enforcer from Earth-19, arrives to retrieve H. R. on charges of interdimensional travel as it is forbidden on Earth-19, but is defeated by Cisco. H. R. is spared but he is warned not to return to Earth-19. In the battle against Savitar, H. R. sacrifices himself by disguising himself as Iris West and taking the latter's place to be killed by Savitar. His actions earn him Harry's respect, and his death is avenged when Iris kills Savitar. Iris later eulogized H. R. as a hero. In season seven, it is revealed that H. R.'s consciousness remains in Nash's mind. When Nash sacrifices himself for Barry, H. R. and their other doppelgängers too die.


title: Harrison Wells

text: Harrison Sherloque Wells (), a detective from Earth-221, is hired in season five by Team Flash to investigate the mystery of the metahuman serial killer Cicada. He is forced to stay on Earth-1 after his initial deductions prove incorrect because this version of Cicada has a different secret identity than the 37 versions of David Hersh that Sherloque has previously identified. After investigating further, he announces Cicada's true identity: Orlin Dwyer. He is also suspicious of Barry's and Iris's future daughter Nora West-Allen, and secretly investigates the speedster, leading him to discover Nora's allegiance with Thawne. Sherloque has married, and subsequently divorced, Renee Adlers of various Earths in the multiverse and eventually starts dating the Earth-1 version of her. He sends the Earth-1 Renee, who is a metahuman, to his Earth to keep her safe from Cicada II. After Cicada II is defeated, Sherloque returns to his Earth, acknowledging Ralph Dibny as an equal detective and reunites with the Earth-1 Renee. During the Crisis, Sherloque perished, but after the multiverse's rebooting, his consciousness was fused with Nash's mind. When Nash sacrifices himself for Barry, Sherloque and the other Wells too die.


title: Harrison Wells

text: In season six, Harrison Nash Wells, an explorer and self-proclaimed myth-buster from an unidentified Earth, comes to Earth-1 in search of a substance called eternium, which he eventually finds in the sewers of Central City. He later aids Barry and Cisco in a heist in exchange for a crypto-circuit he claims only Cisco can build. After obtaining it, he returns to the sewers and tracks the Monitor's movements. After Team Flash offers to help, Nash reluctantly agrees and tells them he knows how to save Barry from the latter's prophesied death during the impending Crisis. He brings the team to a wall he claims protects a portal the Monitor uses to hide out, expressing his desire to expose as a false god. Nash later destroys the wall, and finds a door etched with symbols, before a voice promises him a new life in exchange for bowing down before it. Nash initially refuses, but ultimately agrees after the voice seemingly saves him. Following this, a blinding light appears and teleports him inside.


title: Harrison Wells

text: During the Crisis, it is revealed that Nash inadvertently freed the Anti-Monitor, tricking him into thinking he helped the Monitor and used him to escape imprisonment. As a result, Nash is the "Pariah" cursed to bear witness as penance while the Anti-Monitor destroys the multiverse. As billions of Earths are wiped out, Pariah assists Team Flash in destroying the Anti-Monitor's anti-matter cannon, but the Anti-Monitor succeeds in destroying the multiverse anyway. Pariah teleports the Paragons, the seven heroes capable of stopping the Anti-Monitor, to safety before he is killed. After the Paragons and Oliver Queen defeat the Anti-Monitor and reboot the multiverse, Nash is restored on the newly formed Earth-Prime. He initially lacks his memories as Pariah until J'onn J'onzz restores them to ensure he never forgets what he did. When Nash learns the Anti-Monitor is still alive, he works with Barry, Ray Palmer, and Ryan Choi to develop a bomb capable of shrinking the Anti-Monitor for eternity.


title: Harrison Wells

text: After Cisco takes a leave of absence from Team Flash, Nash joins them as a substitute. He also starts seeing hallucinations of Harry. Allegra Garcia learns she had a doppelgänger who worked for Nash and starts to get weary around him. When Nash tries to explain himself, he hallucinates Sherloque warning him. Nash's body is eventually taken over by Thawne, though he remains alive. When Team Flash work to exorcise Thawne from Nash, they deduce that the only surviving version of Wells following the Crisis was fused with all of his counterparts, explaining his hallucinations. Meanwhile, Thawne is composed of negative tachyons who possessed Nash following the Crisis. While in Nash's head, Team Flash learn that Thawne is using his negative memories against him to finalize the possession, particularly the death of his partner and adoptive daughter Maya (Allegra's doppelgänger), who had died while on an adventure with him on Earth-13. With his friends' help, Nash comes to terms with what happened and accepts that it was his fault, expelling Thawne from his body. Despite this success, Team Flash cannot do anything about his other counterparts' consciousnesses. After Nash assists Allegra in fighting Esperanza Garcia, the former starts warming up to him.


title: Harrison Wells

text: In season seven, Nash discovers from his various doppelgängers they can activate Barry's ASF generator, but it would result in Nash's death as the multiverse particles in his body from his other doppelgängers being absorbed to act as a power source for the generator. As Nash searches for an alternative, he, Allegra and Chester P. Runk try a new method which results in Barry absorbing his doppelgängers' minds, causing Barry to take on their personalities. Realizing that Barry will eventually be killed by their personalities in his brain, Chester, Allegra, and Nash are able to transfer his counterparts back into Nash, after which Nash sacrifices himself (and his doppelgängers) to power the ASF, restoring Barry's speed.


title: Harrison Wells

text: Throughout the series, many versions of Wells from across the multiverse have made brief appearances. In season three, several variants of Wells, along with H. R., appear as candidates to replace Harry from Team Flash, such as "Hell's Wells", a cowboy from an unspecified Earth; Wells of Earth-17, a British-accented steampunk scientist; and a French-speaking mime artist from another unspecified Earth. During season four, Harry briefly creates the "Council of Wells", which consists of the smartest versions of himself from across the multiverse: Herr Harrison Wolfgang Wells, a German author and scientist from Earth-12; H. Lothario Wells, a playboy-scientist from Earth-47; and Wells 2.0., a cyborg from Earth-22. Also shown is a wizard named "Wells the Grey" from Earth-13. Following Harry's expulsion from the Council because of his declining intelligence, Cisco introduces him to the "Council of Harrisons", based more on empathy than intelligence. Along with Harry, this group includes Lothario Wells (also expelled from the Council of Wells); the Italian Sonny Wells of Earth-24; and H. P. Wells, a French poet from Earth-25. During the Crisis, all existing versions of Wells perished, but after the multiverse's rebooting, their consciousnesses were fused into Nash's mind. Season seven briefly features Harrison Orson Wells, an actor from an unidentified Earth.


title: Harrison Wells

text: Adam Holmes of "Cinema Blend" ranked Harry sixth on his list of 10 Best TV Characters DC Introduced in 2015. Reviewing Cavanagh's performance as Harry in the episode "The Darkness and the Light", Eric Walters of "Paste" said, "Having Tom Cavanagh back is wonderful, and he has brought a renewed energy with him. When Harrison 2 referred to Cisco as 'Crisco,' I knew this episode was going to be hot fire." "Screen Rant"s Jason Berman ranked Cavanagh fifth on his 2016 list of 20 Best Actors in the Arrowverse, saying, "By now, it has become clear that actors on "The Flash" are tasked with playing various incarnations of their characters. But Tom Cavanagh (who plays Harrison Wells) has had to take that to the extreme. Cavanagh has showed off his acting chops by playing no less than different versions of his character on The Flash."


title: Harrison Wells

text: In September 2017, Irina Curovic of "Comic Book Resources" described Cavanagh's portrayal of the versions of Wells introduced to that point as "flawless", noting that, "Harry was the best fit for team Flash. Not only did he contribute to the team, but he also established meaningful relationships with the members of the team." In his review of the season 4 penultimate episode "Think Fast", which shows Harry's declining intelligence because of the effects of the Thinking Cap, "IGN"s Jesse Schedeen felt that "Cavanagh is doing a fine job of depicting Harry's deteriorating mental state, playing it both for laughs and tragedy as the situation demands."


title: Harrison Wells

text: Reviewing the episode "The New Rogues", which features Cavanagh portraying multiple versions of Wells, Angelica Jade Bastién of "Vulture" said that the different Wells "let Tom Cavanagh stretch himself even more as an actor." However, she criticized his portrayal of H. R. in the episode "Untouchable", feeling he was an "annoying character" who was "just another symbol of the show's inability to grow", with his only purpose being to "continue the Harrison Wells mythos." Writing for Comic Book Resources, Stephanie Holland also criticized H. R., describing him as a "hipster Wells, who carries around drumsticks, wears a stupid hat and skinny jeans." She felt he was included only to "keep Tom Cavanagh around in a new role." Holland added that while Cavanagh was "fantastic at making every Wells different, HR just didn't fit on the show." "Digital Spy"s Morgan Jeffrey felt H. R. did not contribute much to Team Flash except for "plenty of enthusiasm", and was "a tad annoying", but wrote that, by sacrificing his life to save Iris, H. R. "eventually proved his worth."


title: Harrison Wells

text: The Council of Wells and the Council of Harrisons received a divided reception among critics; some praised their humor and Cavanagh's versatility in portraying them, while others criticized the skit-like nature of both Councils. In his review of "When Harry Met Harry...", Schedeen felt the Council of Wells was "basically an excuse for Cavanagh to put on funny wigs and ridiculous accents." He had similar feelings for the episode "Harry and the Harrisons" where Harry joined the Council of Harrisons. Scott Von Doviak of "The A.V. Club" said this Council did not "make a whole lot of sense, even from a comic-book multiverse perspective", and that its members felt like "community theater skit characters."


title: Harrison Wells

text: Mike Cecchini of "Den of Geek" said he was initially skeptical of Sherloque during the character's introduction in the fifth season, but while reviewing the episode "Godspeed", said he turned into an "absolute delight". He claimed that, despite the character's limited screen time in the episode, he used it "incredibly effectively", appreciating "the way that he doubles down on not telling the team about his Nora suspicions." In contrast, Schedeen said that while Cavanagh was able to differentiate the various versions of Wells through subtle intonation, body language and personality changes, "Sherloque relied far too heavily on a silly French accent. He felt gimmicky in comparison to his predecessors. And while Sherloque definitely had his moments in Season 5 (mainly as he turned his considerable skills of deduction against his own teammates), the character too often felt superfluous."


title: Shawangunk Correctional Facility

text: Shawangunk Correctional Facility is a maximum security prison for males located in the Town of Shawangunk, Ulster County, New York in the United States. The facility lies just outside the Ulster County hamlet of Wallkill, whose post office serves it.


title: Shawangunk Correctional Facility

text: The prison was constructed in 1983 to expand the maximum security capabilities of the state prison system and was located near the existing Wallkill Correctional Facility, a medium security prison. The co-location was designed so that services by both facilities could be shared, thus reducing the costs of each prison.


title: Shawangunk Correctional Facility

text: The new prison opened in 1985 and was fully operational by 1986. The prison is also one of the few in the system with a sex offender program. Occupational training is provided in the category of building maintenance with specific training in carpentry, electricity and plumbing.


title: Broadlands

text: Broadlands is an English country house, located in the civil parish of Romsey Extra, near the town of Romsey in the Test Valley district of Hampshire, England. The formal gardens and historic landscape of Broadlands are Grade II* listed on the Register of Historic Parks and Gardens. The house itself is Grade I listed.


title: Broadlands

text: The original manor and area known as Broadlands belonged to Romsey Abbey since before the Norman Conquest.


title: Broadlands

text: In 1547, after the Dissolution of the Monasteries, Broadlands was sold to Sir Francis Fleming. His granddaughter married Edward St Barbe, and the manor remained the property of the St Barbe family for the next 117 years. Sir John St Barbe, 1st Baronet () made many improvements to the property but died without children, bequeathing his estate to his cousin Humphrey Sydenham of Combe, Dulverton. In the chancel of Ashington Church, Somerset, is a monument of grey and white marble, inscribed:


title: Broadlands

text: Having been ruined by the 18th-century South Sea Bubble, in 1736 Sydenham proceeded to sell Broadlands, with its Tudor and Jacobean manor house, to Henry Temple, 1st Viscount Palmerston, for £26,500. It was the latter who began the deformalisation of the gardens between the river and the house and produced the broad-lands, a "gentle descent to the river".


title: Broadlands

text: In 1767, a major architectural "transformation" of the house and garden was begun by Capability Brown, the celebrated architect and landscape designer, and completed by the architect Henry Holland, which led to making Broadlands the Palladian-style country house seen today. Henry Temple, 2nd Viscount Palmerston, had requested that Brown go there and seize upon the "capabilities" of the earlier manor house. Between 1767 and 1780, William Kent's earlier "deformalising work" was completed, as well as further landscaping, planting, clearing and riverside work.


title: Broadlands

text: Broadlands was the country estate of the 19th-century British prime minister Henry John Temple, 3rd Viscount Palmerston. After his death, the estate was inherited by his step-son, William Cowper-Temple, 1st Baron Mount Temple (1811–1888). A devout Christian, he held public prayer meetings in the grounds and also banned all blood-sports on the property. On his death, the estate passed to a great-nephew, Evelyn Ashley (1836-1907), a younger son of Anthony Ashley-Cooper, 7th Earl of Shaftesbury (1801-1885). Subsequently, Broadlands passed to Evelyn Ashley's son Wilfrid Ashley, 1st Baron Mount Temple, who died in 1939 and left it to his daughter Edwina Ashley, the wife of Lord Louis Mountbatten.


title: Broadlands

text: Queen Elizabeth II (then Princess Elizabeth) and Prince Philip spent their honeymoon at Broadlands in November 1947; the first Earl Mountbatten of Burma, whose home Broadlands was at the time, was Philip's uncle. In 1981, the newly married Prince and Princess of Wales also spent the first three days of their honeymoon at Broadlands, travelling to the estate by train from London Waterloo.


title: Broadlands

text: Broadlands is the home of the Earl and Countess Mountbatten of Burma. The house is open to the public for guided tours on weekday afternoons in summer.


title: Broadlands

text: On 1 August 2004, Irish vocal pop band Westlife held a concert at Broadlands as part of their Turnaround Tour promoting their album "Turnaround".


title: Prostitution in Mexico

text: Prostitution in Mexico is legal under Federal Law. Each of the 31 states enacts its own prostitution laws and policies. Thirteen of the states of Mexico allow and regulate prostitution. Prostitution involving minors under 18 is illegal. Some Mexican cities have enacted "tolerance zones" ("zonas de tolerancia") which allow regulated prostitution and function as red-light districts. In Tuxtla Gutiérrez, capital of the state of Chiapas, there is a state-run brothel at the "Zona Galáctica". In most parts of the country, pimping is illegal, although pimp-worker relationships still occur, sometimes under female pimps called "madrotas". The government provides shelter for former prostitutes.


title: Prostitution in Mexico

text: Prostitution was known to exist during the Aztec Empire although the details are relatively unknown, as much Aztec history was chronicled later by Roman Catholics in a pejorative manner based on strict European values and law.


title: Prostitution in Mexico

text: Following the Spanish conquest and establishment of New Spain, Spanish settlers created a demand for prostitution. Throughout the 16th and 17th centuries prostitution was tolerated provided it was kept out of sight. Although Philip IV banned the practice, this was generally unenforced.


title: Prostitution in Mexico

text: Prostitution was first regulated in Mexico during the French occupation in the 1860s. These regulations which consisted of registering oneself as a prostitute and of regular health care check-ups were implemented to protect European soldiers from contracting sexually transmitted diseases, since sexually transmitted diseases particularly syphilis and gonorrhea were spreading quickly. While in power, the French influenced the perception of sex work in various ways, as they categorized women based on their views of beauty and classified places where sex work was done depending on location and services available. Though the French enforced supervision of prostitutes as a way of protecting themselves from infections, similar regulations remained when Mexico regained control of the country.


title: Prostitution in Mexico

text: During the authoritarian regime of Porfirio Díaz in the late 19th century, regulations in the forms of monthly quotas, medical examinations, and photographic documentation were imposed upon prostitutes. Regulatory practices were most severe on the eve of the Mexican export-mining economic collapse, and had been met with backlash from women's rights groups in Oaxaca, Yucatán, and Veracruz. According to a 1908 study, economic concerns were the main reason for turning to the sex trade in the Porfiriato, at which time 15 to 30 per cent of Mexico City's young female population was employed in the sex trade.


title: Prostitution in Mexico

text: During the Mexican Revolution, supplies to the cities were severely disrupted, and many women prostituted themselves for food in the period 1913–1915. In the post-war period of reconstruction and consolidation during the 1920s and 1930s, many impoverished women in the cities turned to prostitution. The revolutionary political and social reforms under Lázaro Cárdenas led to the end of the regulation of prostitution in 1940.


title: Prostitution in Mexico

text: Although morally pressured by the United States and the prevalent changes ongoing prostitution after World War I, El Paso's location served as a convenient place for prostitution to thrive. El Paso's proximity to the United States border allowed for quick and easy access by Americans after the abolition of prostitution. The access to Mexico via the railroad from the United States and the economic success of prostitution gave way to a surge of Mexican women participating in this kind of labor. As prostitution increased, so did the regulations.


title: Prostitution in Mexico

text: In translocal border cities such as Mexicali in Baja California, local brothels and vaudeville theaters became spaces for American tourists, Asian laborers, and Mexican-American sex workers to intermingle in the 1930s. In the mid-2000s, American men make up a significant clientele sector for sex workers in border cities, specifically Ciudad Juárez and Tijuana—more than two-thirds of female sex workers in these two cities had had at least one male U.S. client in the prior two months.


title: Prostitution in Mexico

text: It has been argued that neoliberal reforms instituted in the 1990s under the PRI administration of Carlos Salinas de Gortari—including the signing of NAFTA in 1994—incubated adverse economic conditions that caused the migration of indigenous women from southern Mexico to northern border locales to find work in the sex trade or in "maquiladoras". Violence against sex workers in Ciudad Juárez has been connected to similar atrocities committed against "maquiladora" workers.


title: Prostitution in Mexico

text: Child prostitution is a problem in the country, and Mexico continues to be a destination for pedophiles who engage in child sex tourism. Mexico has one of the highest levels of child sexual exploitation, along with Thailand, Cambodia, Colombia, India, and Brazil.


title: Prostitution in Mexico

text: A study by UNICEF Mexico and the DIF/National System for Integral Family Development estimated that more than 16,000 children in Mexico were involved in prostitution in June 2000. A 2004 study by researcher Elena Azaola estimated that some 17,000 children under the age of 18 are victims of the sex trade in Mexico; the State System of Integral Family Development (DIF) reported that more than 20,000 minors were victims of child prostitution in Mexico in 2005, an increase since the year 2000.


title: Prostitution in Mexico

text: Out of Mexico City's 13,000 street children, 95% have had at least one sexual encounter with an adult (many of them through prostitution). In the impoverished southern state of Chiapas, children have been sold for $100 to $200, according to human rights groups. Chiapas is considered one of the worst places in the world in terms of child prostitution. Poverty forces many rural children, with or without their families, to migrate to urban cities to seek out employment, some of them also migrate across the border to the U.S. These children have little or no parental supervision and many are lured into the sex industry or abducted by child trafficking gangs.


title: Prostitution in Mexico

text: Child sex tourism persists in Mexico, especially in tourist areas such as Acapulco, Puerto Vallarta, and Cancún, and in northern border cities such as Tijuana and Ciudad Juárez. Some NGOs alleged that some corrupt local officials allowed commercial sexual exploitation of children to occur. Many child sex tourists are from the United States, Canada, and Western Europe, though some are Mexican citizens. Casa Alianza director Manuel Capellin is quoted as saying "More than 16,000 children are sexually exploited through networks involving foreigners and military, police, government and business officials."


title: Prostitution in Mexico

text: Mexico is a source, transit, and destination country for women and children subjected to sex trafficking. Groups considered most vulnerable to human trafficking in Mexico include women, children, indigenous persons, persons with mental and physical disabilities, migrants, and LGBTI individuals. Mexican women and children, and to a lesser extent men and transgender individuals, are exploited in sex trafficking in Mexico and the United States. Transgender Mexicans in commercial sex are vulnerable to sex trafficking. Residents at substance addiction rehabilitation centers and women's shelters have been subjected to sex trafficking.


title: Prostitution in Mexico

text: Young female migrants recounted being robbed, beaten, and raped by members of criminal gangs and then forced to work in table dance bars or as prostitutes under threat of further harm to them or their families. The majority of non-Mexican trafficking victims come from Central America; lesser numbers come from Brazil, Cuba, Ecuador, China, Taiwan, South Korea, India, Uruguay, and Eastern European countries. Victims are also trafficked to the United States.


title: Prostitution in Mexico

text: The United States Department of State Office to Monitor and Combat Trafficking in Persons ranks Mexico as a 'Tier 2' country ("does not fully meet the minimum standards for the elimination of trafficking; however, it is making significant efforts to do so").


title: Damnation

text: Damnation (from Latin "damnatio") is the concept of divine punishment and torment in an afterlife for actions that were committed, or in some cases, not committed on Earth.


title: Damnation

text: In Ancient Egyptian religious tradition, citizens would recite the 42 negative confessions of Maat as their heart was weighed against the feather of truth. If the citizen's heart was heavier than a feather they would be devoured by Ammit.


title: Damnation

text: Zoroastrianism developed an eschatological concept of a Last Judgment called Frashokereti where the dead will be raised and the righteous wade through a river of milk while the wicked will be burned in a river of molten metal.


title: Damnation

text: Abrahamic religions such as Christianity have similar concepts of believers facing judgement on a last day to determine if they will spend eternity in Gehenna or heaven for their sin . A damned human "in damnation" is said to be either in Hell, or living in a state wherein they are divorced from Heaven and/or in a state of disgrace from God's favor.


title: Damnation

text: Following the religious meaning, the words damn and goddamn are a common form of religious profanity, in modern times often semantically weakened to the status of mere interjections.


title: Damnation

text: Classical Latin "damnum" means "damage, cost, expense; penalty, fine", ultimately from a PIE root "*dap-". The verb "damnare" in Roman law acquired a legal meaning of "to pronounce judgement upon".


title: Damnation

text: The secular meaning survives in English "to condemn" (in a court of law), or "damning criticism". The noun "damnation" itself is mostly reserved for the religious sense in Modern English, while "condemnation" remains common in secular usage.


title: Damnation

text: During the 18th century and until about 1930, the use of "damn" as an expletive was considered a severe profanity and was mostly avoided in print. The expression "not worth a damn" was recorded in 1802. The use of "damn" as an adjective, short for "damned", was recorded in 1775. "Damn Yankee" (a Southern US term for "Northerner") dates back to 1812.


title: Damnation

text: In most forms of Western Christian belief, damnation to hell is what humanity deserves for its sins. Catholic and many Protestant denominations hold that human sin is the product of the fall of man of Adam and Eve in the book of Genesis. In some Christian denominations, only the sins that the Ten Commandments describe cause damnation, but others apply more strict terms. The reasons for being damned have varied widely through the centuries, with little consistency between different forms of Christianity (i.e., Catholic or Protestant). "Sins" ranging from murder to dancing have been said to lead to damnation.


title: Damnation

text: Christian denominations have differing views on soteriology, but a mainstream view is that believers can only escape damnation by salvation from Jesus Christ. One conception is of suffering and denial of entrance to Heaven, often described in the book of Revelation as burning in a Lake of Fire. Another conception, derived from the scripture about "Gehenna" is simply that people will be discarded (burned), as being unworthy of preservation by God.


title: Damnation

text: Opinions in the Eastern Orthodox church differ on this subject matter. Question 383 of the Philaret Drozdov catechism asks: "What will be the lot of unbelievers and transgressors? Answer: They will be given over to everlasting deaththat is, to everlasting fire, to everlasting torment, with the devils. Proof: Whosoever was not found written in the book of life was cast into the lake of fire. Rev. xx. 15. And, That is the second death. Rev. xx. 14. Depart from me, ye cursed, into everlasting fire, prepared for the devil and his angels. Matt. xxv. 41. And these shall go away into everlasting punishment, but the righteous into life eternal. Matt. xxv 46. It is better for thee to enter into the kingdom of God with one eye, than having two eyes to be cast into hell fire: where their worm dieth not, and the fire is not quenched. Mark ix. 47, 48."


title: Damnation

text: However some view sin in less legalistic sense, but more as a spiritual illness that needs to be cured and purged. It is seen as a state of opposition to the love of God, a state into which all humans are born but against which Jesus Christ is the Mediator and Redeemer. Eastern traditions have established their views on Paradise and Gehenna from theologians like Isaac of Nineveh and Basil of Caesarea and the Fathers of the Church. According to Orthodoxy, Heaven and Hell are relations to or experiences of God's just and loving presence, with often used analogy being how Sun melts wax and hardens the clay, with different reactions to sunlight depending not on sun but the matter that reacts to it. Similarly, Saints enjoy the loving presence of God, while the damned are enraged by it. In the Eastern Orthodox tradition theologians can describe God by presenting negative descriptions of what God is not, and describe Gehenna in similar ways.


title: Damnation

text: In Hinduism, one of the three main acharyas, Acharya Madhva or Madhvacharya differed significantly from traditional Hindu beliefs owing to his concept of eternal damnation. For example, he divides souls into three classes. One class of souls, "mukti-yogyas", qualifies for liberation, another, the "nitya-samsarins", subject to eternal rebirth or eternal transmigration and a third class, "tamo-yogyas", who are condemned to eternal hell ("Andhatamas"), since their guilt cannot be obliterated according to him. No other Hindu philosopher or school of Hinduism holds such beliefs. In contrast, most Hindus believe in universal salvation, that all souls will eventually obtain moksha, even if after millions of rebirths.


title: Damnation

text: "Damn" is nowadays a mildly profane word for some people in English, although "God damn" (or "Goddamn") may be considered blasphemous by the religiously devout, who regard it as a violation of the commandment against taking God's name in vain. "Dang" (mainly US) or "darn" are common euphemisms, specifically minced oaths, for "damn". The profanity of "damn" and its derivatives (e.g. "damned", "damnation") is effectively limited to cases where the word is not used in its literal meaning, e.g., "The damned dog won't stop barking!" (but the line of Arthur Miller's character John Proctor to his servant, "God damns all liars" uses the word in its literal sense and has not been seen as objectionable). Use of the word or its derivatives in their figurative forms may impact on the ratings of movies and television programmes.


title: Damnation

text: In Indian English, there is an incorrect etymology connecting "I don't give a damn" with the dam, a 16th-century copper coin. Salman Rushdie, in a 1985 essay on the dictionary of Anglo-Indian terms 'Hobson-Jobson', ends with this:


title: The Sure Thing

text: The Sure Thing is a 1985 American adventure comedy romance film written by Steven L. Bloom and Jonathan Roberts and directed by Rob Reiner. The film stars John Cusack, Daphne Zuniga, Viveca Lindfors, and Nicollette Sheridan. The film chronicles the cross-country journey of college students Walter Gibson (Cusack) and Alison Bradbury (Zuniga) as they make their way from New England to Los Angeles, each in an effort to meet their ideal match.


title: The Sure Thing

text: The origins of the film came from an experience writer Steven L. Bloom had while attending Brown University. During this time, his best friend was attending Emory University in Atlanta, GA and was constantly recounting the good times he was having while absolutely nothing was going on for Bloom. Out of pity over his situation his friend arranged for him to meet a sure thing over spring break, so Bloom found a ride through a ride board and drove to Atlanta with a number of other students.


title: The Sure Thing

text: High school senior Walter Gibson and his best friend Lance are celebrating the fact they are moving on to college, but all Walter can do is lament the fact that he has lost his touch with women. Lance heads to UCLA while Walter moves on to college in New England. The two keep in touch by writing letters, but Walter's luck has not changed. His attempt to get close to Alison Bradbury from his English class by tricking her into tutoring him only results in his angering and alienating her. Eventually, he receives a phone call from Lance telling him to come to California for Christmas break because he has set him up with a beautiful girl, assuring him she is a "sure thing."


title: The Sure Thing

text: Walter finds a ride from a ride-share board to make the trip. He meets Gary Cooper and Mary Ann Webster, the couple providing the ride. Things go from bad to worse when he realizes he will be sitting next to Alison as she heads to UCLA to visit her boyfriend Jason. The tension and bickering between Walter and Alison becomes too much for Cooper, and he abandons them on the side of the road in the middle of nowhere and Alison hitches a ride which turns out to be a big mistake. The driver stops at a deserted little pocket of the road and attempts to rape her, but Walter comes to her rescue just in the nick of time. As they hitch to California, they overcome issues with transportation, weather, lack of food, lack of money, and sleeping arrangements, while at the same time developing genuine feelings for one another. En route to California, Alison discovers the real reason Walter made the trip is to meet his "sure thing" and angrily walks away after they arrive.


title: The Sure Thing

text: That night at a college mixer Lance has arranged for Walter to meet his "sure thing". Meanwhile, Alison is spending a boring night with Jason when she drags him to the same mixer for some fun. Alison and Walter see each other at the party, but jealousy leads to a confrontation between the two. Walter takes the "sure thing" to Lance's room, but cannot stop thinking about Alison.


title: The Sure Thing

text: Back on campus after the break, Alison and Walter are obviously uncomfortable around each other. In their English class, Professor Taub reads an essay composed by Walter as a writing assignment, which is a description of his night with the "sure thing". The girl in the essay asks the protagonist if he loves her, but for the first time he realizes that those are not just words and he cannot sleep with her. Alison realizes what actually happened that night, she tells Walter that she and Jason broke up, and they kiss.


title: The Sure Thing

text: When casting for the part of Walter Gibson began, director Rob Reiner initially refused to meet with John Cusack because the actor was under-aged. Casting directors Jane Jenkins and Janet Hirshenson convinced Reiner to audition Cusack, after which Reiner knew he had to have him for the part. At the time Anthony Edwards was seriously being considered for the lead, but after Cusack got the part, Edwards was offered the best friend role instead.


title: The Sure Thing

text: At the time of his casting, Cusack was still 16 and had not yet graduated from high school, so producer Roger Birnbaum had to go to court to have him emancipated. During the filming of the movie (March–April 1984), Birnbaum then became Cusack's legal guardian.


title: The Sure Thing

text: Robert Bauer played the same character, Moke, in two Rob Reiner movies, "This Is Spinal Tap" (1984) and this one.


title: The Sure Thing

text: Many popular songs were used in the film but a soundtrack was never officially released. The following is a list of tracks featured in the film:


title: The Sure Thing

text: Reviews for "The Sure Thing" were mostly positive. Film critic Roger Ebert, who gave it three-and-a-half stars out of four, praised the film and called it a "small miracle" for its handling of teenage material in an era when movies like "Porky's" were the norm. In a review for "The New York Times", Janet Maslin wrote that "The Sure Thing" was "glowing proof of two things: Traditional romantic comedy can be adapted to suit the teen-age trade, and Mr. Reiner's contribution to "This Is Spinal Tap" was more than a matter of humor". The film holds a rating of on Rotten Tomatoes based on reviews. The website's critical consensus reads: "Though its final outcome is predictable, "The Sure Thing" is a charming, smartly written, and mature teen comedy featuring a breakout role for John Cusack."


title: Bruce Weber (photographer)

text: Bruce Weber (born March 29, 1946) is an American fashion photographer and occasional filmmaker. He has made ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, and made work for "Vogue", "GQ", "Vanity Fair", "Elle", "Life", "Interview", and "Rolling Stone" magazines.


title: Bruce Weber (photographer)

text: Weber was born in Greensburg, Pennsylvania, to a Jewish family. His fashion photography first appeared in the late 1970s in "GQ" magazine, where he had frequent cover photos. Nan Bush, his longtime companion and agent, was able to secure a contract with Federated Department Stores to shoot the 1978 Bloomingdales mail catalog. He came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein. He was first approached by Klein to work on an underwear campaign, and Weber took inspiration from Herbert List's shoot in Santorini. His straightforward black-and-white shots, featuring an unclothed woman and man on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted them both into the national spotlight. His photograph for Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image. He photographed the winter 2006 Ralph Lauren Collection.


title: Bruce Weber (photographer)

text: Some of Weber's other earliest fashion photography appeared in the "SoHo Weekly News" and featured a spread of men wearing only their underwear. The photos became the center of controversy and Weber was told by some that he would never find work as a fashion photographer again. This reputation stuck with him, as he says: "I don't really work editorially in a large number of magazines because a lot of magazines don't want my kind of photographs. It's too risky for them".


title: Bruce Weber (photographer)

text: After doing photo shoots for and of famous people (many of whom were featured in Andy Warhol's "Interview" magazine), Weber made short films of teenage boxers ("Broken Noses"), his beloved pet dogs, and later, a longer film entitled "Chop Suey". He directed "Let's Get Lost", a 1988 documentary about jazz trumpeter Chet Baker.


title: Bruce Weber (photographer)

text: Weber's photographs are occasionally in color; however, most are in black and white or toned shades. They are gathered in books, including "A House is Not a Home" as well as "Bear Pond" and "Gentle Giants," two books of his photographs of his pet dogs.


title: Bruce Weber (photographer)

text: Weber began collaborating with crooner Chris Isaak in the mid-1980s, photographing Isaak in 1986 for his second album, "Chris Isaak". In 1988, Weber photographed a shirtless Isaak in bed for a fashion spread in "Rolling Stone". Isaak appeared in "Let's Get Lost" and Weber has directed a music video for Isaak.


title: Bruce Weber (photographer)

text: Weber's cinematic works—including his four feature-length films—often begin with a photo sitting. While he was photographing the Olympic hopefuls for Interview Magazine in 1984, Weber met Andy Minsker, a young boxer from Oregon, and started interviewing him on camera. While he originally intended to make a short to accompany an exhibition he was opening in Paris, Weber became very excited when he reviewed the dailies and decided to continue the story. "Broken Noses" (1987), the resulting feature documentary, was nominated for the Grand Jury Award at Sundance in 1988.


title: Bruce Weber (photographer)

text: As Weber was completing work on "Broken Noses", he met the jazz trumpeter and vocalist Chet Baker and began filming him, again with a mind to creating a short film based on their portrait sitting. But filming with Baker continued right through the presentation of "Broken Noses" in Cannes that year—with Weber ultimately assembling the footage of travel, recording sessions, and interviews into his second feature, "Let's Get Lost" (1988). The film debuted in Venice (where it won the Cinecritica award) and was subsequently nominated for a Grand Jury Award at Sundance, and for an Oscar for Best Documentary Feature.


title: Bruce Weber (photographer)

text: "Chop Suey", a kaleidoscopic portrait of the wrestler Peter Johnson, was released in 2001, and the impressionistic anti-war film "A Letter to True" in 2004. His work-in-progress Robert Mitchum feature, "Nice Girls Don't Stay for Breakfast" was screened at the New York Film Festival in 2017. He has also directed seven short films: "Beauty Brothers, Parts I-IV" (1987), "Backyard Movie" (1991), "Gentle Giants" (1994), "The Teddy Boys of the Edwardian Drape Society" (1995), "Wine and Cupcakes" (2007), "The Boy Artist" (2008), and "Liberty City is Like Paris to Me" (2009).


title: Bruce Weber (photographer)

text: In December 2017, model Jason Boyce sued Weber in New York State Supreme Court, claiming sexual assault, including inappropriate touching and kissing during a 2014 casting session. The suit also targets Jason Kanner of Soul Artist Management, which managed Boyce when the alleged assault took place, and Little Bear Inc., the production company operated by Weber's companion, Nan Bush. A second model, Mark Ricketson, came forward in December 2017 alleging similar claims and joined Boyce's lawsuit against Weber.


title: Bruce Weber (photographer)

text: Weber has denied the allegations, stating to "The New York Times" that the allegations were "untrue" and that he had "never touched anyone inappropriately".


title: Bruce Weber (photographer)

text: In January 2018, "The New York Times" detailed sexual assault allegations by 15 male models against Weber.


title: Bruce Weber (photographer)

text: In January 2019, it was reported that Weber asked to dismiss the original suit by Jason Boyce, with evidence provided that the model sent him racy photos and texts prior to and after the shoots. The judge refused dismissal and as of September 30, 2020, the case continued.


title: Bruce Weber (photographer)

text: Weber has been living since the early 1970s with his girlfriend, Nan Bush, who is also his agent and one of his closest collaborators.


title: Bruce Weber (photographer)

text: He has stated, in a 2002 interview : "I've had a lot of great romances. Men and women, I mean I feel like I can fall in love almost every day. I feel sorry for people who don't feel that."


title: Bruce Weber (photographer)

text: In 1990, Weber directed the music video for the Pet Shop Boys single "Being Boring". He filmed a party with a diverse group of models. The video was filmed in one day by two film crews in a house on Long Island. Content including male and female nudity prevented the video from being played on MTV in the United States. In 1996 he directed the video for the Pet Shop Boys single "Se a vida é (That's the Way Life Is)" on location in a Wet 'n' Wild, a water park near Orlando, Florida. In 2002, he again directed a Pet Shop Boys video, for the song "I Get Along" from the album "Release". Weber filmed this video on location at his own Little Bear studio in New York City. He also directed the music video for the Chris Isaak song "Blue Spanish Sky".


title: Bruce Weber (photographer)

text: In addition to monographs and exhibition catalogs, he and Nan have published an independent arts journal titled "All-American" for the past seventeen years. During that time, "All-American" has evolved as a celebration of work by artists, photographers, essayists, poets and personalities of note. Sometimes the subjects of the journal are already well known in their own right, but just as often, the participants and subjects of "All-American" are noteworthy not for their fame, but because their stories or accomplishments reveal something Weber believes will resonate with readers on a deeper, more personal level. His continued dedication to the "All-American" project is motivated equally by a desire to connect, to inspire, and to support the work of emerging artists.


title: Bruce Weber (photographer)

text: Weber has continued to exhibit his work in prominent museums around the world, often working closely with the curator and art director Dimitri Levas to realize his vision. Weber's most recent solo shows include "Far From Home" at Dallas Contemporary (2016), "Detroit: Bruce Weber" at the Detroit Institute of Arts (2012), and "Haiti/Little Haiti" (2010) at the Museum of Contemporary Art in North Miami.


title: Gianpiero Lambiase

text: Gianpiero Lambiase, often known as GP, is an Italian-British Formula One engineer. He is currently the race engineer for Max Verstappen at the Red Bull Racing Formula One team.


title: Gianpiero Lambiase

text: Lambiase started his Formula 1 career in 2005 with Jordan and worked with the Silverstone outfit through its numerous guises for 10 years. In 2008 he worked as a performance engineer for Giancarlo Fisichella guiding the Italian to Force India's first pole position and podium in Belgium 2009.


title: Gianpiero Lambiase

text: In 2010 he then became a race engineer for Vitantonio Liuzzi and when the Italian left at the end of that season, he took the same position for Paul di Resta. He worked with di Resta for three years, who was replaced by Sergio Pérez in 2014. After working with Pérez for one season, Lambiase moved to Red Bull Racing.


title: Gianpiero Lambiase

text: At Red Bull he joined Daniil Kvyat as a racing engineer in 2015 and maintained his position when Kvyat was replaced by Verstappen. In his current role as race engineer he is responsible for all trackside communications to the driver and the set up of the Formula One car. Lambiase is known for being extremely direct and precise in his communications on the radio which Verstappen has frequently praised.


title: Gianpiero Lambiase

text: In 2022 Lambiase took over as Head of Race Engineering from Guillaume Rocquelin for Red Bull, while also retaining his role as race engineer for Verstappen.


title: Maeve Dermody

text: Maeve Dermody ( ; born 2 November 1985) is a UK-based Australian actress. After a film appearance at 5 years old, her adult acting career has included work in Australian and British television, theatre, short films, and movies. She characterises her own acting goal as "to be able to play different characters every time, without traces of myself".


title: Maeve Dermody

text: She is the daughter of Susan Murphy Dermody, a film theorist, historian, director, and Zen Roshi (teacher). Her father is a psychologist. Dermody's family encouraged a love of literature and the arts, and supported performing as well - her mother gave Dermody her first part when she was 5 years old in the film her mother directed "Breathing Under Water" (1993). Dermody attended Mosman High School in Sydney with a near-perfect UAI. During high school she was active in drama classes, as well as the Australian Theatre for Young People, and furthered her acting education with several courses at the National Institute of Dramatic Art in Sydney.


title: Maeve Dermody

text: While still in high school, Dermody began getting roles in Australian television series such as "All Saints" (1998), and in short films. Her first major film role was in the independent thriller "Black Water" (2007), about a trio of people trapped in the mangroves of the Northern Territory by a menacing saltwater crocodile. Dermody's performance in "Black Water" earned her multiple nominations for Best Supporting Actress awards in the Australian film industry. Her next major film role was in "Beautiful Kate" (2009), for which she was again nominated for the AFI Best Supporting Actress Award. She had a lead role in the 2010 film "Griff the Invisible", and in the 2012 miniseries "".


title: Maeve Dermody

text: In 2013, Dermody starred as Claire Simpson in the 10-part Australian-Singaporean TV drama series "Serangoon Road".


title: Maeve Dermody

text: Dermody is also active in the Australian theatre, having appeared in productions such as "Killer Joe", "Measure for Measure", "Our Town", and "The Seagull", for major theatre companies in Sydney.


title: Maeve Dermody

text: In Christmas 2015, Dermody starred as Vera Claythorne in BBC One's version of Agatha Christie's thriller "And Then There Were None".


title: Eva Carneiro

text: Eva Carneiro (30 September 1973) is a Gibraltarian sports medicine specialist who is best known for serving as the first-team doctor of Chelsea, which she joined in 2009. Educated at the University of Nottingham, the Australasian College of Sport and Exercise Physicians in Melbourne and Queen Mary University of London, she worked variously for West Ham United, the Public Health Department, the Olympic Medical Institute, and the England women's football team. Carneiro was employed by Chelsea in 2009, leaving her position under controversial circumstances in September 2015.


title: Eva Carneiro

text: Carneiro was born in Gibraltar to a Spanish father Antonio Carneiro, an electrician, and his English wife Lourdes. At the age of 16, she was inspired to be a doctor in sport. She studied medicine at the University of Nottingham, spent two years at the Australasian College of Sports Physicians in Melbourne and completed her MSc in Sport and Exercise at Queen Mary University of London


title: Eva Carneiro

text: Carneiro worked for West Ham United upon completing her thesis, after which she was employed by the Public Health department at Islington Primary Care Trust before being appointed to the UK Sports and Medicine Specialist training programme with the Olympic Medical Institute preparing British athletes for the 2008 Olympic Games. She also worked with the England women's football team.


title: Eva Carneiro

text: Carneiro joined Chelsea in 2009 and in 2011 she was appointed by manager André Villas-Boas to work with the first team having previously worked with their reserve team squad. After his dismissal she continued to work for Chelsea under the managerships of Roberto Di Matteo, Rafael Benítez and José Mourinho.


title: Eva Carneiro

text: In the 2014–15 season, Carneiro was reported to have been subjected to sexist chants by Arsenal, Manchester City and Manchester United supporters. The Football Association's Heather Rabbatts, from their Inclusion and Advisory Board, called on supporters to report sexism within the game with the FA vowing to act against sexist chanting. Chelsea called for an end to sexist chanting by fans. Prompted by the abuse aimed at Carneiro, UK Sports Minister, Helen Grant, demanded that sport do more to eradicate “the scourge of bigotry and discrimination”. Journalist Alex Clark of "The Guardian" quoted the abuse aimed at Carneiro as a reason to eradicate sexism from both within football and society in general. She was part of the backup team supporting the Chelsea side that won the Premier League and League Cup in 2015.


title: Eva Carneiro

text: Carneiro and chief physiotherapist Jon Fearn were the subject of criticism from Mourinho after the first game of the 2015–16 season: Chelsea were playing Swansea City at Stamford Bridge. According to Mourinho, she and Fearn rushed onto the pitch to attend to Eden Hazard when he felt the injury was not of a serious nature. He was further annoyed because this meant that Chelsea, having already had a player sent-off during the match, were temporarily left with nine outfield players. Under the Laws of the Game, medical staff are not allowed onto the field without the referee's permission, but have a duty to tend to an injured player when summoned. Carneiro and Fearn were twice summoned onto the field by referee Michael Oliver. Carneiro's view that she was simply doing her job has been fully supported by FIFA and its medical chairman Michel D’Hooghe. Both Fearn and Carneiro were absent for Chelsea's following game, away to Manchester City on 16 August.


title: Eva Carneiro

text: Back in 2007 Mourinho admitted that he called match referee Mike Riley "filho da puta", which is an abusive Portuguese expression which translates as "son of a bitch/whore". After the Carneiro incident, it was alleged that Mourinho had called her "filha da puta", which translates as "daughter of a bitch/whore". Mourinho denied using the feminine form of the phrase, saying "Filho da puta is a phrase I often use, all of the players know it. There is no sexist connotation in the use of the phrase - it is just like saying 'f*** off'." On 22 September 2015, Carneiro left her position as first team doctor with Chelsea. On 30 September, after consulting a Portuguese language expert, the FA cleared Mourinho of making discriminatory comments towards Carneiro. Neither Mourinho nor Carneiro were called to give evidence to the FA. The report stated that the audio recording had been examined but did not contain the words which the expert concluded Mourinho had said.


title: Eva Carneiro

text: Campaign group Women in Football after consulting their own language expert, said they were "appalled" at the decision to clear Mourinho and that its language expert was certain Mourinho had used abusive language towards a woman, contrary to the verdict of the FA's expert. The decision to clear Mourinho also drew criticism from Football Association chairman, Greg Dyke, and Heather Rabbatts, the head of the FA's inclusion advisory board.


title: Eva Carneiro

text: In October 2015 lawyers acting on behalf of Carneiro served notice of a claim of constructive dismissal against Chelsea Football Club. In March 2016, Sam Wallace, the Telegraph's chief football writer, contrasted the speed with which Chelsea resolved issues with players and managers with the 'disgrace' of its seven-month delay over the proper treatment of Carneiro. Wallace said that the next manager must resolve the problem.


title: Eva Carneiro

text: Private negotiations took place in early 2016, with an employment tribunal scheduled for June 2016 and expected to last 10 days.


title: Eva Carneiro

text: The tribunal was the subject of many newspapers' front pages, and was settled on confidential terms on the second day of the hearing. Chelsea issued an unreserved apology for distress caused to Carneiro and her family, and said "We wish to place on record that in running onto the pitch Dr Carneiro was following both the rules of the game and fulfilling her responsibility to the players as a doctor, putting their safety first."


title: Tatiana Santo Domingo

text: Tatiana Santo Domingo Rechulski (born 24 November 1983), also known as Tatiana Casiraghi, is an American-born Colombian-Monégasque socialite, heiress and fashion designer. She is the founder of Muzungu Sisters, a fashion company and the wife of Andrea Casiraghi, who is fourth in the line of succession to the Monegasque throne.


title: Tatiana Santo Domingo

text: Tatiana Santo Domingo was born on 24 November 1983 in New York and raised in Geneva and Paris. She is a member of the Santo Domingo family. Her father Julio Mario Santo Domingo, Jr. (1958–2009) was the son of Julio Mario Santo Domingo (1923–2011), who was cited as the second richest man in Colombia by "Forbes" in 2011. Her grandfather was owner of the Santo Domingo Group and the Colombian Bavaria Brewery, which was one of the largest breweries in South America. When he died in 2011, he left a sixth of his wealth to Tatiana Santo Domingo.


title: Tatiana Santo Domingo

text: Her mother Vera Rechulski is a Brazilian socialite from São Paulo, who has a boutique in Paris that sells Indian antiques. Before opening her boutique in Paris, she ran a hotel in India for many years.


title: Tatiana Santo Domingo

text: Santo Domingo attended the International School of Geneva and then enrolled at a boarding school in Fontainebleau, near Paris, where she was reported to have met her future husband, Andrea Casiraghi. However, according to Bob Colacello in a special spread for Vanity Fair entitled, "Fortune's Children," she also attended Institut Le Rosey and École Jeannine Manuel. Colacello also claimed that she holds a Bachelor of Fine Arts from American University in London. She earned her BFA in visual communications, with a concentration in photography, in 2005. In an article dated October 2019, Business Insider echoed Colacello's information about her enrollment at Le Rosey.


title: Tatiana Santo Domingo

text: Santo Domingo is known to have worked as an intern for Vanity Fair magazine in New York City. She also worked for the , the fashion label of Alberta Ferretti.


title: Tatiana Santo Domingo

text: In 2011, Santo Domingo partnered with Dana Alikhani, daughter of the late Hossein Alikhani, to launch Muzungu Sisters, which focuses on ethical business practices that allow them support local artisans, buy handmade garments at a fair price and then sell them. Their brand has been supported by other socialites, such as Eugenie Niarchos and Margherita Missoni.


title: Tatiana Santo Domingo

text: Santo Domingo supports several charity organizations, most notably the Motrice Foundation, which funds research into cerebral palsy and which her husband Andrea Casiraghi also supports. In August 2006 she and Casiraghi paid a visit to Manila on behalf of a joint venture of the World Association of Children's Friends and the Virlanie Foundation.


title: Tatiana Santo Domingo

text: In 2010, Tatiana Santo Domingo relinquished her US citizenship, according to the Internal Revenue Service.


title: Tatiana Santo Domingo

text: In July 2012, Caroline, Princess of Hanover, released a statement announcing that Andrea Casiraghi and Tatiana Santo Domingo became engaged after a seven-year relationship. Prior to their wedding, she had already accompanied Casiraghi at some of most important social events in Monaco, such as the Rose Ball, the enthronement of his uncle Prince Albert II of Monaco, the Monaco Grand Prix, and the wedding of Prince Albert and Charlene Wittstock.


title: Tatiana Santo Domingo

text: Santo Domingo gave birth to a son named Alexandre Andrea Stefano "Sasha" Casiraghi, on 21 March 2013, in London, England. Casiraghi and Santo Domingo were married in a civil ceremony in the Prince's Palace of Monaco on August 31, 2013. A religious ceremony was later held in Gstaad, Switzerland, on February 1, 2014. Their second child, India Casiraghi, was born in London on 12 April 2015. A third child, Maximilian Rainier, was born on 19 April 2018. The children are in the line of succession to the Monegasque throne.


title: Tatiana Santo Domingo

text: Santo Domingo is known for her unique fashion sense, which varies from an elegant style to a vintage, boho-chic, hippie one. She cites Loulou de la Falaise as her style idol. She is fluent in French, English, Portuguese and Italian. She is close friends with socialites such as Charlotte Casiraghi, Eugenie Niarchos, and Margherita Missoni.


title: Tatiana Santo Domingo

text: On the "Forbes" 2019 The World's Billionaires list, she was ranked #1349 with an estimated net worth of US$1.7 billion. However, Forbes has since reviewed the structure of inheritance of Santo Domingo's father, Julio Maria Santo Domingo, Jr, and has asserted that half of his estate was inherited by his widow Vera Rechulski Santo Domingo, Tatiana Santo Domingo's mother. Accordingly, Tatiana Santo Domingo has been dropped off their list of the world's billionaires, while her mother was added, holding an 11% ownership of the Santo Domingo family's Luxembourg-based holding company. The magazine also asserts that Tatiana inherited a 5% stake in the holding company, making her net worth around $500 million.


title: Savoy cabbage

text: Savoy cabbage ("Brassica oleracea" var. "sabauda" L. or "Brassica oleracea" Savoy Cabbage Group) is a variety of the plant species "Brassica oleracea". Savoy cabbage is a winter vegetable and one of several cabbage varieties. It is named after the Savoy region in France. It has crinkled, emerald green leaves.


title: Savoy cabbage

text: The leaves are crunchy and tender. Known cultivars include 'Savoy King' (in the US), 'Tundra' (green with a firm, round heart) and 'Winter King' (with dark crumpled leaves).


title: Savoy cabbage

text: Savoy cabbage maintains a firm texture when cooked. It has the same flavor and appearance as regular cabbage when cooked but retains a firm texture which is desired in some recipes. Savoy cabbage can be used in a variety of recipes. It pairs well with red wine, apples, spices, horseradish and meat. It can be used for roulades, in stews and soups, such as borscht, as well as roasted plain and drizzled with olive oil. It can be used in preserved recipes such as kimchi or sauerkraut, and with strong and unusual seasonings such as juniper.


title: Savoy cabbage

text: Signs of desirable quality include cabbage that is heavy for its size with leaves that are unblemished and have a bright, fresh look. Peak season for most cabbages in the Northern Hemisphere runs from November through April.


title: Savoy cabbage

text: Fresh whole cabbage will keep in the refrigerator for one to six weeks depending on type and variety. Hard green, white or red cabbages will keep the longest while the looser Savoy and Chinese varieties such as bok choy need to be consumed more quickly. It is necessary to keep the outer leaves intact without washing when storing since moisture hastens decay.


title: Savoy cabbage

text: The cabbage provides fiber, vitamins A, C, K and B6, folate, potassium, manganese, thiamin, calcium, iron and magnesium.


title: Savoy cabbage

text: Savoy can be difficult to grow as it is vulnerable to caterpillars, pigeons, and club root disease. It does best in full sun,


title: I Me Mine

text: "I Me Mine" is a song by the English rock band the Beatles from their 1970 album "Let It Be". Written by George Harrison, it was the last new track recorded by the band before their break-up in April 1970. The song originated from their January 1969 rehearsals at Twickenham Film Studios when they were considering making a return to live performance. Written at a time of acrimony within the group, the lyrics lament humankind's propensity for self-centredness and serve as a comment on the discord that led to Harrison temporarily leaving the Beatles. The musical arrangement alternates between waltz-time verses and choruses played in the hard rock style.


title: I Me Mine

text: The song reflects Harrison's absorption in Hindu texts such as the "Bhagavad Gita" and their denouncement of ego in favour of universal consciousness. When Harrison presented "I Me Mine" at Twickenham, John Lennon showed little interest and instead waltzed with Yoko Ono while the other Beatles rehearsed the song. Footage of the couple dancing was included in the "Let It Be" documentary film. In January 1970, by which point Lennon had privately left the group, the three remaining members formally recorded the song at EMI Studios in London for the "Let It Be" album. When preparing the album for release, producer Phil Spector extended the track by repeating the chorus and second verse, in addition to adding orchestration and a female choir.


title: I Me Mine

text: Among music critics, several writers have identified "I Me Mine" as a powerful final performance by the Beatles and an apt statement from Harrison. The song has been referenced by some religious scholars in their commentary on egoism. Harrison titled his 1980 autobiography "I, Me, Mine" after the track. The original recording, lasting just 1:34, appeared on the Beatles' 1996 outtakes compilation "Anthology 3", introduced by a mock announcement from Harrison referring to Lennon's departure.


title: I Me Mine

text: George Harrison wrote "I Me Mine" on 7 January 1969, during the second week of the Beatles' filmed rehearsals at Twickenham Film Studios in west London. The film project – which became known as "Get Back" and eventually "Let It Be" – formed part of the Beatles' proposed return to live performance for the first time since 1966. Harrison recalled that after spending two months in the United States in late 1968, he was "quite optimistic" about the new project, but the situation within the group "was just the same as it had been when we were last in the studio ... There was a lot of trivia and games being played." For Harrison, the power struggle between John Lennon and Paul McCartney, and the constant presence of Lennon's girlfriend, avant-garde artist Yoko Ono, created an atmosphere that contrasted sharply with the creative freedom and camaraderie he had recently enjoyed with Bob Dylan and the Band in upstate New York.


title: I Me Mine

text: When writing the song, Harrison drew inspiration from the divisive atmosphere in the band. The 7 January rehearsal was marked by acrimony, as the Beatles argued over the direction of the project. Hours were given over to rehearsing McCartney's "Maxwell's Silver Hammer" with little improvement, and McCartney confronted Lennon over his lack of new songs, drawing a sarcastic response from Lennon. Since the start of the project, Harrison had presented several new songs for consideration, only to see them given laborious treatment by the band or overlooked entirely. That day, he confronted his bandmates about their attitude to his songs; he later complained that due to their greater experience as songwriters, Lennon and McCartney viewed their own material as the priority and "I'd have to wait through ten of their songs before they'd even listen to one of mine." In their study of the tapes from the "Get Back" project, authors Doug Sulpy and Ray Schweighardt write that Lennon and McCartney regularly overlooked Harrison's compositions, even when his songs were "far better than their own".


title: I Me Mine

text: When discussing "I Me Mine", Harrison said he was addressing the "eternal problem" of egoism and that his perspective was informed by his past experiences with the hallucinogenic drug LSD. He said the concept was in keeping with Swami Vivekananda's teaching that an individual's goal in life was to realise their divine qualities by transcending ego concerns, which Harrison called "the little 'i'", and seeing themselves as part of "the big 'I'; i.e. OM, the complete whole, universal consciousness that is devoid of duality and ego". Author Jonathan Gould describes the song as a "commentary on the selfishness" of Lennon and McCartney, while musicologist Walter Everett says that after Harrison had written "Not Guilty" in 1968 as a "defense against the tyranny of his songwriting comrades", "I Me Mine" was his "mocking complaint about their stifling egos". Harrison wrote the song at home that night. The melody was inspired by the incidental music on a BBC television programme he watched, "Europa – The Titled and the Untitled", played by an Austrian brass band.


title: I Me Mine

text: The verses of "I Me Mine" are in the key of A minor while the chorus is in A major. This technique of parallel minor/major contrast is common in the Beatles' songwriting and had been employed by Harrison in his 1968 songs "While My Guitar Gently Weeps" and "Savoy Truffle". Everett likens the melody of the verses to the European folk music typified by Mary Hopkin's debut single for the Beatles' Apple record label, "Those Were the Days". He views this folk aspect as "well suited" to Harrison's use of the same "F-against-E7 sound" he first adopted in "I Want to Tell You". The composition originally included a flamenco-style instrumental passage but Harrison subsequently replaced this section with a chorus repeating the line "I me-me mine". In its final form, the structure comprises an intro, two combinations of verse and chorus, followed by a verse.<ref name="Pollack/Notes"></ref> The verse and chorus are also differentiated by their time signature: the former is in time while the latter is in .


title: I Me Mine

text: Musicologist Alan Pollack describes the song as "an interesting folk/blues stylistic hybrid with more than just a touch of the hard rocking waltz beat". The verse begins with two repeated phrases, each consisting of a shift from the i minor (Am) chord to a IV (D7), emphasising the Dorian mode, followed by ♭VII (G), V7 (E7) and i minor chords. The verse continues with a minor iv (Dm) chord for two bars before shifting to V7 (E7), after which a ♭9 (F natural) melody note results in what musicologist Dominic Pedler terms the "dark drama" of an E7♭9 chord and an example of the Beatles' employment of an "exotic intensifier". There then follows a chromatically descending bass line over the i minor chord, leading to VI (F7) and the transition into the chorus. The latter presents as a heavy rock 12-bar blues but is abbreviated to 10 bars since the V chord functions as a re-transition to the verse. Pedler also comments on the unusual aspect of the song concluding on an ♭VI (Fmaj7) chord in A minor key.


title: I Me Mine

text: The set of pronouns that form the song's title are a conventional way of referring to the ego in Hindu and Buddhist philosophy. The lyrics reference the "Bhagavad Gita" 2:71-72, part of which advocates a life "devoid of any sense of mineness or egotism". According to spiritual biographer Gary Tillery, the song targets McCartney and Lennon "for being so fixated on their own interests" but also laments all of humankind's propensity for egocentricity. The lyrics state that this self-centredness is constant and in all actions and desires. Tillery says that the message is both ironic and tragic from a Hindu perspective, which contends that ego is merely an illusion; egocentricity is therefore akin to a single drop of water focusing on its own course at the expense of the ocean surrounding it.


title: I Me Mine

text: The rehearsals at Twickenham Film Studios were filmed and recorded by director Michael Lindsay-Hogg with the intention that the documentary film would accompany a televised concert by the Beatles. On the morning of 8 January, Harrison played "I Me Mine" to Ringo Starr while they waited for Lennon and McCartney to arrive. He introduced the song as a "heavy waltz" and joked to Starr, with reference to McCartney's plans for the concert: "I don't care if you don't want it in your show." Harrison said he might use the song in a musical he was planning to write with Apple press officer Derek Taylor about the company.


title: I Me Mine

text: The Beatles spent considerable time rehearsing "I Me Mine" on 8 January, performing it a total of 41 times. As rehearsed, the song was just a minute and a half in length. McCartney and Starr provided enthusiastic support, according to author John Winn, while Lennon "mostly opts out". Lennon ridiculed the song. In Sulpy and Schweighardt's description of the rehearsals, Lennon "jokes that a collection of freaks can dance along with George's waltz" and he tells Harrison to "get lost – that the Beatles only play rock and roll and there's no place in the group's playlist for a Spanish waltz". McCartney also mocked "I Me Mine" by singing in a Spanish accent. According to Beatles biographer Kenneth Womack, Lennon's derision, which followed his ignoring suggestions from Harrison regarding musical arrangements over the previous days, was an example of Lennon "baiting" his bandmate. Womack says this was informed by Harrison being the most outspoken of the Beatles in objecting to Ono's constant presence, and by Lennon's annoyance at Harrison's abundance of new songs. In Everett's view, Lennon's comments about "I Me Mine" suggest he was "jealous at Harrison's widening vocal range as well as his confidence in his compositional abilities".


title: I Me Mine

text: Lennon made similarly derogatory remarks that day about McCartney's ballads "Let It Be" and "The Long and Winding Road". According to Gould, Harrison was particularly upset that his bandmates griped about the time spent learning "I Me Mine" yet then indulged in "a laborious rehearsal of a song like 'Maxwell's Silver Hammer' which struck George as a paragon of pop inanity". On 10 January, Harrison walked out of the sessions, weary of what he considered to be McCartney's overbearing attitude and Lennon's lack of engagement with the project.


title: I Me Mine

text: In October 1969, Lindsay-Hogg completed an edit of the documentary film, which included footage of Harrison playing "I Me Mine" for Starr. Harrison, Starr and McCartney were then shown performing the song while Lennon danced with Ono. Since the scenes were relatively prominent, the Beatles had to record the song for inclusion on the accompanying soundtrack album, still titled "Get Back" but soon to become "Let It Be". On 3 January 1970, Harrison, McCartney and Starr met at EMI Studios (now Abbey Road Studios) to work on the track with producer George Martin. Lennon did not attend the session; having privately left the band in September, he and Ono were on holiday in Denmark at the time.


title: I Me Mine

text: The group recorded 16 takes of the basic track, with Harrison on acoustic guitar and singing a guide vocal, McCartney on bass guitar, and Starr playing drums. Beatles historian Mark Lewisohn describes the session as an efficient one in which the bandmates indulged in an instrumental jam after take 6 and also played a "delightful" cover of Buddy Holly's "Peggy Sue Got Married", sung by Harrison before beginning take 12. At the start of take 15, Harrison delivered a mock press statement in which he made a joking reference to Lennon's absence by recasting the four Beatles as members of the British pop group Dave Dee, Dozy, Beaky, Mick & Tich.


title: I Me Mine

text: Aside from vocals, the overdubs on take 16 were two distorted electric lead guitars and a lead acoustic part, all played by Harrison, and McCartney's Hammond organ and electric piano. The recorded track lasted 1 minute 34 seconds. When engineer Glyn Johns compiled the proposed "Get Back" album, he retained the studio chatter that preceded take 16, as Harrison says, "All right. Are you ready, Ringo?" and Starr replies, "Ready, George!" The pre-take 15 announcement, followed by take 16 of "I Me Mine",<ref name="Lewisohn/Anthol3"></ref> was released on the "Anthology 3" outtakes compilation in 1996.


title: I Me Mine

text: As with Johns' May 1969 version of "Get Back", the Beatles rejected his January 1970 submission of the album. Lennon and Harrison then asked American producer Phil Spector to rework "Let It Be". Spector decided to extend the length of "I Me Mine" by repeating the rock-style chorus in the middle of the song and the second verse. The extension was carried out on 23 March, with Harrison present for much of the remixing session. It was achieved by copying the tape from the 1:20 mark, after the line "flowing more freely than wine", thereby adding a further 51 seconds to the running time.


title: I Me Mine

text: Along with "The Long and Winding Road" and "Across the Universe", Spector chose to augment "I Me Mine" with his signature Wall of Sound. On 1 April, he overdubbed a 27-piece string section, six brass players, and additional drums by Starr. Although Lewisohn states that the female choir hired by Spector for the session did not sing on "I Me Mine", music critic Richie Unterberger lists their contribution among the song's Wall of Sound characteristics. To the consternation of the EMI engineers, Spector also insisted on hearing the tracks with full tape, plate and chamber echo in place – effects that were usually introduced during final mixing and proved difficult to add.


title: I Me Mine

text: As the last of the three songs to be amended by Spector on 1 April, these additions to "I Me Mine" were the final overdubs on a Beatles track before the group's break-up. The final version, as "re-produced" by Spector, was included on "Let It Be". A similar edit, without the orchestral overdubs but retaining the repeated portion, was made available on the "Let It Be... Naked" album in 2003.


title: I Me Mine

text: "Let It Be" was issued on 8 May 1970 with "I Me Mine" sequenced as the fourth track, between "Across the Universe" and "Dig It". The release followed a month after McCartney's public announcement that he was leaving the Beatles, which had resulted in the group's break-up. For Harrison, the break-up provided the impetus for starting work, with Spector as his co-producer, on the triple album "All Things Must Pass", which included songs that had been overlooked by the Beatles.


title: I Me Mine

text: The pre-release press screening of the "Let It Be" film took place in London on 18 May. Unaware of the events at Twickenham Films Studios in January 1969, Nina Hibbin commented in the socialist newspaper "Morning Star": "George Harrison, with his strong-boned face and shut-in expression, looks as if he could fit into any tough and isolated position – as a shepherd in Bulgaria or the manager of a suburban post office." Music critic Tim Riley includes the scene where Harrison debuts "I Me Mine" for Starr among the documentary's "knockabout moments", but adds that the film's "emotional undertow is an impenetrable dance of egos", as demonstrated by Lennon and Ono waltzing to the song.


title: I Me Mine

text: According to critic Garry Mulholland, the scene featuring Lennon and Ono waltzing, "in love, temporary oblivious to the band politics", provides "the only glimpse of pleasure" in the Twickenham-based portion of the film, which is otherwise ""all" about McCartney, holding court, talking in that phoney mid-Atlantic twang". Media theorist Stephanie Fremaux writes that the "I Me Mine" segment shows Harrison resolutely ignoring his surroundings, as "Throughout the film, he confronts the idea of image and persona, commenting that, like solo music, each Beatle should just be themselves rather than continually try to contrive images to adhere to."


title: I Me Mine

text: Among contemporary reviews of the album, Alan Smith of the "NME" derided "Let It Be" as "a cheapskate epitaph" and a "sad and tatty end" to the band's career, but he admired the "Russian-flavoured 'I Me Mine'" as "a strong ballad with a frantic centre". In "Melody Maker", Richard Williams wrote: "'I Me Mine' has a great organ/guitar intro, meditative verses and a tempo switch in and out of the rocking chorus, which has guitar riffs one step away from Chuck Berry. George put a lot of strength into this." Reviewing for "Rolling Stone", John Mendelsohn ridiculed Spector's use of lush orchestration, particularly on "The Long and Winding Road", adding: "'I Me Mine,' the waltz sections of which reminds one very definitely of something from one of "The Al Jolson Story"s more maudlin moments, almost benefits from such treatment … As [Spector has] left it, though, it, like 'Winding Road,' is funny enough to find cloying but not funny enough to enjoy laughing at."


title: I Me Mine

text: In 2002, David Fricke of "Rolling Stone" included the song in his list of the "25 Essential Harrison Performances" and said: "Harrison signed off [from the Beatles] in style; his angry, grinding guitar is the honest sound of exhaustion and hard-won freedom." Dave Lewis of "Classic Rock" ranked "I Me Mine" at number 6 in his 2016 list of the ten songs that "highlight George Harrison's profound contribution to The Beatles". He said that it "hinted at the egos at play" that led to the break-up.


title: I Me Mine

text: According to Beatles biographer Ian MacDonald, "I Me Mine" "would have been a more truthful choice" for the B-side of the Beatles' final single, "The Long and Winding Road", rather than Harrison's "For You Blue", which was chosen instead. He says the song "juxtaposes a self-pitying Gallic waltz (complete with Piaf wobble) against a clamorous blues shuffle – suggesting that selfishness, personal or collective, subtle or crude, is always the same". Although he describes Harrison's lyric as "typically thoughtful", MacDonald finds that it "touches a nadir of worldly pessimism in the line 'Even those tears: I me mine'". In a 2003 review for "Mojo", John Harris described Harrison's vocal as "frequently pitched just short of falsetto" and a "delight", and admired the string arrangement for "teas[ing] out the sense of camp" underlying the song."<ref name="Harris/CanUDigIt"></ref>


title: I Me Mine

text: Author Mark Hertsgaard includes "I Me Mine" among the "honorable mentions" that counter "Let It Be"s reputation as a substandard final album by the band. He comments that Spector's orchestral overdubs were less intrusive than on "The Long and Winding Road" and "Across the Universe" because "the Beatles' playing was already so compelling", and he highlights Harrison's guitar playing and the changes in time signature as elements that lifted a potentially bleak theme and "gave the song real bite". Less impressed, Tim Riley rues that Spector's orchestration and choir fail to explore the ironies behind the joyful rock 'n' roll chorus "mocking the hubris of the verses", as his additions instead "virtually drown them". Riley concludes: "As unfettered rock 'n' roll with acoustic verses, Harrison's song answers greed with a crude groove; with Spector's ornaments, the track is a washout."


title: I Me Mine

text: Although a session on 20 August 1969, to oversee the creation of the master tape of their "Abbey Road" album, marked the last time that all four Beatles were present in the recording studio, "I Me Mine" was the last new song recorded by the Beatles. In his book "Revolution in the Head", MacDonald writes that this was a "poetic stroke of fate", given the song's subject matter. Harrison titled his 1980 autobiography after the song. It was the first autobiography by a former Beatle and originally published by Genesis Publications as a luxury leather-bound edition in the style of the same company's "Log of HMS Bounty". The title was intended as an ironic comment on the falseness of adhering to a self-focused perspective. According to Harrison's foreword, he titled the book "I, Me, Mine" to acknowledge that it "could also be seen as 'a little ego detour'" of his own.


title: I Me Mine

text: "I Me Mine" came to symbolise Harrison's perspective on an ego-less and depersonalised existence. According to Christian historian and theologian Dale Allison, this theme is one of three ways in which Harrison's body of work represents a "religious scheme of salvation", the first of which he identifies as: "Our problem is that our individual egos attach themselves to the material world ... Engrossed with things that don't really matter, we become preoccupied with the visible, with the transient instead of the transcendent ..." In an article coinciding with the release of Martin Scorsese's 2011 documentary "", Steve Rabey of the Religion News Service cited "I Me Mine" among the Beatles songs that contributed to Harrison's standing as "perhaps the most explicitly and consistently theological rock star of the last half-century". Rabey added: "he nudged his bandmates – and his listener fans – a bit further to the East, encouraging audiences to open themselves to new (or very old) spiritual influences."


title: I Me Mine

text: Author and academic Jeffery D. Long, an advocate for religious pluralism, credited Harrison, followed by the 1982 film "Gandhi" and the work of writer Fritjof Capra, as the influences that led him to study the "Bhagavad Gita" and embrace Hindu Dharma. In a 2015 interview, Long quoted "I Me Mine" when outlining how the concepts of self and consciousness differ in the Hindu, Buddhist and Jain traditions. Speaking at a TED Conference in June 2007, Tibetan Buddhist Robert Thurman referenced the song when he discussed the power of true empathy that accompanies the realisation that "you are the other being", adding:


title: I Me Mine

text: Somehow by that opening, you can see the deeper nature of life. And you can get away from this terrible iron circle of I, me-me, mine. Like the Beatles used to sing. You know, they really learned everything in the '60s. Too bad nobody ever woke up to it, and they're trying to suppress it since then. I, me-me, mine. It's like a perfect song, that song. A perfect teaching.


title: I Me Mine

text: In March 2015, the "NME" listed the track at number 94 in its list "100 Greatest Beatles Songs As Chosen By Music's A-Listers". One of the members of the indie rock band Gengahr commented that "When exploring music at a young age I remember this song's weird change of time signatures and rhythm between sections confusing me as to how it was able to exist as one song, but it just does", and he recognised the drum sound and rhythm as a precursor to early hip hop.


title: I Me Mine

text: Marc Ford recorded a version of "I Me Mine" for the album "", released in February 2003 to coincide with what would have been Harrison's 60th birthday. Beth Orton recorded the song as a medley with "Dig It" for "Let It Be Revisited", a CD included with the October 2010 issue of "Mojo". At the George Fest tribute to Harrison in 2014, "I Me Mine" was performed by Britt Daniel of the band Spoon, who said that it was his favourite song by Harrison. Elliott Smith and Laibach have each covered the song.<ref name="Fontenot/About"></ref> In 2021, the Beatles' recording peaked at number 15 on "Billboard"s LyricFind Global chart.


title: The Imposter (2012 film)

text: The Imposter is a 2012 documentary film about the 1997 case of a French confidence trickster Frédéric Bourdin, who pretended to be Nicholas Patrick Barclay, an American boy who had disappeared in Texas at the age of 13 in 1994. The film was directed by Bart Layton. It mainly includes interviews with Bourdin but also with members of Barclay's family, as well as archive television news footage and reenacted dramatic sequences.


title: The Imposter (2012 film)

text: The story begins in a phone box in Spain where Bourdin phones the police saying he is a tourist who has found a young boy in a phone box and the police should collect him. He is taken to a children's home and says he is American. He asks to be left in an office overnight to call his family. There he uses records in the office to contact various sheriff's offices in the USA asking about missing children. Through one lead he gets the name Nicholas Barclay. He then calls to another US agency claiming to be a Spanish official and asking to fax info on Nicholas. This is done and begins a task of Bourdin trying to look like Nicholas, including getting matching tattoos and dying his hair blond.


title: The Imposter (2012 film)

text: Nicholas's family is told of the discovery and the sister flies to Spain to collect him. A court decides it is Nicholas and he is declared a US citizen. She takes him back to San Antonio in Texas where most of the family accept him. The mother is especially keen to welcome him and recognize him as her son.


title: The Imposter (2012 film)

text: Bourdin, who turned out to have a long record of impersonating various children, real or imaginary, embellished his claim to be Nicholas Barclay by alleging that he had been kidnapped for purposes of sexual abuse by Mexican, European and U.S. military personnel and transported from the US to Spain. His impersonation fooled several officials in Spain and the U.S., and he was apparently accepted by many of Barclay's family members, even though he was seven years older than Barclay, spoke with a French accent, and had brown eyes and dark hair rather than Barclay's blue eyes and blonde hair. The impersonation was eventually discovered as a result of the suspicions of a private investigator, Charles (Charlie) Parker, and an FBI agent, Nancy Fisher. Bourdin was arrested and Interpol confirmed he was Bourdin, was 23 years old and had a long criminal record. In custody Bourdin tells the police that the family killed the real Nicholas and that is why they accepted him - as it hid the crime. The main suspect is his brother Jason who is already dead and so is a ready scapegoat.


title: The Imposter (2012 film)

text: Layton said of Bourdin: "He invites sympathy. He has this childlike quality about him, and he can be very charming. And at other times he can be quite repellent, because he can be remorseless and you're reminded about what he did. So as a filmmaker, I was asking: how can I find a way of getting the audience to experience a bit of that?"


title: The Imposter (2012 film)

text: RAW Production produced the film with Red Box Films and Passion Pictures. Financial support also came from A&E IndieFilms, Film4 and Channel 4. A&E picked up US television broadcast rights after it was shown at Sundance Film Festival, Submarine Entertainment and CAA sold US distribution rights to Indomina, which then scheduled the film to play at SXSW Film Festival and planned a theatrical release.


title: The Imposter (2012 film)

text: The film has received almost universal critical acclaim and has a Rotten Tomatoes rating of 95%. The film received the Grand Jury's Knight Documentary Competition at the 2012 Miami International Film Festival, and was nominated for the Grand Jury's World Cinema – Documentary prize at the 2012 Sundance Film Festival. It won the Filmmakers Award at the 2012 Hot Docs Canadian International Documentary Festival. The film has been in official selection for several international film festivals, including South by Southwest, Edinburgh International Film Festival, True/False Film Festival, New Zealand International Film Festivals, Sydney Film Festival, Revelation Perth International Film Festival, Seattle International Film Festival, and San Sebastián International Film Festival.


title: The Imposter (2012 film)

text: It was nominated for six British Independent Film Awards, for Best Film, Best Director, Best Debut Director, Best Technical Achievement – Editing, Best Achievement in Production, and Best Documentary. It was also shortlisted for an Academy Award for Best Documentary. It was nominated for two BAFTAs at the 66th British Academy Film Awards, Outstanding Debut by a British Writer, Director or Producer and Best Documentary, winning the first.


title: The Imposter (2012 film)

text: UK-based film magazine "Total Film" gave the film a five-star review (denoting 'outstanding'): "Creepier than "Catfish" and as cinematic as "Man on Wire", this is an unnerving story immaculately told and a strong contender for doc of the year." Peter Bradshaw, film critic for "The Guardian", awarded the film five stars, writing, "This film is as gripping as any white-knuckle thriller: it is one of the year's best."


title: Most Haunted

text: Most Haunted is a British paranormal reality television series. Following complaints, the broadcast regulator, Ofcom, ruled that it was an entertainment show, not a legitimate investigation into the paranormal, and "should not be taken seriously".


title: Most Haunted

text: Most Haunted was first shown on Living TV between 2002 and 2010. However, it has since been revived on TV and online, via an official mobile app and YouTube Channel. Presented by Yvette Fielding, the programme investigates purported paranormal activity in a range of locations, mainly within the United Kingdom. The series was produced by Antix Productions.


title: Most Haunted

text: After four years off-air, Fielding and Karl Beattie, the producer of the programme, confirmed that, following a successful online episode, "Most Haunted" would be returning to screens in August 2014, aired by Really.


title: Most Haunted

text: In July 2019, KBeattie announced that Really TV would no longer be broadcasting any new episodes of "Most Haunted. However", repeats of previous series on Really TV will continue to air occasionally on the channel. "Most Haunted new" episodes, live events, and new extra content, including outtakes and behind the scenes material, will continue to be produced, and these will now air on the official Most Haunted YouTube channel to an international audience. A new channel is being sought by Antix Productions to air the new series. However, until this channel is found, all new material from "Most Haunted" will now be available on its YouTube channel.


title: Most Haunted

text: On August 12, 2011, it was announced that Sky Living had officially axed "Most Haunted" and had returned the rights to the show to Yvette Fielding and Karl Beattie.


title: Most Haunted

text: In 2012, it was revealed that Antix Productions partnered with Lionsgate to redevelop "Most Haunted".


title: Most Haunted

text: In April 2014, Yvette Fielding confirmed in an interview with Channel 4's "Sunday Brunch" that "Most Haunted" would be returning to television in late 2014; this was later confirmed on June 4, 2014. It was later confirmed that Really would be the new home of "Most Haunted".


title: Most Haunted

text: Really ended its partnership with "Most Haunted" in the summer of 2019, with the new owners of Really, Discovery, Inc. deciding to concentrate on importing American paranormal programming rather than the British-based "Most Haunted".


title: Most Haunted

text: Most Haunted moved its new content onto its new YouTube channel, which aired new "Most Haunted" material, shorter "Most Haunted" episodes, weekly live streams with Karl, Yvette, and Mary Beattie, and also live events at Halloween and other times.


title: Most Haunted

text: The "Most Haunted" team has travelled not only in the United Kingdom but also Ireland, the Netherlands, Romania, the United States, Italy, and the Czech Republic, investigating paranormal activity for 24 hours at a time.


title: Most Haunted

text: The photographic style of the series has changed considerably since Series 1. In the first series, many elaborate shots were set up in an almost "theatrical" style, with illuminated windows and dry ice. Locations were often illuminated outside at night with blue and green lights. There was a high emphasis on quality production. From series 1–3, there was extensive use of the Steadicam, which provided gliding shots during Yvette's ghostly tales or for general views. In series 8, the team introduced a camera crane, or 'jib' system, for elaborate aerial shots of both Yvette and the locations. Most of the photography in "Most Haunted" focuses on "general views," also known as "GV's," of a location and its surroundings.


title: Most Haunted

text: "Most Haunted" was filmed with both broadcast Sony DSR-570WSP & DSR-PD170P DVCAM cameras and Sony DCR-PC9E miniDV cameras. A thermal imaging camera was also used to detect and highlight cold and warm spots. The style of the series changed somewhat after series five, losing its "Most Haunted" grungy look as it became more mainstream.


title: Most Haunted

text: "Most Haunted"'s music was originally composed for the picture by Alan Clark, using his own original sounds and samples and including some from the Spectrasonics sample libraries: Distorted Reality, Metamorphosis, and Biazzare Guitar. As of series 12, Clark's music has been supplemented with additional stock music, which was also used on the now defunct "Unexplained Channel" programme, "Rest in Peace". Living TV also released a CD featuring Clark's music remixed and original material written and produced by composer and producer Steve Deakin-Davies (The Official Most Haunted Soundtrack Vol 1: The Ambition Company/Solo MH104)


title: Most Haunted

text: Between series 1 and series 15, "Most Haunted" featured a main presenter, a historian, a psychic medium, and a parapsychologist.


title: Most Haunted

text: Essentially, the latter two are intended to create an even balance between paranormal and scientific explanations for the various phenomena that occur. Any information provided by the medium from claimed interactions with spirits is then analyzed by the historian to see if it can be verified. The core investigation team are supported by some of the production crew, who appear in the show and are generally involved with the investigation whilst performing their normal crew role. Most of these on-screen crew members also take part in séances.


title: Most Haunted

text: Some episodes have also included at least one celebrity. So far, the celebrity guests have included Vic Reeves, Nancy Sorrell, Gaby Roslin, Scott Mills, Mark Chapman, Simon Gregson, Sue Cleaver, Carol Thatcher, Paul O'Grady, and Lee Ryan. For the series 10 episode from Coalhouse Fort, the team were joined by Scottish paranormal investigator Ryan O'Neill, and series 15 saw Bullet for My Valentine join the team on an investigation.


title: Most Haunted

text: Between series 1 and series 14, a medium accompanied the team on their investigations. The mediums were as follows:


title: Most Haunted

text: The show has also featured guest mediums. So far, these have been Ian Lawman, Ian Shillito, Israeli-born Uri Geller, Rochford's clairvoyant Kevin Wade, American-born Johnnie Fiori, Barrie John, Liverpool native Billy Roberts, and American-born Patrick Mathews.


title: Most Haunted

text: This section outlines changes across the 23 series of "Most Haunted", with detailed look at major changes through the programme's original run (series 1-14), broadcast on Living and a brief series overviews and filming location lists if the revival series (15-23), broadcast on Really.


title: Most Haunted

text: Known as "Most Haunted with Yvette Fielding and Derek Acorah" (This nickname was used until series 6)