title: Titusville, Florida

text: It was estimated in 2007 that 88.1 percent of all Titusville residents 25 years or older are high school graduates, and 23.6 percent have a bachelor's degree or higher.


title: Lexa (The 100)

text: Lexa is a fictional character from the post-apocalyptic science fiction television series "The 100", portrayed by Alycia Debnam-Carey. The recurring character does not appear in the books on which the series is loosely based. The commander of the allied Grounder clans, Lexa is portrayed as a reasonable leader and strong warrior. She considers love a weakness, a view significantly impacted by the murder of her former girlfriend. Although she starts to show romantic feelings for Clarke Griffin and takes her views into consideration, Lexa puts her people first, even at the expense of Clarke's trust. Lexa's progressive leadership places her in conflict with her people, especially after changes to her coalition.


title: Lexa (The 100)

text: Lexa has been acclaimed by critics, and is considered one of television's most interesting and complex female characters as well as a notable figure of LGBTQ representation in fiction. A fan-favorite, she has been a source of frequent debate, particularly for how she was written out of the series. Her relationship with Clarke, which was viewed as compelling and important, significantly impacted the LGBTQ community and many viewers embraced it as a positive and tempestuous depiction of friendship, love and adversity. The conclusion of the character and the relationship, however, was criticized by viewers and media for being unnecessarily tragic, leading to a national debate about the "bury your gays" trope and international fan-led initiatives.


title: Lexa (The 100)

text: In "Fog of War", two days after Finn's massacre of a village of Grounders (the descendants of humans on Earth who survived the nuclear apocalypse), Raven discovers that Mount Weather has jammed communications, preventing them from reaching out to other potential survivors from the Ark (a space habitat that held descendants of humans who survived the nuclear apocalypse 97 years before). The survivors from the Ark are known as Sky People to the Grounders. Clarke, the leader of her camp, realizes she no longer recognizes Finn, her one-time lover. Jaha and Kane, two former leaders of the Ark who have been captured by Grounders, are told that one of them must kill the other to have a chance at speaking with the commander of the Grounders. Kane attempts to take his own life rather than kill Jaha, but a Grounder witness, Lexa, reveals herself to be the commander and says she believes their wish for peace is sincere. She allows Jaha to escape with a message to his camp: leave within two days, or die.


title: Lexa (The 100)

text: In "Long Into an Abyss", with the Grounders' deadline imminent, Abby (Clarke's mother) and Jaha disagree over what the survivors are to do; Jaha wishes to evacuate to the so-called City of Light, while Abby wants to remain behind to rescue other members. Clarke, Octavia and Bellamy hold a dying Lincoln in the dropship; he is a Grounder who was turned with a serum into a reaper (a mindless, cannibalistic killer) by Mount Weather. As Lincoln's heart stops and he is revived by Clarke, who believes curing reapers depends on waiting for the serum to leave their bodies. With this information, Clarke realizes they have something to offer the Grounders. When Abby is successful in curing Lincoln, Lexa grants Clarke the truce but says it begins with Finn's death. In "Spacewalker", Clarke returns to camp and tells them the Grounders will accept a truce if they are given Finn. The tension between the people at camp rises as opinions are divided on whether or not to turn in Finn. Abby and Kane think they can bargain with the Grounders by offering to put Finn on trial, but Finn eventually gives himself up to the Grounders. Clarke meets with Lexa in a last-ditch effort to save Finn from the brutal execution process Lincoln explained. Lexa refuses clemency, but grants Clarke her wish to say goodbye to Finn. Clarke approaches him, kisses him and tells him she loves him while stabbing him, killing him quickly. Several of the Grounder chieftains are angered by this mercy-kill, but Lexa declares the demands have been met and the truce will stand.


title: Lexa (The 100)

text: In "Remember Me", Lexa, Clarke and a group from the camp set off to Tondc, a Grounder village, to complete their agreement. Bellamy tries to convince Clarke to let him go to Mount Weather as an inside man. When they arrive at the village, Clarke burns Finn's corpse along with the corpses of those he killed, in a traditional Grounder funeral. Lexa tells Clarke of Costia, her own past love who was tortured and killed by Lexa's enemy, who believed she knew Lexa's secrets. She tells Clarke that love is weakness. At a dinner, Kane gifts Lexa a bottle of liquor. When Gustus, her right hand, tests it for her, he appears to be poisoned, leading Lexa to believe it was an assassination attempt by the Sky People. Clarke immediately thinks it was Raven, Finn's former girlfriend. Lexa nearly kills Raven, but Clarke figures out that the bottle was not poisoned and proves it was Lexa's cup by drinking from the bottle herself. Bellamy accuses Gustus, who confesses and Lexa kills him. When Lincoln asks Bellamy how he knew it was Gustus, he says Gustus would do anything to protect Lexa. Clarke decides she sees Lexa's point about love being weakness, and tells Bellamy she agrees he should infiltrate Mount Weather.


title: Lexa (The 100)

text: In "Survival of the Fittest", Lexa and Clarke encounter a giant mutated gorilla after one of the Grounder council members attempts to kill Clarke in the forest. They escape but become temporarily trapped in its cage, with Lexa injured. Clarke figures out a way to escape and also has an idea about freeing the Grounders inside Mount Weather to help fight the Mountain Men. "In Rubicon", bone marrow experiments at Mount Weather are proven to work; people at Mount Weather can now possibly roam the land. Cage, son of Mount Weather's leader Wallace, plans to destroy any chance of peace between the Grounders and people of Mount Weather by launching a missile. Clarke informs Lexa of this. Lexa tells Clarke that if they warn anyone, the Mountain Men will realize they have a spy inside the mountain and Bellamy will be compromised before having completed his mission. Clarke is reluctant to leave many to die but agrees Lexa is right and the two secretly escape. As they leave, Clarke sees her mother arriving, and she returns to try to rescue Abby as the missile hits the village. In "Resurrection", Clarke and Abby survive the missile strike, but Abby is horrified to realize Clarke knew it was coming and did nothing to save the rest of the people. She goes back to help survivors, while Lexa and Clarke set off to find and kill the spotter who called in the strike. Clarke finds and kills the spotter with Lincoln's help, and realizes the spotter's lack of a hazmat suit means the Mountain Men have started harvesting her friends.


title: Lexa (The 100)

text: In "Bodyguard of Lies", Clarke and Lexa rehash the plan of attack, and Lexa tells Clarke that Clarke was born to be a leader. Octavia figures out Clarke and Lexa knew about the missile, and Lexa decides she needs to be killed to protect that secret. Clarke stops the attempted murder. She confronts Lexa about it and her facade of heartlessness, and Lexa reveals she has feelings for Clarke. Clarke asks Lexa to trust her, and tells her if she attempts to kill Octavia she will inform everyone they knew of the missile. Later, Lexa informs Clarke she does trust her and will not kill Octavia. She notes that the Grounder ways are focused on survival. Clarke suggests that maybe life should be about more than just surviving, and Lexa catches her off guard with a kiss. Clarke returns the kiss before she tells Lexa she is not ready to be with anyone yet. They are alerted to Raven's signal that the acid fog is disabled. The combined Grounder-Arker army marches to war with Lexa and Clarke at its head.


title: Lexa (The 100)

text: In "Blood Must Have Blood: Part 1", Bellamy frees the Grounders inside Mount Weather, as Clarke's plan is to attack from within. When the generators are taken out, soldiers from Mount Weather open fire on the army in front of their doors, but they still manage to destroy the lock at the last second. When they pull the door open, Lexa commands her people to stand down because of a deal she just cut with the Mountain Men, a deal proposed by their leader. When the Grounders retreat, almost all of the Sky People accept defeat and soon retreat, leaving behind a betrayed Clarke at the front door and Octavia in the tunnels.


title: Lexa (The 100)

text: In "Wanheda: Part Two", Arkers who had landed separately on Earth have been in conflict with the Grounder clan Ice Nation, and they accept Kane's offer to come to Arkadia, where the other Sky People live. Some of them continue to search for Clarke, who has been on the run for three months due to being a target because of her defeat of the Mountain Men after Lexa's retreat. This has earned her the nickname "Wanheda" (commander of death). Indra, one of Lexa's best and most trusted warriors, warns Lexa that the Ice Nation is hunting Clarke. Bounty hunter Roan (the banished Ice Nation prince) brings Clarke to Lexa in Polis (Grounder capital), as Lexa sought to capture Clarke before members of Ice Nation did. Still angry at Lexa for her betrayal, Clarke is dragged out kicking and screaming while vowing revenge on her.


title: Lexa (The 100)

text: In "Ye Who Enter Here", Clarke struggles with taking revenge on and forgiving Lexa. Dealing with political turmoil, Lexa offers Clarke to initiate the Sky People into her coalition as the thirteenth clan, which would protect them. Clarke believes Lexa only wants this because her defeat of the Mountain Men made her look weak. Lexa later spars with Aden, a Nightblood she has been training for the role of Commander. Nightbloods are Grounders with black blood, and the only Grounders who can become commanders. As Titus (Lexa's right-hand man and former mentor) asks Lexa to kill Clarke because he feels Clarke has weakened her rule, Roan asks Clarke to kill Lexa. In the end, Clarke cannot do it and Lexa apologizes for her betrayal. Clarke agrees to becoming the thirteenth clan, and publicly bows to Lexa in the presence of other clan ambassadors. In private, Lexa personally vows to Clarke that she will treat her and her people's needs as her own. Emerson, the last survivor of Mount Weather, is revealed to be alive.


title: Lexa (The 100)

text: In "Watch the Thrones", Queen Nia chooses her son Roan to fight Lexa to the death for the right to the throne. Lexa bests Roan but kills Nia instead of him, pronouncing Roan the king of Ice Nation. She and Clarke later bond as Clarke tends to her wounds. In "Hakeldama", Clarke, Lexa, and other Grounders discover an army of dead Grounders, slain by Pike (the new and destructive leader of the Sky People) and his followers. Indra is found wounded and says Bellamy persuaded Pike to let her live in order to tell Lexa that the Sky People reject the newly-formed coalition. Lexa allows Clarke's return to Arkadia to tell Bellamy and the others to step down. Clarke fails to convince Bellamy, but asks Lexa to end the cycle of violence in hopes of peace, with Lexa agreeing. In "Bitter Harvest", Lexa worries that by trying to make peace instead of engaging in war, she is betraying the commanders who came before her. Clarke assures her that her legacy will be peace. Roan has Emerson delivered to Clarke; she must decide his fate. She ultimately decides to let Lexa banish him.


title: Lexa (The 100)

text: In "Thirteen", the Grounders celebrate their Ascension Day, a holy day for Grounders. A Grounder named Semet walks in with Octavia, declaring that the Sky People destroyed his village. Titus wants Lexa to destroy the thirteenth clan while Clarke thinks they just need time to take out Pike from the inside. Speaking to everyone, Lexa orders the armies not to attack, but instead make a perimeter around Arkadia and any Sky Person found past the five-mile buffer will be killed. Semet is angry at this and attempts to kill Lexa, but is killed by Titus. Later, Titus is against Clarke staying in Polis, believing she further endangers Lexa's life. He warns Lexa that she is weakened by Clarke and reminds her of Costia. Lexa is enraged at this, reminding him that she can separate feelings from duty and she let Ice Nation into her coalition after they beheaded Costia and sent it to her bed. Later, Clarke goes into Lexa's room and Lexa realizes she is saying goodbye, understanding she has to go back to her people. Clarke suggests that maybe someday they both will owe nothing more to their people, and Lexa responds with "May we meet again". Clarke kisses her and they have sex.


title: Lexa (The 100)

text: Later, Lexa runs into Clarke's room after hearing gun shots and is accidentally shot by Titus, who intended to kill Clarke. As Clarke attempts to save her, Lexa realizes she is going to die and tells Clarke not to be afraid. She tells Titus to never harm Clarke again, and he swears he will not. She tells him to serve the next commander as he served her. Lexa tells Clarke that her spirit will find a new commander, her fight is over and that Clarke was right that life should be about more than just surviving. Clarke recites the Traveler's Blessing, an Arkadian prayer. When Lexa dies, Titus extracts a device from her neck, where her tattoo is. The piece of technology is called "the Flame", and it is revealed to be Lexa's spirit, an AI. The Flame is how every new Commander is chosen, with each new Commander becoming a part of it. It is only compatible with Nightbloods. Aden is meant to succeed Lexa, but, in "Stealing Fire", he is murdered by Ontari, a rogue Nightblood who seeks the throne for herself.


title: Lexa (The 100)

text: In "Perverse Instantiation—Part Two", Clarke is on a mission to stop a holographic AI named ALIE from world domination, which requires her to take on the Flame, the AI Lexa once carried. Clarke is implanted with the Flame with the help of a blood transfusion via a brain-dead Ontari. To control people, ALIE has them swallow a chip that takes away emotional and physical pain and connects them to a virtual reality called "the City of Light". In this place, the minds of those who have died live on. Clarke takes one of ALIE's chips and enters the city to stop ALIE from within. In a moment of distress, Clarke subconsciously calls upon Lexa to help her. Lexa's consciousness, saved in the Flame, appears in the City of Light to help Clarke fight off ALIE's mind-controlled minions. Aided by Raven's hacking against ALIE's minions, Clarke is led to a room resembling the Polaris space station, where the consciousness of Becca (ALIE's creator) shows her the kill switch to destroy ALIE. Before Lexa sacrifices herself to get Clarke to safety, Clarke tells Lexa that she loves her. Lexa says that her spirit will always be with Clarke.


title: Lexa (The 100)

text: In "Echoes", it is discovered that the people killed by Lexa in the City of Light in order to protect Clarke also died in the real world. King Roan honors Lexa's last wishes for Clarke's sake and her people.


title: Lexa (The 100)

text: In "We Will Rise", Clarke wakes up looking over at her drawing of Lexa from season 3. Niylah wakes up telling Clarke "Lexa would be proud of you", referring to saving their people from Praimfaya.


title: Lexa (The 100)

text: In "Damocles, Part 1", it is revealed that Lexa's consciousness is still in the Flame. Lexa passes a message to Clarke through Madi that abandoning her at Mount Weather was her greatest regret and helps to convince Clarke to do the right thing.


title: Lexa (The 100)

text: In "From the Ashes", one of Madi's drawings from the memories of the Commanders in her head is from Lexa's memories of "Ye Who Enter Here".


title: Lexa (The 100)

text: In "The Queen's Gambit", Murphy and Sheidheda argue if Lexa or Sheidheda is the preferred Commander amongst the Grounders. Murphy points out that Lexa united the clans, while Sheidheda argues that it was himself who accomplished that feat. Sheidheda compares himself to Lexa, stating that they were both killed by their Flamekeepers who were afraid of their ideas.


title: Lexa (The 100)

text: In "Blood Giant", the Flame is permanently destroyed by Gabriel Santiago, taking with it the consciousnesses of the Commanders stored within, Lexa included.


title: Lexa (The 100)

text: In "The Dying of the Light", Lexa in the City of Light appears amongst the memories of the Commanders when Levitt and Bill Cadogan dig through Madi's mind.


title: Lexa (The 100)

text: In the series finale "The Last War", the Judge takes on the form of Lexa in the final test to determine if humanity will transcend or be annihilated. The Judge appears to an individual as their greatest teacher, greatest failure, or greatest love. For Clarke, her greatest love was Lexa so the Judge took on her form. The Judge, as Lexa, would appear once more before Clarke on the shores of a river, informing her that Madi is safe and that Clarke's friends chose to not remain transcended and will stay with her on Earth to live out their days. The Judge in Lexa's form has the last words in the series, stating: "a curious species, indeed".


title: Lexa (The 100)

text: Show creator Jason Rothenberg said he and others involved with the series were aware of Debnam-Carey while casting Clarke in 2014; although the chance for her to portray Clarke did not materialize, her name was brought up for the casting of Lexa. Debnam-Carey was offered the role, which Rothenberg called a "no-brainer". At the time, she was also being considered for the role of Alicia Clark on AMC's "Fear the Walking Dead", with her casting announced on December 1, 2014. "That's always a concern when you have an actor in your show that is popping—that someone else is going to grab them and make them a series regular if you don't", stated Rothenberg. Debnam-Carey was able to continue work on both shows. With "such an iconic look and distinct wardrobe", Lexa was an unusual role for Debnam-Carey. She said that the character allowed for a multifaceted dynamic, and called Lexa her favorite character she had portrayed thus far. "Thankfully, Jason [Rothenberg], the creative team, the writers, and the hair and make-up are very collaborative", she said. "We've been able to embrace it and really make it our own, and that's been wonderful".


title: Lexa (The 100)

text: Lexa does not appear in the books on which the series is loosely based. Introduced in the sixth episode of the second season, "Fog of War", which Kira Snyder wrote, Lexa was created through discussions Snyder had in the writer's room. When developing the character further, the idea of her being romantically interested in women was pitched. Rothenberg read the script for episode nine, where Lexa tells Clarke of her former female love, Costia, "the first reference to her sexuality". He thought, "let me talk to the writers about this and see where we're going", and decided it "made perfect sense". The CW was also supportive of the character. "The fact that it’s taken off the way it [has is] really cool", Rothenberg stated. "It’s been a good phenomenon to watch happen".


title: Lexa (The 100)

text: Rothenberg said he and his crew did some research on depicting different societies, such as the Grounders, but most of what is shown is based on his personal tastes. "Getting to create this universe from the language to the wardrobe to the tattoos ... we obviously get pretty deep into what the grounder spirituality is and means", he stated. "We do some research as to how societies have evolved in the past but for the most part it's fiction". Debnam-Carey felt that the Grounder culture—the language, wardrobe, makeup and "all the symbolic meaning behind that"—was "one of the highlights" for her. "We explored it as much as we could as actors to break down its meaning, but the best thing about this was finally finding out all this backstory and fully creating this world", she stated, adding they "had three sets built just for the Grounders". In 2015, two commander jackets were described as being "made out of leather, metal, and fur".


title: Lexa (The 100)

text: Dany Roth of Syfy was impressed by the show's costume designs, stating that they are "possibly the best on TV right now. Each costume tells the story of the world, of the people, of the specific character". He said that, like "Mad Max", "The 100" "understands that the Grounders are repurposing tools and clothing from a time long dead. But the costumes are far from uniform. The people who lived on the ark, the people who live in the forest, the people who live in a frozen tundra, they all dress differently". Although "there's fashion here that makes the clothes exciting", it is the clothes that tell the story. Maureen Ryan of "Variety", stated that the "most enduring image of Lexa is one of her sitting on a throne made of intertwined branches, her enigmatic eyes looking out from a face half-covered in elaborate war paint". Debnam-Carey said, "I'm lucky they put me in such a badass costume and makeup. We did a whole day of tests with that makeup." She and the wardrobe and makeup department collaborated with Rothenberg on the look of the character, and fans were encouraged to contribute their versions of the designs on social media.


title: Lexa (The 100)

text: The writers conceived Lexa as a proud and wise warrior who keeps her feelings very guarded, and someone who is usually unable to show she cares for people. The vulnerability that results from caring, and particularly loving a person, is something she views as a weakness. This was significantly exacerbated by the death of her girlfriend, Costia; the anger, grief and later dissipation of the grief hardened her further. In addition, being selected as commander involved Lexa going through a brutal process, as is her society's custom; if she shows weakness in her duties as a commander, she can lose the respect of her warriors. Lexa has a soft spot for the next generation of warriors and leaders she trains, but "she has to keep her distance because she knows that the moment she weakens is the moment that everything falls."


title: Lexa (The 100)

text: Debnam-Carey said figuring out how to portray all these aspects of the character was the most challenging part. "For me, it was about finding that mix between vulnerability and tension and a wiseness beyond her years", she said. A director in one of her first episodes had advised her that less is more. She developed further Lexa's personality and mannerisms, some unconsciously; "Someone was like, 'Is it a thing you've chosen to do, to not blink all the time?' I was like, 'Wow!' When it comes to Lexa, she's very steely-gazed. There's a presence about her and a knowingness, and she's always observant. I started to pick up all these traits ... that I didn’t expect." The character is "very stand offish and aloof and it's hard to read her", Debnam-Carey said. Making sure she was not robotic and inhuman was difficult; "she has those qualities. That was definitely the hardest thing but it’s coming through." Debnam-Carey did not view Lexa as a teenager, and did not assign her an age, stating, "It's almost like she skipped that period. She was placed in a position where suddenly she was forced to make a lot of hard choices that most people never have to make, no matter what their age is.


title: Lexa (The 100)

text: Lexa is the first Grounder leader to seek peace, which Debnam-Carey described as "somewhat difficult" for the other Grounders to understand because of their "rough and aggressive" culture. She is also "the first person to unite the 12 clans and to actually have the option of an alliance". Throughout, she is extremely loyal, but more so to her own people, putting them first regardless of the cost. Debnam-Carey said "it's in [Lexa's] blood" to put her people first because they "are so close to her, that's what she's been groomed to be. She comes from a really harsh culture and she has huge responsibilities". The character is "brutal" and a "pragmatist", "but not out of unkindness. It's all she's ever known". By making calculated choices, she is used to getting what she wants. Debnam-Carey said Lexa makes choices "based on necessity" and is "very logical about [them] but she’s not immune to the consequences. She realizes the consequences, but will deal with them when they come." She adapts to the circumstances, and has "a control and a fluidity through situations".


title: Lexa (The 100)

text: Lexa's relationship with Clarke is depicted as intense, complex, and the one thing that softens Lexa's outlook on life. Debnam-Carey said the characters' progression from being allies to becoming romantic "stems from a connection that they both share—which is similar experiences and similar positions"; they are "both very young leaders with great authority, a lot of responsibility. They have to lead a huge amount of people [and] have a lot of expectations riding on them". She said the sudden responsibilities they faced, the need to make the right decisions, and having grieved over past lovers helped connect them further, and it is a connection they did not have with others. Rothenberg initially stated that while he would not go as far to say that it was love at first sight for Lexa, "it definitely was a bit of a thunderbolt moment for her when she first saw Clarke". He said Clarke's attraction to Lexa "developed a little bit more slowly, but by the end [...] they were very much intrigued at the possibility of a romantic relationship". He later said "Lexa was definitely smitten—like love at first sight, probably", but maintained it took longer for Clarke to develop romantic feelings for Lexa. Writer Kira Snyder stated, "we're really happy to have that storyline and really gratified that it's sparked the fan response and press response that it has. It just goes down to the issues of representation [...] that's something I'm very pleased to be involved with."


title: Lexa (The 100)

text: Debnam-Carey appreciated the fact the writers did not make a big deal of defining either characters' sexuality or their romantic relationship on the show. Rothenberg said labels and gender are not a factor in the series, which Debnam-Carey viewed as true to the story. "It's a world where people love people for who they are and not what they are and that creates such a broad variety of characters. [...] it also doesn't make it out to be this statement", she said. "In this world, some things are a little better after the apocalypse [...] It kind of represents, in a way, an ideal place where people love people and it doesn't have to be a thing, which I think is really great".


title: Lexa (The 100)

text: Debnam-Carey considered the characters being "very adaptable" as one of the interesting aspects of their dynamic. Sacrifices Lexa and Clarke make are "for a much greater goal in the end". They have also "taken characteristics from each other", with Lexa becoming more trusting and learning that love can be empowering, and Clarke becoming more ruthless. "It's very interesting to see the way they ebb and flow with each other", she said. Of Lexa possibly putting Clarke first instead of her own people, she said perhaps if "Clarke was able to assimilate to their culture as well and become more of a right-hand man, then maybe I think Lexa could—then that would be a merger of two people". Lexa's weaknesses, as indicated by Debnam-Carey, are her feelings for her people and Clarke.


title: Lexa (The 100)

text: Regarding the decision to have Lexa betray Clarke, a significant moment that strained the characters' relationship, Rothenberg said Lexa was under the impression that Clarke would likely die in the battle and Mount Weather would possibly remain to keep her people united. "She was probably—master strategist that she is—thinking several moves ahead. Thinking she could keep her alliance together, the 12 clans, because they would still have this evil empire out there to unite them", he stated. Lexa was not expecting Clarke to win and to subsequently become a legend. "Everywhere she goes it's like, 'I heard it was 5,000 people! No, I heard it was 10,000 people!'", said Rothenberg. "Certainly it means that her alliance now no longer has a real reason to be held together". Rothenberg said Clarke would eventually come to terms with the likelihood that, if she had been in a similar position as Lexa, she would have done the same thing: Protect her own people at all costs. He said she did as much in the season two finale. "That was kind of the theme of the entire season, which was how far can you go and still be the good guy in order to save your people. Lexa had that choice. Obviously, it landed very emotionally for both of them, but especially on Clarke", he stated. "Clarke had a similar choice and I hope that over the course of the first part of [season 3], Clarke will eventually come to see it that way. If she can't, then they'll never figure out a way to make peace with each other".


title: Lexa (The 100)

text: Debnam-Carey viewed the betrayal and abandonment as a release for herself as an actor, and as a "very honest" and "open" moment for Lexa. "It's the first real time you get to see—apart from [them sharing a kiss]—this is a scene where she makes a really strong choice, but you can see that it's hard for her to do, and she does care", she stated. To Debnam-Carey, Lexa "showing that she cared, even in that moment of betrayal" was her being real. Snyder said that Lexa "obviously has a lot of sort of baggage—not just with Clarke but everybody". Debnam-Carey argued that even though Lexa was upset by the betrayal, she is a very hardened person and her people continued to be her main concern. She does not think Lexa was preoccupied with the repercussions. Unlike Rothenberg, Debnam-Carey felt Lexa "always knew [Clarke] was going to [survive]. Now those cards are back on the table, if she wants to restart an alliance or whatever else".


title: Lexa (The 100)

text: In the series finale, the Judge taking on Lexa's form served to confirm that Lexa was in fact Clarke's greatest love.


title: Lexa (The 100)

text: Lexa, and her relationship with Clarke, has received acclaim from critics and fans, with Debnam-Carey receiving praise for her portrayal of the character. Maureen Ryan, writing for "The Huffington Post", stated that Lexa stood out in a show "packed with morally compromised characters", leading "a tribe of Earth inhabitants with a combination of deftness, intelligence and unhesitating ferocity". She "does not suffer fools gladly, yet Debnam-Carey made Lexa's vulnerability and her attraction to Clarke not just believable, but engrossing". "IGN"s Eric Goldman noted that Lexa "conveyed strength and confidence, tempered with a more progressive - by Grounder standards - viewpoint". Hypable.com's Selina Wilken deemed Lexa a "strong and compassionate" leader and praised the subtle introduction of her sexuality, asserting that, unlike many LGBT characters being "defined mainly by their sexuality", having her "casually reveal that she’s queer and then carry on with her day sends a strong message", while her sexuality "is the least interesting thing about her." Linda Ge of "TheWrap" referred to her as a fan-favorite, and Goldman called her "a standout, highly popular character" who "just pops in every way" and was a "terrific inclusion" for the show. The staff for "SheWired" declared that Lexa "had the best character introduction ever and never stopped being great", proving to be "endlessly engaging, even when she's making choices that make us want to crawl into a ball and cry". Dana Piccoli of AfterEllen described Lexa as a "mysterious queer character", and complimented the "chemistry and increasing bond" between her and Clarke, noting that both are smart, young women who "manage to see the bigger picture" and are "leading their people to salvation or at least as close to salvation as they can get".


title: Lexa (The 100)

text: Of Lexa's introduction in the season two episode "Fog of War", Nick Hogan of TVOvermind felt she "stole the show", impressed by how she "contrasted between an innocent girl doing a terrible task and an undercover grounder commander". For the following episode, Goldman stated that "a very thoughtful, intense energy" from Debnam Carey "helped sell this young woman as the Commander others would follow without hesitation." Lisa Steinberg of "The Huffington Post" said that the pact between the Grounders and Sky People showcases Lexa as "one of the show's most compelling characters", and "if looks could kill, Debnam-Carey's portrayal of Lexa would be a lethal weapon." Reviewing "Bodyguard of Lies", "The A.V. Club"s Kyle Fowle remarked that Debnam-Carey and Taylor as Clarke have a "magnetism about them that injects their conversations with significant weight, and makes their characters feel like natural leaders." Amanda Festa of "TV Fanatic" praised Debnam-Carey "perfectly portraying the cracking of Lexa's carefully constructed facade." Wilken felt the scene in which Lexa "finally begins to crack" was "brilliant", lauding the actress's performance. "Den of Geek" wrote that Debnam-Carey shows Lexa's "own crumbling resolve exclusively on her face as her feelings for Clarke open her up to seeing another way of thinking."


title: Lexa (The 100)

text: Many viewers were upset by Lexa abandoning Clarke and her people at the end of season two, resulting in debates about why she may have done it. TVLine's Andy Swift was indignant, commenting "Lexa, please meet a fiery death. ASAP." Ryan McGee of "ScreenCrush" said Lexa's betrayal is "as complex as their kiss", which suggested "that it's not enough in a world in which survival is far from guaranteed". Applauding the complexity and nuance of their relationship, McGee felt this development "only strengthened [his] love of this pair". Goldman wrote that if viewers had not invested in Lexa and Clarke's circumstances, "it could easily have damaged the central storyline", and Debnam-Carey and Taylor "expertly embody two people who had every reason to be on guard around each other, but sensed something similar bringing them together." McGee deemed Lexa and Clarke the "most interesting character dynamic on television". The "genius" of the season, he observed, is placing the two actresses "into the roles traditionally associated with men and not commenting on this fact at all". Ryan in "The Huffington Post" declared Debnam-Carey "fantastic" in the season, and hoped for the character to return next season. Goldman said the actress "was a real find in this role, giving a terrific performance playing a very guarded character, who lived by a "love is a weakness" code that she couldn't quite actually follow."


title: Lexa (The 100)

text: Fowle stated that Lexa and Clarke are a "tangle of emotions and motivations" and "recognize the burden of responsibility" they each have. "Clarke's relative forgiveness of Lexa" in the third season "makes sense within the context of the war of her people, and the larger political conflict at hand", and their reconciliation is "loyalty informed by weeks of patient storytelling". Mariya Karimjee of "Vulture" considered their confrontation "emotionally grounded and real", while the heavy, emotional struggle came from both characters, with Clarke feeling "something complicated and messy with Lexa", later realizing that "Lexa is the only person who understands her". "Entertainment Weekly"s Jeff Jensen regarded the characters' bond as "arguably the show’s most compelling relationship", adding that Debnam-Carey "shows bolder shades as Lexa fends off conspiracies and pines for renewed connection with Clarke." Goldman stated, "Considering how reserved and stoic Lexa is, it’s a testament to Debnam-Carey that she manages to convey all of these intense feelings, without getting too verbal or openly emotional." Dened Rey of "Talk Nerdy With Us" proposed that Lexa is a character that "will be remembered in many years to come" and she and Clarke have a relationship "admired by many because of how complex and breathtaking their journey has been", with the actresses giving "bone-chilling performances" that "enthrall whenever they share a scene".


title: Lexa (The 100)

text: Writing for "Variety", Ryan observed that Lexa's return in the third season "has only been improved by getting to witness the games being played at her court", writing that Debnam-Carey "has been impressive since day one" and "watching Lexa handle insurrection, deal with complicated political realities and throw dudes off balconies has been a treat." Sam Joseph of Film-Book.com complimented the "goodnight" scene between Lexa and Clarke, as "more came across between those two in what wasn't said or done than what could’ve been. Points go to Debnam-Carey for subtly." In her review of the fourth episode, Wilken declared Lexa her favorite character "possibly on television in general", commending her qualities and being "sensible in a sea of short-sighted, war-hungry men and women", as well as her battle with Roan. Fowle felt that the "strength and nuance of the storytelling" in Lexa and Clarke's connected storyline "elevates the show", regarding it "thematically complex and thoughtful", with their actresses "turning in truly outstanding performances". "Variety" listed Lexa and Clarke's relationship as one of "30 TV Relationships That Make Us Believe in Love", stating: "Both women have had to make difficult, life-altering decisions to protect their people, but despite the blood on their hands, there's an enduring respect between the two that only makes their bond stronger and more compelling to watch."


title: Lexa (The 100)

text: Wilken wrote that Lexa's face throughout the fifth episode "held so many emotions. Betrayal, disappointment, anger, and exhaustion are all warring for control inside her, and Debnam-Carey's understated performance was perfect." Reviewing the seventh episode of the season, "Thirteen", Fowle said Lexa and Clarke's relationship "has always been more than romance, defined instead by strong convictions and a sense of duty". Despite Lexa dealing with "people with firmly-held, deeply-rooted beliefs [...] she knows that change needs to happen. It's complex thematic territory that uncomfortably resonates in our current political climate." Goldman praised the "really touching" final moments from Lexa in her dying scene, which was "beautifully played by Debnam-Carey and Taylor". Caralynn Lippo of "TV Fanatic" said the actresses' chemistry was "on at full force during "Thirteen"" and viewed Lexa's dying scene as "one of the show's most powerful and moving moments to date". "Vox"s Caroline Framke felt that although Lexa's death scene was performed "beautifully", the "rush" to get her and Clarke together "only to immediately kill Lexa off, was jarring". Lexa was "an incredibly powerful leader, and a casually queer woman", she added. "These two things rarely go together onscreen", making her an important figure for "non-token representation."


title: Lexa (The 100)

text: Wilken called Lexa "one of the best and, yes, most divisive characters in recent TV history". A character "wonderful in no small part because she was such a fully realized individual, with both strengths and flaws", who made certain decisions "for reasons that made sense for her and her people, but which complicated her character for the audience, and made her more than just Clarke’s knight in shining armor." Fowle contemplated that Lexa's resolve while facing the realities of protecting the Sky People and risking an uprising from her clans "is exactly what makes her one of the better characters on TV, which also makes her death sting that much more." Hailing Debnam-Carey's "stunning, visceral performance", Fowle stated "her steady presence on "The 100" will be sorely missed." Ryan wrote that Debnam-Carey "has always been an incredibly important part of the show" and Lexa's presence and storyline in the series was a fruitful direction. Megan Logan of "Inverse" stated that "Lexa's overwhelming popularity wasn’t only about her character’s richness and complexity, or the dimension she added to the Grounders", she is "also unlike any other character on "The 100" — or on any other show, for that matter." Writing for "Collider", Carla Day proclaimed Lexa "a fierce and masterful leader" and "one of TV’s greatest characters" who "will be missed, but may her spirit live on."


title: Lexa (The 100)

text: Lexa and her relationship with Clarke had a significant impact on the LGBT community. Their relationship received praise for its complexity and emotional authenticity. Selina Wilken of Hypable.com appreciated that the show had "subtly introduced [its] first queer character" with Lexa and that it is free of the other "big issues in today's society", like gender stereotyping, racism or misogyny, but felt the writers had been heteronormative with their romances before that point. "In a media landscape where gay, lesbian and bisexual characters are still often defined mainly by their sexuality, having Lexa — one of the show's strongest, most well-liked characters — casually reveal that she's queer and then carry on with her day sends a strong and important message to young viewers." Wilken stated that fans have been pleased with seeing "a strong female character not only take on a position of leadership [...] but to off-handedly reveal that she was once in a relationship with a woman."


title: Lexa (The 100)

text: Dalene Rovenstine of "Entertainment Weekly" noted that the series "featured unexpected twists, the shocking deaths of multiple main characters, and amounts of blood and gore you wouldn't expect to be approved on network TV. But none of those moments have created a stir quite like [...] when [Clarke and Lexa] locked lips". The kiss was trending on Twitter after it aired, and many fans created artwork of the characters and couple as the series progressed; others engaged in cosplay of Lexa. Debnam-Carey was surprised by the attention. She was new to Twitter and Instagram, and did not know what fandom shipping meant; she saw that fans had given the pairing the portmanteau "Clexa". She called the fan fervor and character artworks "an honor" and "flattering to bring a character to life that people find their self expression in and a safety with", adding that "It's one of the first shows that really has two characters in the cast that are gender and sexually fluid and embraces that. There are no labels. It’s a wonderful thing to be a part of." At Paleyfest 2016, she was made aware of fans raising money in Lexa's name for The Trevor Project, an organization for LGBT teenagers in need, and the fact that, at the time, $46,000 dollars had been raised. As of July 13, 2016, over $135,000 dollars have been raised.


title: Lexa (The 100)

text: With Debnam-Carey's limited role on the series, Rothenberg contemplated how best to end Lexa's story. When he chose to kill her off, this resulted in much animosity among the fanbase, with viewers and critics debating whether she was killed off due to her same-sex relationship and whether she was killed off the right way. Many also felt the decision was a blow or slight to the LGBT community because of the view that it reinforced the "dead lesbian syndrome" (or "bury your gays") trope, which posits that a lesbian couple (or other same-sex couple) on television or in film can never be happy for long, if at all, because one or both of them will soon die. This was compounded by the character being killed off with a stray bullet moments after consummating her relationship with her female partner. Some fans compared Clarke and Lexa's final moments together to the 2002 death scene involving Willow Rosenberg and Tara Maclay from "Buffy the Vampire Slayer", finding both moments problematic and that little has changed since then.


title: Lexa (The 100)

text: A number of factors contributed to the ensuing backlash: The misleading of fans by representatives of the show prior to the character's death; the self-promotion for the show as a proponent of progressive LGBTQ storytelling; the long silence from showrunner Rothenberg on the controversy despite frequent social media engagement; and the "betrayal fans felt at what they perceived to be a meaningless death for one of TV's few well-developed lesbian characters, incited a kind of revolt." Viewers expressed their thoughts and anger on Twitter, Tumblr, and other social media sites. A small fraction of fans threatened to dox the writers and made death threats, while some were suicidal and engaged in self-harm after watching the episode. Many fans expressed their confusion and disappointment with the death on social media and blogs, and attempted to communicate the issues with media writers. People associated with the show later responded, attempting to ease their thoughts and defending the series by stating characters die on the show all the time.


title: Lexa (The 100)

text: The show continuously "sought deep and frequent engagement with its fans" every season, and Rothenberg had given multiple interviews on their forward-thinking LGBTQ representation and retweeted stories from various publications that praised its representation. "Aided by the enthusiasm of the show's many LGBTQ viewers, the outreach campaign worked." Many marginalized teens and young adults "were feeling engaged, feeling represented, and feeling hopeful ... which inherently puts you in a position of power over them." Fans noted they had "constant reassurance from the writers and showrunner that [they] could trust them not to screw up these characters, that they were aware of the [dead lesbian] trope and would avoid it" even if the actress left the show. Fans had long speculated about the character's screen time and future survival chances due to the actress being on another series. Rothenberg mentioned in interviews that AMC was "awesome" with scheduling for Debnam-Carey to film for "The 100".


title: Lexa (The 100)

text: In early 2016, Rothenberg touted Debnam-Carey's appearance in the season finale on Twitter, telling fans that they were welcome to visit the set in downtown Vancouver, and tweeting a picture of her and Taylor on set eating "rainbow" candy. Videos and tweets from fans near the set confirmed the actress' presence, spreading on social media that the character made it to the season finale. However, Lexa had been killed off months earlier, when the seventh episode filmed in the fall of 2015. The "trumpeting of her appearance at the end of the season prompted many viewers ... to keep hope alive". In the lead up to the episode of the death, Rothenberg and other writers were "ramping up expectations online, urging fans to watch live and to be ready for something extraordinary." In online conversations after the episode, and especially due to the manner of the death, fans expressed that they felt used and betrayed by the show. "Variety" recounted, "once it was clear that it had set off an ever-expanding array of firestorms, especially among LGBTQ fans, many of the powers that be associated with the show acted as if nothing were particularly amiss", with Ruthenberg live-tweeting next week's episode "as if thinkpieces and damning critiques were not still being churned out". In the few initial interviews he did alongside the death episode, Ruthenberg gave "little indication that he [understood] the depth of the sense of betrayal or the multitude of reasonable objections to the death story line." Co-executive producer and writer Javier Grillo-Marxuach engaged with fans, sympathizing and aiming to understand their thoughts on the issues.


title: Lexa (The 100)

text: The episode following Lexa's death was the lowest-rated in the series' history. Instead of watching, fans began trending and organizing. International fan-led initiatives such as "Lexa Deserved Better" and "LGBT Fans Deserve Better" emerged, initially dominating Twitter, and the "bury your gays" trope rose to a national debate. Fans put up billboards across major cities, while The Trevor Project, a charity that assists LGBTQ teens in crisis, received significant attention, with fans raising "more than $30,000 (£21,000) in just a few hours". By July 13, 2016, over $135,000 dollars had been raised. In response to viewers' outrage and requests, cosmetics company Maybelline stated in March 2016 that it decided "to no longer advertise on that show", and Target stated in April, "We can confirm that we don't plan to run ads during this show". The fan outcry and discussions in media over Lexa's death led several screenwriters and producers to sign the Lexa Pledge, which requests that creators treat gay and lesbian characters with consideration of their emotional and cultural impact, including not "killing a queer character solely to further the plot of a straight one" and avoiding "story choices that perpetuate the toxic [Bury Your Gays] trope". Some have argued that this stifles creativity and the freedom to develop characters and stories, while others have welcomed the debate, even if they have not signed the pledge.


title: Lexa (The 100)

text: According to "The Washington Post", one of the individuals who ran the website for LGBT Fans Deserve Better, stated: "LGBT fans get so little quality representation in the form of complex characters. [...] The message [in the way Lexa died] was pretty clear. [...] Minorities aren’t disposable characters. We don’t accept marginalized storylines. We’re not a focus group that you can pander to to use for ratings and then throw away the storylines". LGBT characters, characters of color and disabled characters are often "given secondary or tertiary storylines that can be thrown away. We’re getting to a point where we can’t accept that anymore."


title: Lexa (The 100)

text: In retrospective analyses, media outlets observed the impact of Lexa's death on the series, LGBT viewers, and lesbian representation in television. "Tell-Tale TV" wrote that while there were "highlights since then", the series hit "its obvious decline with the death of Lexa" in the third season, concluding that "When all is said and done, Lexa's legacy will likely be the thing that most of the general public remembers about "The 100"." "Screen Rant" noted that the show's "ratings never recoved from Lexa's death." TV Guide and "TVLine" said in 2020 that the character's death is still a subject of discussion for viewers to date. "Gay Times" defined the death as "arguably one of the most devastating for queer fans everywhere". "Culturess" recounted that while many lesbians had died on television before Lexa, her death "was met with fan outrage beyond anything anyone had seen before". Occurring in "a particularly violent and deadly year" for lesbians on television, Lexa's death was "the straw that broke the camel's back". Since the death controversy in 2016, "Culturess" stated in 2022 that some improvements have been made in lesbian representation on television, including more lesbian stories being told than before and fewer deaths. While "quantity doesn't always mean quality", representation today "isn't perfect", and a show having a queer character "doesn't mean they get to live to see the end", it is a significant sign of progress that "the landscape for lesbian representation on television ... went from almost 20 sapphic characters killed on screen in 2016 to one in 2021", igniting "hope that representation will only continue to get better."


title: Lexa (The 100)

text: Calling Lexa's death "gut wrenching" and the uproar messy, Caroline Framke of "Vox" wrote that while the death "unexpectedly brought together several disparate story strands", Lexa was "an openly queer woman leading 12 armies, a rare sight for LGBTQ representation on television." Framke condemned the trope of "killing gay women off for shock value" and the show killing Lexa immediately after having sex and pillow talk with Clarke. Eric Goldman of IGN argued similarly, adding that this setup was "really trite and cliché", and while he thinks the writers did not intend to "imply 'sex = death', it ended up coming off that way". Goldman felt the manner of death is "unseemly and demeaning for a character of her status and significance", and remarked that fans of the couple "were truly manipulated and treated poorly".


title: Lexa (The 100)

text: "Variety"'s Maureen Ryan, who called the couple's love and deathbed scenes on their own "spectacular", said the season had been rushed and Lexa's death after sex with Clarke "was another case of the show compressing a timeline to an unfortunate degree". The way a character dies matters, Ryan argued, particularly for communities under-represented and misrepresented in the media. Bethonie Butler of "The Washington Post" stated that part of what fueled the outrage is that "The 100" was thought to be "progressive in its treatment of LGBT characters", so the death led to feelings of betrayal, and the controversy "reveals the pitfalls of a show misunderstanding its audience and the politics of minority representation onscreen". Hypable.com's Selina Wilken wrote that the season built Lexa up "before her fall, turning her into an almost King Arthur-like figure of salvation in this broken world, at least partly in an effort to blind-sight and devastate the audience when she died. (And... mission accomplished, all too well.)"


title: Lexa (The 100)

text: "The A.V. Club"'s Kyle Fowle lamented the loss of the complex character, and felt that while it is "frustrating to see one of TV's prominent lesbian characters written off so hastily", the show made Lexa's death significant to other storylines as the episode deepened the mythology of "The 100". Damian Holbrook of "TV Insider" argued that television writers and producers never hastily kill off a character and are "ultimately telling a story". In the "Variety" article "What TV Can Learn From 'The 100' Mess", Ryan stated that Lexa "happened to be one of the few well-developed and complex lesbians on TV", and contended that "on a story and thematic level", her "badly conceived" death "had little resonance and almost no meaning", and the "blithe manipulation of LGBTQ fans and the show's willingness to deploy harmful cliches about gay characters remain the things that rankle most."


title: Lexa (The 100)

text: Liz Shannon Miller of IndieWire wrote, "The outrage over the show falling prey to the 'lesbian death trope' was epic—in a season full of death, Lexa became an icon for how LGTBQ characters and characters of color seem to die an awful lot more than others". "TV Guide" listed the death as one of the most important television moments of 2016, noting that Lexa "was critically important to a portion of the population who watched the show: a strong, proudly LGBT character whose sexuality was only a part of who she was – a rarity on TV", and her death "sparked a year-long discussion about how, and why, this trope must change". Ryan proposed: "What has occurred since March 3 is not just a problem for "The 100" and the CW, it's a cautionary tale for all of television." It is a "reminder that every story turn and promotional effort should be thoroughly thought through. Sloppy, dismissive and tin-eared moves by a show or its personnel aren't easy to bury or ignore these days, and fan engagement is a collaboration, not a spigot to be turned off whenever things get inconvenient."


title: Lexa (The 100)

text: When it came to whether or not the series would end with Clarke and Lexa together, Rothenberg said in January 2016 that he would not comment on the matter and knew where he wanted the series to go, but he was always open to a better idea. In March, Rothenberg said he had not always planned on killing Lexa, but the fact that Debnam-Carey was simultaneously on another show ("Fear the Walking Dead") and was therefore unlikely to ever become a series regular on "The 100", he felt use of the character would be limited or absent in the future. The writers decided to craft a death scene for her to propel the story forward. "As we were breaking the season, we talked about reincarnation in the Grounder world and how that was how commanders were selected. I didn't want to throw that out as nonsense [...] but I also didn't want to say that it was real reincarnation", he said. He had been reading "The Singularity Is Near" by Ray Kurzweil, which gave him the idea for incorporating a "technological reincarnation" storyline. "Lexa was just the most recent recipient of this artificial intelligence augmentation of her consciousness. So once we came up with that idea, that was the point at which everything jelled and sort of came together storytelling-wise", he stated. "And of course, if you're dealing with a story about reincarnation, you've got to die before you can be reincarnated. So Lexa dying became a very tragic necessity". Rothenberg said Clarke was in love with Lexa, that they were soulmates, and Lexa's death will haunt Clarke."


title: Lexa (The 100)

text: Debnam-Carey posted on social media, thanking everyone on the show and the fans: "It has been an honour to portray [Lexa]. To envelop myself in her skin. To be given the freedom to represent a moment in our cultural and social zeitgeist—she has left a great imprint on me. I will miss her. May we meet again". While at Paleyfest 2016 promoting "Fear the Walking Dead", she publicly addressed Lexa's death controversy for the first time. In an interview with "Entertainment Weekly", she said she was "surprised by the intensity and the fury" that came from fans and she did not think "anyone on the show expected such social outcry". To Debnam-Carey, "any attention we can draw to a movement like that is an amazing thing, and is a great thing to pursue and keep working towards". She added that Lexa's death never came from a place of hate or negativity from anyone in the show and the death was purely a creative decision made due to her obligations to "Fear the Walking Dead". "I know obviously that it's hard when there are social issues going on and maybe they were dealt with in an insensitive way [...] And I hate that people feel like that. That's really awful if people feel ostracized or targeted". At her second Q&A panel at Copenhagen Comic-Con, she remarked, "It saddens me to think that this was an event that tarnished the show". Regarding the character's impact, Debnam-Carey said that it opened her eyes "to something I don't think I was truly aware of, that a character was able to inspire and galvanize people", and she felt proud of the way fans positively channeled their energies into action; "That’s incredible ... It became a positive thing, which is really the most important thing about it all."


title: Lexa (The 100)

text: Rothenberg said that although he was "very sorry for not recognizing [the "bury your gays" trope] as fully as [he] should have", he would have still killed off Lexa but written it in a way that does not perpetuate the trope, such as death after sex. He added that while he understands the argument that Lexa should have had a heroic death, he thought having such a powerful character die by a stray bullet was more realistic because it signifies that anyone can be in the wrong place at the wrong time. Rothenberg also said that, in retrospect, he would not have misleadingly boasted the relationship on social media. Javier Grillo-Marxuach, who wrote the episode, said, "I don't think that the failure here was to discuss [Lexa's death], the failure was to recognize the cultural impact it would have outside the show [...] I am grateful for the tidal wave that came down on me. The activism that goes on online is [very] important".


title: Lexa (The 100)

text: Regarding the unannounced appearance from Debnam-Carey as the judge embodying Lexa in the series finale, Rothenberg said he had to have multiple conversations with her "to explain exactly what we were going for and that we weren’t doing it in an exploitive way". According to Rothenberg, Debnam-Carey was keen on having "closure", and they agreed on not hyping her return, that it would be "better as a reveal, as a surprise". He was "grateful" that she agreed to return, and that he was able to direct the scenes with her and Taylor. He felt "a lot of pressure, as the director, having the responsibility of honoring that character", while knowing that "it wasn't actually Lexa [and] we had to find the line of how much Lexa to bring to it". Rothenberg and the writers had unanimously agreed to bring Debnam-Carey back to portray the being. "I’m hoping that the fans get some closure", Rothenberg said. "It won’t satisfy everybody, but it was lovely to have her back." After the episode, Debnam-Carey posted on her social media that it was "an honour to put on the costume one last time and be reunited with #the100 family for the final episode", and "This was our ode to the love that Clarke and Lexa shared. A nod to how important they were to one another." She said that with any potential opportunities over the years for Lexa to re-appear, she "never wanted it to feel like it was a slap in the face to bring her back and take her away again." When Rothenberg informed her what the concept and purpose was, she felt "this is the only point that it makes sense." She said she wanted to do it "specifically for the fans and to have a little closure to finally feel like there was a positive spin that had happened. I know it was Lexa as the Judge and it wasn't necessarily Lexa as herself, but I still thought the sentiment was important."


title: Barsaat (1995 film)

text: Barsaat ( "Rain") is a 1995 Indian Hindi-language romantic action film, which was the debut of Bobby Deol (son of veteran actor Dharmendra) and Twinkle Khanna (daughter of late actor Rajesh Khanna). The film was directed by Rajkumar Santoshi. The movie was initially titled "Jaan", later changed to "Meri Jeet", then "Jeet" and then "Satwa Asmaan", before the Deols settled on "Barsaat".


title: Barsaat (1995 film)

text: Both Deol and Khanna won the Filmfare Awards in the Best Debut categories. Incidentally, after 10 years, Deol worked in a 2005 film of the same name.


title: Barsaat (1995 film)

text: Badal (Bobby Deol) is a naive but intelligent young man who comes from a small village to the big city to attend college. He is introduced to city life by his former villager Damru (Harish Patel), who calls himself Danny. When Badal attends college, he meets pretty and precocious Tina Oberoi (Twinkle Khanna) and, after a few misunderstandings and misadventures, they fall in love.


title: Barsaat (1995 film)

text: This relationship is not approved of by Tina's wealthy widower step-dad Dinesh Oberoi (Raj Babbar), who hopes to takes all her wealth. He is waiting for Tina To turn eighteen. His friend (Bharat Kapoor) wants his son to marry Tina and divide the whole wealth. Once his son finds out about love of Tina and Badal, he complains to the college principal (Vijay Kashyap), that Badal has been responsible for sexually harassing a girl at the college one night, but Tina testifies in favour of Badal and insists he's innocent. Dinesh then asks a corrupt cop, Negi, (Danny Denzongpa) the city's assistant commissioner of police, for assistance.


title: Barsaat (1995 film)

text: Negi arrests Badal on trumped-up charges and imprisons him. Badal's widowed dad Bhairon (Mukesh Khanna) comes to the big city to try to make sense of why Badal is in prison. Dinesh gives a contract to Negi to have Badal killed. Negi agrees and hires a gang of ruthless outlaws to hunt and kill Badal. Both of them run away to Badal’s village. However, Negi reaches there and threatens the villagers. To save the villagers, Badal gives Tina sleeping tablets by lying to her that both of them are committing suicide. He then surrenders himself to Negi.


title: Barsaat (1995 film)

text: When Tina wakes up, she finds herself in the custody of her step dad who tries to kills her by giving her poison, but her friend tells her the truth as now he realises the true intention of Dinesh who never wanted Tina to marry his son.


title: Barsaat (1995 film)

text: By this time, Badal and Negi had a face off where Negi is killed (as shown) by Badal and now he comes to save Tina from Dinesh who is behind her to kill him.


title: Barsaat (1995 film)

text: Both of them are fighting on the hill where Tina pleads Badal not to kill Dinesh as she considers him her father.


title: Barsaat (1995 film)

text: Negi is finally killed by Bhairon and two others. At last, Tina and Badal unite with the dying Dinesh, approving their match and apologising for his deeds.


title: Barsaat (1995 film)

text: Initially, Shekar Kapur was set to direct this film and had shot a scene with Deol. However, he left the film for "Bandit Queen" and Rajkumar Santoshi took over as director. He had both the lead actors attend workshops. While shooting a scene in London, Deol suffered a leg injury and had to use crutches for over a year. He continued shooting for the film "" with his injured leg. A few scenes were shot at Rohtang Pass near Manali, Himachal Pradesh. Khanna fainted once while filming there. Reportedly both the lead actors did not go along well during the shooting. Deol irritated Khanna on many occasions and the latter found it "obnoxious".


title: Barsaat (1995 film)

text: Its total net gross collection was 29 crores and it was declared a "Super Hit" grosser by Box Office India. It was also the 5th highest-grossing movie of the year.


title: Barsaat (1995 film)

text: The film score of "Barsaat" was composed by Louis Banks while the songs were composed by Nadeem Shravan with lyrics penned by Sameer.


title: Barsaat (1995 film)

text: The songs of the film are popular even in 2020, especially "Humko Sirf Tumse Pyaar Hai" and "Nahin Yeh Ho Nahin Sakta". "Hindustan Times" called the latter song "the definition of the lovelorn ‘90s" and "[s]till the most played song on every desi diljala aashiq’s list".


title: Barsaat (1995 film)

text: "Barsaat" was a "hugely-anticipated film". Writing for Rediff.com, Sukanya Verma called it "not a great movie" but was appreciative of Santosh Sivan's cinematography, especially during the song "Nahi Yeh Ho Nahi Sakta", noting that the "freshness enveloping Sivan’s visuals in the song ... choreographed by Farah Khan, continues to satisfy" and "I love the luminously lit frames, the use of fresh paint and mirrors and a gorgeous play of pristine white and bright yellow." A review in "India Today" noted that the film lacked a script and is "yet another collection of cliches". It found the songs "mediocre" and concluded with "[t]he best part is that two stars are born".


title: Starter for 10 (film)

text: Starter for 10 is a 2006 British comedy-drama film directed by Tom Vaughan from a screenplay by David Nicholls, adapted from his 2003 novel "Starter for Ten". The film stars James McAvoy as a university student who wins a place on a "University Challenge" quiz team. It premiered at the Toronto International Film Festival in September 2006, and was released in the UK and Ireland on 10 November 2006, and in Canada and the US on 23 February 2007.


title: Starter for 10 (film)

text: In 1985, Brian Jackson is a first-year university student and information sponge. Since his working-class childhood in Southend-on-Sea, Brian has loved the TV quiz show "University Challenge", with its catchphrase, "Your starter for 10...". Soon after arriving at Bristol University, Brian attends a party where he meets left-wing Rebecca, with whom he feels an instant connection. Brian attempts to join the "University Challenge" team, but narrowly fails to secure a place when he helps another candidate, Alice, cheat on the qualifying test.


title: Starter for 10 (film)

text: Brian falls for the glamorous Alice and tries to date her, despite her signals that she sees him as a friend. As term starts, Brian is invited to join the team after a member falls ill. The captain, Patrick, is a stuck-up post-grad who has remained captain despite never having achieved success on "University Challenge". Brian impresses the team with his trivia knowledge and uses his time to get closer to Alice, eventually getting invited to her house for Christmas.


title: Starter for 10 (film)

text: Unfortunately, Brian embarrasses himself in front of her family by getting stoned while trying to impress Alice. He returns to Bristol for the rest of the vacation and meets Rebecca again. They again hit it off, but, as they are hooking up, he inadvertently calls her "Alice", offending her and ruining the moment. Following his romantic failures, he talks to Spencer, his friend from Southend, who admits to being in legal trouble. Brian invites Spencer to a party before his court appearance.


title: Starter for 10 (film)

text: During the party, Patrick insults Spencer's upbringing and belittles him. Spencer hits Patrick in the face and disrupts the event. Afterwards, Brian shares a drink with Rebecca and tries to apologise for his own behaviour. However, Rebecca still feels Brian loves Alice and encourages him to follow his heart and tell Alice how he feels. He takes her advice and arrives at Alice's flat to declare his love, but discovers Spencer there. Excited by his violent behaviour at the party, Alice had invited him back. Brian feels betrayed by them both, since he had told Spencer how he felt about Alice.


title: Starter for 10 (film)

text: Brian gets depressed and struggles with concentrating during "University Challenge" practices and his studies, threatening his university place. Patrick becomes frustrated with Brian, and as they arrive for their "University Challenge" match, berates him for his lack of focus. In response, Brian headbutts Patrick, but only succeeds in knocking himself unconscious. He is revived backstage by Rebecca, who has come to watch the show and gives him encouragement before he is escorted to the set.


title: Starter for 10 (film)

text: On the way, Brian is briefly left alone with an open envelope containing the quiz questions. He reads one of the cards before putting it back in the envelope, and, inspired by the relative ease of the question, rejoins his team. The match starts off poorly, with nerves clearly getting to Patrick as he fails to answer several questions and puts the team in a hole. Brian slowly but surely digs them out of it, getting into his swing as he answers question after question.


title: Starter for 10 (film)

text: As the match is heating up and Brian's team has the momentum, Brian inadvertently gives the answer to the question he had previously seen before quizmaster Bamber Gascoigne has even begun to read it (he has merely introduced it as "an astronomy question"). Realising that Brian has seen the cards, Gascoigne suspends the match and Brian's team is disqualified.


title: Starter for 10 (film)

text: Brian returns home and falls into another depression, sleeping all day and ignoring calls. His mother tries to get him out of the house, but the person who finally reaches him is Spencer. He tells Brian that his court case has gone better than expected, and that he is sorry for his behaviour and proud of Brian for chasing his dreams.


title: Starter for 10 (film)

text: Inspired by his friend, Brian returns to Bristol and meets his tutor, promising he is back for good. He then stands Alice up to find Rebecca, who is taking part in a political demonstration. He asks her if she could ever forgive him for his mistakes, and if they can start again. She replies that he already knows the answer, and they kiss.


title: Starter for 10 (film)

text: Although set at Bristol University, the main quad and Gustave Tuck lecture theatre of University College London were used as sets. The University of Bristol Students Union building is in fact the university's School of Chemistry. The Granada TV studios are actually at the back of BBC Television Centre: the corridor (actually leading to the BBC multi-storey car park) was transformed for a day for the filming in 2005 with the addition of a Granada logo and pictures of past stars. The buildings at the end where a demonstration was held in which Brian tells Rebecca how much he likes her is the Queen Mary Court and King William Court at the University of Greenwich. Brian's home is shown as a slightly run-down seaside house, supposedly located in Westcliff-on-Sea. These scenes were actually filmed in the small village of Jaywick, near Clacton-on-Sea. Clacton Pier was used for the scenes set on the pier at Southend-on-Sea.


title: Starter for 10 (film)

text: The film received positive reviews, with a 90% rating on Rotten Tomatoes based on 78 reviews; the site's consensus states: ""Starter For 10" is a spirited coming-of-age tale that remains charming and witty even as it veers into darker territory. The unique setting of a quiz show makes the film wittier than your average romantic comedy."


title: Starter for 10 (film)

text: Alice Eve later commented that there had been a "big debate" over whether the title of the film would be meaningful outside the UK, and that it "just didn't travel".


title: Starter for 10 (film)

text: The soundtrack features music from The Cure, The Smiths, The Psychedelic Furs, Buzzcocks, Yazoo, Motörhead, Echo & the Bunnymen, The Undertones, Tears for Fears, The Style Council and Kate Bush, among others.


title: Common bottlenose dolphin

text: The common bottlenose dolphin or Atlantic bottlenose dolphin (Tursiops truncatus) is a wide-ranging marine mammal of the family Delphinidae. The common bottlenose dolphin is a very familiar dolphin due to the wide exposure it gets in captivity in marine parks and dolphinariums, and in movies and television programs. It is the largest species of the beaked dolphins. It inhabits temperate and tropical oceans throughout the world, and is absent only from polar waters. While formerly known simply as the bottlenose dolphin, this term is now applied to the genus "Tursiops" as a whole. As considerable genetic variation has been described within this species, even between neighboring populations, many experts think additional species may be recognized.


title: Common bottlenose dolphin

text: Until 1998, all bottlenose dolphins were considered one species "T. truncatus." That year, the Indo-Pacific bottlenose dolphin ("T. aduncus") was recognized as a separate species. The two species are thought to have split during the mid-Pleistocene, about 1 million years ago.


title: Common bottlenose dolphin

text: Bottlenose dolphins along the southern California and Baja California coasts were previously recognized as the Pacific bottlenose dolphin, "T. t. gillii". The name has since been reclassified as a junior synonym of "Tursiops truncatus".


title: Common bottlenose dolphin

text: A 2020 study identified four distinct lineages within "T. truncatus", each of which could be a distinct subspecies: a lineage native to the coastal regions of the western North Atlantic (off the coast of North America), an offshore lineage found worldwide in pelagic ecosystems, a lineage native to the Mediterranean, and a lineage restricted to the Black Sea (previously described as "T. truncatus ponticus"). The study noted only weak differentiation between the Black Sea and Mediterranean lineages, and found them to form a sister group to the offshore lineage, indicating that they likely descended from offshore bottlenoses that colonized the Mediterranean and Black Seas. The clade containing the offshore, Mediterranean, and Black Sea populations was sister to the western North Atlantic lineage, indicating deep divergence between the two.


title: Common bottlenose dolphin

text: Common bottlenose dolphins are grey, and between long, and weigh between . Males are generally larger and heavier than females. In most parts of the world, adult length is between ; weight ranges between . Dolphins have a short and well-defined snout that looks like an old-fashioned gin bottle, which is the source for their common name.


title: Common bottlenose dolphin

text: Like all whales and dolphins, though, the snout is not a true nose; the nose instead evolved into the blowhole on the top of their heads. Their necks are more flexible than other dolphins' due to five of their seven vertebrae not being fused together like in other dolphins.


title: Common bottlenose dolphin

text: The common bottlenose dolphin has a larger brain than humans. Many investigations of bottlenose intelligence include tests of mimicry, use of artificial language, object categorization, and self-recognition. This intelligence has driven considerable interaction with humans. The common bottlenose dolphin is popular in aquarium shows and television programs such as "Flipper". It has also been trained for military uses such as locating sea mines or detecting and marking enemy divers, as for example in the U.S. Navy Marine Mammal Program. In some areas, they cooperate with local fishermen by driving fish toward the fishermen and eating the fish that escape the fishermen's nets.


title: Common bottlenose dolphin

text: As a very social species, the common bottlenose dolphin lives in groups called pods that typically number about 15 individuals, but group size varies from pairs of dolphins to over 100 or even occasionally over 1,000 animals for short periods of time. The types of groups include: nursery groups, juvenile groups, and groups of adult males.


title: Common bottlenose dolphin

text: Its diet consists mainly of eels, squid, shrimp and a wide variety of fishes. It does not chew its food, instead swallowing it whole. Dolphin pods often work as a team to harvest schools of fish, though they also hunt individually. Dolphins search for prey primarily using echolocation, which is a form of sonar.


title: Common bottlenose dolphin

text: The diet of common bottlenose dolphin pods varies depending on area. Along the U.S. Atlantic coast, the main prey includes Atlantic croakers ("Micropogonias undulatus"), spot ("Leiostomus xanthurus") and American silver perch ("Bairdiella chrysoura"), while in South Africa, African massbankers ("Trachurus delagoa"), olive grunters ("Pomadasys olivaceus"), and pandora ("Pagellus bellottii") are common bottlenose dolphin's typical prey.


title: Common bottlenose dolphin

text: According to combined stomach content and stable isotope analyses in the Gulf of Cádiz, although European conger ("Conger conger") and European hake ("Merluccius merluccius") are most important prey of common bottlenose dolphins, mass-balance isotopic mixing model (MixSIAR), using δ13C and δ15N showns that Sparidae species; seabreams ("Diplodus annularis" and "D. bellottii"), rubberlip grunt ("Plectorhinchus mediterraneus"), and common pandora, ("Pagellus erythrinus")) and a mixture of other species including European hake, mackerels ("Scomber colias", "S. japonicus" and "S. scombrus"), European conger, red bandfish ("Cepola macrophthalma") and European pilchard ("Sardina pilchardus") are the assimilated diet.


title: Common bottlenose dolphin

text: Research indicates that the type and range of fish in a dolphin's diet can have a significant impact on its health and metabolism.


title: Common bottlenose dolphin

text: Dolphins also use sound for communication, including squeaks emitted from the blowhole, whistles emitted from nasal sacs below the blowhole, and sounds emitted through body language, such as leaping from the water and slapping their tails on the water. The dolphins address each other individually through matched whistling, where individuals respond to whistles of other dolphins by using the same whistle.


title: Common bottlenose dolphin

text: Their heads contain an oily substance that both acts as an acoustic lens and protects the brain case. They emit clicking sounds and listen for the return echoes to determine the location and shape of nearby items, including potential prey.


title: Common bottlenose dolphin

text: Mating behavior of bottlenose dolphin is polygamous. Although they can breed throughout the year, it mostly occurs in spring. Males form alliances to seek an estrous female. For a chance to mate with the female, males separate the female from her home range. Females bear a calf every three to six years. After a year-long gestation period, females bear a single calf. Newborn calves are between long and weigh between . They can live as long as 40–50 years. The calf suckling lasts between 18 and 20 months. Sexual maturity varies by population, and ranges from 5–14 years of age; sexual maturity occurs between 8 and 13 years for males and 5 to 10 years for females.


title: Common bottlenose dolphin

text: The average life expectancy of common bottlenose dolphins is about 17 years old, but in captivity they have been known to live to up to 51 years old.


title: Common bottlenose dolphin

text: The common bottlenose dolphin can be found in temperate, subtropical, and tropical oceans around the world. The global population has been estimated at 600,000. Some bottlenose populations live closer to the shore (inshore populations) and others live further out to sea (offshore populations). Generally, offshore populations are larger, darker, and have proportionally shorter fins and beaks. Offshore populations can migrate up to in a season, but inshore populations tend to move less. However, some inshore populations make long migrations in response to El Niño events. The species has occurred as far as 50° north in eastern Pacific waters, possibly as a result of warm water events. The coastal dolphins appear to adapt to warm, shallow waters. It has a smaller body and larger flippers, for maneuverability and heat dispersal. They can be found in harbors, bays, lagoons and estuaries. Offshore dolphins, however, are adapted to cooler, deeper waters. Certain qualities in their blood suggest they are more suited to deep diving. Their considerably larger body protects them against predators and helps them retain heat.


title: Common bottlenose dolphin

text: Some interactions with humans are harmful to the dolphins. Dolphin hunting industry exists in multiple countries including Japan, where common bottlenose dolphins are hunted for food annually in the town of Taiji, and the Faroe Islands. Also, dolphins are sometimes killed inadvertently as a bycatch of tuna fishing.


title: Common bottlenose dolphin

text: Tião was a well-known solitary male bottlenose dolphin that was first spotted in the town of São Sebastião in Brazil around 1994 and frequently allowed humans to interact with him. The dolphin later became infamous for killing a swimmer and injuring many others, which earned it the nickname of killer dolphin.


title: Common bottlenose dolphin

text: Fungie is another solitary male bottlenose, living in close contact with humans in Dingle Harbour, Ireland, since 1983. He has become a symbol of the town, although some doubt exists over whether he is a single dolphin.


title: Common bottlenose dolphin

text: The North Sea, Baltic, Mediterranean and Black Sea populations of the common bottlenose dolphin are listed in Appendix II to the Convention on the Conservation of Migratory Species of Wild Animals (CMS) of the Bonn Convention, since they have an unfavorable conservation status or would benefit significantly from international cooperation organized by tailored agreements.


title: Common bottlenose dolphin

text: The species is included in Appendix II of the Convention on International Trade in Endangered Species (CITES), meaning international trade (including in parts/derivatives) is regulated.


title: Common bottlenose dolphin

text: The species is covered by the Agreement on Small Cetaceans of the Baltic, North East Atlantic, Irish and North Seas (ASCOBANS), the Agreement on the Conservation of Cetaceans in the Black Sea, Mediterranean Sea and Contiguous Atlantic Area (ACCOBAMS), the Memorandum of Understanding for the Conservation of Cetaceans and Their Habitats in the Pacific Islands Region, and the Memorandum of Understanding Concerning the Conservation of the Manatee and Small Cetaceans of Western Africa and Macaronesia.


title: Common bottlenose dolphin

text: Common bottlenose dolphins are the most common apex predators found in coastal and estuarine ecosystems along the southern coast of the US, thus serve as an important indicator species of bioaccumulation and health of the ecosystem.


title: Common bottlenose dolphin

text: It is believed that some diseases commonly found in dolphins are related to human behaviors, such as water pollution. Water pollution is linked to point and non-point source pollution. Point source pollution comes from a single source such as an oil spill and/or chemical discharge from a specific facility. The environmental impact of the Deepwater Horizon oil spill caused a direct impact and still serves as a long-term impact of future populations. Common bottlenose dolphins use these important habitats for calving, foraging, and feeding. Environmental impacts or changes from chemicals or marine pollution can alter and disrupt endocrine systems, affecting future populations. For example, oil spills have been related to lung and reproductive diseases in female dolphins. A recent studysuggested signs of lung disease and impaired stress in 32 dolphins that were captured and assessed in Barataria Bay, Louisiana, US. Out of these 32 dolphins, 10 were found pregnant and, upon a 47-month check up, only 20% produced feasible calves, compared to a previous success rate of 83%, in the same area. It is believed that a recent oil spill in this area is partially to blame for these severely low numbers.


title: Common bottlenose dolphin

text: Dense human development along the eastern coast of Florida and intense agricultural activity have resulted in increased freshwater inputs, changes in drainage patterns, and altered water quality (i.e. chemical contamination, high nutrient input, decreased salinity, decreased sea grass habitat, and eutrophication. High nutrient input from agriculture chemicals and fertilizers causes eutrophication and hypoxia, causing a severe reduction in water quality. Excess of phosphorus and nitrogen from these non-point sources deplete the natural cycle of oxygen by overconsumption of algae. Harmful algal blooms are responsible for dead zones and unusual mortality events of common bottlenose dolphins consuming these toxic fish from the brevetoxin produced by the dinoflagellate "Karenia brevis". Brevetoxins are neurotoxins that can cause acute respiratory and neurological symptoms, including death, in marine mammals, sea turtles, birds, and fishes.


title: World Wide Technology

text: World Wide Technology, Inc. (WWT) is a privately-held technology services provider based in St. Louis, Missouri. The company has an annual revenue of $14.5 billion (the 27th largest private company in the US and the biggest black-owned company in the US) and employs over 8,000 people. WWT works in the areas of cloud computing, computer security, data centers, data analytics and artificial intelligence, computer networks, application software development, cell phone carrier networking, and consulting services.


title: World Wide Technology

text: World Wide Technology was founded by David Steward and Jim Kavanaugh in July 1990 as a reseller of technology equipment.


title: World Wide Technology

text: In 1994, WWT entered into a partnership with Cisco Systems to resell hardware and software. WWT also established partnerships with technology companies including Dell, Hewlett Packard Enterprise, Intel, Microsoft, NetApp, F5, Tanium and VMware.


title: World Wide Technology

text: WWT opened its first warehouse in 1996 and operates more than 20 facilities with two million square feet of warehousing, distribution and integration space.


title: World Wide Technology

text: In March, 2000, Telcobuy announced $27.5 million in venture capital, after revenue grew to $246 million.


title: World Wide Technology

text: Telcobuy planned an initial public offering of about $100 million, but as the dot-com bubble burst, the plan was withdrawn in the early 2000s recession.


title: World Wide Technology

text: Starting 2001 with 440 employees, the company reduced its workforce and its founders took 40% pay cuts, while it kept operating. In January 2003, it was merged back into WWT under a holding company.


title: World Wide Technology

text: WWT created its first large-scale integration lab in St. Louis to increase capacity for secure system configuration. Additional integration labs were established in Europe and Asia, with locations in Amsterdam and Singapore opening in 2015, and Mumbai in 2019.


title: World Wide Technology

text: In 2009, WWT opened its Advanced Technology Center to allow engineers, customers and partners to evaluate hardware and software. The Advanced Technology Center was made accessible online.


title: World Wide Technology

text: In 2020, WWT received Webby Awards in the Health & Fitness and People's Voice categories for its St. Jude Children's Research Hospital Patient Care App.


title: Terri Seymour

text: Terri Louise Seymour (born 27 January 1973) is an English entertainment reporter and actress. Seymour joined the American entertainment news show "Extra" as a correspondent in 2004.


title: Terri Seymour

text: Seymour was born in Little Chalfont, Buckinghamshire in 1973. Her mother, Margaret, was a single mother. Although Seymour did not have a relationship with her father, she has said her father was West Indian and her mother is white. Seymour began modelling at age 12.


title: Terri Seymour

text: Early in her career Seymour was a commercial model. Later she appeared in music videos for George Michael and Soul II Soul. She also became a hostess on the ITV game show "Wheel of Fortune", alongside John Leslie, then Paul Hendy. Her first episode aired 9 January 2001. After "Wheel of Fortune" ended later that year, Seymour moved to the United States where she continued working as a host and model.


title: Terri Seymour

text: Seymour joined the American entertainment news program "Extra" in 2004. She still made some appearances on British television, working as a reporter on ITV2's "The Xtra Factor" and "This Morning". Seymour began to appear more frequently on "Extra", where she started as a freelance reporter covering "American Idol" for the programme before joining as correspondent.


title: Terri Seymour

text: While modelling in her early twenties, Seymour experienced joint pain which was diagnosed as systemic lupus. The lupus caused peritonitis requiring surgery and medication. Seymour's lupus eventually went into remission although she did undergo additional tests and monitoring during her pregnancy in 2015.


title: Terri Seymour

text: Seymour dated Simon Cowell from 2002 to 2008. During their relationship the pair lived in London and Los Angeles, though Seymour spent more time in Los Angeles for her work. She and Cowell remained friends after their split. On 9 March 2015, Seymour and boyfriend Clark Mallon's daughter, Coco, was born.


title: Mainstream Rock (chart)

text: Mainstream Rock is a music chart in "Billboard" magazine that ranks the most-played songs on mainstream rock radio stations in the United States, a category that combines the formats of active rock and heritage rock. The chart was launched in March 1981 as Rock Albums & Top Tracks, after which the name changed first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996.


title: Mainstream Rock (chart)

text: The Rock Albums & Top Tracks charts were introduced in the March 21, 1981, issue of "Billboard". The 50- and 60-position charts ranked airplay on album rock radio stations in the United States. Because album-oriented rock stations focused on playing tracks from albums rather than specifically released singles, these charts were designed to measure the airplay of any and all tracks from an album. Rock Albums was a survey of the top albums on American rock radio, while Top Tracks listed the top individual songs being played. Mike Harrison of "Billboard" explained that when major artists release albums, more than one song from the album can become popular at the same time. The first number-one song on the Top Tracks chart was "I Can't Stand It" by Eric Clapton.


title: Mainstream Rock (chart)

text: On September 15, 1984, the Rock Albums chart was discontinued and Top Tracks was renamed Top Rock Tracks. It reduced from a 60-song tally to 50 songs on October 20, 1984, following a major revamp to the magazine. Coinciding with an increase in its reporting panel of album rock stations in the United States, the name of the chart was changed again with the issue dated April 12, 1986, to Album Rock Tracks. On November 23, 1991, instead of reporting panels, "Billboard" changed its methodology of measuring airplay by using monitored airplay as provided by Nielsen Broadcast Data Systems to compile many of its charts. As a result, this data showed that many songs could spend months to over a year on the Album Rock Tracks chart. "Billboard" decided to drop to a 40-position chart on the week of June 27, 1992 (still its current format), and songs that fell out of the top 20 and after spending 20 weeks on the chart were moved to a new 10-position recurrent chart. The recurrent chart was scrapped two years later, but not the methodology.


title: Mainstream Rock (chart)

text: To differentiate between classic and alternative album rock radio formats, "Billboard" changed the name of the chart to Mainstream Rock Tracks beginning with issue dated April 13, 1996. The Mainstream Rock Tracks chart did not appear in the print edition of "Billboard" from its issue dated August 2, 2003, being accessible only through the magazine's subscription-based website, Billboard.biz. In late 2013, the chart was reintroduced to its primary website and magazine.


title: Mainstream Rock (chart)

text: When "R&R" ceased publication in June 2009, "Billboard" incorporated its rock charts, Active Rock and Heritage Rock into its own publication. The radio station reporters of the two charts combine to make up the Mainstream Rock chart. In the United States, Active rock stations concentrate on current hits over classic rock standards while heritage rock stations put a greater emphasis on classic rock with a few newer tracks mixed in. The individual Active Rock and Heritage Rock components were discontinued by "Billboard" at the end of November 2013 due to a growing lack of difference between the two charts.


title: Mainstream Rock (chart)

text: To celebrate the 40th anniversary of the chart, in June 2021, "Billboard" released two charts ranking the top songs and artists in the history of the chart. "Touch, Peel and Stand" by Days of the New was the number-one song on the Greatest of All Time Mainstream Rock Songs and Shinedown was named the number-one artist on the ranking of Greatest of All Time Mainstream Rock Artists.


title: Compote

text: Compote or compôte (French for "mixture") is a dessert originating from medieval Europe, made of whole or pieces of fruit in sugar syrup. Whole fruits are cooked in water with sugar and spices. The syrup may be seasoned with vanilla, lemon or orange peel, cinnamon sticks or powder, cloves, other spices, ground almonds, grated coconut, candied fruit or raisins. The compote is served either warm or cold.


title: Compote

text: Compote conformed to the medieval belief that fruit cooked in sugar syrup balanced the effects of humidity on the body. The name is derived from the Latin word "compositus", meaning mixture. In late medieval England it was served at the beginning of the last course of a feast (or sometimes the second out of three courses), often accompanied by a creamy potage. During the Renaissance, it was served chilled at the end of dinner. Because it was easy to prepare, made from inexpensive ingredients and contained no dairy products, compote became a staple of Jewish households throughout Europe. In modern French, the term refers to usually unsweetened fruit purée without fruit chunks, such as applesauce.


title: Compote

text: Dried fruit is often used for compote by cultures from Eastern Europe, and its syrup is also drunk as a beverage. Both are called "kompot". In Mennonite culture, dried-fruit compote is known by the Plautdietch name .


title: Compote

text: The dessert may be topped with whipped cream, cinnamon, or vanilla sugar. The syrup may be made with wine, as in one early 15th-century recipe for pear compote. Other variations include using dried fruit that have been soaked in water in which alcohol can be added, for example kirsch, rum or Frontignan.


title: Tapenade

text: Tapenade (; ) is a Provençal name for a spread, condiment and culinary ingredient consisting of puréed or finely chopped olives, capers, and anchovies. Its name comes from the Provençal word for capers, "tapenas" (). It is a popular food in the south of France, where it is generally eaten as an hors d'œuvre spread on bread, with fish, in salads, and sometimes used to stuff poultry for a main course.


title: Tapenade

text: Olive-based dishes with anchovies or vinegar are ubiquitous in Italian cuisine, documented in ancient Roman cookbooks dating back more than a thousand years before the appearance of the Occitan word "tapenade". One of the earliest known of such Italian recipes, "Olivarum conditurae", appears in Columella's "De re Rustica" written in the first century AD. Cato the Elder (234–149 B.C.) also includes a recipe for "epityrum", an olive spread very much like a tapenade, in chapter 119 of his "On Agriculture". The use of capers is the hallmark of recipes for tapenade.


title: Tapenade

text: Sometimes tapenade is confused with New Orleans olive salad, a critical component in the New Orleans sandwich the muffaletta. New Orleans olive salad is more properly called a giardiniera. It also does not contain capers, but does contain cauliflower, carrots, and celery.


title: Tapenade

text: According to the culinary works of Provençal chefs Jean-Baptiste Reboul and Charles Julliard, the tapenade was created in 1880, by chef Meynier, of the restaurant La Maison Dorée in Marseille. To garnish the hard-boiled egg halves, he pounded together an equal amount (200 grams) of capers and black olives, then incorporated anchovy fillets and marinated tuna (100 grams each). This condiment composition was then tied with a whisk after adding spices, pepper, olive oil and two glasses of cognac.


title: Tapenade

text: The base ingredients of tapenade are olives and capers. The olives (most commonly black olive) and capers are chopped finely, crushed, or blended. Then olive oil is added gradually until the mixture becomes a paste.


title: Tapenade

text: In various regions tapenade is often flavoured differently, with other ingredients such as garlic, herbs, anchovies, lemon juice, or brandy.