Nothing But a Man_1964
<script>
  <scene>
    <stage_direction>Nothing But a Man</stage_direction>
    <scene_description>A crew of African - Americans are laying tracks in rural Alabama . The crane operator is the only white man on the section gang .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUNK CAR</stage_direction>
    <scene_description>The dormitory of the section gang . The men are through for the day and lounging on their bunkbeds . DUFF ANDERSON plays checkers with FRANKIE , using bottle tops as pieces . Duff makes the winning move and Frankie , disgusted , turns over the board . He saunters over to JOCKO , who is shaving in a broken mirror . Frankie watches him with a grin .</scene_description>
    <character>JOCKO</character>
    <dialogue>Go to hell, Frankie.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Man, you sure one ugly cat!</dialogue>
    <scene_description>He takes the cigarettes Jocko has rolled , sailor - style , into the sleeve of his T - shirt .</scene_description>
    <character>JOCKO</character>
    <dialogue>Why do n't you guys buy your own?</dialogue>
    <character>FRANKIE</character>
    <dialogue>` Oughta give up smoking, Jocko.</dialogue>
    <scene_description>He stops in front of an older man , who is writing a letter .</scene_description>
    <character>FRANKIE</character>
    <dialogue>How much longer we got on this stretch, Riddick?</dialogue>
    <character>RIDDICK</character>
    <dialogue>Five weeks, maybe six.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Man, what a dump.</dialogue>
    <scene_description>He circles restlessly past two cardplayers back to Duff , who is clipping his fingernails .</scene_description>
    <character>FRANKIE</character>
    <dialogue>What you gettin' all pretty for?</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>Why do n't you relax, Frankie?</dialogue>
    <scene_description>RAILROAD TRACK Duff , Frankie , and Jocko are riding a track - car , powered by a small engine , into the nearest town . The sun is setting . A church bell rings . POOL HALL Jocko , a cigar in his mouth , is playing a pinball machine . Duff and Frankie stand at the bar . They are joined by DORIS , a sad - looking woman with bad skin .</scene_description>
    <character>DORIS</character>
    <dialogue>Who's going to buy me a beer?</dialogue>
    <character>FRANKIE</character>
    <parenthetical>( scornfully . )</parenthetical>
    <dialogue>What's the matter, Doris? Business bad?</dialogue>
    <character>DORIS</character>
    <dialogue>It sure is.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Everybody givin' it away free, huh?</dialogue>
    <character>DORIS</character>
    <dialogue>You gon na buy me a beer, Frankie?</dialogue>
    <character>FRANKIE</character>
    <dialogue>See Duff. He's the money man.</dialogue>
    <character>DORIS</character>
    <dialogue>What d'you say, Duff?</dialogue>
    <character>DUFF</character>
    <parenthetical>( to the bartender . )</parenthetical>
    <dialogue>Give her a beer.</dialogue>
    <character>DORIS</character>
    <dialogue>Thanks, Duff. You' a nice guy. Not like Frankie.</dialogue>
    <character>FRANKIE</character>
    <dialogue>You know, Doris - you'd make some guy a swell wife.</dialogue>
    <character>DORIS</character>
    <dialogue>You think so, Frankie?</dialogue>
    <character>FRANKIE</character>
    <dialogue>Hell, you got steady work.</dialogue>
    <character>DUFF</character>
    <dialogue>Quit ridin' her, Frankie.</dialogue>
    <scene_description>The bartender serves her a bottle of beer</scene_description>
    <character>FRANKIE</character>
    <dialogue>I ai n't ridin' her. Would n't ride her on a bet.</dialogue>
    <scene_description>Duff pays for the beer and turns to leave .</scene_description>
    <character>DORIS</character>
    <dialogue>Where' you goin'?</dialogue>
    <character>DUFF</character>
    <dialogue>Out.</dialogue>
    <character>DORIS</character>
    <dialogue>Want me to come?</dialogue>
    <character>DUFF</character>
    <dialogue>No thanks.</dialogue>
    <character>DORIS</character>
    <dialogue>Come on, honey.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Where' you goin'?</dialogue>
    <character>DUFF</character>
    <dialogue>` Round town.</dialogue>
    <character>FRANKIE</character>
    <dialogue>What's so hot ` round town?</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>Take it easy, Frankie.</dialogue>
    <scene_description>He leaves .</scene_description>
    <character>FRANKIE</character>
    <dialogue>Do n't wan na fish you outa no jailhouse.</dialogue>
    <scene_description>STREET -LRB- Night -RRB- Duff is walking along the deserted street in the black part of town . Music from the pool hall fades and we pick up the strains of gospel singing from a nearby church .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHURCH</stage_direction>
    <scene_description>The choir is singing `` Precious Lord . '' The women are spirited and the congregation in the small wooden building is alive to the music . Duff appears in the open doorway and stops to listen . When the song ends , REVEREND DAWSON rises from his chair .</scene_description>
    <character>REVEREND</character>
    <dialogue>I'm glad to see this meeting off to a good start. Now we'll take a break and then come back to hear from our distinguished guest - Reverend Butler of the Morgan Street Baptist Church in Birmingham. See you all in a little while.</dialogue>
    <scene_description>Reverend Butler compliments him on the choir . CHURCH YARD Long tables laden with food are lit by strings of lightbulbs . The sound of a gospel piano from inside the church . A smiling middle - aged woman has taken Duff in tow and leads him over to a young woman -LRB- JOSIE -RRB- , who is serving food .</scene_description>
    <character>WOMAN</character>
    <dialogue>Josie - this is Brother Anderson. Now you give him some of that good food. He's a fine young man.</dialogue>
    <parenthetical>( on her way . )</parenthetical>
    <dialogue>Ai n't it a wonderful meetin'?!</dialogue>
    <scene_description>Duff studies Josie with a smile . She is clearly middle class . While she puts food on a paper plate , she glances at him - matching his ironic detachment with her own . She hands him the plate</scene_description>
    <character>DUFF</character>
    <dialogue>Thank you, Ma'am. That's fine.</dialogue>
    <character>JOSIE</character>
    <dialogue>You must be new in town.</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>I'll have me some of that punch there, too.</dialogue>
    <scene_description>She serves the punch .</scene_description>
    <character>JOSIE</character>
    <dialogue>Have n't seen you around, have I?</dialogue>
    <character>DUFF</character>
    <dialogue>No. I'm new in town.</dialogue>
    <character>JOSIE</character>
    <parenthetical>( unwilling to give up . )</parenthetical>
    <dialogue>You working?</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah. On the section gang.</dialogue>
    <scene_description>He is sure that this will put a stop to her curiosity . It does n't .</scene_description>
    <character>JOSIE</character>
    <parenthetical>( interested . )</parenthetical>
    <dialogue>Oh yeah?</dialogue>
    <character>DUFF</character>
    <dialogue>You work around town?</dialogue>
    <character>JOSIE</character>
    <dialogue>I'm a teacher.</dialogue>
    <character>DUFF</character>
    <dialogue>Went to college, huh?</dialogue>
    <character>JOSIE</character>
    <dialogue>In Birmingham.</dialogue>
    <character>DUFF</character>
    <dialogue>Oh yeah? That's my home town.</dialogue>
    <character>JOSIE</character>
    <dialogue>Your folks live there?</dialogue>
    <character>DUFF</character>
    <dialogue>No. My mother's dead.</dialogue>
    <parenthetical>( after a moment . )</parenthetical>
    <dialogue>You goin' back inside?</dialogue>
    <character>JOSIE</character>
    <dialogue>Yes, are n't you?</dialogue>
    <character>DUFF</character>
    <dialogue>No. Never had much use for hell - howlers. You goin'?</dialogue>
    <character>JOSIE</character>
    <parenthetical>( with a smile . )</parenthetical>
    <dialogue>My father's the preacher.</dialogue>
    <character>DUFF</character>
    <parenthetical>( grinning . )</parenthetical>
    <dialogue>Oh yeah? Well, I guess you got no choice.</dialogue>
    <character>JOSIE</character>
    <dialogue>That's right.</dialogue>
    <character>DUFF</character>
    <parenthetical>( a bit tentatively . )</parenthetical>
    <dialogue>Look, I do n't know what you been told ` bout section gangs, but how ` bout seein' me sometime?</dialogue>
    <character>JOSIE</character>
    <parenthetical>( with a non - committal smile . )</parenthetical>
    <dialogue>Maybe.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CHURCH</stage_direction>
    <scene_description>The visiting revival preacher is in full swing , preaching and singing . The congregation of women is in a state of high excitement . Josie alone seems out of it , though she sits in their midst . Duff has been standing in the doorway . He turns away .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CHURCH</stage_direction>
    <scene_description>Duff walks away , past a shack . The singing fades . A dog barks . BUNK CAR -LRB- Night -RRB- Duff , Frankie , Jocko , and an older man -LRB- POP -RRB- are playing cards . While waiting for his turn , Jocko catches a fly and sneaks a look at Frankie 's cards .</scene_description>
    <character>JOCKO</character>
    <dialogue>You got a lousy hand, Frankie.</dialogue>
    <scene_description>Frankie throws down the cards .</scene_description>
    <character>FRANKIE</character>
    <dialogue>Yeah, I quit.</dialogue>
    <scene_description>He gets up . At loose ends , he picks up an old Flit - gun and squirts it at Duff , who is polishing his shoes .</scene_description>
    <character>DUFF</character>
    <dialogue>You got nothin' on your mind but your hair, Frankie. How ` bout your car, Riddick?</dialogue>
    <character>RIDDICK</character>
    <dialogue>Yeah, you can have it.</dialogue>
    <character>JOCKO</character>
    <dialogue>Man, you wo n't like that back seat.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Man, why ` you messin' around with a gal like that? You wo n't get no place.</dialogue>
    <character>JOCKO</character>
    <dialogue>Hell, they're all after the same thing.</dialogue>
    <character>POP</character>
    <dialogue>Yeah. All a colored woman wants is your money.</dialogue>
    <character>JOCKO</character>
    <dialogue>What d'you know about women, Pop?</dialogue>
    <character>POP</character>
    <dialogue>Well, I got married to one of them.</dialogue>
    <character>JOCKO</character>
    <dialogue>Hell, I did n't know you was married.</dialogue>
    <character>POP</character>
    <dialogue>Sure. Got a sixteen - year - old girl.</dialogue>
    <character>JOCKO</character>
    <dialogue>Is that right?</dialogue>
    <parenthetical>( to Duff . )</parenthetical>
    <dialogue>Think you're gon na make it with her?</dialogue>
    <character>FRANKIE</character>
    <dialogue>Just get her drunk.</dialogue>
    <character>DUFF</character>
    <parenthetical>( to Riddick . )</parenthetical>
    <dialogue>How ` bout the key?</dialogue>
    <character>FRANKIE</character>
    <dialogue>I bet she's easy jam.</dialogue>
    <scene_description>DAWSON DINING ROOM -LRB- Night -RRB- A middle - class tableau . Dinner is over . Reverend Dawson is reading the paper . Josie , dressed for an evening out , sits across from her step - mother , who is looking at her with pursed lips .</scene_description>
    <character>MRS. DAWSON</character>
    <dialogue>I know you pay no mind to my feelings, but d'you think it's right for you to go out with him?</dialogue>
    <character>JOSIE</character>
    <dialogue>I'm twenty - six years old, Susan.</dialogue>
    <character>MRS. DAWSON</character>
    <dialogue>Perhaps you ought to tell her, Frank.</dialogue>
    <scene_description>Reverend Dawson has no stomach for confrontations , but turns to Josie dutifully .</scene_description>
    <character>REVEREND DAWSON</character>
    <dialogue>Well, we have a position in town, Josie. You have to remember that. There're lots of other young men.</dialogue>
    <character>MRS. DAWSON</character>
    <dialogue>I do n't think your mother would have approved.</dialogue>
    <character>JOSIE</character>
    <dialogue>I do.</dialogue>
    <character>MRS. DAWSON</character>
    <dialogue>Well, there's just one thing you can be looking for in a man like that.</dialogue>
    <character>JOSIE</character>
    <dialogue>I know that's what you think.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>Hush your mouth, child.</dialogue>
    <scene_description>The doorbell rings .</scene_description>
    <character>JOSIE</character>
    <parenthetical>( leaving the table . )</parenthetical>
    <dialogue>Good night, Dad.</dialogue>
    <scene_description>ROAD HOUSE On the dimly lit , smoke - hung floor a large crowd is dancing . Josie is having a great time . When the music ends , she and Duff return to their table .</scene_description>
    <character>DUFF</character>
    <dialogue>That's pretty good for a preacher's daughter.</dialogue>
    <character>JOSIE</character>
    <dialogue>What d'you expect?</dialogue>
    <character>DUFF</character>
    <dialogue>You know, baby, I ca n't figure you out.</dialogue>
    <character>JOSIE</character>
    <dialogue>How d'you mean?</dialogue>
    <character>DUFF</character>
    <dialogue>Why d'you come out with me? You slummin' or something?</dialogue>
    <character>JOSIE</character>
    <dialogue>No.</dialogue>
    <character>DUFF</character>
    <dialogue>So what you doin' with a cat like me in a joint like this?</dialogue>
    <character>JOSIE</character>
    <dialogue>You do n't think much of yourself, do you?</dialogue>
    <character>DUFF</character>
    <parenthetical>( put off . )</parenthetical>
    <dialogue>Well, that's a funny thing to say.</dialogue>
    <character>JOSIE</character>
    <dialogue>You keep asking me why I'm here.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah, and you keep not answerin', too.</dialogue>
    <character>JOSIE</character>
    <dialogue>I like a place with lots of life.</dialogue>
    <character>DUFF</character>
    <dialogue>How about another beer?</dialogue>
    <character>JOSIE</character>
    <dialogue>No thanks.</dialogue>
    <character>DUFF</character>
    <dialogue>Go on - you can have one!</dialogue>
    <scene_description>His attention is drawn by something off screen .</scene_description>
    <character>DUFF</character>
    <dialogue>Hell!</dialogue>
    <character>JOSIE</character>
    <dialogue>What is it?</dialogue>
    <scene_description>Frankie and Jocko swagger toward them , beer in hand .</scene_description>
    <character>FRANKIE</character>
    <dialogue>Well, if it ai n't Duff!</dialogue>
    <character>JOCKO</character>
    <dialogue>How you doin'?</dialogue>
    <parenthetical>( to Josie ; with a bit of a leer . )</parenthetical>
    <dialogue>Hi there!</dialogue>
    <character>JOSIE</character>
    <dialogue>Hi.</dialogue>
    <character>JOCKO</character>
    <dialogue>Mind if we sit down?</dialogue>
    <character>DUFF</character>
    <dialogue>We was just leavin', fellows.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Let's go, Jocko. The man's got homework.</dialogue>
    <character>JOCKO</character>
    <parenthetical>( leaving . )</parenthetical>
    <dialogue>See you, Duff.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah, see you in hell.</dialogue>
    <scene_description>Frankie follows Jocko out of the frame .</scene_description>
    <character>JOSIE</character>
    <dialogue>They must work on the section gang.</dialogue>
    <character>DUFF</character>
    <dialogue>That's right.</dialogue>
    <character>JOSIE</character>
    <dialogue>Well, they seem just like everyone else.</dialogue>
    <character>DUFF</character>
    <dialogue>Hell, baby, I bet you think we got tails.</dialogue>
    <character>FRANKIE'S VOICE</character>
    <parenthetical>( off - screen . )</parenthetical>
    <dialogue>We do!</dialogue>
    <scene_description>Frankie and Jocko have occupied the adjoining table and are grinning at them . Duff gets up , camouflaging his irritation .</scene_description>
    <character>DUFF</character>
    <dialogue>Come on, baby.</dialogue>
    <scene_description>He ushers Josie out . Frankie looks after them .</scene_description>
    <character>FRANKIE</character>
    <dialogue>School teacher! My nappy head!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. RIDDICK'S OLD CONVERTIBLE (Night)</stage_direction>
    <scene_description>Duff has parked on a country road .</scene_description>
    <character>JOSIE</character>
    <dialogue>I guess it's hard working on the road like that.</dialogue>
    <character>DUFF</character>
    <dialogue>Damn few places you can make eighty bucks a week.</dialogue>
    <character>JOSIE</character>
    <dialogue>I mean, you're kind of cut off, are n't you?</dialogue>
    <character>DUFF</character>
    <dialogue>That's fine with me. Keeps me out of trouble.</dialogue>
    <character>JOSIE</character>
    <dialogue>How d'you mean?</dialogue>
    <character>DUFF</character>
    <dialogue>Well, I do n't get on so well most places.</dialogue>
    <character>JOSIE</character>
    <dialogue>I see. That beer made me dizzy.</dialogue>
    <scene_description>Duff is looking at her .</scene_description>
    <character>DUFF</character>
    <dialogue>You got a lovely face, kid. Ai n't too often I get to meet a girl like you. Hell -</dialogue>
    <scene_description>He kisses her , but releases her very quickly .</scene_description>
    <character>DUFF</character>
    <dialogue>Baby, how many times' you been kissed?</dialogue>
    <scene_description>Josie takes a moment to collect herself .</scene_description>
    <character>JOSIE</character>
    <dialogue>Well, let's see now - not counting tonight. must be about twenty - eight times.</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>You got a problem all right.</dialogue>
    <scene_description>Someone moves in back of her . A white man in his early twenties has emerged from the dark and looks down at them .</scene_description>
    <character>WHITE</character>
    <parenthetical>( with a smile . )</parenthetical>
    <dialogue>Hi.</dialogue>
    <scene_description>The voice of a second white man calls from off screen .</scene_description>
    <character>SECOND WHITE</character>
    <dialogue>They doin' anything?</dialogue>
    <character>WHITE</character>
    <parenthetical>( calling back . )</parenthetical>
    <dialogue>Nah, nothin'!</dialogue>
    <character>DUFF</character>
    <dialogue>Get out of here!</dialogue>
    <character>JOSIE</character>
    <parenthetical>( frightened . )</parenthetical>
    <dialogue>Do n't Duff -</dialogue>
    <character>WHITE</character>
    <dialogue>Relax, man!</dialogue>
    <scene_description>The second white man joins him .</scene_description>
    <character>SECOND WHITE</character>
    <dialogue>What's goin' on?</dialogue>
    <scene_description>He shines his flashlight into Duff 's face .</scene_description>
    <character>DUFF</character>
    <dialogue>Cut that out!</dialogue>
    <scene_description>The white man shines the flashlight across Josie 's breast .</scene_description>
    <character>DUFF</character>
    <parenthetical>( very tense . )</parenthetical>
    <dialogue>I said : Cut it out!</dialogue>
    <character>WHITE</character>
    <dialogue>Do n't start no trouble, boy!</dialogue>
    <character>SECOND WHITE</character>
    <dialogue>Let's go! That's the preacher's girl. Mess with him and you got old man Johnson on your back. Come on.</dialogue>
    <scene_description>The white men leave .</scene_description>
    <character>JOSIE</character>
    <dialogue>Let's go, Duff.</dialogue>
    <character>DUFF</character>
    <dialogue>Take it easy.</dialogue>
    <scene_description>We see that he has a knife in his hand . He closes and pockets it . The white men drive off , whooping and beating on the side of their car .</scene_description>
    <character>DUFF</character>
    <dialogue>Do n't sound human, do they?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MOVING CAR (Night)</stage_direction>
    <scene_description>Duff is driving through the center of town .</scene_description>
    <character>DUFF</character>
    <dialogue>How come you stay ` round here?</dialogue>
    <character>JOSIE</character>
    <dialogue>Well, my mother was the only good teacher the colored school ever had. Nobody bothers with those kids.</dialogue>
    <character>DUFF</character>
    <dialogue>That's why you come back, huh?</dialogue>
    <character>JOSIE</character>
    <dialogue>It's hard to see any change. But I'm going to stay. Another year, anyway.</dialogue>
    <character>DUFF</character>
    <dialogue>You got more guts than me, baby. It's a no - good town.</dialogue>
    <character>JOSIE</character>
    <dialogue>It's better than it used to be. Eight years ago they still had a lynching here. They tied a man to a car and dragged him to death. My father knew who did it, but he did n't say anything.</dialogue>
    <character>DUFF</character>
    <dialogue>Scared, huh?</dialogue>
    <scene_description>The car pulls up in front of the Dawson house and Duff parks .</scene_description>
    <character>DUFF</character>
    <dialogue>Well, good night, baby.</dialogue>
    <scene_description>He is about to kiss her .</scene_description>
    <character>JOSIE</character>
    <dialogue>Not here, Duff.</dialogue>
    <character>DUFF</character>
    <dialogue>I get it.</dialogue>
    <parenthetical>( with a laugh . )</parenthetical>
    <dialogue>Yeah, I can see your old man with a shot - gun right now.</dialogue>
    <character>JOSIE</character>
    <dialogue>But I would like to see you again.</dialogue>
    <character>DUFF</character>
    <dialogue>You would, huh? If I was you, baby - I would n't go ` round stickin' out my jugular vein.</dialogue>
    <character>JOSIE</character>
    <dialogue>What d'you mean?</dialogue>
    <character>DUFF</character>
    <dialogue>You almost got into trouble back there.</dialogue>
    <character>JOSIE</character>
    <parenthetical>( with a smile . )</parenthetical>
    <dialogue>I would n't have let you.</dialogue>
    <character>DUFF</character>
    <dialogue>Hell, baby, I'm not in the third grade. Well, look - what' we gon na do next time - have a nice long chat in the parlor?</dialogue>
    <character>JOSIE</character>
    <dialogue>No, on the porch.</dialogue>
    <character>DUFF</character>
    <dialogue>Oh yeah, and then what?</dialogue>
    <character>JOSIE</character>
    <dialogue>What?</dialogue>
    <character>DUFF</character>
    <dialogue>Well, either we're gon na hit the hay or get married. Now you do n't want to hit the hay, and I don' want to get married.</dialogue>
    <character>JOSIE</character>
    <dialogue>You have some very primitive ideas, do n't you?</dialogue>
    <character>DUFF</character>
    <parenthetical>( defensively . )</parenthetical>
    <dialogue>All right, so I'm primitive. So what d'you want with me?</dialogue>
    <character>JOSIE</character>
    <dialogue>Look, Duff - most of the men I know - they're kind of sad. When I met you the other day I had a feeling that you're different. That's why I went out with you. I thought we might have something to say to each other.</dialogue>
    <character>DUFF</character>
    <dialogue>Hell, baby, I do n't know what to say.</dialogue>
    <character>JOSIE</character>
    <dialogue>Good night, Duff.</dialogue>
    <scene_description>She gets out of the car and starts toward the house . He looks after her , then drives away . OPEN FIELD The section hands are hunting rabbits , scaring them up out of the tall grass and then clubbing them with sticks that have a heavy bolt fastened to the end . Jocko is fishing from a trestle . Pop fries skinned rabbit in a skillet . Duff is whittling . CLASSROOM The grade school children , all black , are writing at their desks . The end - of - school bell rings and one of the boys jumps up .</scene_description>
    <character>JOSIE</character>
    <dialogue>Are you finished, Jackie?</dialogue>
    <character>BOY</character>
    <dialogue>Yes, Ma'am.</dialogue>
    <character>JOSIE</character>
    <dialogue>Well, I'm not. Wait till class is dismissed.</dialogue>
    <scene_description>She walks over to close the window . In the yard below , Duff is sitting on one of the swings . Josie smiles and turns to the kids -</scene_description>
    <character>JOSIE</character>
    <dialogue>All right. Class dismissed.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. SCHOOLHOUSE</stage_direction>
    <scene_description>A bus crowded with noisy kids pulls away to reveal the yard . Duff and Josie are sitting on two swings side by side .</scene_description>
    <character>DUFF</character>
    <dialogue>At first it was real strange. Hell, Japan is a long ways from Alabama. Really got under my skin, though. Almost did n't come back.</dialogue>
    <character>JOSIE</character>
    <dialogue>Why did you?</dialogue>
    <character>DUFF</character>
    <dialogue>I do n't know. ` Guess I belong here more than there.</dialogue>
    <character>JOSIE</character>
    <dialogue>` Been up north?</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah. Knocked around for a couple of months after the Army. You been there?</dialogue>
    <character>JOSIE</character>
    <dialogue>No.</dialogue>
    <character>DUFF</character>
    <dialogue>Well, it ai n't that good up there neither. Might as well make it here. ` Course I ai n't really makin' it now.</dialogue>
    <scene_description>He gets up and gives her swing a forceful shove .</scene_description>
    <character>DUFF</character>
    <dialogue>Anyway, they ca n't get to you if you keep movin'!</dialogue>
    <scene_description>Josie laughs . FRONT YARD , DAWSON HOUSE It is raining . Duff and Josie dash up the path to the front door . DAWSON PARLOR Duff and Josie barge in out of the rain and find themselves face to face with Reverend Dawson and a middle - aged white man - Superintendent Johnson .</scene_description>
    <character>JOSIE</character>
    <dialogue>Oh, I'm sorry.</dialogue>
    <character>JOHNSON</character>
    <dialogue>Come on in, Josie. We're all through.</dialogue>
    <character>JOSIE</character>
    <dialogue>Daddy - this is Duff Anderson.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>Hello.</dialogue>
    <character>DUFF</character>
    <dialogue>How are you?</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>All right, son.</dialogue>
    <character>JOSIE</character>
    <dialogue>This is Mr. Johnson, our school superintendent.</dialogue>
    <character>JOHNSON</character>
    <parenthetical>( with a friendly smile . )</parenthetical>
    <dialogue>How are you?</dialogue>
    <character>JOSIE</character>
    <dialogue>I'll be right back.</dialogue>
    <scene_description>She leaves .</scene_description>
    <character>JOHNSON</character>
    <dialogue>So you're courtin' the preacher's girl. Well, just watch your step, boy, or he'll preach you right into hell.</dialogue>
    <parenthetical>( to Reverend Dawson . )</parenthetical>
    <dialogue>I'm counting on you, Reverend.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>I understand.</dialogue>
    <character>JOHNSON</character>
    <dialogue>Would n't do for one of your people to sue at a time like this.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>I know.</dialogue>
    <character>JOHNSON</character>
    <parenthetical>( on his way out . )</parenthetical>
    <dialogue>I'll talk to the Mayor.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>That'll make the folks very happy.</dialogue>
    <scene_description>Johnson leaves . Reverend Dawson sits down in a rocker .</scene_description>
    <character>REVEREND DAWSON</character>
    <dialogue>It's hard to know how to talk to the white folks these days.</dialogue>
    <character>DUFF</character>
    <dialogue>Guess it's never been easy.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>It's a changing time. Sit down, son.</dialogue>
    <character>DUFF</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>He sits down opposite Reverend Dawson .</scene_description>
    <character>REVEREND DAWSON</character>
    <dialogue>Well, it looks like we'll be getting our new school.</dialogue>
    <character>DUFF</character>
    <dialogue>How come you all ai n't sendin' them to the same school?</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>Well, you've got to go easy. We have n't had any trouble in town for eight years, and we're not going to have any now.</dialogue>
    <character>DUFF</character>
    <dialogue>Ca n't live without trouble, can you?</dialogue>
    <parenthetical>( he sees he is on the wrong track . )</parenthetical>
    <dialogue>Nice place you got here. Real nice.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>Yes, the Lord's been pretty good to us. I guess you're a church man, are n't you?</dialogue>
    <character>DUFF</character>
    <dialogue>I guess I ai n't.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>Why? Do n't you believe in the Lord?</dialogue>
    <character>DUFF</character>
    <dialogue>Aw, I do. But ` seems to me us colored folks do a whole lot of church - goin'. It's the whites that need it real bad.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>I think if you tried livin' in a town like this, instead of running free and easy, you'd soon change your tune.</dialogue>
    <character>DUFF</character>
    <dialogue>I doubt it.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>I see.</dialogue>
    <parenthetical>( rising . )</parenthetical>
    <dialogue>Well, I guess we do n't have much to say to each other.</dialogue>
    <character>DUFF</character>
    <dialogue>I guess not.</dialogue>
    <character>REVEREND DAWSON</character>
    <dialogue>And since we're talking, my wife and I do n't want you hanging around our daughter.</dialogue>
    <character>DUFF</character>
    <dialogue>Well, that figures.</dialogue>
    <parenthetical>( he too stands up . )</parenthetical>
    <dialogue>Kind of fits in with everything else, do n't it!</dialogue>
    <scene_description>DAWSON PORCH Duff comes out . Josie joins him a moment later .</scene_description>
    <character>JOSIE</character>
    <dialogue>I'm sorry.</dialogue>
    <character>DUFF</character>
    <dialogue>Ai n't your fault.</dialogue>
    <character>JOSIE</character>
    <dialogue>That's the way he is.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah. It's just like I figured.</dialogue>
    <character>JOSIE</character>
    <dialogue>What d'you mean?</dialogue>
    <character>DUFF</character>
    <dialogue>Hell, I do n't belong here. I do n't know what I' been thinkin'.</dialogue>
    <character>JOSIE</character>
    <dialogue>Look, Duff - if you're free, I'm not working tomorrow.</dialogue>
    <character>DUFF</character>
    <dialogue>Sorry, baby. I'm goin' to Birmingham.</dialogue>
    <character>JOSIE</character>
    <dialogue>Just for the day?</dialogue>
    <character>DUFF</character>
    <dialogue>Goin' to see my kid.</dialogue>
    <character>JOSIE</character>
    <dialogue>I did n't know you had one.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah. Well, I do.</dialogue>
    <character>JOSIE</character>
    <dialogue>Are you married?</dialogue>
    <character>DUFF</character>
    <dialogue>No, I ai n't married.</dialogue>
    <parenthetical>( leaving . )</parenthetical>
    <dialogue>Well, good - bye.</dialogue>
    <scene_description>COURTHOUSE SQUARE -LRB- Morning sunshine -RRB- A bus has pulled in .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS</stage_direction>
    <scene_description>Duff is making his way down the aisle . To his surprise , he comes upon Josie , who is sitting at a window with an empty seat next to her .</scene_description>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>Well, what - do - you - know?</dialogue>
    <character>JOSIE</character>
    <dialogue>Surprised?</dialogue>
    <character>DUFF</character>
    <dialogue>No. Women're always followin' me ` round.</dialogue>
    <character>JOSIE</character>
    <dialogue>I'm just going in to do my shopping.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah, it's just a coincidence.</dialogue>
    <character>JOSIE</character>
    <dialogue>That's right.</dialogue>
    <character>DUFF</character>
    <parenthetical>( moving on . )</parenthetical>
    <dialogue>I'll see you later.</dialogue>
    <character>JOSIE</character>
    <dialogue>Come here, Duff. No point running away from coincidence.</dialogue>
    <scene_description>He sits down next to her .</scene_description>
    <character>DUFF</character>
    <dialogue>Baby, you must be crazy.</dialogue>
    <scene_description>The bus starts up .</scene_description>
    <character>JOSIE</character>
    <dialogue>How old is your boy?</dialogue>
    <character>DUFF</character>
    <dialogue>Four.</dialogue>
    <character>JOSIE</character>
    <dialogue>What's he like?</dialogue>
    <character>DUFF</character>
    <dialogue>I ai n't seen him in a couple of years.</dialogue>
    <scene_description>ALLEYWAY , BIRMINGHAM Duff is walking past crowded back - porches in a black section of town . Gospel music . He steps up onto one of the porches and knocks at the screen door . EFFIE 'S PARLOR Through the screen door we see EFFIE SIMMS , a woman in her twenties . She is sitting on a chair and cradles a sleeping child .</scene_description>
    <character>DUFF</character>
    <dialogue>` You Effie Simms?</dialogue>
    <character>EFFIE</character>
    <parenthetical>( suspiciously . )</parenthetical>
    <dialogue>What d'you want?</dialogue>
    <character>DUFF</character>
    <dialogue>Guess you must be lookin' after my boy. I'm Duff Anderson.</dialogue>
    <character>EFFIE</character>
    <dialogue>` Bout time you showed. Door's open.</dialogue>
    <scene_description>Duff enters .</scene_description>
    <character>EFFIE</character>
    <parenthetical>( calling . )</parenthetical>
    <dialogue>James Lee, you come in here and meet your daddy.</dialogue>
    <character>DUFF</character>
    <dialogue>Where's Wilma?</dialogue>
    <character>EFFIE</character>
    <dialogue>She done moved to Detroit.</dialogue>
    <character>DUFF</character>
    <dialogue>Ai n't she goin' to take the boy?</dialogue>
    <character>EFFIE</character>
    <dialogue>She got herself a husband now. They don' want him ` round. And I tell you, man, I got no use for him neither.</dialogue>
    <character>DUFF</character>
    <dialogue>I been sendin' her money.</dialogue>
    <character>EFFIE</character>
    <dialogue>Well, she never gave me none. Look, you better find him a place pretty quick.</dialogue>
    <character>DUFF</character>
    <dialogue>Like where?</dialogue>
    <character>EFFIE</character>
    <dialogue>I do n't know. He's your boy.</dialogue>
    <character>DUFF</character>
    <dialogue>I ai n't so sure of that. If I was, maybe I'd feel different.</dialogue>
    <scene_description>Effie gives him a scornful look , puts down the child , and opens the curtain that leads into the bedroom .</scene_description>
    <character>EFFIE</character>
    <parenthetical>( sharply . )</parenthetical>
    <dialogue>James Lee - I said for you to come in here.</dialogue>
    <scene_description>BEDROOM Two children are playing on the floor . James Lee is up on a Castro convertible . Duff appears beside Effie in the doorway .</scene_description>
    <character>DUFF</character>
    <dialogue>How ` you been, boy?</dialogue>
    <scene_description>James Lee looks at him , scared and silent .</scene_description>
    <character>EFFIE</character>
    <dialogue>Go on. Tell him.</dialogue>
    <scene_description>She returns to the parlor .</scene_description>
    <character>DUFF</character>
    <dialogue>I got you something.</dialogue>
    <scene_description>He crouches down and holds out a toy . James Lee approaches , takes the toy , and withdraws . EFFIE 'S PARLOR Effie is folding diapers . Duff comes out of the bedroom .</scene_description>
    <character>EFFIE</character>
    <dialogue>` Doctor says he could use some shots.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah. Look, I'll be sendin' you the money from now on.</dialogue>
    <character>EFFIE</character>
    <dialogue>Okay.</dialogue>
    <character>DUFF</character>
    <dialogue>Make sure he gets those shots.</dialogue>
    <scene_description>He looks back at the boy in the bedroom .</scene_description>
    <character>EFFIE</character>
    <dialogue>They say your dad's ` round town.</dialogue>
    <character>DUFF</character>
    <dialogue>` That right? I thought he was up North.</dialogue>
    <character>EFFIE</character>
    <dialogue>People seen him ` round.</dialogue>
    <character>DUFF</character>
    <dialogue>Where's he at?</dialogue>
    <character>EFFIE</character>
    <dialogue>I do n't know.</dialogue>
    <scene_description>STREET Duff is walking through a black section of town .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TENEMENT STAIRS</stage_direction>
    <scene_description>Duff climbs to the top of the rickety wooden steps . WILL ANDERSON 'S ROOM Duff 's father , a big man in his fifties , is reclining on the bed . Duff appears in the open doorway .</scene_description>
    <character>DUFF</character>
    <dialogue>` You Will Anderson?</dialogue>
    <character>WILL</character>
    <dialogue>Who're you?</dialogue>
    <character>DUFF</character>
    <dialogue>I'm Duff.</dialogue>
    <character>WILL</character>
    <parenthetical>( sitting up , with a faint grin . )</parenthetical>
    <dialogue>Would n't have known you.</dialogue>
    <character>DUFF</character>
    <dialogue>Would n't have known you.</dialogue>
    <character>WILL</character>
    <dialogue>What's on your mind?</dialogue>
    <character>DUFF</character>
    <dialogue>Nothing. Heard you were in town.</dialogue>
    <character>WILL</character>
    <dialogue>Wanted a look at your old man, huh?</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah. That's right.</dialogue>
    <scene_description>Will gets up and crosses the room .</scene_description>
    <character>WILL</character>
    <dialogue>How about a drink?</dialogue>
    <character>DUFF</character>
    <dialogue>Okay.</dialogue>
    <scene_description>Will pours whiskey into two glasses . Duff sees that Will 's left sleeve hangs empty .</scene_description>
    <character>DUFF</character>
    <dialogue>What happened?</dialogue>
    <character>WILL</character>
    <dialogue>Workin' a saw mill.</dialogue>
    <parenthetical>( raising his glass . )</parenthetical>
    <dialogue>Here's to.</dialogue>
    <scene_description>A woman in her late thirties -LRB- LEE -RRB- comes in with a shopping bag .</scene_description>
    <character>WILL</character>
    <dialogue>Baby - want you to meet Duff.</dialogue>
    <character>LEE</character>
    <parenthetical>( flatly . )</parenthetical>
    <dialogue>Hi.</dialogue>
    <character>WILL</character>
    <dialogue>He's my son!</dialogue>
    <scene_description>She turns and looks at Duff with a glimmer of interest .</scene_description>
    <character>LEE</character>
    <dialogue>Come and have some coffee.</dialogue>
    <parenthetical>( sitting down . )</parenthetical>
    <dialogue>I'm Lee. Sit down.</dialogue>
    <scene_description>He joins her .</scene_description>
    <character>LEE</character>
    <dialogue>Come on, Will.</dialogue>
    <character>WILL</character>
    <dialogue>What's the matter?! You mad at me?</dialogue>
    <character>LEE</character>
    <dialogue>No. Why?</dialogue>
    <character>WILL</character>
    <parenthetical>( sitting down . )</parenthetical>
    <dialogue>Nothin'.</dialogue>
    <parenthetical>( to Duff . )</parenthetical>
    <dialogue>She's all right. Would n't have made it without her. Christ - have n't worked in eight months. Right now, I'm waitin' for some insurance money. And man, when I get it, I got plans to make me some more.</dialogue>
    <parenthetical>( he gets up restlessly . )</parenthetical>
    <dialogue>Let's get out' a here. This place gives me the willies.</dialogue>
    <parenthetical>( to Lee . )</parenthetical>
    <dialogue>You got some money?</dialogue>
    <character>LEE</character>
    <parenthetical>( she knows what 's coming . )</parenthetical>
    <dialogue>Let's stay here, Will.</dialogue>
    <character>WILL</character>
    <parenthetical>( aggressively . )</parenthetical>
    <dialogue>What's the matter?! It's a celebration!</dialogue>
    <scene_description>BAR Will , Lee , and Duff are standing at the bar . Will has been drinking .</scene_description>
    <character>WILL</character>
    <dialogue>So what's this about a woman? You got woman trouble?</dialogue>
    <character>DUFF</character>
    <dialogue>I said, I come to town with a girl.</dialogue>
    <character>WILL</character>
    <dialogue>Plannin' on getting married?</dialogue>
    <character>DUFF</character>
    <dialogue>No.</dialogue>
    <character>WILL</character>
    <dialogue>` Do n't sound so sure.</dialogue>
    <character>DUFF</character>
    <dialogue>Well, matter of fact, I done a lot of bangin' ` round.</dialogue>
    <character>WILL</character>
    <dialogue>Yeah. That's how me an' your mother got started. I'm tellin' you, boy, you ai n't got a chance without dough. They take it all away from you.</dialogue>
    <scene_description>He drains his glass and puts it down for Lee to refill .</scene_description>
    <character>LEE</character>
    <dialogue>Pour your own trouble, Will.</dialogue>
    <character>WILL</character>
    <dialogue>Your mother used to lay for her boss, boy. Did you know that?</dialogue>
    <character>LEE</character>
    <dialogue>Shut up, Will.</dialogue>
    <character>WILL</character>
    <dialogue>Okay, so what's a girl supposed to do? Me not workin' and her cleanin' house for a white man. I'm tellin' you, boy, keep away from marriage. Ya got ta stay light on your feet or you wo n't make it.</dialogue>
    <scene_description>He puts his hand on Lee 's bare arm .</scene_description>
    <character>WILL</character>
    <dialogue>Is she good in the hay? No point marryin' her just to find out. Is there, baby?</dialogue>
    <character>LEE</character>
    <dialogue>If you do n't quit it, Will, I'm leaving.</dialogue>
    <character>WILL</character>
    <dialogue>You're breaking my heart.</dialogue>
    <parenthetical>( he grabs her neck and shakes her . )</parenthetical>
    <dialogue>Got to see a man about a dog.</dialogue>
    <scene_description>DANCE FLOOR Duff and Lee are dancing . She looks at him with a touch of sympathy .</scene_description>
    <character>LEE</character>
    <dialogue>Do n't let him get you, Duff.</dialogue>
    <character>DUFF</character>
    <dialogue>How often does he get like that?</dialogue>
    <character>LEE</character>
    <dialogue>Whenever he's got an edge on.</dialogue>
    <character>DUFF</character>
    <dialogue>How often is that?</dialogue>
    <character>LEE</character>
    <dialogue>He's been hitting it pretty hard. Got high blood pressure, too. I guess it's hard on him, having you around.</dialogue>
    <scene_description>BAR Will is back and drinking when Duff and Lee come off the dance floor .</scene_description>
    <character>WILL</character>
    <parenthetical>( aggressively . )</parenthetical>
    <dialogue>Well, what d'you think of her?</dialogue>
    <scene_description>Duff says nothing .</scene_description>
    <character>WILL</character>
    <dialogue>I asked you somethin', boy!</dialogue>
    <character>DUFF</character>
    <dialogue>I heard you.</dialogue>
    <character>WILL</character>
    <dialogue>Pretty good for a one - armed nigger, huh?</dialogue>
    <character>DUFF</character>
    <dialogue>Great.</dialogue>
    <character>WILL</character>
    <dialogue>What d'you want anyhow? What you come and bother me for?</dialogue>
    <character>LEE</character>
    <dialogue>He's your son.</dialogue>
    <character>WILL</character>
    <dialogue>Okay, boy, beat it.</dialogue>
    <character>DUFF</character>
    <dialogue>I got the point.</dialogue>
    <scene_description>He leaves money on the bar .</scene_description>
    <character>LEE</character>
    <dialogue>Come back some other time, will you?</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah, sure. Good luck.</dialogue>
    <scene_description>DOWNTOWN STREET -LRB- Night -RRB- Duff is walking , lost in thought .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS DEPOT (Night)</stage_direction>
    <scene_description>Josie enters with her purchases . She joins Duff at the sandwich counter .</scene_description>
    <character>JOSIE</character>
    <dialogue>Hi.</dialogue>
    <character>DUFF</character>
    <parenthetical>( relieved to see her . )</parenthetical>
    <dialogue>I thought you was n't comin'.</dialogue>
    <scene_description>She sits down .</scene_description>
    <character>JOSIE</character>
    <dialogue>How did it go?</dialogue>
    <character>DUFF</character>
    <dialogue>What?</dialogue>
    <character>JOSIE</character>
    <dialogue>Your boy.</dialogue>
    <character>DUFF</character>
    <dialogue>Okay, I guess.</dialogue>
    <character>JOSIE</character>
    <parenthetical>( to off - screen waitress . )</parenthetical>
    <dialogue>I'll have some coffee, please.</dialogue>
    <character>DUFF</character>
    <dialogue>You know, I been thinkin' - how ` bout us gettin' married?</dialogue>
    <scene_description>Josie is stunned .</scene_description>
    <character>JOSIE</character>
    <parenthetical>( playing for time . )</parenthetical>
    <dialogue>What d'you mean?</dialogue>
    <character>DUFF</character>
    <dialogue>Just what I said. Do n't look so scared.</dialogue>
    <scene_description>The waitress puts down a cup of coffee .</scene_description>
    <character>JOSIE</character>
    <dialogue>Thank you.</dialogue>
    <character>DUFF</character>
    <dialogue>How about it?</dialogue>
    <character>JOSIE</character>
    <dialogue>What happened, Duff?</dialogue>
    <character>DUFF</character>
    <dialogue>Look, baby - I do n't know ` bout you, but it's the right thing for me. I just know it is. So, what d'you say?</dialogue>
    <character>JOSIE</character>
    <dialogue>Do n't push me, Duff.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah. Would n't be no picnic for you. I ai n't exactly housebroken.</dialogue>
    <character>JOSIE</character>
    <dialogue>What about that girl?</dialogue>
    <character>DUFF</character>
    <dialogue>She do n't mean nothin' to me. That's all over.</dialogue>
    <parenthetical>( after a moment . )</parenthetical>
    <dialogue>Hell, baby - I'm askin' you to marry me. I guess you want a big scene, huh?</dialogue>
    <character>JOSIE</character>
    <dialogue>No. But a small one.</dialogue>
    <scene_description>They look at each other .</scene_description>
    <character>DUFF</character>
    <dialogue>It's yes, huh?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BUNK CAR (Day)</stage_direction>
    <scene_description>Frankie is looking scornfully at Duff , who is lying on his bunk bed .</scene_description>
    <character>FRANKIE</character>
    <dialogue>I'll be a monkey's kid sister! What d'you want to do a thing like that for?</dialogue>
    <character>JOCKO</character>
    <dialogue>` Musta knocked her up.</dialogue>
    <character>FRANKIE</character>
    <dialogue>What're you gon na get out of it, huh?</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a smile . )</parenthetical>
    <dialogue>A whole lot, Frankie.</dialogue>
    <character>FRANKIE</character>
    <parenthetical>( aggressively . )</parenthetical>
    <dialogue>Like what?</dialogue>
    <character>DUFF</character>
    <dialogue>Like a home, for one thing.</dialogue>
    <character>FRANKIE</character>
    <dialogue>You gon na sit at home the rest of your life? Jesus!</dialogue>
    <character>DUFF</character>
    <dialogue>Well, it's better than windin' up like a bum.</dialogue>
    <character>FRANKIE</character>
    <parenthetical>( defensively . )</parenthetical>
    <dialogue>What ` you signifyin'?</dialogue>
    <character>DUFF</character>
    <dialogue>I was n't thinkin' about you, Frankie.</dialogue>
    <character>JOCKO</character>
    <dialogue>Ol' Doris sure goin' to miss you.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Just give him a couple of months. A girl like that, she do n't know any tricks.</dialogue>
    <character>JOCKO</character>
    <dialogue>You know what Doris told me? She say : That Duff's a nice guy. Would n't even charge him nothin'.</dialogue>
    <character>FRANKIE</character>
    <dialogue>I guess you'll be quittin' the railroad, huh, man?</dialogue>
    <character>DUFF</character>
    <dialogue>That's right.</dialogue>
    <character>FRANKIE</character>
    <dialogue>Man, you must be plumb outa your mind! You'll be makin' twen' y bucks a week, if you're lucky.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MOVING CAR</stage_direction>
    <scene_description>Josie is next to Duff . They are driving past a row of small attached houses in the black section of town .</scene_description>
    <character>JOSIE</character>
    <dialogue>Turn here. There it is!</dialogue>
    <scene_description>They stop in front of a house . It is barely larger than a shack . DILAPIDATED LIVING ROOM Duff and Jose come in . The room is full of abandoned , broken furniture and the ceiling and wallpaper hang down in strips .</scene_description>
    <character>JOSIE</character>
    <dialogue>I used to know them. They've gone North.</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a laugh . )</parenthetical>
    <dialogue>I can see why.</dialogue>
    <character>JOSIE</character>
    <dialogue>Well, what d'you think?</dialogue>
    <character>DUFF</character>
    <dialogue>It's okay with me, baby. But how' you goin' to like it?</dialogue>
    <character>JOSIE</character>
    <dialogue>It'll be fine when we get done with it.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. WINDOW OF LIVING ROOM</stage_direction>
    <scene_description>Duff is looking out through the broken pane of glass .</scene_description>
    <character>DUFF</character>
    <dialogue>Who's that?</dialogue>
    <scene_description>NEIGHBORING HOUSE , SEEN FROM WINDOW A woman is putting laundry into a washing machine on the open porch . Her children are all around her and in the yard below .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. WINDOW</stage_direction>
    <scene_description>Josie has stopped next to Duff and looks out .</scene_description>
    <character>JOSIE</character>
    <dialogue>That's Bessie Hall. Barney works at the mill.</dialogue>
    <character>DUFF</character>
    <dialogue>Yeah?</dialogue>
    <scene_description>Josie removes a shard of glass from the window ; a larger piece falls out .</scene_description>
    <character>DUFF</character>
    <dialogue>Hey, watch out! Guess you want a house full of pickaninnies too, huh?</dialogue>
    <character>JOSIE</character>
    <dialogue>Do n't call them that.</dialogue>
    <character>DUFF</character>
    <dialogue>That's all right with me. Always liked kids.</dialogue>
    <scene_description>He moves to the rear of the room . LIVING ROOM Josie turns to him .</scene_description>
    <character>JOSIE</character>
    <dialogue>What about your boy?</dialogue>
    <character>DUFF</character>
    <parenthetical>( defensively . )</parenthetical>
    <dialogue>What about him?</dialogue>
    <character>JOSIE</character>
    <dialogue>He could live with us.</dialogue>
    <character>DUFF</character>
    <dialogue>Let's just see how the two of us make out first, huh?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CHURCH</stage_direction>
    <scene_description>Duff and Josie are getting married . Duff is waiting near the pulpit . The section hands are seated on one side of the aisle , Josie 's family and friends on the other . The gospel piano segues into the wedding march . Josie is coming down the aisle by herself . She joins Duff and they step forward to face Reverend Dawson . DUFF AND JOSIE 'S BEDROOM -LRB- Early morning -RRB- Josie lies in bed with closed eyes . She hears Duff move and turns to him . He is dressed for work .</scene_description>
    <character>JOSIE</character>
    <dialogue>Good luck, baby.</dialogue>
    <scene_description>He sits down beside her for a moment .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MOVING CAR</stage_direction>
    <scene_description>Duff is in the rear seat with his new neighbor , Barney . Joe , a millhand , sits next to the driver in front . He turns to Duff .</scene_description>
    <character>JOE</character>
    <dialogue>Hard to get up in the morning, huh?</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>That's right. How' you doin', Barney?</dialogue>
    <character>BARNEY</character>
    <parenthetical>( not given to saying much . )</parenthetical>
    <dialogue>Okay.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. SMALL HOUSE</stage_direction>
    <scene_description>The car drives up and Joe leans out .</scene_description>
    <character>JOE</character>
    <dialogue>Come on, Willie!</dialogue>
    <scene_description>Willie , a big man , has been fixing his front step .</scene_description>
    <character>WILLIE</character>
    <dialogue>Just a minute, man.</dialogue>
    <character>JOE</character>
    <dialogue>Come on - we're late!</dialogue>
    <character>WILLIE</character>
    <parenthetical>( taking his time . )</parenthetical>
    <dialogue>Yazzuh, Boss - ah's comin' as fast as ah can.</dialogue>
    <scene_description>He picks up his lunch box and shuffles toward the car , Stepin ' Fetchit style .</scene_description>
    <character>JOE</character>
    <parenthetical>( laughing . )</parenthetical>
    <dialogue>Get in the car, man!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CAR</stage_direction>
    <scene_description>Willie climbs in next to Duff .</scene_description>
    <character>WILLIE</character>
    <dialogue>How' you doing, man?</dialogue>
    <character>DUFF</character>
    <dialogue>Okay.</dialogue>
    <parenthetical>( to the driver . )</parenthetical>
    <dialogue>Let's go.</dialogue>
    <character>WILLIE</character>
    <dialogue>That's right, Jethro - take us to the plant. And hurry, boy - ah's got a heavy day.</dialogue>
    <scene_description>The driver backs up fast , jerking the passengers forward .</scene_description>
    <character>WILLIE</character>
    <dialogue>Ah tells you, man - you give these niggers a machine and they go stark - ravin' wild!</dialogue>
    <scene_description>Laughter .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MILL ENTRANCE</stage_direction>
    <scene_description>Duff is among the mill hands punching in on the time clock .</scene_description>
    <character>VOICE OF FOREMAN</character>
    <parenthetical>( off screen . )</parenthetical>
    <dialogue>You new here?</dialogue>
    <character>DUFF</character>
    <dialogue>That's right.</dialogue>
    <scene_description>MILL YARD Duff and two other men are working on top of a pile of lumber . A white supervisor on a forklift has been watching them .</scene_description>
    <character>FOREMAN</character>
    <parenthetical>( calling . )</parenthetical>
    <dialogue>Hey, Jack!</dialogue>
    <scene_description>Duff does n't respond .</scene_description>
    <character>FOREMAN</character>
    <dialogue>Hey, boy - I'm talkin' to you.</dialogue>
    <character>DUFF</character>
    <parenthetical>( after a moment . )</parenthetical>
    <dialogue>Name's Duff.</dialogue>
    <character>FOREMAN</character>
    <dialogue>How ` you doing?</dialogue>
    <character>DUFF</character>
    <dialogue>Okay.</dialogue>
    <character>FOREMAN</character>
    <parenthetical>( genially . )</parenthetical>
    <dialogue>Looks like you're doin' a good job.</dialogue>
    <character>DUFF</character>
    <dialogue>Thanks.</dialogue>
    <character>FOREMAN</character>
    <dialogue>Do n't say much, do you?</dialogue>
    <character>DUFF</character>
    <dialogue>Guess I do n't.</dialogue>
    <character>FOREMAN</character>
    <dialogue>Just so you do your work.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. MILL SHED</stage_direction>
    <scene_description>The mill hands are on their lunch break . The only white man among them is looking at Duff with a grin .</scene_description>
    <character>WHITE</character>
    <dialogue>Hell, I bet those black girls really go for you, huh? That's the best - lookin' colored girl in town.</dialogue>
    <scene_description>Duff is eating and says nothing .</scene_description>
    <character>WHITE</character>
    <dialogue>What's the matter? Still on your honeymoon, huh? Just like you, Barney. ` Been on your honeymoon for twen' y years, huh?</dialogue>
    <character>BARNEY</character>
    <parenthetical>( cautiously . )</parenthetical>
    <dialogue>Yeah.</dialogue>
    <scene_description>The white mill hand helps himself to a piece of Barney 's pie .</scene_description>
    <character>WHITE</character>
    <dialogue>How many kids you got now, Barney?</dialogue>
    <character>BARNEY</character>
    <dialogue>Four.</dialogue>
    <character>WHITE</character>
    <parenthetical>( eating the pie . )</parenthetical>
    <dialogue>Hmmm - she can cook, too. Man, it's no wonder you ` been draggin' your tail on the job. You ` been doin' your best work at home.</dialogue>
    <scene_description>He notices that Duff 's face is set .</scene_description>
    <character>WHITE</character>
    <parenthetical>( aggressively . )</parenthetical>
    <dialogue>What's the matter, boy? Never smile?</dialogue>
    <character>DUFF</character>
    <dialogue>I'll smile when it's funny.</dialogue>
    <character>WHITE</character>
    <dialogue>So it was n't funny, huh? Well, I thought it was. What d'you say, Barney? Was n't it funny?!</dialogue>
    <character>BARNEY</character>
    <dialogue>Yeah, it was funny.</dialogue>
    <character>WHITE</character>
    <dialogue>Sure.</dialogue>
    <parenthetical>( to the others . )</parenthetical>
    <dialogue>What d'you say, boys? Was n't it funny?</dialogue>
    <character>MILL HANDS</character>
    <dialogue>Yeah. Sure.</dialogue>
    <character>WHITE</character>
    <parenthetical>( to Duff . )</parenthetical>
    <dialogue>Trouble with you, boy, you ai n't got no sense of humor. Ought to smile more.</dialogue>
    <character>DUFF</character>
    <dialogue>I know.</dialogue>
    <character>WHITE</character>
    <dialogue>You' new here, man!</dialogue>
    <parenthetical>( he gets up to leave . )</parenthetical>
    <dialogue>See you, boys.</dialogue>
    <character>JOE</character>
    <parenthetical>( to Duff after a moment . )</parenthetical>
    <dialogue>You know, man, that guy was trying to be friendly.</dialogue>
    <character>DUFF</character>
    <dialogue>That ai n't my idea of friendliness.</dialogue>
    <character>BARNEY</character>
    <dialogue>You got to watch yourself pretty close.</dialogue>
    <character>WILLIE</character>
    <dialogue>Yeah, you want to get along, act the nigger.</dialogue>
    <character>DUFF</character>
    <dialogue>Like hell. You know, if you fellows stuck together ` stead of letting them walk all over you, they might not try it.</dialogue>
    <character>JOE</character>
    <dialogue>Like hell they would n't.</dialogue>
    <character>WILLIE</character>
    <dialogue>They been doin' it all my life.</dialogue>
    <character>DUFF</character>
    <dialogue>Maybe it's time you stopped letting them.</dialogue>
    <scene_description>Jesse , a heavy - set man who has been silent till now , stands up and looks at Duff .</scene_description>
    <character>JESSE</character>
    <dialogue>Man, you sound like a trouble man.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. DUFF AND JOSIE'S HOUSE (Dusk)</stage_direction>
    <scene_description>The lights are on inside . DUFF AND JOSIE 'S KITCHEN Duff is finishing his supper at the table . Josie is at the stove pouring coffee . She puts a piece of pie in front of him . He drinks his Coke out of the bottle .</scene_description>
    <character>JOSIE</character>
    <dialogue>Use the glass, honey. That's what it's for.</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>Is that so?</dialogue>
    <character>JOSIE</character>
    <dialogue>Yeah, that's so.</dialogue>
    <scene_description>She returns to the stove . Duff picks up the pie and sniffs it suspiciously .</scene_description>
    <character>JOSIE</character>
    <dialogue>What's wrong?</dialogue>
    <character>DUFF</character>
    <dialogue>Smells like something crawled in there and died.</dialogue>
    <character>JOSIE</character>
    <parenthetical>( innocently . )</parenthetical>
    <dialogue>Oh really? I thought it was pretty good.</dialogue>
    <character>DUFF</character>
    <dialogue>Come here, baby.</dialogue>
    <scene_description>He gets her to sit on his lap .</scene_description>
    <character>DUFF</character>
    <dialogue>Everything you cook is good.</dialogue>
    <character>JOSIE</character>
    <dialogue>Duff - you know those women you used to know -</dialogue>
    <scene_description>He forks a bite of pie into her mouth .</scene_description>
    <character>DUFF</character>
    <dialogue>What about them?</dialogue>
    <character>JOSIE</character>
    <parenthetical>( her mouth full . )</parenthetical>
    <dialogue>Am I as good as they?</dialogue>
    <character>DUFF</character>
    <parenthetical>( drinking . )</parenthetical>
    <dialogue>Hmmm - good coffee.</dialogue>
    <character>JOSIE</character>
    <dialogue>You did n't answer my question.</dialogue>
    <character>DUFF</character>
    <dialogue>Baby, you're the best thing that ever happened to me.</dialogue>
    <character>JOSIE</character>
    <dialogue>You still did n't answer my question.</dialogue>
    <character>DUFF</character>
    <dialogue>Well, if you do n't know I ca n't tell you.</dialogue>
    <scene_description>She elbows him in the stomach . He laughs . BACKYARD -LRB- Night -RRB- Duff is helping Josie take in the wash . Music from Barney 's house .</scene_description>
    <character>JOSIE</character>
    <dialogue>You know how to box?</dialogue>
    <character>DUFF</character>
    <dialogue>Uh - huh. Why?</dialogue>
    <character>JOSIE</character>
    <dialogue>My kids want me to teach them.</dialogue>
    <character>DUFF</character>
    <dialogue>Okay. Come on. Put'em up!</dialogue>
    <scene_description>She assumes the posture of a boxer . Duff laughs and adjusts her hands .</scene_description>
    <character>DUFF</character>
    <dialogue>Like so. There you go. Okay, hit me!</dialogue>
    <character>JOSIE</character>
    <dialogue>I do n't want to hurt you.</dialogue>
    <character>DUFF</character>
    <dialogue>Go on - hit me!</dialogue>
    <scene_description>She does .</scene_description>
    <character>DUFF</character>
    <dialogue>Ooh! My, oh my!</dialogue>
    <scene_description>They spar - briefly in sync with the music . She goes after him , flailing her arms . The music is turned off abruptly and we hear Bessie 's raised voice . She is out on the porch of her house , yelling at Barney .</scene_description>
    <character>BESSIE</character>
    <dialogue>Just leave me alone! You can sit out here all night. I do n't care what you do! You're no good around the house anyway.</dialogue>
    <scene_description>Barney remains silent . Duff and Josie exchange a look . DUFF AND JOSIE 'S BEDROOM -LRB- Night -RRB- They are in bed .</scene_description>
    <character>DUFF</character>
    <parenthetical>( gravely . )</parenthetical>
    <dialogue>It sure scares you, a guy like that - settin' out on his porch, doin' nothin'. I seen hundreds of them - all my life.</dialogue>
    <character>JOSIE</character>
    <dialogue>My father's never done a thing for any of them.</dialogue>
    <scene_description>He touches her face .</scene_description>
    <character>JOSIE</character>
    <dialogue>I'm very happy, Duff. How about you?</dialogue>
    <scene_description>He smiles . Josie gets up and slips out of her nightgown . Her body merges with the darkness . DUFF AND JOSIE 'S LIVING ROOM -LRB- Evening -RRB- The place has been painted and simply furnished . Josie has made dinner for the section hands . Pop is the only one who is still eating .</scene_description>
    <character>FRANKIE</character>
    <dialogue>You sure done a great job, Mrs. Anderson.</dialogue>
    <character>JOSIE</character>
    <dialogue>Thanks, but you have n't eaten very much. How about it, Frankie? I bet you could eat some more.</dialogue>
    <character>FRANKIE</character>
    <dialogue>No, thanks.</dialogue>
    <character>RIDDICK</character>
    <parenthetical>( to Duff . )</parenthetical>
    <dialogue>How's that job comin'?</dialogue>
    <character>DUFF</character>
    <dialogue>Well, it ai n't the railroad. Those guys are scared. Guess they've never known nothin' but takin' it.</dialogue>
    <character>JOCKO</character>
    <parenthetical>( with an edge . )</parenthetical>
    <dialogue>They all got families to support.</dialogue>
    <character>DUFF</character>
    <parenthetical>( good - naturedly . )</parenthetical>
    <dialogue>Yeah. That's right, Jocko.</dialogue>
    <parenthetical>( to the others . )</parenthetical>
    <dialogue>Those white guys sure shoot up at you like a yeast cake if you just cock an eye at them.</dialogue>
    <character>JOCKO</character>
    <parenthetical>( sarcastically . )</parenthetical>
    <dialogue>I guess you'll be making' some changes ` round here.</dialogue>
    <character>DUFF</character>
    <parenthetical>( with a grin . )</parenthetical>
    <dialogue>What's eatin' you, Jocko?</dialogue>
    <character>JOCKO</character>
    <dialogue>Nothin'. I just figure you were the right man for the job.</dialogue>
    <character>JOSIE</character>
    <parenthetical>( changing the subject . )</parenthetical>
    <dialogue>I guess you'll all keep workin' together, wo n't you?</dialogue>
    <character>FRANKIE</character>
    <dialogue>Heck, no. They're shippin' us all over the map.</dialogue>
    <character>JOSIE</character>
    <dialogue>That's too bad.</dialogue>
    <character>RIDDICK</character>
    <dialogue>If you wan''em, there's some expert dishwashers here.</dialogue>
    <character>JOSIE</character>
    <dialogue>No, thanks. My kitchen's too small.</dialogue>
    <scene_description>Riddick gets up .</scene_description>
    <character>RIDDICK</character>
    <dialogue>Okay, fellows - let's give the folks some privacy.</dialogue>
    <scene_description>DOORWAY The men , on their way out , shake hands with Duff .</scene_description>
    <character>DUFF</character>
    <dialogue>Good - bye, Frankie.</dialogue>
    <character>FRANKIE</character>
    <dialogue>` Got a good thing, man.</dialogue>
    <character>POP</character>
    <dialogue>See ya.</dialogue>
    <character>DUFF</character>
    <dialogue>Take it easy, Pop.</dialogue>
    <parenthetical>( shaking Riddick 's hand . )</parenthetical>
    <dialogue>` See you before you take off.</dialogue>
    <character>JOCKO</character>
    <dialogue>` See ya.</dialogue>
    <character>DUFF</character>
    <dialogue>` Bye, Jocko.</dialogue>
    <scene_description>BATHROOM -LRB- Night -RRB- Duff is washing his face at the sink . Josie comes up behind him . She is in her nightgown .</scene_description>
    <character>JOSIE</character>
    <dialogue>Duff.</dialogue>
    <scene_description>He turns to her . Instead of speaking , she turns her back to him .</scene_description>
    <character>JOSIE</character>
    <dialogue>My back itches.</dialogue>
    <scene_description>He scratches her back .</scene_description>
    <character>JOSIE</character>
    <dialogue>How would you like to have a baby, Duff?</dialogue>
    <character>DUFF</character>
    <dialogue>Huh?</dialogue>
    <character>JOSIE</character>
    <dialogue>Do n't look so scared.</dialogue>
    <character>DUFF</character>
    <dialogue>You jivin' me?</dialogue>
    <character>JOSIE</character>
    <dialogue>Well, I have n't come around.</dialogue>
    <scene_description>Duff is taken aback .</scene_description>
    <character>DUFF</character>
    <dialogue>Ai n't that something?!</dialogue>
    <parenthetical>( recovering . )</parenthetical>
    <dialogue>That's just fine, baby.</dialogue>
    <character>JOSIE</character>
    <dialogue>We'll be all right.</dialogue>
    <scene_description>He kisses her and sits down on the rim of the bathtub .</scene_description>
    <character>DUFF</character>
    <dialogue>Man, we sure hit the jackpot fast around here.</dialogue>
    <character>JOSIE</character>
    <dialogue>What about your boy? DUFF</dialogue>
    <scene_description>How come you keep askin ' ? JOSIE I keep thinking about him . DUFF Well , he ai n't mine , so skip it . She gargles . Duff moves over to her with a grin and puts his arms around her - DUFF Baby , we 're goin ' to put a whole lot of little kids into this world . Hell , we 'll swamp 'em . LOCKER ROOM , MILL The men are done for the day . Duff is putting on his shirt . Willie is under the shower . DUFF Hell , if they can do it in Birmingham - and that 's a mean town , we oughta do something here . Willie says nothing . His eyes are on a white supervisor , who has stopped in the doorway . SUPERVISOR ` You Duff Anderson ? DUFF That 's right . SUPERVISOR Want to talk to you . DUFF Okay . SUPERVISOR I hear you 're tryin ' to organize this place ! DUFF I do n't know what you 're talkin ' about . SUPERVISOR That 's no way to talk , boy . Now we had one of them union men ` round here coupla years ago . Stirred up a lot of trouble . They 're always after you colored boys . DUFF I still do n't know what you 're talkin ' about . SUPERVISOR You a union man ? DUFF Used to be . On the railroad . SUPERVISOR Uh - huh . Well , this ai n't the railroad . Now what 's all this talk about stickin ' together ? DUFF Well , what d'you know ?! He looks over at the other men . They avoid his eyes . SUPERVISOR Look , boy , we got a smooth operation here , and I aim to keep it that way . Now I got an idea you 're plannin ' trouble . DUFF No . You got the wrong idea . SUPERVISOR All right , then . All I want you to do is tell these boys here you did n't mean what you said about stickin ' together an ' all . Duff says nothing . The mill hands watch him silently . SUPERVISOR Want to keep your job , boy ? DUFF What d'you think ? SUPERVISOR Then do like I said . -LRB- to the men . -RRB- Men - this boy here 's got something to tell you - all . -LRB- to Duff . -RRB- Well , how about it ? Duff looks at the supervisor in silence , fully aware that he is about to be fired . He turns and opens his locker . SUPERVISOR Boy , you 're actin ' like a nigger with no sense . All right , go down ' the office and get your pay . Tell them you 're through . DUFF 'S CAR He is driving past Josie 's school and slows down . The kids are out in the yard but Josie is not in sight . He accelerates , his face set . DUFF AND JOSIE 'S BEDROOM . -LRB- Night -RRB- Josie is correcting papers on the bed . Duff is at the mantel , playing with a cat . He puts a small box over its head . The cat cries out and backs up clumsily , trying to free itself . JOSIE Do n't , Duff . DUFF Yeah . He sits down . Josie comes over and sits on the arm of the chair . DUFF I 'm jumpy , that 's all . She runs her hand through his hair . JOSIE Well , you 've had quite a day . He brushes her off : DUFF I do n't like bein ' mothered . When she touches him again , he jumps up . DUFF Jesus , baby - leave me alone , will ya ? He flings himself down on the bed . JOSIE . -LRB- sitting down beside him . -RRB- Do n't deny me , Duff . DUFF Hell , baby - I met this beautiful chick and she 's just dyin ' for me , okay ? She takes him by the shoulders and shakes him . JOSIE Do n't be so silly . Duff laughs . DUFF Yeah . But just how 're we goin ' to make out ? I got to get me a job . JOSIE You will . DUFF Pay is so damn low . I do n't want my kids to grow up like Barney 's . JOSIE They wo n't . DUFF I 'm telling you , baby , maybe we better get out of here . JOSIE . -LRB- gravely . -RRB- We can always do that , Duff . DUFF Yeah . Yeah , I know . I 'm not really thinkin ' about it . Anyway , do n't want those white guys laughin ' up their sleeve at me when they see me pull out .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HIRING SHED, MILL YARD</stage_direction>
    <scene_description>Duff waits outside the open window , while the white man in the shed checks his job application . WHITE Yeah , we can use you . Ever work a saw mill ? DUFF Yeah . WHITE Where was that ? DUFF . -LRB- after a moment 's hesitation . -RRB- Walker and Williams . WHITE What did you say your name is ? DUFF Anderson . The man checks for Duff 's name on a list . WHITE . -LRB- turning to Duff . -RRB- Sorry , boy , there ai n't nothin ' here .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. RESTAURANT</stage_direction>
    <scene_description>Duff is sitting at the lunch counter . Joe , the mill hand , comes in . JOE . -LRB- to the waitress . -RRB- Hello , Frances . He sits down next to Duff . JOE How ` you doin ' man ? DUFF . -LRB- non - committal . -RRB- Okay . JOE . -LRB- to Frances . -RRB- Cup of coffee . -LRB- to Duff . -RRB- I ` been meanin ' to talk to you . DUFF Oh yeah ? JOE You know , over at the mill , there 's just one guy that talked . It 's kinda late to say it , but we shoulda acted different . The waitress brings his coffee . JOE Been over to the other mill ? DUFF Yeah , I been there . JOE It 's just that we 're not used to seein ' anyone stand up ` round here . Kinda took us by surprise . DUFF Oh yeah ? That 's good .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POOL HALL</stage_direction>
    <scene_description>Duff is at the bar . BARTENDER Well , if you tried the mills , there ai n't no other industry ` round here . DUFF How ` bout that furniture plant ? BARTENDER . -LRB- with a laugh . -RRB- Man , the darkest thing they got in there is Coca - Cola . DUFF Yeah . BARTENDER Now , if you want to work like a real nigger , you can always go out and chop cotton . DUFF . -LRB- grimly . -RRB- They done that too long in my family . BARTENDER They pay you three bucks a day an ' all the cotton you can eat . Duff laughs . HOTEL LOBBY Duff faces the white manager , who is behind the registration desk . MANAGER Yeah , I might have something for you , if you want to put on a uniform . Duff looks over at the one black man in the lobby - a uniformed bellhop emptying ashtrays . DUFF What 's the pay ? MANAGER Pay 's ten dollars a week , plus tips and lunch . DUFF I see . Ai n't for me , thanks .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GENERAL STORE</stage_direction>
    <scene_description>The white proprietor has rung up the order for an elderly black woman . PROPRIETOR Now what about soap ? WOMAN I got enough . PROPRIETOR . -LRB- insisting . -RRB- I got a good buy on soap . You go on over there an ' take a look ! -LRB- urging her on . -RRB- Right over there . The woman goes over to look at the soap . The proprietor turns to Duff . PROPRIETOR Yes ? DUFF I 'm lookin ' for work . PROPRIETOR I got a boy . Thanks .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. DUFF'S CAR</stage_direction>
    <scene_description>He is driving through town at a fast clip . The car rattles .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BEAUTY PARLOR</stage_direction>
    <scene_description>The staff and clientele are black . Duff enters and sits down close to Josie , who is having her hair done . JOSIE Hi . DUFF Do n't ask , baby - huh ! -LRB- lowering his voice . -RRB- How much money you got with you ? JOSIE About ten dollars . DUFF Water pump 's busted . I do n't know if it 's worth fixin ' , but I need that car . JOSIE You can have what I 've got . It 's right there . Duff opens her pocketbook , embarrassed by the women watching him . FLAT BED TRUCK It rattles over a country road between cotton fields . Duff stands among the field hands on the open flatbed .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COTTON GIN</stage_direction>
    <scene_description>The white foreman is up on the loading platform . He addresses a group of field hands looking for work . FOREMAN Startin ' tomorrow mornin ' , we got work for fifteen hands . All we 're gon na pay is two - fifty a day . Ca n't pay you the three 'cause ai n't gon na be much of a crop this year . Now you all who want to work , step up and we 'll take your name . Duff is among the few who leave . The others surge closer to the platform , ready to work for any wage . DUFF AND JOSIE 'S PORCH . -LRB- Night -RRB- Josie is sewing on the porch . Duff is in the yard a few feet away , using the back of an axe to hammer loose nails into an old chair . JOSIE It 's not as hard on a girl . They 're not afraid of us . Duff says nothing . JOSIE You know - we do have enough money . Especially now . DUFF . -LRB- grimly . -RRB- Sure , baby . ` Fact , I do n't ever have to work no more . When that baby comes , I can just stay home and send you back to school . How about that ? JOSIE I 'm trying to help , Duff . DUFF Yeah ! JOSIE . -LRB- after a moment . -RRB- I could work even after the baby comes . A few hours a week , anyway . DUFF What the hell could you do ? JOSIE Day work . DUFF ` You kiddin ' ? You ai n't goin ' to no white home . I seen the way they look at you when you go down the street . He jumps up and raises the axe - DUFF No point fixin ' it ! JOSIE . -LRB- frightened . -RRB- What 're you going to do ? He smashes the axe into the chair . JOSIE . -LRB- jumping up . -RRB- Do n't do that ! DUFF Watch out ! He smashes the chair to pieces . DUFF . -LRB- throwing down the axe . -RRB- Good kindlin ' ! He turns to Josie . She is looking at him , deeply upset . DUFF What 's bitin ' you now ! ? She turns away . He jumps up onto the porch and grabs her . DUFF You heard me ! JOSIE I ca n't stand to see you like that . I know you ca n't help it . DUFF . -LRB- darkly . -RRB- Stop bein ' so damn understandin ' . DUFF AND JOSIE 'S LIVING ROOM . -LRB- Day -RRB- Duff is on the sofa , looking up at Reverend Dawson . REVEREND DAWSON I know just how you feel , son . But believe me , you 're going about it the wrong way . DUFF Do n't look like there 's a right way . REVEREND DAWSON Well , you have to be reasonable . Now they say you 're a troublemaker . That 's no good . Use a little psychology . Make 'em think you 're going along - and get what you want . DUFF It ai n't in me . REVEREND DAWSON You 'll be in trouble , son . -LRB- after a moment . -RRB- Now just how do you intend to support your family ? DUFF I guess I 'll rob a bank . REVEREND DAWSON Do n't you get smart with me , boy . We hear a dish break . KITCHEN Josie is on the floor , picking up pieces of broken glass . LIVING ROOM REVEREND DAWSON Maybe you ought to move . You 'd be a lot better off in the North . DUFF So I been told . REVEREND DAWSON It 's for your own good . DUFF Oh yeah ? -LRB- he gets up . -RRB- Seems to me , Reverend , you ' more concerned ` bout your good . Guess it looks kind ' a bad , havin ' me for a son - in - law . REVEREND DAWSON You can be cocky now , boy . But you wo n't make it . You wo n't last . I just feel sorry for Josie . I knew it would n't work out . DUFF Well , at least she ai n't married to no white man 's nigger ! You been stoopin ' so long , Reverend , you do n't even know how to stand straight no more . You ' just half a man ! KITCHEN Josie has cut her finger on the glass . She is weeping silently . LIVING ROOM Reverend Dawson turns to leave . His sense of calm superiority is shattered . REVEREND DAWSON . -LRB- at the door . -RRB- Maybe I could talk to Bud Ellis . He might have a job for you at his filling station . DUFF Oh yeah ? REVEREND DAWSON I 'll be seeing you . Josie has come into the room . JOSIE . -LRB- gravely . -RRB- ` Bye , Dad . DUFF AND JOSIE 'S BEDROOM . -LRB- Night -RRB- Duff watches Josie . She is sitting at her dressing table . DUFF How come you do n't hate their guts ? JOSIE I do n't know . I guess I 'm not afraid of them . DUFF You were plenty scared that night in the car . JOSIE Just of getting hurt . They ca n't touch me inside . DUFF Like hell they ca n't . -LRB- he gets up . -RRB- They can reach right in with their damn white hands and turn you off and on . JOSIE Not if you see them for what they are , Duff . DUFF . -LRB- exploding . -RRB- Jesus , baby , you 're so full of talk ! Well , you ai n't never really been a nigger , have you - livin ' like that in your father 's house ! So just shut your mouth .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GAS STATION (Night)</stage_direction>
    <scene_description>Duff finishes pumping gas into Joe 's car . DUFF That 's two bucks , Joe . JOE . -LRB- paying . -RRB- Why do n't you come over for a beer when you get through ? DUFF Okay , I will . Brad Ellis , the white owner of the service station , comes out of his office . ELLIS Hey , Duff ! Run the truck down Holly Road . There 's a guy in the ditch . CAB OF TOW TRUCK . -LRB- Night -RRB- Duff is driving along a wooded country road . Shreds of fog drift across the headlights . A ditched car comes into view , its front end crushed against a tree . A tubby white man stands beside it , waving to Duff with a flashlight . Duff passes him and backs up to the car . COUNTRY ROAD The owner comes toward him eagerly . OWNER Sure glad to see you , boy . Duff gets out of the tow truck to inspect the damaged car . The owner follows him , nervous and garrulous . OWNER Guess I was kinda lucky , huh ? My wife 's going to give me hell . Duff lowers the hoist on the truck . OWNER . -LRB- anxiously . -RRB- How you doin ' , boy ? DUFF Okay . He gets under the car to attach the chain . OWNER Want me to hold the light for you ? DUFF No , thanks . OWNER Just tryin ' to be helpful . He continues talking , though Duff ca n't hear him . OWNER Most folks around here got no use for nigrahs . Got to understand them , that 's all . How you doin ' , boy ? DUFF . -LRB- emerging from under the car . -RRB- Okay . The owner tests the rig with his foot . OWNER Seems a little loose ! DUFF . -LRB- with a grin . -RRB- She 'll do . He starts raising the car . OWNER She ai n't comin ' up even ! Duff ignores him . The chain slips and the car drops to the ground with a bang . OWNER . -LRB- jumping back . -RRB- Jesus , I told you to watch it ! DUFF Sorry . He gets back under the car . OWNER That 's the trouble with you boys ! Do n't listen when a man tells you something . DUFF She do n't look no worse to me . OWNER Do n't do her no good to get banged like that . DUFF . -LRB- under the car . -RRB- Do n't do her no good to go into a tree . OWNER . -LRB- enraged . -RRB- What did you say , boy ?! DUFF I said , she 's in great shape . OWNER I heard you ! Now ` stead of bein ' smart , you just get that car out of here ! GAS STATION . -LRB- Night -RRB- Duff is changing a tire outside the repair bay . A car shoots out of the dark with its horn blaring , and screeches to a stop at the pump . Brad Ellis steps up to the driver . ELLIS Can I help you ? The driver is the white mill hand who gave Duff a hard time at the mill . DRIVER . -LRB- indicating Duff . -RRB- Like some service from that boy there . Like the way he takes care of us . ELLIS Okay . Duff has come over . He is aware of impending trouble . One of the men in the car is the owner of the ditched vehicle . DUFF Fill her up ? DRIVER No , boy . Thirty - eight cents worth of gas . And watch you do n't make it thirty - nine . Duff starts the pump . DRIVER Did n't hear you say `` Yessir ! '' Do n't they say `` Yessir '' where you come from ? Duff finishes pumping and puts the nozzle back onto the pump . DRIVER Boy - you hear me ?! DUFF That 'll be thirty - eight cents . DRIVER Goddamnit , nigger - you must think you 're white ! Who d'you think you are - king of Harlem ? SECOND WHITE How ` bout this windshield , boy ? Like a little service . Duff takes a moment before moving to the windshield and wiping it . The men inside the car watch him through the glass . THIRD WHITE Hell , they 're getting ' too big for their britches . SECOND WHITE Yeah , his wife 's the same way , struttin ' through town like she owns the place - shakin ' that little rear end . THIRD WHITE It 's all that education they 're getting . DRIVER Real cool , ai n't he ! Just like we 're not here . Duff moves over to the driver . DUFF That 'll be thirty - eight cents . DRIVER You in a big hurry , boy ? SECOND WHITE Yeah , he 's tryin ' to get home ! DRIVER Bet she 's pretty hot , huh ? DUFF . -LRB- very tense . -RRB- You watch your mouth , man ! The driver has finally found a way of getting to Duff and a grin spreads over his face . DRIVER I bet she 's a sly little nigger , that girl . Would n't mind a piece of her myself ! DUFF All right , you get out of here , man ! DRIVER . -LRB- exploding . -RRB- Who 're you tellin ' to get , boy ?! You watch it , or there 'll be some dyin ' done ` round here ! DUFF That dyin 's gon na be done two ways . He steps away from the car , a hand on the rear pocket where he keeps his knife . In the backseat , the owner of the ditched car looks nervous . OWNER Let 's go , Al. . He ai n't worth it . DRIVER . -LRB- turning on him . -RRB- Now you stay out of it ! Brad Ellis has come over . ELLIS What 's goin ' on ? DRIVER You better get rid of this white - eyed nigger ! ELLIS . -LRB- to Duff . -RRB- What happened ? DRIVER Never mind ! You keep him workin ' here and this place wo n't be around . And I ai n't kiddin ' ! He guns the engine and shoots out of the service station in a cloud of dust . Duff looks at Ellis , whose next move is predictable , and leaves the frame to run a water hose over the back of his neck . Ellis stops next to him . ELLIS Guess we got trouble . DUFF . -LRB- blowing up . -RRB- You ai n't got none , Mister ! ELLIS I 'm sorry , Duff . DUFF . -LRB- tossing down the hose . -RRB- Do n't tell me . I know . DUFF AND JOSIE 'S LIVING ROOM . -LRB- Night -RRB- Duff enters . Josie comes out of the bedroom in her nightgown . She has been waiting up . JOSIE I called the gas station . I 've been worried . Duff slumps down on the sofa , utterly discouraged . DUFF Hell , if they do n't blow up his place , they 'll get him some other way . Do n't make no difference no - how . JOSIE . -LRB- anxiously . -RRB- What d'you mean ? DUFF Nothin . Quit lookin ' at me like that ! He gets up . JOSIE . -LRB- approaching him . -RRB- Duff , I love you . DUFF Well , that do n't do me one bit of good ! She touches him . JOSIE Come on , Duff - let 's go to bed . He gives her a sudden , violent shove . It sends her sprawling to the floor . She picks herself up , weeping . DUFF I never should have married you in the first place . He stares at her . DUFF Ai n't you goin ' to say something ? JOSIE There 's nothing to say . DUFF Well , that 'll be the first time . He leaves the room . DUFF AND JOSIE 'S BEDROOM . -LRB- Night -RRB- Duff is packing his things . Josie is on the bed . JOSIE Where 're you going to go ? DUFF When I get set , I 'll send for you . JOSIE I do n't think that 'll happen . DUFF You 'll be better off without me . I ai n't fit to live with no more . It 's just like a lynchin ' . Maybe they do n't use a knife on you , but they got other ways . JOSIE You 're not a man because of a job , Duff . DUFF You don ' know nothin ' ` bout it , baby . Nothin ' ! And do n't kid yourself - you did your bit . He closes his bag . DUFF Okay . JOSIE Duff - DUFF . -LRB- at the door . -RRB- Like I said , baby - I 'll write you .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. DUFF'S CAR (Dawn)</stage_direction>
    <scene_description>He is driving across a bridge into Birmingham . DOWNTOWN STREET Duff stands on a deserted corner .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TENEMENT STAIRS</stage_direction>
    <scene_description>Duff climbs up to Will Anderson 's room . WILL 'S ROOM Will is sitting at the table in a drunken stupor . There is a knock at the door . WILL Who is it ? LEE It 's your son . Duff enters . WILL My son ? I ai n't got no son . You Duff ? DUFF That 's right . WILL Beat it ! He gets up and staggers toward Duff DUFF Take it easy , Pop . WILL What 's the matter ? Do n't smell so good , huh ? Must ' a broken some records . He pushes Duff away and pours himself a glass of whiskey . His hands are shaking . DUFF . -LRB- trying to restrain him . -RRB- Come on , Pop . LEE Nothing you can do . Been like this for days . WILL Got no use for nobody . He raises the glass to his mouth , but drops it and puts his hand on the back of his head . DUFF What is it ? What 's the matter ? Lee grabs Will and pushes him onto the bed . LEE . -LRB- at the end of her rope . -RRB- Now you lay down and get some sleep ! Will grabs her blindly and pulls her down onto the bed . LEE . -LRB- freeing herself , furious . -RRB- You let go ! She starts picking up the broken glass . Will sits up again . He is dazed . LEE Now you stay put ! WILL . -LRB- leaving the bed . -RRB- I ai n't drunk , honey . LEE Like hell you ai n't ! He sits down at the table and touches the back of his head . WILL Got a thick feelin ' here . LEE What 's the matter now ? WILL Better now . -LRB- closing his eyes . -RRB- Where ` you at ? LEE . -LRB- concerned . -RRB- Right here . She puts her hand on his forehead . WILL Could n't get the words out before . DUFF Better get him to a hospital . WILL Did n't I tell you to beat it - huh ? LEE . -LRB- taking Will 's arm . -RRB- Let 's go . WILL Anything you say , baby . With Duff 's help , Lee raises Will out of the chair .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TENEMENT, RAIN</stage_direction>
    <scene_description>Duff has helped Lee get Will into the backseat of his car . Through the window we see him grope blindly for Lee 's breast .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MOVING CAR</stage_direction>
    <scene_description>Duff , in the driver 's seat , is lost in thought . LEE . -LRB- off - screen . -RRB- Duff . Duff turns to her . Will 's head is in her lap . LEE He stopped breathin ' . Duff stops the car .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FUNERAL PARLOR</stage_direction>
    <scene_description>The undertaker sits down behind his desk . He lays out Will 's watch and a few other belongings for Duff and Lee , who are standing in front of him . UNDERTAKER We thought you might want these . DUFF Thanks . UNDERTAKER Would you like me to say anything tomorrow ? DUFF Guess so . UNDERTAKER Have anything in mind ? DUFF No . What you usually say , I guess . UNDERTAKER Where was your father born ? DUFF I do n't know . He looks at Lee . She shakes her head . UNDERTAKER His profession ? DUFF Well , he worked around . UNDERTAKER And his age ? DUFF I do n't know . Forty - eight , I guess . UNDERTAKER Any other family ? DUFF No . Just me . -LRB- he includes Lee . -RRB- Me an ' her . UNDERTAKER Well , I guess that 's all till tomorrow . DUFF Okay , thanks very much . URBAN CEMETERY , BIRMINGHAM The mechanical arm of a backhoe opens up a new grave . Duff and Lee walk away from the burial site . The camera moves with them .</scene_description>
    <character>LEE</character>
    <dialogue>What're you going to do?</dialogue>
    <scene_description>Duff says nothing .</scene_description>
    <character>LEE</character>
    <dialogue>Want to come up the house? You can stay there till you get on your feet. There's no point paying a hotel.</dialogue>
    <character>DUFF</character>
    <dialogue>No thanks, Lee.</dialogue>
    <character>LEE</character>
    <dialogue>It's just that I hate empty rooms.</dialogue>
    <character>DUFF</character>
    <dialogue>Sure.</dialogue>
    <character>LEE</character>
    <dialogue>Well, what're you going to do?</dialogue>
    <character>DUFF</character>
    <dialogue>I guess I'll make me some trouble in that town.</dialogue>
    <character>LEE</character>
    <dialogue>Going back, huh?</dialogue>
    <character>DUFF</character>
    <dialogue>That's right.</dialogue>
    <character>LEE</character>
    <dialogue>They'll run you out.</dialogue>
    <character>DUFF</character>
    <dialogue>No, they wo n't.</dialogue>
    <character>LEE</character>
    <dialogue>How ` you gon na live?</dialogue>
    <character>DUFF</character>
    <dialogue>I can always chop cotton if I have to.</dialogue>
    <parenthetical>( he stops . )</parenthetical>
    <dialogue>If you want a ride, I'll take you home.</dialogue>
    <character>LEE</character>
    <dialogue>No, thanks. I'll take the bus.</dialogue>
    <character>DUFF</character>
    <dialogue>Okay.</dialogue>
    <character>LEE</character>
    <dialogue>Do n't be too hard on him.</dialogue>
    <character>DUFF</character>
    <dialogue>Hell, I'm just like him.</dialogue>
    <character>LEE</character>
    <dialogue>I know he was n't much of a father.</dialogue>
    <character>DUFF</character>
    <dialogue>Who is?!</dialogue>
    <character>LEE</character>
    <dialogue>Good - bye, Duff.</dialogue>
    <scene_description>She walks away . BIRMINGHAM ALLEYWAY -LRB- Night -RRB- From the interior of Duff 's car we see Duff come out of Effie Simms ' house , carrying James Lee through the rain . He deposits the scared - looking boy in the front seat and gets in on the driver 's side . James Lee shrinks as far away from Duff as the seat allows .</scene_description>
    <character>DUFF</character>
    <parenthetical>( with a kindly grin . )</parenthetical>
    <dialogue>That window's broke, boy. You stay over there, you're gon na get awful wet.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MOVING CAR (Dawn)</stage_direction>
    <scene_description>The sun is coming up through the trees . James Lee is asleep on the front seat . DUFF AND JOSIE 'S LIVING ROOM Duff brings in the sleeping boy and puts him down on the sofa . Then he leaves to get his belongings . Josie has woken up and comes in from the bedroom in her nightgown . She sees James Lee and leans over him .</scene_description>
    <character>JOSIE</character>
    <parenthetical>( softly . )</parenthetical>
    <dialogue>Hi.</dialogue>
    <scene_description>James Lee opens his eyes . Josie hears Duff enter and turns to him . They come together and hold each other for a long moment .</scene_description>
    <character>DUFF</character>
    <dialogue>Ai n't gon na be easy, baby - but it's gon na be all right.</dialogue>
    <scene_description>Josie is weeping .</scene_description>
    <character>DUFF</character>
    <dialogue>Baby I feel so free inside.</dialogue>
  </scene>
</script>
Duff Anderson works on a railroad section gang near Birmingham, Alabama, earning a good wage and living an itinerant life with his black co-workers. On their night off, while the other men drink and visit a pool hall, Duff decides to walk into the nearby small town, and ends up at a church meeting featuring good food and lively gospel music. There, Duff meets the pretty and genteel schoolteacher Josie, the daughter of Preacher Dawson. They begin to date against the wishes of Josie's father and stepmother, who think the relatively uneducated, non-religious, and (to them) arrogant Duff is not good enough for Josie. Despite her parents' objections, Josie continues to see Duff, partly because Duff shows himself willing to resist and challenge the social conventions that oppress black people, rather than just accepting the status quo in order to get along with white people, as Josie's father has done. Initially, Duff is just looking for a sexual relationship and tells Josie he doesn't want to get married. But after Duff visits his four-year-old illegitimate son in the care of an unloving, indifferent stepmother, and his emotionally abusive, hardly functioning drunken father (Harris) living off his girlfriend (Lee), Duff realizes that he prefers the stability of a family to the life of a drifter. Duff and Josie marry with bright hopes for the future but then begin to face a series of challenges as a married couple. Duff quits the section gang and takes a lower paying job at the local sawmill in order to have a stable home life. Being on the move had given Duff the illusion of freedom, but living in the town makes Duff subject to the town's social rules, and he immediately starts to have problems. Unlike his peers, Duff refuses to pretend to be friendly to white people who treat him obnoxiously or patronize him. Duff tries to encourage his black co-workers at the mill to stick together and stand up for their rights, but one of them informs on him to the white mill bosses, who suspect him of being a union organizer and troublemaker. After Duff refuses to follow his white boss's order to retract his statements to the other men, Duff is fired, and subsequently finds himself blacklisted at other area mills. Despite diligently searching for work, he is unable to find another job that is not humiliating and that also pays enough to support his family, now including a baby on the way. Duff hates his preacher father-in-law, whom he sees as having sold out to the white people in return for social status and economic gain, and he hurtfully says to his wife, "You've never really been a nigger, living with them, in that house." Nevertheless, out of concern for Josie, Preacher Dawson uses his connections in the town to get Duff a job at a white-owned gas station. Soon, white customers who find Duff too proud for a black "boy" threaten to cause trouble if the boss keeps him on, and he loses that job as well. Although Josie is understanding, Duff, under emotional pressure and in a rage, shoves his pregnant wife to the floor when she tries to comfort him. Duff packs his bag and leaves their house, telling Josie that he will write her when he is on his feet again. Duff storms off to his father, and finds him so inebriated that he dies as Duff and Lee are driving him to the hospital. Neither Duff nor Lee know where Duff's father was born or how old he was, and the only possessions he has handed down to Duff are the contents of his pockets. Duff decides to return home with his young son, whom Josie had been wanting to adopt. Duff and Josie tearfully embrace as he reassures her that it "ain't gonna be easy, baby, but it's going to be alright. Baby, I feel so free inside”.