Armored_2009
<script>
  <scene>
    <character>ARMORED</character>
    <dialogue>by</dialogue>
    <scene_description>James V. Simpson September 29, 2006 Farah Films &amp; Management FADE IN:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DETROIT - NIGHT</stage_direction>
    <scene_description>Snow falls from a grey sky into the parking lot for...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MR. KIM'S FOODS - NIGHT</stage_direction>
    <scene_description>Christmas decorations dress up the discount grocery store like cheap makeup on an old whore. Crappy Christmas music plays on the cheap sound system as... TYLER "TY" HACKETT, 27, stocks shelves with cans. He's good looking even if a little rough around the edges. He takes life too seriously to enjoy it. A YOUNG FEMALE CUSTOMER, 17, catches his eye. She holds a cranky INFANT as she nervously makes her way down the aisle. Ty's MANAGER, 40s, comes into sight.</scene_description>
    <character>MANAGER</character>
    <dialogue>Ty, I need you to mop up tonight.</dialogue>
    <character>TY</character>
    <parenthetical>(I can't)</parenthetical>
    <dialogue>I have to pick Dana up after work.</dialogue>
    <scene_description>The Manager walks off to the cash registers.</scene_description>
    <character>MANAGER</character>
    <dialogue>Then you better mop fast.</dialogue>
    <scene_description>Ty glares. He notices the Female Customer lingering by the medicine section. She glances around, then slips a bottle of INFANT'S COUGH MEDICINE into her pocket. She goes to hurry down the aisle when Ty blocks her.</scene_description>
    <character>TY</character>
    <dialogue>Excuse me.</dialogue>
    <scene_description>Her sunken face floods with fear. Ty notes her coat is torn. Her sick baby coughs and cries. Ty glances at the Manager. Christmas music fills the tense silence, then...</scene_description>
    <character>TY</character>
    <parenthetical>(steps aside)</parenthetical>
    <dialogue>Merry Christmas.</dialogue>
    <character>CUSTOMER</character>
    <parenthetical>(emotional)</parenthetical>
    <dialogue>Thank you.</dialogue>
    <scene_description>She beelines out of the store. Ty watches her go. A smile spreads across his face as... MUSIC KICKS. Think a cover of "RUN RUN RUDOLPH"</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DOWNTOWN - LATER</stage_direction>
    <scene_description>Ty's piece-of-shit 1979 Camaro blasts through traffic, passing magnificent glass and Art Deco towers.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SIMMONS AND CLARK JEWELERS - NIGHT</stage_direction>
    <scene_description>Ty, wearing shabby clothes, hurries past WELL DRESSED SHOPPERS. This part of town is a world away from the ghetto where he works. Something in the jeweler's window catches his eyes. Ty stops and looks longingly at a diamond ring in the window display. It's not the most expensive but it is the most beautiful. A SECURITY GUARD scowls at Ty from behind the window. Ty selfconsciously moves on.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ANDIAMO RESTAURANT - NIGHT</stage_direction>
    <scene_description>Upscale. Busy. DANA, 25, an attractive waitress, smiles at FOUR LOUD EXECUTIVES as they get up to leave. They blatantly leer at her body as they go. She collects the money they left on the table for the bill.</scene_description>
    <character>DANA</character>
    <dialogue>Excuse me. You forgot your change.</dialogue>
    <character>EXECUTIVE</character>
    <dialogue>That's your tip, honey.</dialogue>
    <scene_description>She affects a friendly smile.</scene_description>
    <character>DANA</character>
    <dialogue>Even though you didn't take your eyes off my ass all night, I laughed at your stupid jokes and smiled nicely. And you left a dollar and eighty seven cents.</dialogue>
    <scene_description>Dana hands him back his money.</scene_description>
    <character>DANA</character>
    <dialogue>That's not a tip, honey, it's change.</dialogue>
    <scene_description>Off the Stunned looks on the Executives' faces...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ANDIAMO RESTAURANT - NIGHT</stage_direction>
    <scene_description>Dana exits the restaurant. The crushing weight of another shitty day melts away when she sees Ty standing outside. They kiss. Pure happiness.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CHRISTMAS TREE LOT - NIGHT</stage_direction>
    <scene_description>As Ty and Dana walk past a lot selling Christmas trees.</scene_description>
    <character>DANA</character>
    <parenthetical>(re: Christmas Trees)</parenthetical>
    <dialogue>Look how beautiful they are.</dialogue>
    <scene_description>All Ty sees is the sign: "$150".</scene_description>
    <character>TY</character>
    <parenthetical>(frustrated)</parenthetical>
    <dialogue>One-fifty? Who can afford that? I work two jobs and I sure can't...</dialogue>
    <character>DANA</character>
    <dialogue>...We don't need a tree.</dialogue>
    <character>TY</character>
    <dialogue>Then you gotta buy the lights.</dialogue>
    <character>DANA</character>
    <dialogue>We don't need lights, especially if we don't have a tree.</dialogue>
    <scene_description>That gets a smile from Ty.</scene_description>
    <character>DANA</character>
    <dialogue>Christmas isn't about money, it's about family.</dialogue>
    <scene_description>A snowflake lands on her eyelash.</scene_description>
    <character>TY</character>
    <dialogue>There's a snowflake on your eyelash.</dialogue>
    <character>DANA</character>
    <dialogue>Make a wish and blow it off.</dialogue>
    <scene_description>Dana closes her eyes. Ty is struck by how beautiful she is. Ty gently blows the flake off her lash. She looks deep into his eyes. Their faces close. Intimate.</scene_description>
    <character>DANA</character>
    <dialogue>What did you wish for?</dialogue>
    <character>TY</character>
    <dialogue>If I tell you, it won't come true.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. CORKTOWN - NIGHT</stage_direction>
    <scene_description>Shabby brick buildings and vacant lots spread like cancer. Here there are no decorations. No Christmas. No hope.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TY'S APARTMENT - NIGHT</stage_direction>
    <scene_description>DARK. Sounds of the city and arguing from other tenants bleeds through the walls. Ty and Dana come in with CARTONS OF CHINESE TAKEOUT. Dana throws the light switch. Nothing happens. Ty desperately tries another switch. Nothing.</scene_description>
    <character>DANA</character>
    <dialogue>Did you pay the electric bill?</dialogue>
    <character>TY</character>
    <dialogue>I don't get paid until Friday. I'm sorry, baby.</dialogue>
    <character>DANA</character>
    <dialogue>It's okay. We can use candles. It will be romantic.</dialogue>
    <scene_description>They kiss. The romantic moment is broken when... JIMMY HACKETT, 17, strolls in with a basketball tucked under his arm. He helps himself to the food. Off their look...</scene_description>
    <character>JIMMY</character>
    <parenthetical>(mouth full of food; offering)</parenthetical>
    <dialogue>Egg roll?</dialogue>
    <character>DANA</character>
    <dialogue>I'll get the candles.</dialogue>
    <scene_description>She goes. Ty glowers as... Jimmy gulps down the last of the milk and leaves the empty carton on the table. Ty takes the empty milk carton...</scene_description>
    <character>TY</character>
    <dialogue>How many times do I have to tell you to throw the empty carton out, don't leave it on the table.</dialogue>
    <scene_description>...And tosses it in the garbage.</scene_description>
    <character>JIMMY</character>
    <dialogue>Don't get pissed at me. How was I supposed to know you were getting your mack on?</dialogue>
    <character>TY</character>
    <dialogue>You're supposed to be in your room, studying.</dialogue>
    <character>JIMMY</character>
    <dialogue>I can't read in the dark.</dialogue>
    <scene_description>That cuts Ty. Dana lights the candles. In the light she finds an ENVELOPE on the table.</scene_description>
    <character>DANA</character>
    <parenthetical>(re: envelope)</parenthetical>
    <dialogue>There's a letter from the high school.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TY'S BEDROOM - MOMENTS LATER</stage_direction>
    <scene_description>Ty clenches the school letter in his fist.</scene_description>
    <character>TY</character>
    <dialogue>I'm gonna kill him.</dialogue>
    <character>DANA</character>
    <dialogue>Don't get mad.</dialogue>
    <character>TY</character>
    <dialogue>I'm not mad.</dialogue>
    <scene_description>She gives him an incredulous look.</scene_description>
    <character>TY</character>
    <dialogue>Okay, I'm mad. Why aren't you?</dialogue>
    <character>DANA</character>
    <dialogue>I am, but he's your brother.</dialogue>
    <character>TY</character>
    <dialogue>Dana, he's failing every subject, even PE. How do you fail PE?</dialogue>
    <character>DANA</character>
    <dialogue>Talk to him.</dialogue>
    <character>TY</character>
    <dialogue>He doesn't need to talk, he needs his ass kicked.</dialogue>
    <scene_description>He goes for the door.</scene_description>
    <character>DANA</character>
    <dialogue>Ty.</dialogue>
    <scene_description>She gives him a look. "Take it easy". Ty nods.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JIMMY'S BEDROOM - MOMENTS LATER</stage_direction>
    <scene_description>Jimmy reads by flashlight. Ty opens the door, holding the basketball under his arm..</scene_description>
    <character>TY</character>
    <dialogue>Come on.</dialogue>
    <character>JIMMY</character>
    <dialogue>I'm busy.</dialogue>
    <scene_description>Ty tosses him the ball.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BASKETBALL COURT - NIGHT</stage_direction>
    <scene_description>Moving through the glow from street lights, Jimmy drives to the hoop. Ty is all over him. Shoving. Pushing. Jimmy goes up and... Ty smacks the ball away. As the game continues...</scene_description>
    <character>JIMMY</character>
    <dialogue>Why are you making a big deal outta this?</dialogue>
    <character>TY</character>
    <dialogue>Because I'm busting my ass so you can stay in school.</dialogue>
    <character>JIMMY</character>
    <dialogue>I thought I could get a job and help out.</dialogue>
    <character>TY</character>
    <dialogue>Your job is to finish school.</dialogue>
    <character>JIMMY</character>
    <dialogue>I could do both.</dialogue>
    <scene_description>Jimmy steals the ball and takes a perfect three point shot.</scene_description>
    <character>TY</character>
    <dialogue>So that's how it is?</dialogue>
    <scene_description>Jimmy smiles. Ty takes the ball. He cuts back and forth, trying to get around Jimmy...</scene_description>
    <character>TY</character>
    <dialogue>What do you do when your boss tells you to work late?</dialogue>
    <scene_description>Ty pushes. Jimmy shoves back. The aggression escalates...</scene_description>
    <character>TY</character>
    <dialogue>You can't say no, you can't quit, because you need that job to pay the rent.</dialogue>
    <scene_description>Ty's frustration with his life boils... He elbows Jimmy...</scene_description>
    <character>TY</character>
    <dialogue>You don't have time for your school work so your grades keep dropping until you fail out. Now you are stuck working that crappy job with no way out. You're trapped...</dialogue>
    <scene_description>Ty plows Jimmy over and slams the ball through the hoop.</scene_description>
    <character>TY</character>
    <dialogue>...Is that what you want?</dialogue>
    <scene_description>Ty offers a hand to help Jimmy up. Jimmy knocks Ty's hand aside and gets to his feet on his own.</scene_description>
    <character>JIMMY</character>
    <dialogue>I didn't ask you to quit school.</dialogue>
    <character>TY</character>
    <dialogue>Dad left, Jimmy. Someone had to pay the bills.</dialogue>
    <character>JIMMY</character>
    <parenthetical>(angry)</parenthetical>
    <dialogue>It's not my fault.</dialogue>
    <scene_description>Jimmy leaves.</scene_description>
    <character>TY</character>
    <dialogue>That's not what I meant. Jimmy!</dialogue>
    <scene_description>Jimmy doesn't look back. Ty immediately feels like shit for saying it.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CORKTOWN - MORNING</stage_direction>
    <scene_description>The neighborhood looks worse in the early morning light.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TY'S BEDROOM - DAY</stage_direction>
    <scene_description>Ty and Dana sleep. He stirs and glances at the digital clock beside his bed. It's dead. Ty bolts up and grabs his watch. He's late.</scene_description>
    <character>TY</character>
    <dialogue>Shit.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. EAGLE SHIELD LOT - DAY</stage_direction>
    <scene_description>On the city outskirts... Ty's Camaro blasts into a lot full of big red ARMORED CURRENCY TRANSPORTS (ACTs), that's an "Armored Truck" for you civilians. Crews of SECURITY GUARDS are already climbing into their trucks and pulling out. As Ty parks, COCHRANE, 50s, definitely ex-military, calls out...</scene_description>
    <character>COCHRANE</character>
    <dialogue>Hurry up, Hackett. I already punched you in.</dialogue>
    <scene_description>Ty races to the truck and climbs in.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM - DAY</stage_direction>
    <scene_description>Tacky Christmas decorations add a hint of cheer. MAPS on the wall have marked routes. DISPATCHERS monitor frequencies used by police, fire, ambulance, CB and the company's trucks. ASHCROFT, 50s, the Chief of Operations, limps with a cane. On his hand is a ring bearing the crest of his old DETROIT POLICE BADGE. He keenly watches the ACTs pull out.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 (MOVING) - DAY</stage_direction>
    <scene_description>Cochrane steers the truck out of the lot as Ty straps into the passenger seat. In the rear jump-seat sits, BAINES, 30s, who has the leathery broken face of a boxer.</scene_description>
    <character>TY</character>
    <dialogue>Thanks for waiting.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Company regs, we can't leave without a full crew.</dialogue>
    <character>TY</character>
    <dialogue>Was the Chief upset?</dialogue>
    <character>BAINES</character>
    <dialogue>The Chief is always upset.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Lucky for you this job could be done by trained monkeys...</dialogue>
    <character>TY</character>
    <parenthetical>(finishing the joke)</parenthetical>
    <dialogue>...but they'd want more bananas.</dialogue>
    <scene_description>Ty and Cochrane share an easygoing smile.</scene_description>
    <character>COCHRANE</character>
    <dialogue>How's it feel?</dialogue>
    <character>TY</character>
    <dialogue>What?</dialogue>
    <character>COCHRANE</character>
    <dialogue>It's your last day of probation. Starting Monday you'll officially be one of us.</dialogue>
    <character>BAINES</character>
    <parenthetical>(re: Cochrane and Ty)</parenthetical>
    <dialogue>It's like looking at a before and after picture.</dialogue>
    <scene_description>Ty glances at Cochrane. Troubled that this may be his fate, he forces a smile. Baines swigs from a flask and takes his morning nap.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DETROIT'S SOUTH SIDE - DAY</stage_direction>
    <scene_description>Snow falls as the ACT rolls past a forest of power line towers and crumbling stacks in an industrial wasteland. Think a John Ford western with a stage coach winding its way through the badlands. We get a glimpse of: Spinning knobby BULLET PROOF TIRES... Thick BULLET PROOF PLEXI WINDOWS... GUN PORTS everywhere... More than a bank vault on wheels... It's a tank.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 (MOVING) - DAY</stage_direction>
    <scene_description>IN THE BACK: The cargo area has a REAR and SIDE DOOR with GUN PORTS under the THICK PLEXI WINDOWS in each. A ROOF HATCH. FIRST AID KIT. FIRE EXTINGUISHER. EMERGENCY ROADSIDE KIT. Shelves hold CANVAS MONEY BAGS sealed with red plastic zip-strips. Baines snores.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DOWNTOWN - LATER</stage_direction>
    <scene_description>The ACT makes its way through heavy downtown traffic. QUICK SHOTS OF TY'S DAY: -- Ty and Cochrane carry MONEY BAGS into a BANK. -- HOLIDAY SHOPPERS buy Christmas trees. -- SHOPPERS withdraw CASH from ATMs. -- Ty and Cochrane haul more MONEY into another BANK. -- MONEY... MONEY... MONEY...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 (MOVING) - DAY</stage_direction>
    <scene_description>The ACT moves through a nice part of town. Ty looks at well dressed PEOPLE with a mixture of desperation and resentment. Cochrane glances at Baines. They know how Ty feels.</scene_description>
    <character>COCHRANE</character>
    <dialogue>It doesn't get any easier.</dialogue>
    <character>TY</character>
    <dialogue>What?</dialogue>
    <character>COCHRANE</character>
    <dialogue>Knowing you are risking your neck for ten dollars an hour to protect the money they use to buy new clothes and fancy cars, while you can't even afford to keep your lights on.</dialogue>
    <scene_description>Ty's look says Cochrane is reading his mind.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Thinking about it only makes it worse, especially around the holidays. You'll get used to it after a few years.</dialogue>
    <character>TY</character>
    <dialogue>I won't be here that long. This is just to pay the bills until I find something better.</dialogue>
    <character>COCHRANE</character>
    <dialogue>That's what I said, twenty years ago.</dialogue>
    <scene_description>Ty's face sinks. A large GARBAGE TRUCK backs out of an alley, blocking them. Cochrane anxiously blows the horn.</scene_description>
    <character>TY</character>
    <dialogue>What's wrong?</dialogue>
    <character>COCHRANE</character>
    <parenthetical>(worried)</parenthetical>
    <dialogue>We're boxed in.</dialogue>
    <character>TY</character>
    <dialogue>Relax, he'll move soon.</dialogue>
    <scene_description>The GARBAGE TRUCK DRIVER gets out and heads to the back of his truck.</scene_description>
    <character>TY</character>
    <dialogue>Where's he going?</dialogue>
    <scene_description>Suddenly, a van with dark windows roars into view, blasting the wrong way through traffic. Heading for the truck! Cochrane spots the van and pounds on the bulkhead.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Van on the left.</dialogue>
    <scene_description>Baines wakes and grabs a shotgun from the wall mount beside the rear jump seat. Ty snaps around to see the van racing toward them.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Looks like a code ten.</dialogue>
    <character>TY</character>
    <parenthetical>(worried)</parenthetical>
    <dialogue>Do I call it in? Should I radio for help?</dialogue>
    <scene_description>As the van rolls alongside them...</scene_description>
    <character>COCHRANE</character>
    <dialogue>I hope you got your life insurance paid up, Hackett.</dialogue>
    <character>TY</character>
    <dialogue>Oh, shit.</dialogue>
    <scene_description>Ty grabs his pistol. A tense beat, then surprisingly -- the van zooms past them. Ty is stunned. Sweat drips off his face. His eyes swim to Cochrane. Baines snickers. A smile cracks across Cochrane's face.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LOCKER ROOM - NIGHT</stage_direction>
    <scene_description>A DOZEN GUARDS laugh as Baines tells the story...</scene_description>
    <character>BAINES</character>
    <parenthetical>(mocking Ty)</parenthetical>
    <dialogue>Do I call it in? Should I radio for help?</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>He looked like he was gonna piss his pants.</dialogue>
    <scene_description>They laugh. Ty forces a smile.</scene_description>
    <character>COCHRANE</character>
    <dialogue>The kid did okay. I remember one Probie who got out of the truck and ran away.</dialogue>
    <character>BAINES</character>
    <dialogue>I was going for help.</dialogue>
    <scene_description>Now Ty really smiles as the Guards enjoy a good laugh. Ashcroft walks in holding a large coffee can filled with loose cash.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>Listen up.</dialogue>
    <scene_description>They stifle their laughter.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>I was getting the collections together for Freddy's widow and I found this.</dialogue>
    <scene_description>Ashcroft pulls a note out of the can and reads it...</scene_description>
    <character>ASHCROFT</character>
    <dialogue>For a good time, call 555-6878. You're sick, Baines. Get help.</dialogue>
    <scene_description>Baines smirks. Ashcroft moves through the room with a cold intense glare.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>Hackett, I've got bad news.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>You passed your probation. You're officially a Guard now.</dialogue>
    <scene_description>Ashcroft hands Ty and official EAGLE SHIELD ID CARD. The Guards clap and holler.</scene_description>
    <character>COCHRANE</character>
    <dialogue>I guess this means we can't haze you anymore. Congratulations, Hackett.</dialogue>
    <character>TY</character>
    <dialogue>Why is that bad news?</dialogue>
    <character>ASHCROFT</character>
    <dialogue>You have to work with these guys.</dialogue>
    <scene_description>Ashcroft smiles.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>Get some rest this weekend. We got a big day on Monday.</dialogue>
    <scene_description>Ashcroft leaves.</scene_description>
    <character>TY</character>
    <dialogue>What happens Monday?</dialogue>
    <character>BAINES</character>
    <dialogue>The Super Bowl for armored currency transpo.</dialogue>
    <scene_description>Another Guard, DOBBS, 30s, scruffy, steps in.</scene_description>
    <character>DOBBS</character>
    <dialogue>The Christmas load.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Monday is our last delivery before Christmas. These are the busiest shopping days of the year. The banks need a lot of money to meet the demand.</dialogue>
    <character>DOBBS</character>
    <dialogue>A lot of money.</dialogue>
    <scene_description>Cochrane looks to the other Guards, then...</scene_description>
    <character>COCHRANE</character>
    <dialogue>Come on, Hackett. You popped your cherry today. We got to celebrate. I'm buying.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BAR - NIGHT</stage_direction>
    <scene_description>A local dive. They've had a few.</scene_description>
    <character>BAINES</character>
    <dialogue>Life is a toilet and we're just circling the bowl.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Baines turns into a poet when he's been drinking.</dialogue>
    <scene_description>Ty and his crew sit at a table with the crew for ACT 17: Palmer, 40s, the driver. Quinn, 30s, the bag man. DOBBS, 30s, who strikes a match to watch it burn. Baines belches louder than any man in history.</scene_description>
    <character>COCHRANE</character>
    <dialogue>My ex is on my ass about the alimony.</dialogue>
    <character>PALMER</character>
    <dialogue>Which one?</dialogue>
    <character>COCHRANE</character>
    <dialogue>The second one. She says I can't see my kids for Christmas if I don't pay up, but I don't have it.</dialogue>
    <character>QUINN</character>
    <dialogue>I hear you. My kids need braces. I don't know where I'm gonna get the money.</dialogue>
    <scene_description>They look at Ty, who is in his own world, staring at his GUARD ID CARD - his future.</scene_description>
    <character>TY</character>
    <dialogue>We all got money problems. That's never gonna change.</dialogue>
    <scene_description>Ty downs his drink. The others look knowingly at Cochrane.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Never say never.</dialogue>
    <scene_description>Off Ty's look...</scene_description>
    <character>COCHRANE</character>
    <dialogue>There is a way we can change it.</dialogue>
    <character>TY</character>
    <dialogue>How?</dialogue>
    <character>COCHRANE</character>
    <dialogue>Steal the Christmas load.</dialogue>
    <character>TY</character>
    <parenthetical>(joking)</parenthetical>
    <dialogue>Yeah sure.</dialogue>
    <scene_description>Ty looks at Cochrane's blank face.</scene_description>
    <character>TY</character>
    <dialogue>You're kidding, right?</dialogue>
    <scene_description>Cochrane looks dead serious.</scene_description>
    <character>TY</character>
    <parenthetical>(to the others)</parenthetical>
    <dialogue>Tell me he's joking.</dialogue>
    <scene_description>Grim unflinching faces stare back at him.</scene_description>
    <character>TY</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Okay, you got me. Ha, ha. Funny joke on the new guy.</dialogue>
    <character>COCHRANE</character>
    <dialogue>This is no joke.</dialogue>
    <scene_description>Ty reads Cochrane's face. Ty is thunderstruck when he sees Cochrane is not joking. The mood radically shifts...</scene_description>
    <character>TY</character>
    <dialogue>You're serious? You're fucking serious?</dialogue>
    <character>COCHRANE</character>
    <dialogue>As cancer.</dialogue>
    <scene_description>Ty's mind is reeling...</scene_description>
    <character>TY</character>
    <dialogue>Holy shit...</dialogue>
    <scene_description>Ty looks like a deer caught in the headlights. He looks like he's going to be sick.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Listen to me kid. We have a perfect plan. But we can't pull it off without you.</dialogue>
    <scene_description>Ty's eyes bore into him. He doesn't know what to say.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Think about it. On Monday we will have TEN MILLION dollars in our trucks.</dialogue>
    <scene_description>The number just hangs there. Ty is incredulous.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Ten million split between the six of us is a lot of zeroes.</dialogue>
    <scene_description>Ty can't help but think about how great his life would be if he had that money.</scene_description>
    <character>TY</character>
    <dialogue>That's a lot of money...</dialogue>
    <character>BAINES</character>
    <dialogue>Hell yeah.</dialogue>
    <character>TY</character>
    <dialogue>Wait. This is crazy.</dialogue>
    <scene_description>The others trade worried looks.</scene_description>
    <character>COCHRANE</character>
    <dialogue>No one gets hurt. Everyone wins.</dialogue>
    <scene_description>Ty looks to the others, then back to Cochrane...</scene_description>
    <character>COCHRANE</character>
    <dialogue>Monday at 0-seven-hundred we pick up the load from the Federal Reserve. A shipment this big requires two trucks. Ours and theirs.</dialogue>
    <parenthetical>(nods toward Palmer, Quinn and Dobbs)</parenthetical>
    <dialogue>We take our regular route back to the depot, where the Chief will be waiting to distribute the load to other trucks for delivery. But we don't make it to the depot.</dialogue>
    <character>TY</character>
    <dialogue>We don't?</dialogue>
    <scene_description>Baines stares through Ty.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Along the way we stop and hide the money in a safe place. Then we get back on the route and call in a code ten.</dialogue>
    <character>TY</character>
    <dialogue>That's it? Hide the money and fake being robbed?</dialogue>
    <character>COCHRANE</character>
    <dialogue>The best plan is a simple plan.</dialogue>
    <character>TY</character>
    <dialogue>They are gonna suspect you.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Of course they will. The cops are gonna come at us hard, but if we stick to the story they won't be able to prove a damn thing.</dialogue>
    <character>TY</character>
    <dialogue>I think they'll have proof when you all quit and start living on easy street.</dialogue>
    <character>COCHRANE</character>
    <dialogue>That's why we don't spend the money. My ex-wife's brother is a banker. He'll hide the money in untraceable accounts that can't be touched for two years. The cops and the insurance company will have closed their investigations by then.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I'm due for retirement and you guys will fail your next medical because of post traumatic stress from the robbery. By the time we get the money the company will have forgotten we ever existed. Ty, trust me. No one gets hurt. It's a perfect plan.</dialogue>
    <scene_description>All eyes are on Ty, whose mind is racing. A beat, then...</scene_description>
    <character>COCHRANE</character>
    <dialogue>Are you in?</dialogue>
    <character>TY</character>
    <dialogue>I don't want to steal some old lady's life savings.</dialogue>
    <character>BAINES</character>
    <parenthetical>(seething)</parenthetical>
    <dialogue>I fucking knew it.</dialogue>
    <scene_description>Shit! The guys are pissed. Cochrane stays cool, leans in.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(smooth)</parenthetical>
    <dialogue>Ty - We're not stealing anyone's life savings. The money is insured. The insurance company will replace it. No one will lose a dime.</dialogue>
    <scene_description>Ty's eyes says he's on the fence, considering it.</scene_description>
    <character>COCHRANE</character>
    <dialogue>This is our only chance at this. The Company is in the process of upgrading the trucks with GPS tracking. When that happens we won't be able to take a piss without the company knowing where and how long it took. Monday is our last shot at a score big enough to give our families a better life.</dialogue>
    <character>TY</character>
    <dialogue>And if I say no?</dialogue>
    <scene_description>The Guards grumble. Cochrane's look silences them.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Then it's off. It's all of us or it doesn't happen.</dialogue>
    <scene_description>Ty clocks the guys, still on the fence.</scene_description>
    <character>COCHRANE</character>
    <dialogue>You need this as much as we do. Take the weekend to think about it.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>We'll see you Monday. Don't be late.</dialogue>
    <scene_description>Cochrane drops some cash on the table as he goes. The others follow Cochrane out, leaving Ty alone at the table. He has no idea what to do.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JIMMY'S BEDROOM - NIGHT</stage_direction>
    <scene_description>In the dim, music buzzes from the headphones on Jimmy's ears as he reads the WANT ADS, circling a few. Ty opens the door, sees Jimmy reading so he turns on the light. Jimmy's face says he doesn't want Ty's light, he doesn't want anything from Ty.</scene_description>
    <character>TY</character>
    <dialogue>I want to talk to you.</dialogue>
    <scene_description>Jimmy turns up the music and ignores Ty. Ty looks at Jimmy with regret and guilt.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TY'S BEDROOM - NIGHT</stage_direction>
    <scene_description>Ty lies in bed, staring at the ceiling. His mind races as Dana drifts off to sleep beside him.</scene_description>
    <character>TY</character>
    <dialogue>Did I ever tell you the last thing my old man said to me before he split?</dialogue>
    <character>DANA</character>
    <parenthetical>(groggy)</parenthetical>
    <dialogue>I don't remember...</dialogue>
    <character>TY</character>
    <dialogue>He said "life doesn't give you chances, you have to take your own".</dialogue>
    <scene_description>Dana snuggles up to him.</scene_description>
    <character>TY</character>
    <dialogue>You remember that wish I made the other night, with the snowflake. I think I can make it come true for us.</dialogue>
    <scene_description>Ty sees Dana has fallen asleep. He gazes up at the ceiling, lost in his thoughts.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DETROIT - DAY</stage_direction>
    <scene_description>Sunrise casts a gray pallor over the city. An army of SNOWPLOWS try to keep up with the falling snow.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TY'S APARTMENT - DAY</stage_direction>
    <scene_description>In the quiet dim light of dawn, Ty sits at the kitchen table writing a letter.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LOCKER ROOM - DAY</stage_direction>
    <scene_description>Ty, wearing his uniform, sits in deep thought.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREAK ROOM - DAY</stage_direction>
    <scene_description>ROLL CALL. The room is full of GUARDS. Ashcroft calls out names. Cochrane and Baines trade worried looks... Ty isn't here.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>Hackett.</dialogue>
    <scene_description>Ty pushes into the room...</scene_description>
    <character>TY</character>
    <dialogue>Here, Chief.</dialogue>
    <scene_description>Ty finds a space away from the group. He can't meet Cochrane's gaze. Ashcroft finishes the roll, then...</scene_description>
    <character>ASHCROFT</character>
    <dialogue>Gentlemen. This is the last shift before Christmas and I know you're thinking about spending the holidays with your families.</dialogue>
    <scene_description>They are.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>Don't.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Get your minds on the job because you can't afford to drop your guard for a second. Always expect the unexpected. If Santa Claus appears and pulls out a machine gun, I want you to be ready for it. This company has never lost a shipment and it's not going to happen on my watch. Let's roll.</dialogue>
    <scene_description>The Guards head out. Cochrane and Baines drift over to Ty.</scene_description>
    <character>TY</character>
    <dialogue>No one gets hurt?</dialogue>
    <character>COCHRANE</character>
    <dialogue>That's the plan.</dialogue>
    <scene_description>A tense moment as Ty decides...</scene_description>
    <character>TY</character>
    <dialogue>I'm in.</dialogue>
    <scene_description>Off Cochrane's pleased smirk...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 17 - DAY</stage_direction>
    <scene_description>Palmer, Quinn and Dobbs strap into their seats.</scene_description>
    <character>QUINN</character>
    <dialogue>Today is gonna be a hell of a day.</dialogue>
    <scene_description>They gleefully pound fists.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 - DAY</stage_direction>
    <scene_description>As they climb in...</scene_description>
    <character>BAINES</character>
    <dialogue>Think what they say is true, mo' money, mo' problems?</dialogue>
    <character>TY</character>
    <dialogue>I hope not.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Relax, kid. It'll all be over soon.</dialogue>
    <scene_description>Cochrane throws a smirk at Baines as the doors slam shut.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. EAGLE SHIELD LOT - DAY</stage_direction>
    <scene_description>ACTs 12 and 17 thunder away.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FEDERAL RESERVE BANK - DAY</stage_direction>
    <scene_description>The trucks roll by the "Federal Reserve Bank" sign on a massive limestone BUILDING that's more fortress than bank. The armored trucks turn down a ramp.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FEDERAL RESERVE BANK LOADING DOCK - DAY</stage_direction>
    <scene_description>The two armored trucks backup to the loading docks. FEDERAL GUARDS with AR-15s wheel out four 2'x3'x5' Kryptonite cases. Cochrane swipes his ID card through a Federal Guard's portable scanner. It beeps and a green light glows.</scene_description>
    <character>FEDERAL GUARD</character>
    <dialogue>Transfer looks good. You got yourself ten million dollars.</dialogue>
    <character>COCHRANE</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Load 'em up.</dialogue>
    <scene_description>Ty and the crew load the heavy cases into their trucks.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DETROIT'S SOUTH SIDE - DAY</stage_direction>
    <scene_description>The two ACTs punch through blowing snow as they make their way through the desolate industrial wasteland.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 (MOVING) - DAY</stage_direction>
    <scene_description>Ty's on the edge of his seat. Cochrane checks his watch.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Time to check in.</dialogue>
    <scene_description>Ty hesitantly lifts the radio mic.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Remember, stay frosty.</dialogue>
    <character>TY</character>
    <parenthetical>(into radio.)</parenthetical>
    <dialogue>Eagle twelve, control.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM</stage_direction>
    <scene_description>Ashcroft grabs a headset to take the call.</scene_description>
    <character>ASHCROFT</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>What's your status, twelve?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 (MOVING)</stage_direction>
    <character>TY</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Twelve is...</dialogue>
    <parenthetical>(glances at Cochrane)</parenthetical>
    <dialogue>...Code-five. Situation normal.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM</stage_direction>
    <scene_description>Ashcroft is satisfied.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>Copy, twelve. Next check in sixty.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 (MOVING)</stage_direction>
    <scene_description>Cochrane and Baines wear smug smiles. The radio starts to fizzle as Ty uneasily hangs the mic on the hook.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Relax, kid. The hard part's over. It's like taking candy from a baby now.</dialogue>
    <scene_description>They enter the long abandoned RUSSELL INDUSTRIAL CENTER.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RUSSELL INDUSTRIAL CENTER</stage_direction>
    <scene_description>The two ACTs roll past a rusty "NO TRESPASSING" sign and enter a maze of decaying six story brick buildings.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. AUTO-BODY FACTORY - DAY</stage_direction>
    <scene_description>CRASH! A flying rock shatters glass... Two young BOYS throw rocks to break the few remaining windows in one of the decaying six story brick buildings. The Boys hear an engine and take off running. They disappear into a dark narrow crevice just as... A TACTICAL MOBILE UNIT, you know it as a "police car", crawls around the corner of a building.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TMU (MOVING) - DAY</stage_direction>
    <scene_description>ECKEHART, 50s, with choirboy eyes in a street wise face, hums "Deck The Halls" as he drives. Beside him is LEON, 30s.</scene_description>
    <character>LEON</character>
    <dialogue>Do you have to do that?</dialogue>
    <scene_description>Eckehart, with a devilish smile, hums louder.</scene_description>
    <character>LEON</character>
    <dialogue>This is a waste of time. We should be out busting real criminals, not looking for kids breaking windows.</dialogue>
    <character>ECKEHART</character>
    <dialogue>We catch these kids when they're young, set them on the right path, and they never become "real criminals".</dialogue>
    <character>LEON</character>
    <dialogue>You missed your calling, Eckehart. You should have been a Priest.</dialogue>
    <scene_description>The radio spits unintelligible static.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 (MOVING) - DAY</stage_direction>
    <scene_description>Their radio crackles. Ty looks uneasy.</scene_description>
    <character>COCHRANE</character>
    <dialogue>This is it. There's no going back.</dialogue>
    <scene_description>Baines smiles like a hungry shark. Ty gives a reluctant nod.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RUSSELL INDUSTRIAL CENTER - DAY</stage_direction>
    <scene_description>The snow falls on the two ACTs as they roll past a humming power relay station.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTO-BODY FACTORY - DAY</stage_direction>
    <scene_description>Wind moans. Shadows blanket huge PRESSES and MACHINES. They stand like rusting tombstones... and in a way they are. Quinn and Dobbs drag open a pair of large wooden doors. The trucks rumble in... triggering an explosion of beating wings as what seems like a thousand PIGEONS take flight. Dobbs and Quinn pull the doors shut behind them. Ty and Cochrane climb out. Baines throws the back door open and hops out with the SHOTGUN over his shoulder. Ty scans the cavernous ruins.</scene_description>
    <character>TY</character>
    <dialogue>You sure the money will be safe here?</dialogue>
    <character>COCHRANE</character>
    <dialogue>Safer than a bank. No one comes here.</dialogue>
    <scene_description>Cochrane checks his watch.</scene_description>
    <character>COCHRANE</character>
    <dialogue>We got fifty minutes to stash the money and get setup. Move it.</dialogue>
    <scene_description>Baines and Palmer pry up a heavy metal cover to a conduit access tunnel. SNICK! A blade snaps out from Cochrane's knife. He slices off the red plastic security strips on a money box. They gather around as Cochrane lifts the case's lid. There's more green than a St. Patrick's Day parade. They can't take their eyes off the money. Ty can't believe it's real. Cochrane and the others beam.</scene_description>
    <character>BAINES</character>
    <dialogue>A bunch of dead guys never looked so good. They even smell nice.</dialogue>
    <scene_description>Baines savors the smell.</scene_description>
    <character>TY</character>
    <dialogue>Not bad.</dialogue>
    <character>COCHRANE</character>
    <dialogue>You're part of the biggest armored car robbery in history and "not bad" is all you can say?</dialogue>
    <character>TY</character>
    <dialogue>It's god-damn amazing.</dialogue>
    <character>COCHRANE</character>
    <dialogue>That's more like it.</dialogue>
    <parenthetical>(nods at ACT 12)</parenthetical>
    <dialogue>Give me a hand with these.</dialogue>
    <scene_description>Ty climbs in the back. Cochrane gives Baines a nod, then climbs in after Ty.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty grabs a money box. He's like a kid in a toy store.</scene_description>
    <character>TY</character>
    <dialogue>I can't believe there's five million dollars back here.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Remember, stick to the story. We stopped because a broken down car was blocking the road, but it was an ambush. Three masked guys with guns got the jump on us and jacked the money.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>One of us was shot.</dialogue>
    <scene_description>That surprises Ty... ...Cochrane uses Ty's momentary shock... ...In one deft quick move... ...He pulls Ty's gun from his holster... Ty is suddenly uncertain about what is going on -- so are we.</scene_description>
    <character>TY</character>
    <dialogue>You said no one would get hurt.</dialogue>
    <character>COCHRANE</character>
    <dialogue>No one will believe we gave up ten million dollars without a fight.</dialogue>
    <character>COCHRANE</character>
    <dialogue>This way, when the cops arrive we'll be money gone and man down.</dialogue>
    <character>TY</character>
    <dialogue>What do you mean?</dialogue>
    <scene_description>Cochrane hands Ty's gun back to Baines. Ty pales as he realizes - they are going to kill him.</scene_description>
    <character>TY</character>
    <dialogue>Cochrane, you don't have to do this.</dialogue>
    <scene_description>Cochrane slides a BERETTA out of his jacket. This isn't his service weapon, it's an extra he brought just for this.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Ten million splits five ways a lot easier than it does six. It's the math, it's not personal.</dialogue>
    <character>TY</character>
    <dialogue>It is to me.</dialogue>
    <scene_description>Ty looks to the others for help. Baines is stone cold. Quinn can't meet his look and turns away. They won't help Ty. He's all alone. Ty's desperate eyes scan the truck for an escape, but Cochrane is standing in front of the exit. Cochrane aims his gun. Ty cringes...</scene_description>
    <character>BAINES</character>
    <dialogue>Wait.</dialogue>
    <scene_description>Ty gasps for air. The Beretta's muzzle is right in front of his face. Cochrane shoots Baines a questioning look.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTO-BODY FACTORY</stage_direction>
    <scene_description>Through a broken window, Baines sees the TMU come into view.</scene_description>
    <character>BAINES</character>
    <dialogue>We got trouble.</dialogue>
    <scene_description>The Guards snap to the window. Only Ty and Cochrane remain locked on each other.</scene_description>
    <character>PALMER</character>
    <dialogue>Cops.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. TMU (MOVING)</stage_direction>
    <scene_description>Eckehart stops the car and scans the area From here it's impossible to penetrate the darkness inside the buildings.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Their eyes are riveted on the idling TMU outside.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(to Ty)</parenthetical>
    <dialogue>Don't make a sound.</dialogue>
    <scene_description>Ty glances out the truck's window. He sees the TMU, his only hope of surviving, pass and move away. Sweat beads on Ty's brow. If he cries out, Cochrane will kill him. If the cops leave, he's a dead man. It's now or never... Ty edges toward the door.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Don't move.</dialogue>
    <character>TY</character>
    <dialogue>Shoot and the cops will hear.</dialogue>
    <scene_description>Cochrane lowers the gun...</scene_description>
    <character>BAINES</character>
    <parenthetical>(loud whisper)</parenthetical>
    <dialogue>Fuck that.</dialogue>
    <character>COCHRANE</character>
    <dialogue>He's right.</dialogue>
    <scene_description>...Cochrane slides out his SWITCHBLADE. Oh shit! Ty backs into a corner as Cochrane advances. He's trapped. Cochrane is about to stab him, when...</scene_description>
    <character>TY</character>
    <dialogue>I wrote a letter.</dialogue>
    <scene_description>Cochrane stops.</scene_description>
    <character>TY</character>
    <dialogue>It tells everything. If I don't check in with my brother in an hour, he takes it to the cops.</dialogue>
    <character>COCHRANE</character>
    <dialogue>I think you're lying.</dialogue>
    <character>TY</character>
    <dialogue>Do you really want to find out?</dialogue>
    <scene_description>Cochrane's eyes bore into Ty... Ty's mind races, trying to betray nothing... Beat, then...</scene_description>
    <character>COCHRANE</character>
    <dialogue>I'll take my chances.</dialogue>
    <scene_description>Cochrane moves in. Ty's hand flies out, ripping the FIRE EXTINGUISHER off the wall and SLAMMING it into Cochrane's arm to deflect the knife. As Cochrane reacts, Ty hammers it into his head. OUTSIDE ACT 12: Baines snaps to the commotion in the ACT. He jerks his shotgun up for action. INSIDE ACT 12: Ty sees Baines leveling a shotgun at him. Acting fast, he boots Cochrane in the chest... Sending Cochrane flying out the back door and... OUTSIDE ACT 12:</scene_description>
  </scene>
  <scene>
    <stage_direction>..Cochrane flies in front of Baines, blocking his aim so Baines can't fire..</stage_direction>
    <scene_description>INSIDE ACT 12: Ty yanks the door shut with a heavy thud. He's safe, but not for long... Ty scrambles over the money boxes and through the truck.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTO-BODY FACTORY</stage_direction>
    <scene_description>Cochrane jams his key into the door's lock as...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>...Ty lunges, punches the red PANIC button. THUNK! The door's magnetic bolts snap into place.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTO-BODY FACTORY</stage_direction>
    <scene_description>Cochrane reefs on the door. It doesn't budge.</scene_description>
    <character>COCHRANE</character>
    <dialogue>He used the slam locks.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TMU (MOVING) - DAY</stage_direction>
    <scene_description>There is nothing but dark buildings and the howling wind. Leon is clearly aggravated.</scene_description>
    <character>LEON</character>
    <dialogue>There's no one here.</dialogue>
    <scene_description>Eckehart agrees. He pops the car into gear and pulls away.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty isn't done yet. He climbs... UP FRONT: Ty snatches the radio's mic, changes the frequency in search of a signal...</scene_description>
    <character>TY</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Code-ten. Code-ten. Eagle twelve is being robbed...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TMU (MOVING)</stage_direction>
    <scene_description>The radio spits unintelligible static.</scene_description>
    <character>LEON</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Two-seven-Adam, Central, do you copy?</dialogue>
    <scene_description>The radio crackles with static and gibberish. Eckehart eyes the giant humming transformers in the power relay sub-station as they drive past the "NO TRESPASSING" sign to leave the area.</scene_description>
    <character>ECKEHART</character>
    <dialogue>You'll never get a signal around here. We'll have to get clear of these power lines.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. AUTO-BODY FACTORY</stage_direction>
    <scene_description>Cochrane comes around beside ACT 12's window.</scene_description>
    <character>COCHRANE</character>
    <dialogue>The radio won't work here. It's a dead zone.</dialogue>
    <scene_description>Ty slots a key into the ignition. The engine booms to life. Cochrane's eyes go wide.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Get the truck!</dialogue>
    <scene_description>Ty peels out. Baines jumps behind the wheel of ACT 17. Cochrane and the others pile in. CUT TO: A BLINDING FAST CHASE INSIDE THE FACTORY MONTAGE: -- Ty's truck is a red blur through a dense forest of steel. -- Baines careens through the factory. -- Ty skids to a stop in front of a brick wall. -- Ty slams it into reverse and guns it. -- Baines burns after Ty. -- They are bumper to bumper. Face to face.</scene_description>
    <character>BAINES</character>
    <dialogue>You wanna dance?</dialogue>
    <scene_description>-- Baines stomps the gas. -- IN TY'S SIDE MIRROR: A wooden wall races at him. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>BOOM!!! Ty's truck explodes through the wall, backwards. The room is a swirling blur. Ty slides sideways into a column with a deafening boom. Baines T-bones him, pinning Ty's truck. Ty stomps the gas. The big V12 howls. Tires spin. He isn't going anywhere.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines jumps out and climbs up onto Ty's front bumper. Ty guns the engine. Smoking tires jerk the truck like a Bucking Bronco. Baines hangs onto the crash bumper as he wrenches open the hood's side latches to unlock it. He lifts the hood.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty frantically scans the dash. Spots a switch for the SIREN. He slams the switch. An ear splitting SIREN explodes from the truck.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RUSSELL INDUSTRIAL CENTER</stage_direction>
    <scene_description>The SIREN'S WAIL echoes through the abandoned sprawling factory complex.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>UNDER ACT 12'S HOOD: Baines pries open a fuse box. Pulls the master fuse. The engine sputters and dies. The SIREN stops.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty pales. He's fucked. Ty clocks the room. His face sinks.</scene_description>
    <character>TY</character>
    <dialogue>Oh shit...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>We get our first real look at where they are. The room is full of lathes, mills, drills. EVERYTHING THEY NEED TO BREAK INTO THE TRUCK IS HERE! As Cochrane and Baines haul the MONEY BOXES out of ACT 17.</scene_description>
    <character>DOBBS</character>
    <dialogue>The plan is going south, fast.</dialogue>
    <character>QUINN</character>
    <dialogue>I think we should just take the five million we have...</dialogue>
    <character>COCHRANE</character>
    <parenthetical>(cuts him off)</parenthetical>
    <dialogue>...And do what? If Ty lives to talk, it's over.</dialogue>
    <scene_description>Cochrane clocks the team. They know he's right.</scene_description>
    <character>BAINES</character>
    <dialogue>What about the letter and his brother?</dialogue>
    <character>COCHRANE</character>
    <dialogue>We make sure his brother never shows it to anyone.</dialogue>
    <scene_description>Cochrane looks at Palmer.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Get the brother.</dialogue>
    <scene_description>PALMER Jumps into ACT 17 and thunders off. COCHRANE Checks his watch...</scene_description>
    <character>COCHRANE</character>
    <dialogue>We have forty five minutes before we're officially out of contact and overdue.</dialogue>
    <parenthetical>(starts the watch's countdown timer)</parenthetical>
    <dialogue>The Chief is a "by the book" prick, but he's also a local ex-cop. The last thing he wants to do is let the cops know he lost a truck so he'll wait until the last possible moment before making the call. Before that happens, we need to get in that truck and take care of our little problem.</dialogue>
    <scene_description>CUT TO: A FRANTIC MONTAGE (INSIDE AND OUTSIDE ACT 12): -- Cochrane and the crew ransack the factory for tools. -- Ty ransacks the truck for anything he can find. -- Ty dumps out the first aid kit... BANDAGES, SALVES, GAUZE DRESSINGS and little SCISSORS spill out. -- Dobbs uncovers on an old metal KEROSENE CAN. Shakes it... It's full! -- Ty empties the roadside kit. REFLECTORS, STROBE LIGHT and FLARES. -- Quinn finds a cabinet with large steel CHISELS. -- Baines finds a rusty SLEDGE HAMMER. He likes it. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RUSSELL INDUSTRIAL CENTER</stage_direction>
    <scene_description>Palmer at the wheel of ACT 17, fishtails out of the complex. Engine screaming, the ACT blasts down the road.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Demoralized that he didn't find anything that can help him, he sinks against the wall.</scene_description>
    <character>TY</character>
    <parenthetical>(mocking Cochrane)</parenthetical>
    <dialogue>No one gets hurt. Everyone wins.</dialogue>
    <scene_description>BOOM! Baines pounds on the window with a hammer. The deafening shock wave rips though Ty.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>The pounding echoes through the building as Baines hammers the window again and again. He hasn't even made a crack in the glass.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Whoa, Hoss. That's an inch of polycarbonate. It'll stop a fifty caliber bullet. You'll never break it with a hammer.</dialogue>
    <character>QUINN</character>
    <dialogue>What about the locks?</dialogue>
    <character>COCHRANE</character>
    <dialogue>Six pin titanium. Even if you open them, the slam locks are still closed.</dialogue>
    <character>BAINES</character>
    <dialogue>Ram it with the other truck.</dialogue>
    <character>COCHRANE</character>
    <dialogue>It's made of hardened steel alloy reinforced with solidified Kevlar.</dialogue>
    <scene_description>Cochrane scans the truck. His mind working.</scene_description>
    <character>QUINN</character>
    <dialogue>We could get a torch and cut our way in from underneath.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Take too long.</dialogue>
    <scene_description>Cochrane is drawn to the truck. An idea forming. Cochrane's fingers run over the big knuckle hinges on the rear section's side door.</scene_description>
    <character>COCHRANE</character>
    <dialogue>We don't have to cut a big hole, we just have to cut the hinge pins.</dialogue>
    <scene_description>It takes a moment for the others to get it.</scene_description>
    <character>BAINES</character>
    <dialogue>We cut the pins and pull the door off its hinges.</dialogue>
    <scene_description>Cochrane nods - "correct". Quinn lines up his chisel.</scene_description>
    <character>QUINN</character>
    <dialogue>Don't miss.</dialogue>
    <character>BAINES</character>
    <dialogue>Don't flinch.</dialogue>
    <scene_description>Baines lunges at him... Quinn jumps, startled. SMACK. Baines punches Quinn in the arm.</scene_description>
    <character>BAINES</character>
    <dialogue>I told you not to flinch.</dialogue>
    <scene_description>Baines swings the sledge and connects with the chisel. They move in to inspect the damage. The chisel's edge has cut into the pin's head. Hope floods their faces as fear floods Ty's.</scene_description>
    <character>BAINES</character>
    <dialogue>Damn. You called it.</dialogue>
    <scene_description>Cochrane checks his watch.</scene_description>
    <character>COCHRANE</character>
    <dialogue>You got forty-one minutes.</dialogue>
    <scene_description>Baines swings furiously. The thunderous peal echoes through the vast ruin.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. EAGLE SHIELD - LOADING DOCK - DAY</stage_direction>
    <scene_description>Ashcroft checks his watch as he limps past several empty waiting ACTs and a large COUNT ROOM where STAFF, are feeding cash into electronic counters. While moving through the heart of the operation.... A DISPATCHER comes up with a CTO (Currency Transit Order) and hands it to Ashcroft.</scene_description>
    <character>DISPATCHER #1</character>
    <dialogue>CTO from First National for an additional fifty thousand.</dialogue>
    <scene_description>Ashcroft examines the order and signs it.</scene_description>
    <character>ASHCROFT</character>
    <parenthetical>(hands the CTO back)</parenthetical>
    <dialogue>Have the count room allocate an extra fifty from Cochrane's shipment.</dialogue>
    <scene_description>Ashcroft continues walking... HAMMERING STEEL SOUND UP-CUT.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 - DAY</stage_direction>
    <scene_description>Clanging steel reverberates... Ty's eyes... Frightened... Sweat beading on his brow... Ty sits on the floor, surrounded by a sea of green money.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines swings the hammer viciously. Quinn holds the chisel while... Dobbs and Cochrane keep lookout.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DETROIT'S SOUTH SIDE - DAY</stage_direction>
    <scene_description>A TMU reaches the edge of the desolate wasteland.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TMU (MOVING) - DAY</stage_direction>
    <character>LEON</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Two-Seven-Adam, Central. There's no sign of those kids. Show us code eight.</dialogue>
    <character>POLICE DISPATCHER (V.O.)</character>
    <dialogue>Copy, Two-Seven-Adam.</dialogue>
    <scene_description>Leon hangs the radio's mic. He notes Eckehart's displeasure.</scene_description>
    <character>LEON</character>
    <dialogue>We're on lunch.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Fine. One more pass, then we eat. You're buying.</dialogue>
    <character>ECKEHART</character>
    <dialogue>Deal.</dialogue>
    <scene_description>Eckehart hums a Christmas carol as he turns the car around.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP - DAY</stage_direction>
    <scene_description>Baines swings. He's running out of steam. He leans against the truck, sucking air. Dobbs looks uneasy.</scene_description>
    <character>DOBBS</character>
    <parenthetical>(to self)</parenthetical>
    <dialogue>This is taking too long.</dialogue>
    <scene_description>His eyes land on the KEROSENE can. An idea forms... CUT TO: SPLASH! KEROSENE GUSHES OVER ACT 12'S WINDSHIELD.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty cranes to see what the sound is. Pales at...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Dobbs eagerly soaks the truck's hood with Kerosene. He strikes a match. He is mesmerized by the dancing flame.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty's eyes widen in horror. He scrambles for the FIRE EXTINGUISHER.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Cochrane glances around the truck to see... DOBBS FLINGS THE BURNING MATCH! It arcs through the air and...</scene_description>
  </scene>
  <scene>
    <stage_direction>..Lands in Cochrane's outstretched hand.</stage_direction>
    <character>COCHRANE</character>
    <dialogue>What the fuck are you doing?</dialogue>
    <character>DOBBS</character>
    <dialogue>Smoking him out.</dialogue>
    <character>COCHRANE</character>
    <dialogue>You burn the truck, you burn the money.</dialogue>
    <scene_description>It takes a moment for Dobbs to get it.. Cochrane shoves the Kerosene can into Dobbs' hands.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Go and keep a look out.</dialogue>
    <scene_description>Dobbs shuffles away. He leaves the Kerosene can beside the stacked money boxes as he goes to the window. Cochrane frowns at his watch. They're running out of time.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty's eyes lock intensely on Cochrane outside of the truck. Cochrane talks to him but his voice is a low muffle that can barely be heard through the heavy bullet proof windows. Cochrane gestures to the side gun port.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Ty opens the gun port and Cochrane speaks through the hole.</scene_description>
    <character>COCHRANE</character>
    <dialogue>I'll make you a deal. Give us the money and your brother doesn't have to die.</dialogue>
    <scene_description>Ty's blood turns to ice. He desperately scans the room. He's horrified to realize Palmer and ACT 17 are gone.</scene_description>
    <character>TY</character>
    <dialogue>Where's Palmer?</dialogue>
    <character>COCHRANE</character>
    <dialogue>On his way to pay a visit to your brother.</dialogue>
    <character>TY</character>
    <parenthetical>(panicked)</parenthetical>
    <dialogue>You mother fucker. You touch him and I'll...</dialogue>
    <character>COCHRANE</character>
    <parenthetical>(cuts him off)</parenthetical>
    <dialogue>...You'll what? Kill me? You'll have to come out here to do it.</dialogue>
    <scene_description>Ty considers it. Cochrane steps away, turns to Baines.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(low)</parenthetical>
    <dialogue>If he opens the door, shoot him.</dialogue>
    <scene_description>Baines nods.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty's hand goes to the door handle. He's tempted.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Cochrane and the crew anxiously wait for Ty to open the door. Through the heavy window they can see Ty, his mind racing. Ty takes a sharpie and writes on something out of sight from the crew. Cochrane and Baines trade curious looks. Ty slaps a hundred dollar bill on the window. Written on it is:</scene_description>
    <character>"F U"</character>
    <dialogue>Cochrane turns to Baines...</dialogue>
    <character>COCHRANE</character>
    <dialogue>Back to work</dialogue>
    <scene_description>Baines swings. The racket bounces off the walls.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM - DAY</stage_direction>
    <scene_description>Ashcroft, on the phone, writes up another CTO. When he hangs the phone...</scene_description>
    <character>ASHCROFT</character>
    <parenthetical>(to a Guard)</parenthetical>
    <dialogue>Another CTO from Lincoln Savings. Get this to the count room.</dialogue>
    <scene_description>Ashcroft hands off the CTO to a Guard and grabs his radio headset.</scene_description>
    <character>ASHCROFT</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Control, Eagle twelve.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 17 (MOVING)</stage_direction>
    <scene_description>As Palmer drives through Ty's neighborhood. His eyes snap to the radio.</scene_description>
    <character>ASHCROFT (V.O.)</character>
    <dialogue>What's your status, Eagle twelve.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM</stage_direction>
    <scene_description>There's no reply.</scene_description>
    <character>DISPATCHER #1</character>
    <dialogue>Maybe they are still getting interference from that electric substation.</dialogue>
    <scene_description>Ashcroft frowns at his watch.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>They should be past it by now.</dialogue>
    <scene_description>Ashcroft looks uneasy, then...</scene_description>
    <character>PALMER (V.O.)</character>
    <dialogue>Eagle seventeen, control.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 17 (MOVING)</stage_direction>
    <character>PALMER</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>We are code-five. Twelve is having radio problems but it's nothing to worry about. We are right on schedule.</dialogue>
    <scene_description>As Palmer stops in front of the basketball court, his eyes zero in on Ty's apartment building.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RUSSELL INDUSTRIAL CENTER - DAY</stage_direction>
    <scene_description>The TMU glides past the fence and enters the complex of crumbling abandoned factories.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Dobbs sees the approaching TMU. He ducks...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TMU (MOVING)</stage_direction>
    <scene_description>Eckehart glimpses movement. Stops the car.</scene_description>
    <character>LEON</character>
    <dialogue>What?</dialogue>
    <character>ECKEHART</character>
    <dialogue>I thought I saw someone.</dialogue>
    <scene_description>Leon follows his gaze to the empty window.</scene_description>
    <character>LEON</character>
    <dialogue>I don't see anything.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <character>DOBBS</character>
    <dialogue>The cops are back!</dialogue>
    <scene_description>The Crew freezes.</scene_description>
    <character>QUINN</character>
    <dialogue>We're screwed.</dialogue>
    <scene_description>Baines pumps the shotgun.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Stay cool.</dialogue>
    <parenthetical>(checks his watch)</parenthetical>
    <dialogue>It's too soon for the Chief to know. They aren't here for us.</dialogue>
    <character>BAINES</character>
    <dialogue>We can take them.</dialogue>
    <character>COCHRANE</character>
    <dialogue>We stay out of sight and let them pass. Keep an eye on them.</dialogue>
    <scene_description>Baines edges to the window and peeks out.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(to Dobbs)</parenthetical>
    <dialogue>Watch Ty.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty follows their worried looks to the window.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TMU</stage_direction>
    <scene_description>Eckehart scans the buildings.</scene_description>
    <character>LEON</character>
    <dialogue>The kids are long gone by now.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <character>COCHRANE</character>
    <parenthetical>(low)</parenthetical>
    <dialogue>What are they doing?</dialogue>
    <character>BAINES</character>
    <parenthetical>(low)</parenthetical>
    <dialogue>Just sitting there.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TMU</stage_direction>
    <scene_description>Eckehart opens his door.</scene_description>
    <character>LEON</character>
    <dialogue>What are you doing?</dialogue>
    <character>ECKEHART</character>
    <dialogue>Taking a look around.</dialogue>
    <character>LEON</character>
    <dialogue>It's freezing out.</dialogue>
    <scene_description>Eckehart climbs out.</scene_description>
    <character>LEON</character>
    <dialogue>Shit.</dialogue>
    <scene_description>Leon opens his door.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <character>BAINES</character>
    <parenthetical>(low)</parenthetical>
    <dialogue>They're getting out.</dialogue>
    <scene_description>Baines goes to take aim...</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(low)</parenthetical>
    <dialogue>Wait.</dialogue>
    <scene_description>Cochrane heads for a door set in the brick wall.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(low)</parenthetical>
    <dialogue>Try not to do anything stupid.</dialogue>
    <character>QUINN</character>
    <parenthetical>(low; to Dobbs)</parenthetical>
    <dialogue>He was talking to you.</dialogue>
    <character>DOBBS</character>
    <parenthetical>(low)</parenthetical>
    <dialogue>Fuck you.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Cochrane pauses at the door and gives Baines a look: "cover me". Baines nods and Cochrane pushes through the door.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <scene_description>Eckehart and Leon see Cochrane step out of the dark building.</scene_description>
    <character>LEON</character>
    <dialogue>Hey!</dialogue>
    <scene_description>Leon snaps out his gun.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines aims his shotgun at Leon.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <scene_description>Cochrane holds out his hands.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Easy. I'm the site security guard.</dialogue>
    <scene_description>Off Eckehart's nod, Leon lowers his pistol.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>The silent tension drives Ty nuts.</scene_description>
    <character>TY</character>
    <dialogue>Don't put your gun away. Arrest that asshole!</dialogue>
    <parenthetical>(through a gun port)</parenthetical>
    <dialogue>Help!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Dobbs and Quinn trade horrified looks. Quinn covers the open gun port hole with his hands to block Ty's screams.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <scene_description>Eckehart moves as he talks, scanning the area.</scene_description>
    <character>ECKEHART</character>
    <dialogue>We got a call about some kids breaking windows.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Since when do cops care about broken windows?</dialogue>
    <character>LEON</character>
    <dialogue>Don't ask.</dialogue>
    <character>COCHRANE</character>
    <dialogue>I haven't seen anything.</dialogue>
    <scene_description>Eckehart's face reveals he is beginning to think this is a waste of time.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Desperation floods Ty's face.</scene_description>
    <character>TY</character>
    <parenthetical>(to himself)</parenthetical>
    <dialogue>Come on, come on. Think damn it.</dialogue>
    <scene_description>He scans the junk on the floor. Ty rips the strobe light open, revealing a 12V BATTERY.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <character>COCHRANE</character>
    <dialogue>Sorry you had to come all the way out here for nothing.</dialogue>
    <character>LEON</character>
    <dialogue>So am I.</dialogue>
    <character>ECKEHART</character>
    <dialogue>Alright. Have a good day.</dialogue>
    <scene_description>Eckehart goes to his TMU.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty uses the First Aid kit's SCISSORS to pry open a panel under the dash, exposing a nest of COLORED WIRES.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <scene_description>Eckehart is about to climb in his car, when...</scene_description>
    <character>ECKEHART</character>
    <dialogue>One more thing.</dialogue>
    <scene_description>Cochrane stops cold.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines takes aim.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty cuts and strips wires.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <character>ECKEHART</character>
    <dialogue>Merry Christmas.</dialogue>
    <scene_description>Cochrane relaxes, smiles.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty twists exposed wires onto the BATTERY TERMINALS. WHOOP!!! WHOOP!!! WHOOP!!! The truck's SIREN blares.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <character>ECKEHART</character>
    <dialogue>What the...?</dialogue>
    <scene_description>Eckehart is already moving. BLAM!!! Baines fires. The slug rips apart Eckehart's thigh. Drops him. Leon goes for his gun. Cochrane snaps out his pistol at Leon. Leon freezes. Terrified. Eckehart flounders for his gun that's just out of reach. Cochrane casually steps on Eckehart's pistol.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Merry fucking Christmas.</dialogue>
    <parenthetical>(to Leon)</parenthetical>
    <dialogue>Get him up.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>The SIREN dies. Ty shakes the battery in a futile attempt to squeeze out every last amp. Ty sees Leon haul Eckehart inside the factory.</scene_description>
    <character>TY</character>
    <dialogue>Shit.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Eckehart takes in the Crew... ...The truck... ...Ty's desperate face in the truck's window.</scene_description>
    <character>ECKEHART</character>
    <dialogue>Jesus.</dialogue>
    <character>BAINES</character>
    <dialogue>What about the car?</dialogue>
    <character>COCHRANE</character>
    <dialogue>Leave it. I'm ending this.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty opens a gun port in the door and yells through it...</scene_description>
    <character>TY</character>
    <dialogue>What are you doing, Cochrane?</dialogue>
    <scene_description>NOTE: MUFFLED VOICES PASS IN AND OUT OF THE ACT THROUGH THE THREE INCH OPENING.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <character>COCHRANE</character>
    <dialogue>I'm doing what you forced me to do.</dialogue>
    <scene_description>Cochrane pulls Leon into the open.</scene_description>
    <character>TY</character>
    <parenthetical>(muffled)</parenthetical>
    <dialogue>Don't do this!</dialogue>
    <scene_description>Cochrane aims his Glock at Leon's head. Leon cringes.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Open the door or he gets a sudden case of lead poisoning.</dialogue>
    <character>ECKEHART</character>
    <dialogue>You open that door and he's dead anyway.</dialogue>
    <scene_description>Baines silences Eckehart with a punch. Ty is torn.</scene_description>
    <character>COCHRANE</character>
    <dialogue>I'll count to three.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty's mind races. Spots the PUDDLE OF FUEL under the KEROSENE can which is beside the STACKED MONEY BOXES. He snaps to the FLARES on the floor. He grabs a flare. Now what? His eyes seek out anything that can help. They land on the FIRE EXTINGUISHER.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <character>LEON</character>
    <dialogue>Please... Don't....</dialogue>
    <character>COCHRANE</character>
    <dialogue>You want to live?</dialogue>
    <character>LEON</character>
    <dialogue>Yes.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Get him to open the door. One.</dialogue>
    <scene_description>Tears roll down Leon's face.</scene_description>
    <character>LEON</character>
    <dialogue>Open the door!</dialogue>
    <character>COCHRANE</character>
    <dialogue>Two.</dialogue>
    <character>LEON</character>
    <dialogue>I have a wife and two kids. Please!</dialogue>
    <scene_description>Dobbs and Quinn are deeply disturbed by this.</scene_description>
    <character>QUINN</character>
    <dialogue>Cochrane, don't.</dialogue>
    <scene_description>BANG! Cochrane fires.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty recoils as if he was shot.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Quinn and Dobbs are horrified. Baines looks like he's getting a rush from it. Eckehart pales. Leon's body is still on its knees. It sags and falls onto the floor. Blood leaks out of the head wound, turning the floor red.</scene_description>
    <character>ECKEHART</character>
    <parenthetical>(to Cochrane)</parenthetical>
    <dialogue>You're gonna burn for that.</dialogue>
    <scene_description>Ty pounds on the window.</scene_description>
    <character>TY</character>
    <parenthetical>(muffled)</parenthetical>
    <dialogue>Cochrane, you son of a bitch.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Let's try this again.</dialogue>
    <scene_description>He aims his Glock at Eckehart. Eckehart doesn't flinch...</scene_description>
    <character>ECKEHART</character>
    <dialogue>Don't open that door.</dialogue>
    <character>COCHRANE</character>
    <dialogue>What do you think, Ty? Would his family like, an open coffin...</dialogue>
    <parenthetical>(aims at the face)</parenthetical>
    <dialogue>...or a closed coffin?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty frantically SCISSORS off the end of the EXTINGUISHER'S HOSE. He shoves a FLARE into the hose...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <character>COCHRANE</character>
    <dialogue>One.</dialogue>
    <scene_description>Eckehart stares. His face a brave mask.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty strikes the FLARE'S end... It erupts with a fountain of red hot sparks.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(muffled)</parenthetical>
    <dialogue>Two...</dialogue>
    <scene_description>Ty shoves it through a gun port and.... ...Squeezes the EXTINGUISHER'S trigger... ...Launching the flare like a Roman Candle... CUT TO: IN HYPER SLOW MOTION: -- Cochrane tracks the flare's arc with disbelieving eyes. -- The flare hits the pool of fuel. -- Flames lick up the metal can...</scene_description>
    <character>COCHRANE</character>
    <dialogue>The money!</dialogue>
    <scene_description>-- KA-BOOM!!! -- The Kerosene can explodes. -- Burning fuel streaks the room. -- The Kerosene dumped earlier on ACT 12 bursts into flames. -- The money boxes are covered with liquid fire. -- Thick black smoke chokes the room. -- Baines, Quinn and Dobbs frantically try to put out the flames. CUT TO: DURING THE CHAOS: TY emerges from the smoke and nails Cochrane, knocking him off his feet. Ty hauls Eckehart up.</scene_description>
    <character>ECKEHART</character>
    <dialogue>What the hell?</dialogue>
    <character>TY</character>
    <dialogue>Run or die.</dialogue>
    <scene_description>Ty rushes Eckehart to ACT 12, pushes him inside and pulls the door shut behind them...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>...Gasping, Ty and Eckehart stare, amazed to be alive.</scene_description>
    <character>ECKEHART</character>
    <parenthetical>(thank you)</parenthetical>
    <dialogue>That was a stupid thing to do.</dialogue>
    <character>TY</character>
    <parenthetical>(you're welcome)</parenthetical>
    <dialogue>Yeah, I know.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>The crew beats out the flames on the money boxes. In the stunned silence, the flames crackle like thunder. Cochrane, rubs his now bruised face and stares in horror at the now smoldering melted money boxes.</scene_description>
    <character>DOBBS</character>
    <dialogue>That went well.</dialogue>
    <scene_description>Suddenly, Cochrane screams, spins and fires... Bullets flash off ACT 12 as he advances...</scene_description>
    <character>COCHRANE</character>
    <dialogue>You're dead. You hear me, Ty? You and your family are dead! I'm gonna make you watch your brother beg for his life before I kill him.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty's blood runs cold. Fearing for his brother...</scene_description>
    <character>TY</character>
    <dialogue>Jimmy...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TY'S APARTMENT - DAY</stage_direction>
    <scene_description>A folded LETTER sits on the table. Written on it:</scene_description>
    <character>"JIMMY"</character>
    <dialogue>Jimmy comes into the kitchen. Music buzzes in his headphones. He tosses the WANT ADS on the table, covering the LETTER, as he searches the refrigerator.</dialogue>
    <dialogue>Jimmy chugs milk from the carton as he snags the paper and spots the LETTER with his name on it.</dialogue>
    <dialogue>Intrigued, Jimmy picks it up...</dialogue>
    <character>JIMMY</character>
    <parenthetical>(reading)</parenthetical>
    <dialogue>I need you to do something.</dialogue>
    <parenthetical>(as if talking to Ty)</parenthetical>
    <dialogue>How about you do something for me, like get off my back.</dialogue>
    <scene_description>Jimmy tosses the letter in the garbage. Jimmy drinks his milk and returns to reading the newspaper when... ...There's a pounding on the door... He opens the door. Palmer is there.</scene_description>
    <character>JIMMY</character>
    <dialogue>Yeah?</dialogue>
    <character>PALMER</character>
    <dialogue>Are you Ty Hackett's brother?</dialogue>
    <character>JIMMY</character>
    <parenthetical>(sarcastic)</parenthetical>
    <dialogue>No man, I just live here.</dialogue>
    <character>PALMER</character>
    <dialogue>Your brother sent me to pick you up.</dialogue>
    <character>JIMMY</character>
    <dialogue>Why? What's going on? Is he okay?</dialogue>
    <character>PALMER</character>
    <dialogue>He's fine. Just fine.</dialogue>
    <scene_description>Jimmy is relieved.</scene_description>
    <character>PALMER</character>
    <dialogue>He said he'd explain it to you himself.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>He also said he wanted you to bring the letter.</dialogue>
    <scene_description>Jimmy's relief gives way to suspicion. Jimmy notes the way Palmer scans the apartment. Jimmy plays it cool...</scene_description>
    <character>JIMMY</character>
    <dialogue>I don't know nothing about no letter.</dialogue>
    <scene_description>Jimmy goes to close the door... Palmer's foot holds it open.</scene_description>
    <character>PALMER</character>
    <dialogue>You don't mind if I have a look around, do you?</dialogue>
    <scene_description>Palmer's hand goes to his gun. Jimmy's face registers gut twisting fear, he's trapped. Palmer pushes inside... He scans the room... Jimmy gulps down the last of the milk and... ...Deliberately leaves the carton on the table...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP - DAY</stage_direction>
    <scene_description>Panic rises in the crew's faces as they stare in disbelief at the charred remains of the money and Leon's dead body.</scene_description>
    <character>QUINN</character>
    <dialogue>This wasn't the plan.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Plans change.</dialogue>
    <character>QUINN</character>
    <dialogue>Fuck that and fuck you. I don't want any part of this. I want out.</dialogue>
    <character>COCHRANE</character>
    <dialogue>It's too late for that. You're in this up to your neck. We all are.</dialogue>
    <character>DOBBS</character>
    <dialogue>You killed a fucking cop. Does that even register with you?</dialogue>
    <character>COCHRANE</character>
    <dialogue>I pulled the trigger but under the law we all do the same time.</dialogue>
    <scene_description>Quinn and Dobbs are losing their heads. Their exchanges come fast and furious...</scene_description>
    <character>BAINES</character>
    <dialogue>We don't have time for this bull shit.</dialogue>
    <character>DOBBS</character>
    <dialogue>I say we make a run for it.</dialogue>
    <character>BAINES</character>
    <dialogue>Who asked you?</dialogue>
    <character>QUINN</character>
    <dialogue>Hell yeah, we run.</dialogue>
    <character>COCHRANE</character>
    <dialogue>With what?</dialogue>
    <scene_description>They look at the scorched pile of money for a beat.</scene_description>
    <character>COCHRANE</character>
    <dialogue>How far do you think you'll get with the money in your pockets?</dialogue>
    <scene_description>All eyes look to Cochrane.</scene_description>
    <character>COCHRANE</character>
    <dialogue>There's still five million in that truck.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>You have two choices: Run now, get caught and spend the rest of your life in jail being traded for cigarettes. Or grow a pair, open the truck, make sure Ty and the cop never leave here alive and spend the rest of your life drinking Margaritas on a beach.</dialogue>
    <scene_description>Quinn and Dobbs pull it together. Cochrane checks his watch:</scene_description>
    <character>25 MINUTES LEFT!</character>
    <dialogue>COCHRANE</dialogue>
    <scene_description>And we better do it fast because we have less than thirty minutes. Shit! They jump to action. They grab the tools and start hammering. COCHRANE Watches Baines hammering. Cochrane's face tells us he doesn't think they will get the truck open in time.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Eckehart wraps BANDAGES around his leg wound. Ty anxiously checks the windows.</scene_description>
    <character>ECKEHART</character>
    <dialogue>Try to relax.</dialogue>
    <character>TY</character>
    <dialogue>I can't just sit here. Cochrane's going after my brother.</dialogue>
    <scene_description>Eckehart follows Ty's gaze through the thick window to Cochrane. Puts a face to the name.</scene_description>
    <character>TY</character>
    <dialogue>When's your backup getting here?</dialogue>
    <character>ECKEHART</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Not for a while. They don't even know what's happening.</dialogue>
    <parenthetical>(off Ty's confused look)</parenthetical>
    <dialogue>We signalled we were going on our lunch break. It'll be a couple of hours before they realize we haven't reported back in.</dialogue>
    <scene_description>It hits Ty hard.</scene_description>
    <character>ECKEHART</character>
    <dialogue>We are on our own.</dialogue>
    <scene_description>Ty reaches for the door handle. Eckehart grabs Ty's arm.</scene_description>
    <character>ECKEHART</character>
    <dialogue>You open that door and they will kill you. You can't help your brother if you're dead.</dialogue>
    <scene_description>Ty reluctantly releases the door handle. Ty notices the walkie-talkie in Eckehart's belt. His eyes light up. Ty pleads into the walkie-talkie while Eckehart hums.</scene_description>
    <character>TY</character>
    <parenthetical>(into walkie-talkie)</parenthetical>
    <dialogue>...Armored car robbery in progress at the Russel Industrial Center.</dialogue>
    <scene_description>Garbled static replies.</scene_description>
    <character>TY</character>
    <parenthetical>(re: Eckehart's humming)</parenthetical>
    <dialogue>Do you have to do that?</dialogue>
    <character>ECKEHART</character>
    <dialogue>It helps me relax. You should try it.</dialogue>
    <character>TY</character>
    <parenthetical>(into walkie-talkie)</parenthetical>
    <dialogue>Can anyone hear me?</dialogue>
    <scene_description>More static.</scene_description>
    <character>ECKEHART</character>
    <dialogue>You're wasting your time. You can't get a radio signal in here. Too much interference.</dialogue>
    <scene_description>Eckehart eyes the money and detritus of the truck's supplies.</scene_description>
    <character>ECKEHART</character>
    <parenthetical>(suspicious)</parenthetical>
    <dialogue>Why don't you tell me what's going on.</dialogue>
    <character>TY</character>
    <dialogue>It's a long story.</dialogue>
    <character>ECKEHART</character>
    <dialogue>We got time. My name's Eckehart.</dialogue>
    <character>TY</character>
    <dialogue>Ty Hackett.</dialogue>
    <scene_description>Eckehart offers his hand. Ty shakes it. Eckehart runs his hands over the cash.</scene_description>
    <character>ECKEHART</character>
    <dialogue>I had a dream like this. Only it was just me, the money and a beautiful dark eyed woman with legs up to her neck.</dialogue>
    <character>TY</character>
    <dialogue>How did it end?</dialogue>
    <character>ECKEHART</character>
    <dialogue>With a smile.</dialogue>
    <scene_description>Ty likes this guy, but his smile quickly fades when his eyes land on the money.</scene_description>
    <character>TY</character>
    <dialogue>It's funny. Until an hour ago, I would have done almost anything to have money like this.</dialogue>
    <scene_description>He runs his thumb through a bundle of cash.</scene_description>
    <character>ECKEHART</character>
    <dialogue>And now?</dialogue>
    <scene_description>Ty tosses the money back in the box.</scene_description>
    <character>TY</character>
    <dialogue>I'd give anything to be flat broke and back in my crappy apartment with Dana and my brother. If I get out of this, things are gonna be different.</dialogue>
    <character>ECKEHART</character>
    <dialogue>I'll hold you to that.</dialogue>
    <scene_description>The banging grows louder. Furious. They share a fateful look.</scene_description>
    <character>ECKEHART</character>
    <dialogue>But first we have to get out of here. Got any ideas?</dialogue>
    <scene_description>Ty's mind races. He looks at the ROOF HATCH. A plan forms...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 - MOMENTS LATER</stage_direction>
    <scene_description>Ty and Eckehart smear first aid ointment on bills and stick them on the windows. They are papering over the glass.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>As Baines hammers the chisel and... ...It cuts through the first pin! THERE IS ONE MORE HINGE TO GO. The crew beams proudly, except for Cochrane, who anxiously checks his watch:</scene_description>
    <character>19 MINUTES LEFT!</character>
    <dialogue>COCHRANE</dialogue>
    <scene_description>That pin took thirty minutes to cut.</scene_description>
    <character>BAINES</character>
    <dialogue>How much time do we have left?</dialogue>
    <character>COCHRANE</character>
    <dialogue>Less than twenty.</dialogue>
    <scene_description>Oh shit. They're running out time! Cochrane grabs a second hammer and tosses it to Dobbs. Baines and Dobbs pound the chisel like a two-piston engine. The furious rapid fire strikes are deafening.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty and Eckehart trade worried looks. There isn't much time before they get in.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM - DAY</stage_direction>
    <scene_description>Ashcroft looks to the clock.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>It's time.</dialogue>
    <scene_description>Ashcroft and two GUARDS head out...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. EAGLE SHIELD - LOADING DOCK</stage_direction>
    <scene_description>The GUARDS ready dollies by the loading docks. COUNTERS wait to jump into action. They are like a Commando Team about to go into battle and Ashcroft is their General.</scene_description>
    <character>ASHCROFT</character>
    <dialogue>I want a fast turn around. That means a clean transfer and a quick count.</dialogue>
    <parenthetical>(checks his watch)</parenthetical>
    <dialogue>Sixteen minutes to arrival.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP - DAY</stage_direction>
    <scene_description>Baines and Dobbs relentlessly pound the chisel. THEY ARE ALMOST THROUGH THE LAST HINGE PIN! COCHRANE Notices Ty applying the last bill to completely cover the window. All the windows are blanketed in cash making it impossible to see inside.</scene_description>
    <character>COCHRANE</character>
    <dialogue>What the hell is he doing?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>The banging is deafening. Ty eases the roof hatch lock open.</scene_description>
    <character>ECKEHART</character>
    <dialogue>I'm going with you.</dialogue>
    <character>TY</character>
    <dialogue>You won't make it ten feet on that leg before they kill you.</dialogue>
    <character>ECKEHART</character>
    <dialogue>I'm dead if I stay.</dialogue>
    <scene_description>Eckehart tries to hide it, but Ty can see he's afraid.</scene_description>
    <character>TY</character>
    <parenthetical>(re: walkie-talkie)</parenthetical>
    <dialogue>I'm gonna find a way to get help, then I'll come back with the police. It's our best chance.</dialogue>
    <scene_description>Eckehart knows Ty's right...</scene_description>
    <character>TY</character>
    <dialogue>If something happens, I want to you to tell my brother...</dialogue>
    <character>ECKEHART</character>
    <dialogue>...You'll tell him when you see him.</dialogue>
    <scene_description>Ty gives him a nod.</scene_description>
    <character>ECKEHART</character>
    <dialogue>Good luck.</dialogue>
    <scene_description>Extends his hand. Ty shakes it.</scene_description>
    <character>TY</character>
    <dialogue>You too.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Lock it tight behind me.</dialogue>
    <scene_description>Eckehart nods. Radio in hand, Ty eases the roof hatch open.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>ON ACT 12'S ROOF: Ty peers out the open roof hatch... BELOW HIM: Baines, Dobbs and Quinn are focused on their work. Cochrane's back is to the ACT. No one notices the roof hatch open as... ON ACT 12'S ROOF: Ty climbs out through the roof hatch. He peers over the sides, looking for a way to get off the truck but he's surrounded with Baines, Dobbs and Quinn at the rear and Cochrane at the front. There's no way off the truck. Ty's eyes rise up and land on...</scene_description>
  </scene>
  <scene>
    <stage_direction>..A catwalk 10 feet above him.</stage_direction>
    <scene_description>CUT TO: WHAM! WHAM! WHAM! The hammers hit and hit and...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Eckehart gently lowers the hatch shut. The magnetic lock snaps shut.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MACHINE SHOP</stage_direction>
    <scene_description>ON ACT 12'S ROOF: Ty coils to jump for the catwalk. It's a long way to jump. Ty pumps his arms in time with the hits. He leaps... And grabs the catwalk with one hand, just as the sledgehammer impacts with a loud BANG, covering the sound. Ty dangles by one hand. Afraid to move or make a sound. All they have to do is look up and they'll see him! TY'S FINGERS Slip. Dirt and dust fall off the catwalk. He squints his eyes shut as it rains on his face. COCHRANE Cocks his head. He heard something. He looks up to see...</scene_description>
  </scene>
  <scene>
    <stage_direction>..The empty catwalk... There's no sign of Ty!</stage_direction>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>The ominous pounding reverberates through the truck. Eckehart hums a Christmas tune. His eyes full of fear.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. 2ND FLOOR</stage_direction>
    <scene_description>Ty runs through the factory. He eyes the walkie-talkie's flickering red signal strength bar as he points the antenna like a divining rod... TWO SIGNAL STRENGTH BARS FLICKER...</scene_description>
    <character>TY</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>This is an emergency call to anyone receiving this message...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Cochrane snaps to the radio on Leon's body...</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(to the crew)</parenthetical>
    <dialogue>Stop!</dialogue>
    <scene_description>Through the static comes fragments of a voice. They can't make out what he's saying but they recognize Ty's voice.</scene_description>
    <character>BAINES</character>
    <dialogue>That sounds like...</dialogue>
    <character>COCHRANE</character>
    <dialogue>...Hackett.</dialogue>
    <scene_description>For the first time, Cochrane looks worried. Cochrane rushes to the ACT. He tries to penetrate the bills that cover the windows. Baines and the others don't get why Cochrane is worried.</scene_description>
    <character>BAINES</character>
    <dialogue>Fuck him. He can't get a clear signal from in here.</dialogue>
    <character>COCHRANE</character>
    <dialogue>I know that...</dialogue>
    <scene_description>Cochrane's eyes drift up to the truck's roof.</scene_description>
    <character>COCHRANE</character>
    <dialogue>...and so does Ty.</dialogue>
    <scene_description>Cochrane grows suspicious. Climbs the truck and... ...Finds FOOT PRINTS in the snow and dirt on the roof. Cochrane looks at the catwalk above.</scene_description>
    <character>COCHRANE</character>
    <dialogue>He's out.</dialogue>
    <scene_description>Cochrane hits the floor, already moving fast. He grabs the shotgun...</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(to Baines and Dobbs)</parenthetical>
    <dialogue>You two, keep working.</dialogue>
    <parenthetical>(to Quinn)</parenthetical>
    <dialogue>Quinn, you're with me.</dialogue>
    <scene_description>Baines looks disappointed. He wants to kill Ty.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(to Baines)</parenthetical>
    <dialogue>The cop's probably still inside. If he opens a door, kill him.</dialogue>
    <scene_description>Baines smiles. Quinn follows Cochrane as he runs to a STAIRWELL DOOR.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PLATE ROOM</stage_direction>
    <scene_description>Ty moves through rows of old press machines, separated from the rest of the floor by a wall of dirty small glass panes. The signal grows stronger as three of the five bars on the radio light up...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. STAIRWELL</stage_direction>
    <scene_description>Cochrane takes the metal stairs two at a time. Quinn follows with his Glock ready for action.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PLATE ROOM</stage_direction>
    <scene_description>THE SIGNAL BARS ON TY'S RADIO REACH FULL STRENGTH! Before Ty can speak... BOOM! A shotgun blasts through the glass wall, showering him with SHARDS OF GLASS. Ty runs, DRIPPING BLOOD on the floor, and dives for cover behind a press. A slice of blood on his cheek from the flying glass. COCHRANE Signals Quinn with a nod. QUINN Stalks down a line of presses, following the trail of Ty's blood. COCHRANE Eases along the wall to flank Ty.</scene_description>
    <character>COCHRANE</character>
    <dialogue>I'm impressed, Ty. You almost made it out. And you left the cop for dead. I didn't think you had it in you...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines eyes the roof as he furiously pounds the chisel.</scene_description>
    <character>BAINES</character>
    <dialogue>I'm almost through!!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PLATE ROOM</stage_direction>
    <scene_description>TY Eyes the radio... ONLY ONE SIGNAL BAR WEAKLY FLICKERS.: He hears Quinn's approaching feet crunch on the broken glass. Ty spots a rusty MAINTENANCE ACCESS COVER on the press. It's the size of a manhole cover. Ty kicks the plate loose.</scene_description>
    <character>COCHRANE</character>
    <dialogue>There's just one thing I want to know before I put a bullet in your head. Did you really write a letter?</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Because I might let your brother live if you didn't.</dialogue>
    <scene_description>QUINN Is almost on Ty.</scene_description>
    <character>COCHRANE</character>
    <dialogue>You surrender and I give you my word, nothing will happen to your brother.</dialogue>
    <scene_description>TY Considers it for about half a second. He doesn't believe Cochrane. Quinn's footsteps crunch broken glass behind him. Ty fiercely leaps from his cover and grabs the steel plate, bringing it up like a shield as... QUINN Fires...</scene_description>
  </scene>
  <scene>
    <stage_direction>..Amazingly, his shots ring off the plate...</stage_direction>
    <scene_description>Quinn is incredulous. TY Nails Quinn's face with the plate. QUINN Collapses on the ground. Blood pours out of his mouth.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Quinn?</dialogue>
    <scene_description>TY Grabs Quinn's Glock.</scene_description>
    <character>TY</character>
    <dialogue>He can't talk right now. He's got a mouth full of teeth.</dialogue>
    <scene_description>COCHRANE Snarls and opens fire. A withering spray of glass rips through the plate room. TY Runs like hell to avoid the tidal wave of lead and glass. Ty sees the STAIRWELL DOOR ahead. Pours on speed. COCHRANE Tracks Ty. Rapidly pumping and firing his shotgun... TY Shots flash and spark off the presses around him as he... Rips the stairway door open, but is SHOT!</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. STAIRWELL</stage_direction>
    <scene_description>Ty is spun through the door. Blood from his shoulder sprays the wall. Ty scrambles down the stairs. He gets down a few flights before... COCHRANE Bursts into the stairwell. He darts down the stairs, popping off shots at Ty as he runs. TY Turns to raise his gun at Cochrane when... Cochrane's bullets ring off the railing and erupt gouts of cement around Ty, forcing him to slam through the door to...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Ty explodes into the room... Baines stops mid-swing. He can't believe his eyes. Ty and Baines just stare at each other for a beat, then...</scene_description>
    <character>BAINES</character>
    <dialogue>There he is!</dialogue>
    <scene_description>Ty fires at them as they dive for cover behind ACT 12.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Eckehart snaps to the muffled pops from gunfire. He wipes a few bills off the window to see...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>...Ty running toward the ACT... COCHRANE Blasts his gun as he charges after Ty. BAINES Comes around the ACT and opens fire. Shots rip the brick wall beside Ty apart... Throwing Ty to the ground... Blood from his shoulder sprays the ground. TY Rolls behind a work table. He sees Baines' approaching running feet. Ty fires! BAINES' LEG Explodes with bloody holes. Baines crashes onto the ground.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Eckehart dives for the rear door. Snaps the lock open.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Eckehart throws the back door open.</scene_description>
    <character>ECKEHART</character>
    <dialogue>Hackett! Come on!</dialogue>
    <scene_description>TY is about to make a break for it when... ...Cochrane's shotgun presses into the back of Ty's head.</scene_description>
    <character>COCHRANE</character>
    <dialogue>You're finished.</dialogue>
    <character>TY</character>
    <dialogue>Fuck you.</dialogue>
    <scene_description>Cochrane pulls the trigger! CLICK! It's empty. They can't believe it. COCHRANE Goes for his holstered pistol as... DOBBS</scene_description>
  </scene>
  <scene>
    <stage_direction>..Comes out from his cover behind ACT 12... BAINES</stage_direction>
  </scene>
  <scene>
    <stage_direction>..Rolls over and points his pistol at Ty as...</stage_direction>
    <scene_description>TY</scene_description>
  </scene>
  <scene>
    <stage_direction>..Snaps his gun to Cochrane's head...</stage_direction>
    <character>TY</character>
    <dialogue>Nobody move, or Cochrane is gonna take one for the team.</dialogue>
    <scene_description>EVERYONE FREEZES! Fingers on their triggers. Ty and Cochrane lock furious gazes for a tense beat... Ty fights the instinct to pull the trigger...</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(cold)</parenthetical>
    <dialogue>Your brother dies if you kill me.</dialogue>
    <character>TY</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>You're not getting off that easy.</dialogue>
    <scene_description>Ty uses Cochrane as a human shield as he retreats to the ACT. DOBBS AND BAINES Keep their guns trained. Looking for a clear shot. TY Drags Cochrane inside the ACT and... Eckehart pulls the door shut...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>They made it. They're safe!</scene_description>
    <character>TY</character>
    <parenthetical>(thank you)</parenthetical>
    <dialogue>That was stupid.</dialogue>
    <character>ECKEHART</character>
    <parenthetical>(you're welcome)</parenthetical>
    <dialogue>Yeah, I know.</dialogue>
    <scene_description>They share a look of mutual appreciation. Their eyes slide to Cochrane. A shiver goes through Cochrane. He's fucked. Eckehart grabs the gun from Cochrane's holster and points it at Cochrane's head.</scene_description>
    <character>TY</character>
    <dialogue>No!</dialogue>
    <scene_description>Ty pushes Eckehart against the wall. Eckehart keeps the gun on Cochrane as he struggles with Ty.</scene_description>
    <character>TY</character>
    <dialogue>We need him alive.</dialogue>
    <character>ECKEHART</character>
    <dialogue>He killed my partner.</dialogue>
    <character>TY</character>
    <dialogue>If you kill him, my brother dies.</dialogue>
    <scene_description>Off Eckehart's determined stare...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines wraps his belt around his leg to stop the bleeding. Quinn spits a tooth out of his bloody mouth.</scene_description>
    <character>DOBBS</character>
    <dialogue>You know, if you keep that tooth in a glass of milk they can put it back in...</dialogue>
    <scene_description>Quinn glares at Dobbs, silencing him.</scene_description>
    <character>QUINN</character>
    <dialogue>I'm out of here. My kids can have crooked teeth, I don't care.</dialogue>
    <character>BAINES</character>
    <dialogue>It's not over.</dialogue>
    <scene_description>Dobbs gestures to the charred money.</scene_description>
    <character>QUINN</character>
    <dialogue>What part of any of this makes you think it's not over?</dialogue>
    <character>BAINES</character>
    <dialogue>Cochrane has a plan.</dialogue>
    <character>DOBBS</character>
    <dialogue>Cochrane's lost it.</dialogue>
    <character>QUINN</character>
    <dialogue>If we had left when I said we'd have five million dollars instead of a pile of burnt paper.</dialogue>
    <character>BAINES</character>
    <dialogue>That will change when Palmer gets here.</dialogue>
    <character>QUINN</character>
    <dialogue>Palmer's probably on his way to Mexico. So am I.</dialogue>
    <scene_description>Quinn heads for the door. Dobbs looks at Baines.</scene_description>
    <character>DOBBS</character>
    <dialogue>Come on, Baines. It's over.</dialogue>
    <scene_description>Baines sets his jaw. He isn't giving up. Dobbs turns away to follow Quinn. KA-CHUNK! Baines pumps the slide on the pistol he took from Ty at the start of the heist. Quinn and Dobbs stop.</scene_description>
    <character>DOBBS</character>
    <dialogue>You won't shoo --</dialogue>
    <scene_description>BOOM! Baines' bullet slams into Dobbs' chest. Dobbs goes down hard. Gasping for air.</scene_description>
    <character>QUINN</character>
    <dialogue>Jesus...</dialogue>
    <character>BAINES</character>
    <dialogue>Don't be a pussy. He got it in the vest. Next one who tries to leave gets it in the head.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>As Ty bandages the gashes in his arm and hands from the glass... Cochrane, sneaks a look at his watch:</scene_description>
    <character>THE COUNTER REACHES ZERO!</character>
    <dialogue>Cochrane masks his dismay.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM - DAY</stage_direction>
    <scene_description>Dispatchers futilely try to contact ACTs 12 and 17.</scene_description>
    <character>DISPATCHER #1</character>
    <dialogue>They aren't answering. We need to alert the police.</dialogue>
    <character>ASHCROFT</character>
    <dialogue>Not yet.</dialogue>
    <character>DISPATCHER #1</character>
    <dialogue>They're overdue and out of contact.</dialogue>
    <scene_description>Ashcroft glares out the window toward the south side. Refusing to admit defeat.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12 - DAY</stage_direction>
    <scene_description>Ty cinches RED PLASTIC ZIP STRIPS they normally use to seal money bags around Cochrane's wrists. Eckehart pats Cochrane down, taking the switch blade from Cochrane's pocket.</scene_description>
    <character>COCHRANE</character>
    <dialogue>This doesn't change anything.</dialogue>
    <character>TY</character>
    <dialogue>News flash, pal. We have the money and your sorry ass.</dialogue>
    <scene_description>Off the pounding --</scene_description>
    <character>COCHRANE</character>
    <dialogue>Not for long.</dialogue>
    <character>TY</character>
    <dialogue>Tell them to stop.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Why would I do that?</dialogue>
    <scene_description>Off Ty's growing smile -- LATER: TY Wraps medical tape around a flare and Cochrane's head. The flare is taped in Cochrane's mouth like a fat cigar. Cochrane talks around the flare jammed in his mouth --</scene_description>
    <character>COCHRANE</character>
    <dialogue>You're bluffing.</dialogue>
    <scene_description>Ty strikes the flare. It fills the truck with an eerie red glow. The magnesium burns down the flare toward Cochrane's face.</scene_description>
    <character>TY</character>
    <dialogue>Still think I'm bluffing?</dialogue>
    <scene_description>Cochrane is in full panic.</scene_description>
    <character>COCHRANE</character>
    <dialogue>You're a cop. Do something.</dialogue>
    <character>ECKEHART</character>
    <dialogue>Sorry, I couldn't understand you. Can you repeat that?</dialogue>
    <scene_description>Cochrane thrashes but he can't get free. The burning red glow inches closer and closer to his mouth.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Okay. Okay.</dialogue>
    <parenthetical>(yells at the window)</parenthetical>
    <dialogue>Stop! Baines! Stop!</dialogue>
    <scene_description>The pounding continues. The crew can't hear him. Ty wipes the bills off the rear window and shoves Cochrane's face against it.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines stops swinging. The crew stare in disbelief at Cochrane's terrified face. Ty opens the gun port and they hear Cochrane's muffled screams...</scene_description>
    <character>COCHRANE</character>
    <dialogue>Stop!...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>The flare continues to burn toward Cochrane's face.</scene_description>
    <character>TY</character>
    <dialogue>Tell Baines to fix the engine.</dialogue>
    <character>COCHRANE</character>
    <dialogue>Baines, fix the engine.</dialogue>
    <scene_description>Baines doesn't move.</scene_description>
    <character>COCHRANE</character>
    <parenthetical>(frantic)</parenthetical>
    <dialogue>Fix the fucking engine.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines, Quinn and Dobbs move around to the engine.</scene_description>
    <character>DOBBS</character>
    <dialogue>Are you gonna let him just drive away with the money?</dialogue>
    <scene_description>Baines shoots him a hard look. He hates having to give up, but he has no choice. Baines pulls the BLOCK FUSE from his coat pocket. Just as he is about to plug it in... AN ACT's HORN BLASTS!</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Eckehart removes the flare from Cochrane's mouth just in time to save his face. Ty snaps to the window...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Quinn and Dobbs slide a large cargo door open and... ...Palmer drives ACT 17 into the room. Baines' face lights up.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty cranes his neck to try and see what is happening.</scene_description>
    <character>COCHRANE</character>
    <dialogue>You're finished, Ty.</dialogue>
    <scene_description>Off Ty's questioning look...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Palmer hauls Jimmy out of the truck.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty's blood turns to ice. Terror floods his face...</scene_description>
    <character>TY</character>
    <dialogue>Jimmy...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Jimmy is stunned by the sight of the truck and Ty's frantic face in the window.</scene_description>
    <character>JIMMY</character>
    <parenthetical>(frightened)</parenthetical>
    <dialogue>Ty.</dialogue>
    <scene_description>Baines and Palmer exchange congratulatory fist pounds.</scene_description>
    <character>BAINES</character>
    <dialogue>Did you get the letter?</dialogue>
    <scene_description>Jimmy's face betrays nothing.</scene_description>
    <character>PALMER</character>
    <dialogue>I looked. Didn't find anything.</dialogue>
    <character>BAINES</character>
    <dialogue>I knew he was full of shit.</dialogue>
    <scene_description>Palmer is shocked by the sight of the burnt pile of money and Leon's body.</scene_description>
    <character>PALMER</character>
    <dialogue>What the hell happened?</dialogue>
    <character>BAINES</character>
    <dialogue>We had a problem.</dialogue>
    <character>PALMER</character>
    <dialogue>Where's Cochrane?</dialogue>
    <character>BAINES</character>
    <dialogue>That's the problem.</dialogue>
    <scene_description>Palmer and Baines' eyes land on Jimmy...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>WHAM! Jimmy is hurled against the ACT's door. He collapses and Baines picks the semi-conscious kid up and slams him against the door.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Dull thuds and Jimmy's screams are faintly heard. Ty is horrified.</scene_description>
    <character>TY</character>
    <parenthetical>(to Cochrane)</parenthetical>
    <dialogue>Make him stop.</dialogue>
    <scene_description>Through the window, Ty sees Jimmy thrown to the ground.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Jimmy tries to crawl away, leaving a trail of blood from his broken face. Baines kicks Jimmy in the gut. Quinn and Dobbs are uneasy with this.</scene_description>
    <character>DOBBS</character>
    <dialogue>Baines, take it easy.</dialogue>
    <scene_description>Baines keeps kicking Jimmy...</scene_description>
    <character>BAINES</character>
    <dialogue>Fuck easy.</dialogue>
    <character>PALMER</character>
    <dialogue>We don't have time for this. We have to get out of here.</dialogue>
    <character>BAINES</character>
    <dialogue>Not without the money. We get the money and then we run like hell.</dialogue>
    <character>PALMER</character>
    <dialogue>That wasn't the plan.</dialogue>
    <character>BAINES</character>
    <dialogue>In case you haven't noticed, the plan's changed.</dialogue>
    <character>QUINN</character>
    <dialogue>You're gonna kill him.</dialogue>
    <character>BAINES</character>
    <dialogue>So what?</dialogue>
    <character>QUINN</character>
    <dialogue>Ty will never give us the money if you kill him.</dialogue>
    <scene_description>Baines continues beating him.</scene_description>
    <character>JIMMY</character>
    <parenthetical>(weak)</parenthetical>
    <dialogue>Ty... Get this asshole off me...</dialogue>
    <scene_description>Baines shuts him up with a vicious kick to the stomach. Jimmy gasps for air, blood oozes from his mouth. As Baines boots Jimmy over and over...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty pounds his fist on the window...</scene_description>
    <character>TY</character>
    <dialogue>Stop!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines is merciless, relentless. It's more than Dobbs can take. He turns away.</scene_description>
    <character>BAINES</character>
    <dialogue>Give me the money!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty grabs the door handle, he's ready to open it and surrender. Then his eyes land on the money...</scene_description>
    <character>TY</character>
    <dialogue>I'll burn it. I'll burn every fucking dollar.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Baines stops... Accepting defeat... Jimmy twitches and gags on his own blood... Baines hauls him up.</scene_description>
    <character>BAINES</character>
    <dialogue>You got what I want. I got what you want. We trade.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <character>TY</character>
    <dialogue>Let Jimmy go first.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>A strange look comes over Baines.</scene_description>
    <character>BAINES</character>
    <dialogue>Sure, I'll let him go.</dialogue>
    <scene_description>Relief and hope floods Jimmy's and Ty's faces. Baines snaps out his pistol and fires... A geyser of blood explodes from Jimmy's gut as the bullet rips through him. Dobbs and Quinn are shocked. Jimmy collapses in a pool of his own blood.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <character>TY</character>
    <dialogue>Jimmy!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Quinn and Dobbs are sickened by the blood.</scene_description>
    <character>QUINN</character>
    <dialogue>You're out of your fucking mind.</dialogue>
    <character>DOBBS</character>
    <dialogue>Why the fuck did you do that?</dialogue>
    <character>BAINES</character>
    <dialogue>I'm done playing fucking games.</dialogue>
    <scene_description>Baines puts his foot on Jimmy's wound and presses down hard. Jimmy screams in agony.</scene_description>
    <character>BAINES</character>
    <parenthetical>(yells at TY)</parenthetical>
    <scene_description>GIVE ME THE FUCKING MONEY!</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty is torn up inside.</scene_description>
    <character>COCHRANE</character>
    <dialogue>I've seen what happens to guys who are gut shot.</dialogue>
    <scene_description>Ty slams Cochrane against the wall. Cochrane is unflinching.</scene_description>
    <character>COCHRANE</character>
    <dialogue>If you don't get him to a hospital soon, he'll go into septic shock or die from blood loss. Either way, it's painful.</dialogue>
    <scene_description>Ty's face says he is ready to kill Cochrane.</scene_description>
    <character>TY</character>
    <dialogue>Shut him up before I kill him.</dialogue>
    <scene_description>Eckehart shoves Cochrane into the jump seat and wraps tape over Cochrane's mouth. Ty's eyes land on the flares. An idea forms.</scene_description>
    <character>ECKEHART</character>
    <dialogue>So what do we do now?</dialogue>
    <character>TY</character>
    <dialogue>We give them what they want.</dialogue>
    <scene_description>He slides the magazine out of his pistol to see the bullets.</scene_description>
    <character>TY</character>
    <dialogue>How much ammo do you have?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. APARTMENT BUILDING - DAY</stage_direction>
    <scene_description>Dana comes up the stairs with a bag of groceries. As she digs for her keys, she finds the apartment door is partially open. That's odd. She pushes inside.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TY'S APARTMENT</stage_direction>
    <scene_description>Dana finds the place looks normal, except for the carton of milk on the table.</scene_description>
    <character>DANA</character>
    <dialogue>Jimmy?</dialogue>
    <scene_description>No answer. Dana grabs the carton, it's empty. She goes to toss it in the trash, and spots the LETTER. Dana opens the letter... ...Her eyes go wide as she reads it...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP - DAY</stage_direction>
    <scene_description>The ACT's door groans open on its one remaining intact hinge. FROM INSIDE THE TRUCK, Ty and Eckehart point their guns at Baines and the crew. TY HAS THE GLOCK HE TOOK FROM QUINN. ECKEHART AIMS THE PISTOL HE TOOK FROM COCHRANE.</scene_description>
    <character>TY</character>
    <dialogue>Get away from him.</dialogue>
    <character>BAINES</character>
    <parenthetical>(pointing his gun at Jimmy's head)</parenthetical>
    <dialogue>Pull that trigger and he dies right now.</dialogue>
    <scene_description>Ty can't risk it. He doesn't shoot. DOBBS AND QUINN Spread out, keeping a dead aim on Ty. ECKEHART'S Aim jumps back and forth from Quinn to Dobbs.</scene_description>
    <character>JIMMY</character>
    <dialogue>Ty...</dialogue>
    <character>TY</character>
    <dialogue>Hold on, Jimmy.</dialogue>
    <character>BAINES</character>
    <dialogue>The money.</dialogue>
    <character>TY</character>
    <dialogue>When I get my brother and the police car to take him to a hospital, you get the money. We let Cochrane go when we're safely out of here. Deal?</dialogue>
    <character>BAINES</character>
    <parenthetical>(considers it)</parenthetical>
    <dialogue>Deal.</dialogue>
    <parenthetical>(to Dobbs)</parenthetical>
    <dialogue>Get the car.</dialogue>
    <scene_description>Dobbs takes off outside. Ty never takes his gun off Baines.</scene_description>
    <character>BAINES</character>
    <dialogue>You got balls, I'll give you that.</dialogue>
    <scene_description>Dobbs pulls the TMU up the door.</scene_description>
    <character>BAINES</character>
    <dialogue>You got the car.</dialogue>
    <character>TY</character>
    <dialogue>I'm coming out.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ACT 12</stage_direction>
    <scene_description>Ty and Eckehart trade nods. Eckehart keeps one eye on Cochrane and covers Ty as...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Ty climbs out of the ACT... ...His gun on Baines... Ty faces down pistols pointed at him by Baines, Palmer and Quinn. Dobbs jumps out of the TMU and whips out his gun at Ty... Eckehart snaps his gun to Dobbs... Just as all hell is about to break loose...</scene_description>
    <character>BAINES</character>
    <parenthetical>(to Dobbs)</parenthetical>
    <dialogue>Easy.</dialogue>
    <scene_description>Ty gives Eckehart a reassuring look. Eckehart relaxes his trigger finger.</scene_description>
    <character>TY</character>
    <dialogue>I get Jimmy in the car then Eckehart brings the money out.</dialogue>
    <character>BAINES</character>
    <dialogue>Do it fast.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM - DAY</stage_direction>
    <scene_description>Ashcroft white-knuckles his cane. The frustration etched in his face.</scene_description>
    <character>DISPATCHER #1</character>
    <dialogue>Chief, there's a call for you.</dialogue>
    <character>ASHCROFT</character>
    <dialogue>Not now.</dialogue>
    <character>DISPATCHER #1</character>
    <parenthetical>(insistent)</parenthetical>
    <dialogue>You should take this call.</dialogue>
    <scene_description>Ashcroft lifts the phone.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>TY Moves to collect Jimmy. Ty hooks Jimmy's arm over his shoulder and drags him to the TMU...</scene_description>
    <character>JIMMY</character>
    <dialogue>Ty, I'm sorry.</dialogue>
    <character>TY</character>
    <dialogue>Don't talk like that. You hear me? You're not dying on me.</dialogue>
    <scene_description>They share a powerful look of mutual understanding. AT THE TMU: Ty slides Jimmy into the car's passenger seat.</scene_description>
    <character>TY</character>
    <dialogue>Hold on, Jimmy.</dialogue>
    <scene_description>IN THE MACHINE SHOP:</scene_description>
    <character>BAINES</character>
    <dialogue>Now the money.</dialogue>
    <scene_description>TY Takes cover behind the TMU's open door... His gun on Baines, he gives Eckehart a nod.</scene_description>
    <character>ECKEHART</character>
    <dialogue>Money's coming out.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TY'S APARTMENT - DAY</stage_direction>
    <scene_description>Dana clutches the letter as she anxiously looks at a clock. The second hand ticks and ticks its way to TEN O'CLOCK.</scene_description>
    <character>DANA</character>
    <parenthetical>(into phone)</parenthetical>
    <dialogue>Are you sure you haven't heard from Ty?</dialogue>
    <character>ASHCROFT (V.O.)</character>
    <dialogue>No, I haven't. You want to tell me what this is about?</dialogue>
    <character>DANA</character>
    <parenthetical>(beat; into phone)</parenthetical>
    <dialogue>I'm not sure. Ty wrote a letter this morning.</dialogue>
    <parenthetical>(reads it)</parenthetical>
    <dialogue>I need you to do something. I think Cochrane, Baines and Palmer's crew are going to rob the trucks. If you don't hear from me by ten, it means I was right. Call headquarters and tell Ashcroft...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OPERATIONS ROOM - DAY</stage_direction>
    <scene_description>Ashcroft is thunderstruck.</scene_description>
    <character>ASHCROFT</character>
    <parenthetical>(to Dispatcher)</parenthetical>
    <dialogue>Get the police.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP - DAY</stage_direction>
    <scene_description>Eckehart, holding his gun to Cochrane's head, leads Cochrane out of the ACT.</scene_description>
    <character>ECKEHART</character>
    <parenthetical>(re: money boxes)</parenthetical>
    <dialogue>Get it.</dialogue>
    <scene_description>Cochrane doesn't move.... Eckehart pushes his guns' muzzle into Cochrane's head...</scene_description>
    <character>ECKEHART</character>
    <dialogue>Don't think I won't pull the trigger.</dialogue>
    <scene_description>Cochrane grabs the money boxes and drags them out of the ACT. As Eckehart hobbles toward the car, using Cochrane as a shield... ...Cochrane drags the money boxes... His face is twisted with something we have never seen from him -- it's fear... When Eckehart and Cochrane reach the mid way point between the ACT and the TMU...</scene_description>
    <character>BAINES</character>
    <dialogue>That's far enough.</dialogue>
    <scene_description>Cochrane releases the money boxes. Eckehart continues to pull Cochrane toward the TMU.</scene_description>
    <character>BAINES</character>
    <parenthetical>(to Dobbs and Quinn)</parenthetical>
    <dialogue>Load the money into seventeen and we are out of here.</dialogue>
    <character>QUINN</character>
    <dialogue>It's about time.</dialogue>
    <character>DOBBS</character>
    <dialogue>What about Cochrane?</dialogue>
    <scene_description>Baines locks eyes with Cochrane. A sinister smile cuts across Baines' face. Raising his gun at Cochrane...</scene_description>
    <character>BAINES</character>
    <dialogue>Fuck him.</dialogue>
    <scene_description>COCHRANE Is devastated. He screams unintelligible insults at Baines through his gag.</scene_description>
    <character>BAINES</character>
    <dialogue>They ain't leaving here alive.</dialogue>
    <scene_description>Dobbs, Palmer and Quinn take aim at Ty and Eckehart... Just as everyone is about to open fire... BAINES Sees smoke wafting from the money boxes... Then they all see it... TY Looks deeply worried... So does Eckehart...</scene_description>
    <character>BAINES</character>
    <dialogue>What the fuck?</dialogue>
    <character>DOBBS</character>
    <dialogue>The money's on fire!</dialogue>
    <scene_description>DOBBS AND QUINN Frantically rip lids open. Thick clouds of smoke and red light erupts from inside the two boxes.</scene_description>
    <character>BAINES</character>
    <parenthetical>(re: the fire)</parenthetical>
    <dialogue>Put it out!</dialogue>
    <scene_description>Baines and Palmer rush to help save the money. They find... ...Each box has a burning flare in it... ...With BULLETS and COINS taped to the flares... It's almost all the ammo Ty and Eckehart had in their guns.</scene_description>
    <character>TY</character>
    <dialogue>Now!</dialogue>
    <scene_description>TY Dives inside the TMU to cover Jimmy with his body... ECKEHART Throws Cochrane to the ground as he dives behind the TMU... THE RED HOT MAGNESIUM BURNS TO THE AMMUNITION! BOOM!!!! THE BULLETS AND COINS GO OFF LIKE A HAND GRENADE! A devastating blast of shrapnel shreds everything... Blowing out the TMU's windows and... QUINN'S ARM Is blown off at the elbow. BAINES' KNEECAPS Are torn off. He screams in agony as he flops like a fish. PALMER'S FACE Is ripped apart, blinding him with blood and agony. DOBBS Drops to his knees. Gasping. Blood pouring out the vicious wound in his neck. They flail in pools of their own blood. It takes a moment for all of them to realize they are dead. THE HORROR OF THE CARNAGE HAS LESS THAN A SECOND TO REGISTER BEFORE... BEHIND THE TMU: COCHRANE</scene_description>
  </scene>
  <scene>
    <stage_direction>..Slams his forehead into Eckehart's face. Squashing his nose. Eckehart is momentarily stunned...</stage_direction>
    <scene_description>Cochrane pounces... His bound hands claw at Eckehart's coat pocket to find... The SWITCHBLADE! In a flash, Cochrane cuts through his bonds... TY Springs up... Pointing his gun at the carnage...</scene_description>
  </scene>
  <scene>
    <stage_direction>..There are no survivors!</stage_direction>
    <scene_description>He hears the thuds and sounds of struggle behind the TMU. COCHRANE Pockets the KNIFE and grabs Eckehart's gun... He pistol- whips Eckehart as...</scene_description>
  </scene>
  <scene>
    <stage_direction>..Ty rounds the car and...</stage_direction>
    <character>TY</character>
    <dialogue>Eckehart?</dialogue>
  </scene>
  <scene>
    <stage_direction>..BOOM!</stage_direction>
    <scene_description>Cochrane's shot hits Ty square in the chest. Ty stumbles backwards and falls. COCHRANE Looms over Ty.</scene_description>
    <character>COCHRANE</character>
    <dialogue>Hurts, don't it?</dialogue>
    <scene_description>Ty tries to speak, but he can't get enough air into his lungs to make the words. Ty's bulletproof vest is torn, but it stopped the bullet.</scene_description>
    <character>COCHRANE</character>
    <dialogue>I said you were going to hear your brother beg for his life before I killed you, and I'm a man of my word.</dialogue>
    <scene_description>Cochrane turns to point his gun at Jimmy and... Ty's hand finds a SLEDGEHAMMER... ...The heavy metal head slams Cochrane's arm... Breaking bone... Sending the gun skittering across the floor. Ty is up... He slams the hammer's handle into Cochrane's face, staggering him back... He nails Cochrane again and again... Cochrane goes down in a stunned bloody heap. TY Stands over Cochrane. Panting. Bleeding. His eyes boiling with rage. ECKEHART Awakens... His bleary eyes find... TY Raises the hammer high... COCHRANE Knows he's dead. Blinded by his own blood, he can almost feel Ty is about to crush his skull. Surprisingly, he laughs...</scene_description>
    <character>COCHRANE</character>
    <dialogue>Admit it. You're no different than I am. You're gonna kill me so you can keep the money for yourself.</dialogue>
    <scene_description>TY Looks at the money... ECKEHART Reaches for the gun dropped by Cochrane and takes aim... TY Explodes with a powerful swing... The hammer slams into...</scene_description>
  </scene>
  <scene>
    <stage_direction>..The floor...</stage_direction>
  </scene>
  <scene>
    <stage_direction>..Missing Cochrane's head by a fraction of an inch...</stage_direction>
    <character>TY</character>
    <dialogue>I'm nothing like you.</dialogue>
    <scene_description>ECKEHART Lowers his gun. He gives Ty a nod - "You made the right choice". TY Hauls Cochrane to his feet. Cochrane looks utterly defeated.</scene_description>
    <character>TY</character>
    <parenthetical>(to Eckehart)</parenthetical>
    <dialogue>Give me your cuffs.</dialogue>
    <scene_description>Eckehart tosses his handcuffs. Ty clamps a cuff on Cochrane's broken arm, and... IN HYPER-SLOW MOTION: -- Cochrane spins behind Ty... -- Cochrane's free hand comes up... It holds the KNIFE! -- Just as Cochrane is about to plunge the blade into Ty's back... BOOM! BOOM! BOOM! ECKEHART Rapid fires three shots into Cochrane's head... Blowing the back of his skull out... Cochrane is dead before he hits the ground. TY Sucks down air. He can't believe he's alive.</scene_description>
    <character>TY</character>
    <dialogue>I know you probably need to arrest me but I have to get Jimmy to the hospital.</dialogue>
    <scene_description>Eckehart holsters his gun and looks Ty in the eyes.</scene_description>
    <character>ECKEHART</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>You did your job. You stopped them from stealing the money and you saved my life.</dialogue>
    <parenthetical>(off Ty's bemused look)</parenthetical>
    <dialogue>That's what I'm putting in my report.</dialogue>
    <character>TY</character>
    <dialogue>Why would you do that?</dialogue>
    <character>ECKEHART</character>
    <parenthetical>(thoughtful)</parenthetical>
    <dialogue>Because I believe in second chances. Don't blow it.</dialogue>
    <scene_description>They share a look of mutual respect and understanding. The distant sound of SIRENS rises...</scene_description>
    <character>ECKEHART</character>
    <dialogue>Go. Get your brother to the hospital.</dialogue>
    <character>TY</character>
    <dialogue>You're coming with me.</dialogue>
    <character>ECKEHART</character>
    <parenthetical>(re: Leon's body)</parenthetical>
    <dialogue>I'm not leaving my partner. Go.</dialogue>
    <scene_description>Ty doesn't want to leave Eckehart... But he has to save his brother...</scene_description>
    <character>TY</character>
    <dialogue>Thank you</dialogue>
    <character>ECKEHART</character>
    <dialogue>No, thank you.</dialogue>
    <scene_description>...Ty jumps behind the wheel and peels out.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DETROIT'S SOUTH SIDE - DAY</stage_direction>
    <scene_description>A swarm of TMUs blast down the road.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TY'S TMU (MOVING) - DAY</stage_direction>
    <scene_description>Ty rockets through the gate.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DETROIT'S SOUTH SIDE - DAY</stage_direction>
    <scene_description>Ty's TMU swerves out in front of the approaching police cars. Two cars give chase while two others head for the factory.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TMU 35 (MOVING)</stage_direction>
    <scene_description>A POLICE OFFICER radios in...</scene_description>
    <character>POLICE OFFICER</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Three-three-Adam. We are in pursuit of a stolen TMU suspected involvement with an armored car robbery...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TY'S TMU (MOVING) - DAY</stage_direction>
    <scene_description>Blood pours out through Jimmy's fingers as he holds his gut.</scene_description>
    <character>JIMMY</character>
    <parenthetical>(fading)</parenthetical>
    <dialogue>I'm cold. I don't wanna die.</dialogue>
    <character>TY</character>
    <parenthetical>(worried)</parenthetical>
    <dialogue>Hold on, Jimmy. We're going to a hospital.</dialogue>
    <scene_description>Ty stomps the gas...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TY'S TMU (MOVING)</stage_direction>
    <scene_description>The car slides through a wicked turn onto the road... The freeway onramp is coming up fast... Ty takes the ramp faster at three times the recommended speed... Bouncing off the guard rail...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ONRAMP</stage_direction>
    <scene_description>The chasing police cars swerve as they take the ramp at incredible speed.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FREEWAY 15</stage_direction>
    <scene_description>Ty weaves wildly through traffic... Cars swerve to avoid him... Three police cars are right on his tail...</scene_description>
    <character>POLICE LOUD SPEAKER</character>
    <dialogue>Pull over.</dialogue>
    <scene_description>Ty ignores him...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TY'S TMU (MOVING)</stage_direction>
    <scene_description>Ty's eyes lock on a passing sign for a HOSPITAL.</scene_description>
    <character>TY</character>
    <dialogue>We're almost there. Jimmy?</dialogue>
    <scene_description>Jimmy doesn't move... Ty guns the engine...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MICHIGAN MEDICAL CENTER - DAY</stage_direction>
    <scene_description>Ty's TMU grinds to a stop outside the ER entrance. Three police cars scream into the lot... They screech to a stop... COPS pour out and level their guns at TY...</scene_description>
    <character>COPS</character>
    <parenthetical>(ad-lib)</parenthetical>
    <dialogue>Hands!... Show us your hands!... Get out of the car!...</dialogue>
    <scene_description>TY Clocks the Cops. He can surrender or he can save his brother. Ty steps out.</scene_description>
    <character>TY</character>
    <dialogue>My brother's been shot. He needs a Doctor.</dialogue>
    <scene_description>Ty moves around the car to get Jimmy.</scene_description>
    <character>POLICE SERGEANT</character>
    <dialogue>Freeze asshole! Get down on the ground!</dialogue>
    <scene_description>Ty stops. BEAT. Ty looks at the Cops... Their guns... Then his brother. Ty sets his determined jaw.</scene_description>
    <character>TY</character>
    <dialogue>You can do whatever you want to do to me after I get Jimmy to a Doctor.</dialogue>
    <scene_description>He opens the passenger door to drag his brother out.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MACHINE SHOP</stage_direction>
    <scene_description>Several flashlight beams slice through the smoky air as COPS move through the war zone... A light finds Eckehart on the ground beside Leon's body. Eckehart holds his badge in his outstretched hand...</scene_description>
    <character>ECKEHART</character>
    <dialogue>Officers down!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. MICHIGAN MEDICAL CENTER</stage_direction>
    <scene_description>Ty carries Jimmy's limp body toward the ER entrance. A Cop moves to block him.</scene_description>
    <character>COP</character>
    <dialogue>This is your last warning. Get on the ground, now!</dialogue>
    <scene_description>Ty doesn't stop.</scene_description>
    <character>COP</character>
    <dialogue>Take him down.</dialogue>
    <scene_description>Just before they shoot... The SERGEANT standing by his open TMU, hears the radio chatter with an alert:</scene_description>
    <character>POLICE DISPATCHER (V.O.)</character>
    <dialogue>Attention all units. Individual driving two-seven Adam is not wanted in connection with the armored car robbery...</dialogue>
    <character>POLICE SERGEANT</character>
    <dialogue>Hold your fire!</dialogue>
    <scene_description>The Sergeant moves to TY and... lowers his gun... One by one, the Cops lower their weapons. Ty gives the Sergeant a grateful nod as...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. EMERGENCY ROOM</stage_direction>
    <scene_description>Ty carries Jimmy into the ER. The MEDICAL STAFF is buzzing... Ty can't process it all... He's going into shock... DOCTORS and NURSES put Jimmy on a gurney and rush him away... Ty never takes his eyes off Jimmy. He's all that matters to Ty. As Jimmy is wheeled out of sight... FADE TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOSPITAL WAIITNG ROOM - LATER</stage_direction>
    <scene_description>Ty, now bandaged with an arm in a sling, sits in a chair as he nervously waits for word on Jimmy. The elevator opens and... ...Ty sees Dana and Ashcroft step out. Dana runs to Ty... He barely has time to stand before she is there... Dana's arms wrap around him... They kiss passionately...</scene_description>
    <character>DANA</character>
    <parenthetical>(through tears)</parenthetical>
    <dialogue>I was so worried.</dialogue>
    <character>TY</character>
    <parenthetical>(fighting back tears)</parenthetical>
    <dialogue>I love you so much.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I've never appreciated what we have more than I do right now.</dialogue>
    <character>DANA</character>
    <dialogue>I love you too.</dialogue>
    <scene_description>Ty hugs her tight as Dana smiles through the tears.</scene_description>
    <character>TY</character>
    <parenthetical>(soft whispers)</parenthetical>
    <dialogue>When Jimmy gets better, the three of us... We're gonna be okay. I promise...</dialogue>
    <scene_description>She lovingly holds him even tighter. After a moment, Ty swallows the tears he's been fighting back and turns to face Ashcroft...</scene_description>
    <character>TY</character>
    <dialogue>Chief.</dialogue>
    <character>ASHCROFT</character>
    <dialogue>How's your brother?</dialogue>
    <character>TY</character>
    <dialogue>He's still in surgery.</dialogue>
    <parenthetical>(then)</parenthetical>
    <dialogue>About what happened...</dialogue>
    <character>ASHCROFT</character>
    <parenthetical>(cuts Ty off)</parenthetical>
    <dialogue>...I already talked to Eckehart.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>You did good.</dialogue>
    <scene_description>A smile spreads across Ty's face. Ty's gaze follows Dana's worried look to... A SURGEON walks toward them... His face is drawn and impenetrable. We move away and don't hear what the Surgeon says... ...Ty hugs Dana with a huge smile on his face... ...It's good news! FADE OUT: OVER BLACK, SUPER: FADE IN:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOSPITAL ROOM - DAY</stage_direction>
    <scene_description>A sparse crooked tiny Christmas Tree with a single strand of lights sits on a table looking pathetic and wonderful at the same time. Jimmy lies in a hospital bed, anxiously watching Ty open a small brightly wrapped Christmas present. Eckehart and Dana flank Ty. Eckehart wears a red Santa hat and sits in a wheel chair. Ty peels away the wrapping paper to find... ...A SCENTED CAR FRESHENER in the shape of a pine tree.</scene_description>
    <character>JIMMY</character>
    <dialogue>Sorry it isn't much.</dialogue>
    <scene_description>Ty beams...</scene_description>
    <character>TY</character>
    <dialogue>I love it.</dialogue>
    <character>JIMMY</character>
    <dialogue>Man, it's too bad you didn't get some of that money. We need it.</dialogue>
    <scene_description>Eckehart looks at Ty, waiting for Ty's reaction. Ty looks at Dana and Jimmy... ...His heart swells with emotions...</scene_description>
    <character>TY</character>
    <dialogue>We don't need money. We got everything we need, right here.</dialogue>
    <scene_description>Dana grins warmly. Jimmy meets his look. A smile spreads across his face. Ty has never looked more happy or content. Eckehart nods to Ty... He's proud of Ty. Dana hands out more small cheap presents. It isn't much but they don't care. From somewhere, a heart-breaking song of hope and joy rises as we... FADE OUT:</scene_description>
    <character>THE END</character>
  </scene>
</script>
Ty Hackett (Columbus Short), a former armed service veteran is a member of Eagle Shield security in one of their many armored transportation teams. He is the legal guardian of younger brother Jimmy (Andre Kinney) after the death of their parents. He is receiving constant letters about impending foreclosure on his home and the state is considering the placement of Jimmy in a foster home, due to his truancy and Ty's inability to adequately care for him. Ty is approached by Mike Cochrane (Matt Dillon), his godfather and co-worker, and informed of Mike's plan to steal money ($42 million) being transferred from the Federal Reserve System to the local banks. Ty turns down the offer to participate in the crime. The following morning, after receiving assurances from Mike that no one will be hurt, Ty reluctantly agrees to participate. The six-person crew offloads the first truck at an abandoned steel mill, but their plan is compromised when a homeless man living in the mill is spotted observing them. Baines (Laurence Fishburne) shoots the potential witness. Upset over this, Ty barricades himself inside the truck with the remaining $21 million inside. After an attempt to flee in the truck fails, Ty sets off the truck's alarm. The alarm catches the attention of Jake Eckehart (Milo Ventimiglia), a local sheriff's deputy. The remaining thieves plan to break into the truck by knocking the pins out of the door hinges. Jake arrives when Ty successfully restores power to the truck's alarm. Baines shoots Jake. While the thieves are distracted, Ty sneaks Jake into the truck. Dobbs (Skeet Ulrich) begins to have second thoughts about the operation and agrees with Ty to get the fuse Mike removed from the engine. Dobbs is caught trying to put it back and Palmer (Amaury Nolasco) stabs him to death. As the thieves continue to remove the door hinges, Ty covers the interior windows with the remainder of the $21 million and takes Jake's radio to the roof in an attempt to contact the authorities. He is caught by Palmer, but Ty is able to convince Palmer that what they are doing is not right. Palmer consequently commits suicide. The remaining thieves reveal their possession of a kidnapped Jimmy. Ty complies with their demands, before Quinn (Jean Reno) and Baines head for the money. The two men are killed by a booby trap rigged in the money case. Mike chases after Ty in the working armored truck and crashes into a pit, the accident being fatal for him. Later, as Jake is recovering in the hospital, Ashcroft tells Ty that Jake spoke of his efforts to stop the thieves. There is talk of giving Ty a reward. With Jimmy also being released from the hospital, Ty and Jimmy go home.