Easy A_2010
<script>
  <scene>
    <stage_direction>IN DARKNESS:</stage_direction>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>The rumors of my promiscuity have been greatly exaggerated.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>OLIVE PENDERGHAST -LRB- 17 -RRB- , a cute teenager , speaks directly into the WEBCAM atop her computer .</scene_description>
    <character>OLIVE</character>
    <dialogue>Let the record show that I, Olive Penderghast, being of sound mind, ample breast size and the occasional corny knock knock joke, do enter this video blog into evidence in the case against me. Because I'm being judged by a jury of my peers, I will attempt to insert ` like' and ` totally' into my confession as much as possible. So here it goes. I confess I'm, in no small part, to blame for the vociferous gossip that has turned my Varsity letter scarlet, but - for anyone hoping that the sizzling details of my sordid past will provide you with a reason to lock the door and make love to a dollop of your sister's moisturizing lotion - you'll be gravely disappointed.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Look, I just need to set the record straight and what better way to do that, than to broadcast it on the Internet. So, here it is - Part One : The Shudder - Inducing and Cliched, However Totally False Account Of How I Lost My Virginity To A Guy At A Community College In A Neighboring Town.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Let me just begin by saying that there are two sides to every story. This is my side, the right one.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Like, totally.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CAFETERIA - DAY</stage_direction>
    <scene_description>Olive sits with her best friend , RHIANNON ABERNATHY -LRB- 17 -RRB- , a brash teenager . It would be safe to say that these girls are definitely on the `` B List '' at their school .</scene_description>
    <character>RHIANNON</character>
    <dialogue>Fuck off! George is not a ` sexy' name. George is like what you name your teddy bear, not the name you wan na scream out during an orgasm.</dialogue>
    <character>OLIVE</character>
    <dialogue>That's bullshit. There are lots of sexy Georges.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Name three.</dialogue>
    <scene_description>Olive starts to say something , but Rhiannon interrupts her .</scene_description>
    <character>RHIANNON</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Besides Clooney. Too easy.</dialogue>
    <character>OLIVE</character>
    <dialogue>Should n't that alone be enough?</dialogue>
    <character>RHIANNON</character>
    <dialogue>Fine. That's one. Number two?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( THINKING . )</parenthetical>
    <dialogue>Okay. George. Ummmm. Reeves!</dialogue>
    <character>RHIANNON</character>
    <dialogue>Who's that?</dialogue>
    <character>OLIVE</character>
    <dialogue>Superman. From way back. He was hot.</dialogue>
    <character>RHIANNON</character>
    <dialogue>No way. Teddy bear.</dialogue>
    <character>OLIVE</character>
    <dialogue>Bullshit. Ben Affleck played him in that movie!</dialogue>
    <character>RHIANNON</character>
    <dialogue>So what? Charlize Theron played that butt - fucking - ugly lesbo serial killer. Besides he's from another century. We're speaking present day. I mean, Jesus, Mortimer was probably a sexy name in some era.</dialogue>
    <character>OLIVE</character>
    <dialogue>George Stephanopolous.</dialogue>
    <character>RHIANNON</character>
    <dialogue>What are you? Fifty?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( THINKING HARD . )</parenthetical>
    <dialogue>George.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Bush? Yeah. He's one hot mutherfucker. Just face it. There's no such thing as a sexy George.</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, mine is. So, I think we should just put this conversation to bed.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Fine. Do n't come. I hate you.</dialogue>
    <scene_description>Rhiannon folds her arms and pouts .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Olive continues to narrate into her webcam .</scene_description>
    <character>OLIVE</character>
    <dialogue>Let me back up. I do n't know if any of you have ever met them, but Rhiannon's parents are quite possibly the creepiest people in a four county radius.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. THE ABERNATHY LIVING ROOM</stage_direction>
    <scene_description>MR. and MRS. ABERNATHY -LRB- 50 's -RRB- sit on their couch , smiling at the television , in their horrifically rustic home . MR. ABERNATHY bares a striking resemblance to ukelele player , Tiny Tim . -LRB- Although the man we 're looking at has an even more frightening smile . -RRB- MRS. ABERNATHY has hair to her ankles and dresses like a Mormon .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>I've always felt sort of sorry for Rhiannon, but not enough to do what she was asking me to do.</dialogue>
    <scene_description>We float upwards to -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. RHIANNON'S ROOM - CONTINUOUS</stage_direction>
    <scene_description>Rhiannon is on the phone , agitated .</scene_description>
    <character>RHIANNON</character>
    <parenthetical>( Into the phone . )</parenthetical>
    <dialogue>PLEASE. Please. I'm begging you. I'll pay you.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - CONTINUOUS</stage_direction>
    <scene_description>Olive is on the other end of the phone conversation . We INTERCUT between the two sides .</scene_description>
    <character>OLIVE</character>
    <dialogue>Rhi, I ca n't. I told you I have plans.</dialogue>
    <character>RHIANNON</character>
    <dialogue>You're lying. You're a lying bitch and I hate you so much right now.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( LYING . )</parenthetical>
    <dialogue>I'm not lying. I promise I'm not. I really would love to go camping with your family this weekend. I had fun with your family last year.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. WOODS - LAST YEAR - NIGHT</stage_direction>
    <scene_description>Olive , uncomfortable , and Rhiannon , bored , sit around a campfire with the Abernathys . The couple stare at the fire with the same creepy smile plastered on their faces . There is an excruciatingly long and painful silence .</scene_description>
    <character>MR. ABERNATHY</character>
    <dialogue>Would you like a marshmallow, Olive Oil?</dialogue>
    <scene_description>Mrs. Abernathy squeaks out a meek titter that is annoyingly high - pitched .</scene_description>
    <character>MRS. ABERNATHY</character>
    <dialogue>Olive oil. That's funny. Very, very funny.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( POLITELY . )</parenthetical>
    <dialogue>No thank you, Mr. Abernathy.</dialogue>
    <character>MR. ABERNATHY</character>
    <dialogue>You can call me Mortimer, Olive Branch.</dialogue>
    <scene_description>Mrs. Abernathy titters again . Rhiannon rolls her eyes . There is another awkwardly long silence , while the Abernathys grin away at their fire .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. RHIANNON'S ROOM - MOMENTS LATER</stage_direction>
    <scene_description>Rhiannon is getting increasingly angrier at her friend .</scene_description>
    <character>RHIANNON</character>
    <parenthetical>( Into the phone . )</parenthetical>
    <dialogue>Why do n't you just say it? You do n't like my parents. You think they're hopelessly pathetic and devoid of souls and wish that you could live with normal people who did n't meet at a Star Trek convention!</dialogue>
    <scene_description>She quickly catches her faux pas and stops talking .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( Sympathetic to her FRIEND . )</parenthetical>
    <dialogue>Rhi, I like your parents. They're sweet. But I ca n't go camping this weekend.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Quick. Hurry and make up a lie.</dialogue>
    <character>OLIVE</character>
    <dialogue>I have a date.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Liar.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( LYING . )</parenthetical>
    <dialogue>No. I do.</dialogue>
    <character>RHIANNON</character>
    <dialogue>With who?</dialogue>
    <character>OLIVE</character>
    <dialogue>You do n't know him.</dialogue>
    <character>RHIANNON</character>
    <dialogue>And neither do you, you selfish bitch!</dialogue>
    <character>OLIVE</character>
    <dialogue>I'm serious. He goes to the community college with my brother in Denton.</dialogue>
    <character>RHIANNON</character>
    <dialogue>What's his name then?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( WAXING CUTE . )</parenthetical>
    <dialogue>Who? My brother?</dialogue>
    <character>RHIANNON</character>
    <dialogue>Stop stalling. You're totally trying to come up with a name. Just say it.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>I'm not proud of this. Less about the lie and more about the unoriginality of it. Okay, have you guys ever watched ` The Brady Bunch'? Of course you have n't. You're busy watching fake people pretend to be real on MTV. That's why I knew I could get away with it. See, there was this episode where Jan - the awkward middle child - made up a boyfriend to assuage the ridicule of her snatchy sister who had just stolen the heart of the boy that Jan loved. The name of her imaginary boyfriend WAS -</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - DAY</stage_direction>
    <character>OLIVE</character>
    <parenthetical>( Into the phone . )</parenthetical>
    <dialogue>George Glass.</dialogue>
    <character>RHIANNON</character>
    <dialogue>George? What kind of a fucking name is George?</dialogue>
    <character>OLIVE</character>
    <dialogue>He's pretty hot and he asked me out this weekend, so I said yes.</dialogue>
    <scene_description>Although still skeptical , she seems a tad more mollified .</scene_description>
    <character>RHIANNON</character>
    <dialogue>If you're choosing him over helping me cope with two days in the wilderness with these people who even I'm not convinced are n't serial killers, he had better be the one. You had better fucking marry him, have fucking babies with him and then take him for fucking everything he's worth.</dialogue>
    <character>OLIVE</character>
    <dialogue>Deal.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CAFETERIA - CONTINUOUS</stage_direction>
    <scene_description>Rhi and Olive continue their conversation , as Rhi pops a tater tot into her mouth .</scene_description>
    <character>RHIANNON</character>
    <parenthetical>( With her mouth full . )</parenthetical>
    <dialogue>You're not off the hook, you know. I want lurid details. This had better be the best date of your life to counterbalance the worst weekend of mine.</dialogue>
    <character>OLIVE</character>
    <dialogue>I'm sure you'll have a good time.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. WOODS - NIGHT</stage_direction>
    <scene_description>Rhi sits , bored and uncomfortable , while her parents smile at the campfire for an , again , awkwardly long moment .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>To her webcam -</scene_description>
    <character>OLIVE</character>
    <parenthetical>( Through the proverbial CLENCHED TEETH . )</parenthetical>
    <dialogue>Even though we now hate each other, Rhi, I really hope you're watching this. Because this part's for you. The lurid details of my weekend en flagrante delicto with the all - too - imaginary, yet surprisingly satisfying George Glass :</dialogue>
    <scene_description>Ken Nordine 's beat poem ` OLIVE , ' -LRB- from the late 60 's album ` Colors ' -RRB- , underscored to jazz , plays as we see a montage of OLIVE 'S WEEKEND : In her bedroom , Olive - - watches ` The Notebook , ' pining over Ryan Gosling .</scene_description>
    <character>KEN NORDINE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Olive. Poor thing.</dialogue>
    <scene_description>- paints her toenails Jungle Red .</scene_description>
    <character>KEN NORDINE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>Sits and thinks that it's drab. Sure does. Sits and sits and sits and sits and THINKS about it's olive drab drab.</dialogue>
    <scene_description>- dances to the jazz music , but alone , in her underwear and a t - shirt that declares : ` Hands off . '</scene_description>
    <character>KEN NORDINE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>DOES N'T KNOW that it is about to be named ` Color of the Year,' by those with the nose for the new. By the passionate few. Yeah.</dialogue>
    <scene_description>- reads TEEN PEOPLE magazine .</scene_description>
    <character>KEN NORDINE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Olive is definitely in. EVERYTHING that can possibly mean anything! Anywhere! At least for a year.</dialogue>
    <scene_description>- dances some more .</scene_description>
    <character>KEN NORDINE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>Has got to be Olive! Did you hear that Olive? Did ya? Know what it means? Oh Olive! There'll be olive cars and olive trucks and olive chickens and olive ducks and olive socks and olive garters And olive brakes and olive starters! Olive, sorry! Olive, please! OLIVE WHATNOTS and olive trees! Olive trees? What a quaint notion. Olive trees.</dialogue>
    <parenthetical>( CHUCKLING . )</parenthetical>
    <dialogue>Olive.</dialogue>
    <scene_description>Out of breath from dancing , she walks over and displaces the NEEDLE from the KEN NORDINE ALBUM she 's playing .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>To the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>But on Monday, when Rhi asked me how my weekend was.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>Olive and Rhi walk , with books in hand , to class - weaving in and out of people .</scene_description>
    <character>OLIVE</character>
    <dialogue>It was nothing short of perfection.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Details, bitch. Wait, first I need a scope of reference. Who would play him in the movie of your life?</dialogue>
    <character>OLIVE</character>
    <dialogue>Ryan Gosling, definitely.</dialogue>
    <character>RHIANNON</character>
    <dialogue>That works. Spill.</dialogue>
    <character>OLIVE</character>
    <dialogue>He was charming. A real gentleman.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Are you going to see him again?</dialogue>
    <character>OLIVE</character>
    <dialogue>Probably not. It was just one of those weekends.</dialogue>
    <character>RHIANNON</character>
    <dialogue>The whole weekend?</dialogue>
    <character>OLIVE</character>
    <dialogue>Yeah.</dialogue>
    <scene_description>Rhiannon suddenly stops and twirls Olive to face her .</scene_description>
    <character>RHIANNON</character>
    <dialogue>Wait a minute. You did n't.</dialogue>
    <character>OLIVE</character>
    <dialogue>No, of course not.</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( VERY LOUDLY . )</parenthetical>
    <dialogue>You fucking liar! You totally lost your virginity to him.</dialogue>
    <scene_description>Pedestrian students stop in their tracks to stare at them .</scene_description>
    <character>OLIVE</character>
    <dialogue>I did not.</dialogue>
    <character>RHIANNON</character>
    <dialogue>YES YOU DID, YOU LYING FUCKING WHORE!</dialogue>
    <scene_description>Olive grabs her and drags her forward , interrupting the show .</scene_description>
    <character>RHIANNON</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Tell me everything and spare me the coquettish ` just - the - tip' bullshit. I know you did it! I know you let him put it inside you, so just TELL ME!</dialogue>
    <character>OLIVE</character>
    <dialogue>I'm not that kind of girl.</dialogue>
    <character>RHIANNON</character>
    <dialogue>The kind that does it or the kind that does it like a fucking porn star and then does n't have the balls to talk about it?</dialogue>
    <scene_description>Rhi drags her into the -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GIRLS' ROOM - CONTINUOUS</stage_direction>
    <scene_description>- and abrasively , gets up in Olive 's face .</scene_description>
    <character>RHIANNON</character>
    <dialogue>I want every perverted detail. NOW, bitch.</dialogue>
    <scene_description>Pressured , Olive lies .</scene_description>
    <character>OLIVE</character>
    <dialogue>Okay. Fine. We did it.</dialogue>
    <character>RHIANNON</character>
    <dialogue>You lost your virginity! Fucking finally! Now, you're a super - slut like me!</dialogue>
    <character>OLIVE</character>
    <dialogue>Rhi. Blowing Peter Tolliver once behind the Pizza Hut does n't make you a super - slut.</dialogue>
    <character>RHIANNON</character>
    <dialogue>There were people walking past. Whatever, this is n't about me. This is about YOU. What did you let him do?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>I started piling on lie after lie. It was like setting up Jenga.</dialogue>
    <scene_description>A well - manicured FEMALE HAND stacks WOODEN JENGA BLOCKS onto a table .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>It was. Normal. Nothing freaky. It was sweet. HE was sweet.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Was he big? Did it hurt?</dialogue>
    <character>OLIVE</character>
    <dialogue>No. It was great. Like I said. Okay, that's enough.</dialogue>
    <scene_description>The toilet flushes and MARIANNE BRYANT -LRB- 16 -RRB- , an Aryanesque , cardigan - wearing Christian - girl exits from a stall and walks to the sink , where she vigorously washes her hands - while staring at Rhi and Olive with disgust .</scene_description>
    <character>RHIANNON</character>
    <dialogue>What the fuck are you looking at, Marianne?</dialogue>
    <character>MARIANNE</character>
    <dialogue>Nothing. Just a couple of admitted whores.</dialogue>
    <scene_description>Marianne wipes her hands and leaves the restroom . Olive 's stomach revolves at her now - turned - public admission .</scene_description>
    <character>OLIVE</character>
    <dialogue>So, how was your weekend?</dialogue>
    <scene_description>-LRB- I promise it 's the last time . -RRB-</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. WOODS - NIGHT</stage_direction>
    <scene_description>The Abernathys smile at the campfire , roasting WEINERS . Rhiannon would rather be anywhere other than there .</scene_description>
    <character>MR. ABERNATHY</character>
    <dialogue>Wienie, Rhi?</dialogue>
    <scene_description>Rhi snorts in contempt of her father and his wienie .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>Marianne Bryant, as we all know, is the President of the Christian Student Coalition and is that rare breed of human born with a stick the size of a baseball bat implanted up her anus. God's honest. I'm sure it's in some medical dictionary somewhere.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - LAST YEAR</stage_direction>
    <scene_description>Marianne and her lackey , NINA HOWELL -LRB- 16 -RRB- , who 's just as awful as she is , pass out flyers .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Last year's cause celebre was the changing of the school mascot, which she spearheaded.</dialogue>
    <scene_description>Marianne aggressively shoves her literature into passing students faces .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GYM - LAST YEAR</stage_direction>
    <scene_description>The school 's MASCOT -LRB- 17 -RRB- , a SHIRTLESS MUSCULAR KID painted BLUE and costumed as a DEVIL , bursts into the auditorium and begins to rile students up by thrusting his PITCHFORK in the air .</scene_description>
    <character>MASCOT</character>
    <dialogue>Blue Devils! Blue Devils! Blue Devils!</dialogue>
    <scene_description>The crowd goes wild .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - LAST YEAR  CONTINUOUS</stage_direction>
    <scene_description>Marianne , melodramatically , grabs a PASSING STUDENT by the arm .</scene_description>
    <character>MARIANNE</character>
    <dialogue>How can we exhibit school pride when we're conveyed to others as satan worshippers?</dialogue>
    <scene_description>The scared student takes her pamphlet and runs away .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Now, thankfully, we're the much less intimidating -</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. GYM - LAST YEAR - MONTHS LATER</stage_direction>
    <scene_description>The mascot , unenthusiastic and feeling ridiculous , walks into the gym dressed as a -</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Meerkat.</dialogue>
    <character>MASCOT</character>
    <dialogue>Go meerkats! Go meerkats!</dialogue>
    <scene_description>He ca n't seem to get himself or the student body as excited - with the exception of Marianne and Nina , in the stands applauding proudly . The school band is playing ` GOLDFINGER . ' Across the gym , Olive sits with Rhiannon .</scene_description>
    <character>RHIANNON</character>
    <dialogue>What the fuck is a meerkat anyway?</dialogue>
    <character>OLIVE</character>
    <dialogue>Beats the hell out of me. But can we just take a moment to applaud the Barbara Bush High School Marching Band for their very ambitious effort to learn all of the James Bond theme music in a single year? I personally wish them all the best in their endeavor. Ku - dos!</dialogue>
    <character>RHIANNON</character>
    <dialogue>I think I speak for all of the female students and faculty - and maybe a couple of males - when I say that I liked Todd much better when he was shirtless. I actually looked forward to these disturbing displays of - what do they call it?</dialogue>
    <character>OLIVE</character>
    <dialogue>School spirit.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Yeah. That's it.</dialogue>
    <character>OLIVE</character>
    <dialogue>Even dressed as a meerkat, I still fantasize about him.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Ha! What are those people called again? The ones that dress up like stuffed animals when they do it?</dialogue>
    <character>OLIVE</character>
    <dialogue>Communists.</dialogue>
    <scene_description>Rhiannon laughs .</scene_description>
    <character>RHIANNON</character>
    <dialogue>Shhh. Do n't let Marianne hear you say that word. The last thing we need is McCarthyism at Barbara Bush.</dialogue>
    <character>OLIVE</character>
    <dialogue>Is n't high school already a hotbed of just that?</dialogue>
    <character>RHIANNON</character>
    <dialogue>True.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Yeah, I'd totally fuck Meerkat Todd.</dialogue>
    <scene_description>They both get lost in the thought .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>So, of course, immediately I knew that the little white lie I told to my then - best - friend in the ladies room would come back to bite me on the ass. However, even I - who my fourth grade teacher stated on my report card ` has an imagination that should be quickly expunged' - had no idea how quickly this article of fiction would spread. So, now we move on to Part Two : The Accelerated Velocity of Terminological Inexactitude.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>Olive loads books into her locker . She sees Marianne walk past with Nina . They give her a repulsed look . Olive decides to nip this in the bud . She catches up to them .</scene_description>
    <character>OLIVE</character>
    <dialogue>Hey Marianne, can I talk to you for a second?</dialogue>
    <scene_description>Nina , reluctantly , gives them a moment alone .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( EXASPERATED . )</parenthetical>
    <dialogue>What?</dialogue>
    <character>OLIVE</character>
    <dialogue>Listen, what you heard in the bathroom, that was n't true. It's actually a funny story. Do you ever watch ` The Brady Bunch'?</dialogue>
    <character>MARIANNE</character>
    <dialogue>Olive - that's your name, right?</dialogue>
    <scene_description>Olive knows that Marianne knows her name , but obligingly nods .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I'm not the one you have to answer to for your depraved behavior. There is a higher power to judge your indecency.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( JOKINGLY . )</parenthetical>
    <dialogue>Who? The guidance counselor?</dialogue>
    <character>MARIANNE</character>
    <parenthetical>( ICILY . )</parenthetical>
    <dialogue>I hope for your sake, God has a sense of humor.</dialogue>
    <character>OLIVE</character>
    <dialogue>Oh, I have sixteen years worth of anecdotal proof that He does.</dialogue>
    <scene_description>Olive looks over and sees that Nina is talking to a group of GUYS , who are looking at Olive , intrigued .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( SOTTO VOCE . )</parenthetical>
    <dialogue>Damn it.</dialogue>
    <scene_description>Marianne sees what her friend is doing and smiles at Olive , coldly .</scene_description>
    <character>MARIANNE</character>
    <dialogue>Look. You've made your bed. I just hope for your sake, you cleaned the sheets.</dialogue>
    <scene_description>She turns on her heels and leaves Olive behind .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( TO HERSELF . )</parenthetical>
    <dialogue>Did I just get saved?</dialogue>
    <scene_description>She shakes off her attempt and continues on her way , walking past the guys who smile at her . This alarms her .</scene_description>
    <character>GUY IN HALL</character>
    <dialogue>Hey Olive. How's it going?</dialogue>
    <scene_description>Without stopping -</scene_description>
    <character>OLIVE</character>
    <dialogue>I'm swell, guy - I've - never - laid - eyes - on - before. Thanks for asking.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>All I could think to myself was ` Great, now I'm going to have to start wearing red lipstick and stiletto heels.'</dialogue>
    <scene_description>Battling her frustration , she goes to class .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. DINING ROOM - NIGHT</stage_direction>
    <scene_description>Olive eats dinner with her family . Her father , DILL -LRB- 40 's -RRB- , is a regular dad - kinda - guy . Her mother , ROSEMARY -LRB- 40 's -RRB- is heavyset with a fun disposition . Also in attendance is her ` a - little - too - precious ' sister , GINGER -LRB- 12 -RRB- . Olive and her folks get along really well .</scene_description>
    <character>OLIVE</character>
    <dialogue>Hey, you guys know that I was here all weekend, right?</dialogue>
    <scene_description>They all nod at her .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>And you would testify to that?</dialogue>
    <character>DILL</character>
    <parenthetical>( SLIGHTLY CONCERNED . )</parenthetical>
    <dialogue>What's up, sweet pea?</dialogue>
    <character>OLIVE</character>
    <dialogue>It's nothing. Just the rumor mill.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>What's the rumor mill turning out these days?</dialogue>
    <character>OLIVE</character>
    <dialogue>Seriously, it's nothing.</dialogue>
    <scene_description>They continue to eat .</scene_description>
    <character>ROSEMARY</character>
    <dialogue>Do n't forget your brother's staying here next weekend.</dialogue>
    <character>OLIVE</character>
    <dialogue>Why? He never comes home.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>They're fumigating the dorms. And thank God for that. Last time I was there, I saw three cockroaches.</dialogue>
    <character>GINGER</character>
    <parenthetical>( WHINY . )</parenthetical>
    <dialogue>Mom, can you please not say that word while I'm eating?</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Sorry, hon.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>Like all families, mine has a deep dark secret. And since I'm spilling all this dirt, I might as well go ahead and confess it.</dialogue>
    <scene_description>She takes a deep breath .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I'm trusting that this nugget of information is n't going to be spread around, but - okay, here it goes : My dad's name is Dill and my mother's name is Rosemary. They were so amused by this that they decided to name all of their children after -.</dialogue>
    <parenthetical>( FEIGNING DISCOMFORT . )</parenthetical>
    <dialogue>- edible items.</dialogue>
    <parenthetical>( With mock emotion . )</parenthetical>
    <dialogue>My brother's name is Sage and my sister's name is Ginger. It's shocking, I know. We're like a fucking pantry, us Penderghasts!</dialogue>
    <parenthetical>( SNAPPING BACK . )</parenthetical>
    <dialogue>But at least my parents did n't meet at a ` Star Trek' convention, BITCH! Sorry. Now, I'm just being mean. Okay. Back to the story.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>As Olive walks through school , she is met with a totally different energy . She no longer blends in . Guys are checking her out . Girls are glaring at her , scornfully . She 's kind of digging it .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>So, while I would never have classified myself as a wallflower, I was now the center of attention and who does n't love that? Jeez, if I'd known that losing my virginity would create such a new persona for myself, I'd have lied about it back in eighth grade. Eighth grade sucked. I did get my first kiss back then, however. It was gross and kind of turned me off to the whole my - tongue - in - other - people's - mouths thing. Not to mention, the even - worse other - people's - tongues - in - MY - mouth thing. Seriously, folks. Who invented kissing? Why is everyone so dead - set on sticking their body parts in other people's orifices? If there's a hole on a person, rest assured, somebody wants to stick something of theirs in it.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CLOSET</stage_direction>
    <scene_description>In almost complete darkness , a very nervous EIGHTH GRADE OLIVE -LRB- 13 -RRB- sits with a scared shitless EIGHTH GRADE KID -LRB- 13 -RRB- . You can hear other PRE - TEENS snickering and whispering outside the door .</scene_description>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>So, I think this is the part where you're supposed to stick your tongue in my mouth. It's just what I've heard.</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>Just give me a second, okay?</dialogue>
    <scene_description>Olive presses a button and her watch illuminates .</scene_description>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>According to my watch, you have 382 of them.</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>How do you do that?</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>What?</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>Add so fast. And you also talk like a grown up.</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>Do n't worry. I'm not nearly as smart as I think I am.</dialogue>
    <scene_description>The kid snickers . He feels a little more at ease .</scene_description>
    <character>EIGHTH GRADE OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I think it's just practice. For when I do grow up. Plus, do n't sweat it. Girls mature faster than boys.</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>That's what they say.</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>And it's probably the reason I'm ready to do this and you're not.</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>Is it that obvious?</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>Painfully so.</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>So, if we did n't do anything, would you tell everybody?</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>Absolutely. I will tell everyone you pussied out and the whole school will make fun of you and you'll most likely spend the rest of your teen years as a joke - no, even worse - a cautionary tale.</dialogue>
    <scene_description>They both laugh .</scene_description>
    <character>EIGHTH GRADE KID</character>
    <dialogue>The Kid Who Opted Not To Kiss The Girl.</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>They'll tell it for years. It'll be a suburban legend.</dialogue>
    <scene_description>The kid smiles warmly and gratefully at her .</scene_description>
    <character>EIGHTH GRADE KID</character>
    <dialogue>Thanks, Olive.</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>Do n't mention it.</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>No. YOU do n't mention it.</dialogue>
    <scene_description>She extends her pinky to him . They link pinkies and they swear on it .</scene_description>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>We still have five minutes and thirty six seconds.</dialogue>
    <scene_description>There 's a long silence .</scene_description>
    <character>EIGHTH GRADE KID</character>
    <dialogue>I'm really interested in politics.</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>Oh yeah?</dialogue>
    <character>EIGHTH GRADE KID</character>
    <dialogue>Totally.</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>Well,. Uh. Cool.</dialogue>
    <scene_description>There 's another long silence . Finally , from outside the door -</scene_description>
    <character>PRETEEN KID</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Ewwwww. Hunter Neblett just puked all over the dining room.</dialogue>
    <scene_description>Olive and the kid listen as people scurry from outside the closet .</scene_description>
    <character>EIGHTH GRADE KID</character>
    <dialogue>Thank God.</dialogue>
    <character>EIGHTH GRADE OLIVE</character>
    <dialogue>Hey, we're in Junior High. Vomit - viewing will always trump spit - swapping.</dialogue>
    <scene_description>The kid starts to make his grand escape , but Olive stops him .</scene_description>
    <character>EIGHTH GRADE OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Real fast - and you can tell me the truth. It's not because I'm -</dialogue>
    <scene_description>The kid smiles .</scene_description>
    <character>EIGHTH GRADE KID</character>
    <dialogue>No. You're very pretty.</dialogue>
    <scene_description>He extends his pinky and she links it to hers . He kisses her quickly on the cheek and darts from the closet . Olive sits in the closet for a moment , contemplating what just happened , wondering if he was telling the truth , then she opens the door . The coast is clear , except for ANOTHER PRETEEN KID walking past . She aggressively grabs him and pulls him into the closet with her and , promptly , thrusts her tongue into his mouth . They make out .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Olive seems lost in thought . She snaps back to reality and the task at hand .</scene_description>
    <character>OLIVE</character>
    <dialogue>If I'd known that Meerkat Todd was going to turn out so hot, I probably would have cherished the moment more. I suppose just that I'm sitting here reminiscing about it means that it must have meant something.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Yeah, so anyway - kissing's not really my thing. That's what I learned in Natalie Giblin's closet. I digress.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CLASSROOM - DAY</stage_direction>
    <scene_description>Olive half - listens in class , while her English teacher MR. GRIFFIN -LRB- early 30 's -RRB- , a handsome guy , lectures on ` THE SCARLET LETTER . '</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>So, I'm feeling like the cat's ass, because everyone thinks I've been deflowered. I'm surprised at how empowered I felt by this prevarication. I wonder to myself, would I feel this invigorated if I had actually let some college kid violate me in his cockroach - infested dorm room? Probably not.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Ironically, we were studying ` The Scarlet Letter,' but is n't that always the way with these teenage tales? The literature you read in class always seems to have a strong connection with whatever angsty adolescent drama is being recounted. I consider this.</dialogue>
    <parenthetical>( Pause . )</parenthetical>
    <dialogue>Then I think : Except for ` Huckleberry Finn.' I do n't know any teenage boys who have ever run away with a big, hulking black guy.</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>Alright, so thoughts?</dialogue>
    <scene_description>Nina raises her hand . Mr. Griffin points to her .</scene_description>
    <character>NINA</character>
    <dialogue>I think Hester Prynne was - excuse my language - a whore.</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>You do n't see her as a victim?</dialogue>
    <character>NINA</character>
    <dialogue>Why should I? She brought it on herself.</dialogue>
    <scene_description>Nina whips around and gives Olive a look , surprising her .</scene_description>
    <character>OLIVE</character>
    <dialogue>Excuse me?</dialogue>
    <character>NINA</character>
    <dialogue>Perhaps you should embroider a red A on your wardrobe?</dialogue>
    <character>OLIVE</character>
    <dialogue>Perhaps you should GET a wardrobe, you twat!</dialogue>
    <scene_description>The class bursts into surprised laughter . Even Mr. Griffin tries hard to suppress a congratulatory glance in her direction .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>Admittedly, not my best line. But it was provocative enough to land me in the Principal's office.</dialogue>
    <scene_description>Mr. Griffin , begrudgingly , calls her to his desk . He starts writing something on a piece of paper .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FRONT OFFICE - BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>Olive sits with her arms crossed outside of the Principal 's office . She clenches a note in her fist . Marianne , who 's an office aid , has a smirk on her face as she watches Olive squirm . She slams her fist down on the stapler , repetitively . FINALLY -</scene_description>
    <character>MARIANNE</character>
    <dialogue>Seems as if someone's on a downward spiral.</dialogue>
    <character>OLIVE</character>
    <dialogue>Seems as if someone's practicing the mundane activities she'll be saddled with the rest of her pathetic life.</dialogue>
    <character>MARIANNE</character>
    <dialogue>You have a chip on your shoulder the size of Texas.</dialogue>
    <character>OLIVE</character>
    <dialogue>Wow, that's even bigger than your ass.</dialogue>
    <character>MARIANNE</character>
    <parenthetical>( COLDLY . )</parenthetical>
    <dialogue>You're going to hell.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( Growing weary of this BANTER . )</parenthetical>
    <dialogue>As long as you wo n't be there.</dialogue>
    <character>MARIANNE</character>
    <dialogue>Oh, I can assure you I wo n't.</dialogue>
    <scene_description>Neither says anything for a few moments .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I hope you at least had the good sense to wear a condom.</dialogue>
    <character>OLIVE</character>
    <dialogue>Why? Your parents did n't.</dialogue>
    <character>MARIANNE</character>
    <dialogue>You know, you're just like -</dialogue>
    <scene_description>The principal 's door opens and Marianne quickly shuts up and continues her work . TWO KIDS emerge . One , obviously , a bully ; the other , obviously , the bullied . The BULLIED kid is holding a BLOODIED TISSUE up to his nose . He and Olive exchange meaningful glances . PRINCIPAL GIBBONS -LRB- 60 's -RRB- , a colossal prick disguised as a man , gestures for her to come in . Olive gets up and enters -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PRINCIPAL GIBBONS'S OFFICE - CONTINUOUS</stage_direction>
    <scene_description>He closes the door behind them . He holds his hand out and she gives him the note that Mr. Griffin wrote . Gibbons studies it .</scene_description>
    <character>PRINCIPAL GIBBONS</character>
    <dialogue>I do n't know you.</dialogue>
    <scene_description>She thrusts her hand out .</scene_description>
    <character>OLIVE</character>
    <dialogue>Olive Penderghast.</dialogue>
    <scene_description>He eyes her hand , not amused , and she quickly withdraws it .</scene_description>
    <character>PRINCIPAL GIBBONS</character>
    <dialogue>Why are we just now meeting? Using language like this should have warranted a visit to me years ago.</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, to be perfectly honest - I've never used an epithet like this in an educational arena before. Sir.</dialogue>
    <character>PRINCIPAL GIBBONS</character>
    <dialogue>This is foul.</dialogue>
    <character>OLIVE</character>
    <dialogue>In my defense, I think I meant to say ` twit.' It just came out more - what's the word I'm looking for? Veracious.</dialogue>
    <character>PRINCIPAL GIBBONS</character>
    <dialogue>A young lady with such an extensive vocabulary should n't be stooping to such vituperations.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( SMILING . )</parenthetical>
    <dialogue>Touché.</dialogue>
    <scene_description>As serious as a heart attack .</scene_description>
    <character>PRINCIPAL GIBBONS</character>
    <dialogue>Wipe that smile off your face -.</dialogue>
    <parenthetical>( Consulting the note . )</parenthetical>
    <dialogue>Olive. I do n't tolerate this kind of language. Ever. Consider this your first warning. If I find out you've used a word like this in my school again, I will make sure that it's your last. I do n't operate on a ` three strikes you're out system'. You get one warning from me.</dialogue>
    <scene_description>She starts to say something -</scene_description>
    <character>PRINCIPAL GIBBONS</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Think very carefully before you speak.</dialogue>
    <scene_description>She relents , but stares him squarely in the eyes .</scene_description>
    <character>OLIVE</character>
    <dialogue>I always do. Are we finished?</dialogue>
    <scene_description>He gestures to the door .</scene_description>
    <character>PRINCIPAL GIBBONS</character>
    <dialogue>Detention tomorrow after school in Room 704. And, young lady, I do n't want to see you again.</dialogue>
    <character>OLIVE</character>
    <dialogue>Not even in a more positive capacity? Maybe I could win a ribbon or a medal or something. I could conceivably be valedictorian. Or something.</dialogue>
    <character>PRINCIPAL GIBBONS</character>
    <parenthetical>( FRIGHTENINGLY SERIOUS . )</parenthetical>
    <dialogue>Get out of my office now.</dialogue>
    <scene_description>She quickly runs out of his office .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BARBARA BUSH HIGH SCHOOL - PARKING LOT - DAY</stage_direction>
    <scene_description>Rhiannon , excitedly , approaches Olive - dying to talk to her .</scene_description>
    <character>RHIANNON</character>
    <dialogue>Please tell me the rumors are true.</dialogue>
    <character>OLIVE</character>
    <dialogue>Yes, I'm a big whore.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Not that one. The one where you called Nina Howell a cunt and then socked her in the nose.</dialogue>
    <character>OLIVE</character>
    <dialogue>It's not entirely true.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Look, there's something I need to tell you.</dialogue>
    <scene_description>Rhiannon ignores her sincere attempt to confess .</scene_description>
    <character>RHIANNON</character>
    <dialogue>Yeah. Like the exact moment you turned into such a BAD ASS? I think I'm in LOVE with you. Please tell me you at least left a mark on that scrunched - up face of hers. POW! The cunt goes down for the count!</dialogue>
    <character>OLIVE</character>
    <parenthetical>( FRUSTRATED . )</parenthetical>
    <dialogue>Never mind.</dialogue>
    <scene_description>Rhiannon pulls her keys from her purse and they walk to her car .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I want a car.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Please. It's my only perk. Trust me.</dialogue>
    <scene_description>They get into her car .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. DINING ROOM - NIGHT</stage_direction>
    <scene_description>The scene looks the same . Olive sits with her family , having family dinner .</scene_description>
    <character>OLIVE</character>
    <dialogue>I got sent to the Principal today.</dialogue>
    <scene_description>Her parents seem more impressed than upset . This is definitely a first .</scene_description>
    <character>DILL</character>
    <dialogue>What did you do?</dialogue>
    <character>OLIVE</character>
    <dialogue>I used inappropriate language in English class. But we're reading a book that I, personally, deem wildly inappropriate for my age group, so I felt that it was actually quite apropos.</dialogue>
    <character>ROSEMARY</character>
    <parenthetical>( More curious than angry . )</parenthetical>
    <dialogue>What did you say?</dialogue>
    <scene_description>Olive looks to her little sister and thinks better of saying the word out loud .</scene_description>
    <character>OLIVE</character>
    <dialogue>Let's just say it was an inappropriate word.</dialogue>
    <character>DILL</character>
    <dialogue>What did it start with?</dialogue>
    <character>OLIVE</character>
    <dialogue>A snide comment from a snotty - ass girl in my class.</dialogue>
    <character>DILL</character>
    <dialogue>I meant what letter did it start with?</dialogue>
    <character>OLIVE</character>
    <dialogue>Oh. Yeah. T.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>T? That's an odd one. Is this one of those new curse words?</dialogue>
    <scene_description>Both her parents wheels are going . They 're both seeking the answer in their heads , but are coming up with nothing .</scene_description>
    <character>ROSEMARY</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Was it -?</dialogue>
    <scene_description>She leans over and whispers something in her daughter 's ear .</scene_description>
    <character>OLIVE</character>
    <dialogue>I do n't even know what that means.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Yeah. Neither do I.</dialogue>
    <scene_description>Her parents search their brains , but nothing is coming to them .</scene_description>
    <character>DILL</character>
    <dialogue>Okay. Noun, adjective or verb?</dialogue>
    <character>OLIVE</character>
    <dialogue>Noun. Definitely slang. Think British, although they pronounce it differently.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Well, I'm stumped. Whisper it in my ear.</dialogue>
    <character>OLIVE</character>
    <dialogue>I ca n't. Too weird.</dialogue>
    <scene_description>Excited by the prospect -</scene_description>
    <character>ROSEMARY</character>
    <dialogue>Oo! Oo! Spell it with your peas!</dialogue>
    <character>OLIVE</character>
    <dialogue>Now, THAT'S a challenge.</dialogue>
    <scene_description>She begins maneuvering her peas around the plate .</scene_description>
    <character>DILL</character>
    <dialogue>Does this have something to do with this rumor you were talking about the other night?</dialogue>
    <scene_description>Olive touches her index finger to her nose , as she continues to manipulate her food .</scene_description>
    <character>DILL</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Is there something you want to tell us, kiddo?</dialogue>
    <character>OLIVE</character>
    <dialogue>I'm spelling it out for you as quickly as I can.</dialogue>
    <character>GINGER</character>
    <parenthetical>( Desperate for attention . )</parenthetical>
    <dialogue>I got a B plus on my spelling test today.</dialogue>
    <scene_description>Too intrigued by Olive 's admission to really care -</scene_description>
    <character>ROSEMARY</character>
    <dialogue>Good, sweetheart.</dialogue>
    <scene_description>Rosemary figures it out as Olive is assembling the A.</scene_description>
    <character>ROSEMARY</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Oh, I know what it is!</dialogue>
    <scene_description>She leans over and whispers it in Dill 's ear . He nods in understanding .</scene_description>
    <character>GINGER</character>
    <parenthetical>( Glancing at Olive 's PLATE . )</parenthetical>
    <dialogue>What's a twat?</dialogue>
    <scene_description>Olive quickly scrapes the peas into a pile .</scene_description>
    <character>DILL</character>
    <dialogue>It's a word that will get you sent to the principal's office.</dialogue>
    <character>ROSEMARY</character>
    <parenthetical>( Whispering into Ginger 's EAR . )</parenthetical>
    <dialogue>It's not a good word.</dialogue>
    <parenthetical>( TO OLIVE . )</parenthetical>
    <dialogue>So, what was the principal like?</dialogue>
    <character>OLIVE</character>
    <dialogue>The male equivalent.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Of what?</dialogue>
    <scene_description>Now , it 's Dill 's turn to whisper in Rosemary 's ear . She nods in understanding .</scene_description>
    <character>DILL</character>
    <dialogue>Well, it's the first time since second grade, so I guess we ca n't be too hard on you.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( GENUINELY CURIOUS . )</parenthetical>
    <dialogue>What would my punishment have been otherwise?</dialogue>
    <character>DILL</character>
    <dialogue>I dunno. To bed without supper?</dialogue>
    <character>OLIVE</character>
    <dialogue>But I'm already finished. Except for my helpful and profane peas.</dialogue>
    <character>DILL</character>
    <parenthetical>( THINKING HARD . )</parenthetical>
    <dialogue>Uhhhh. This grounding thing seems to be taking the country by storm. No phone, TV or. Or.</dialogue>
    <character>OLIVE</character>
    <dialogue>I'll help you out. I do n't have anyone to call. I have n't watched TV since they cancelled ` The Illegitimate Children of the Real Housewives of Laguna Beach' and I really only watched that as a joke.</dialogue>
    <character>DILL</character>
    <dialogue>Fine. I'd take away your -</dialogue>
    <character>OLIVE</character>
    <dialogue>Books? Computer?</dialogue>
    <character>DILL</character>
    <dialogue>Yes! You're computer!</dialogue>
    <character>OLIVE</character>
    <dialogue>All my homework's on there. Sorry. You lose. But thanks for playing.</dialogue>
    <character>DILL</character>
    <parenthetical>( SMILING WARMLY . )</parenthetical>
    <dialogue>I guess then I'm lucky this is n't a regular occurrence.</dialogue>
    <scene_description>Olive gets up from the table and kisses her dad on the cheek .</scene_description>
    <character>OLIVE</character>
    <dialogue>I think we both are. I would n't know how to be grounded any more than you know how to ground.</dialogue>
    <character>DILL</character>
    <dialogue>I love you.</dialogue>
    <parenthetical>( Whispering in her ear . )</parenthetical>
    <dialogue>And I'm sure that girl was acting like exactly what you called her.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( WHISPERING BACK . )</parenthetical>
    <dialogue>You have no idea.</dialogue>
    <scene_description>She goes over and kisses her mom on the cheek , as well . Leaving the dining room -</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>How's about I go and punish myself? Mea culpa, mea culpa.</dialogue>
    <scene_description>She retreats upstairs .</scene_description>
    <character>GINGER</character>
    <dialogue>How come you guys never get mad at her?</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Because, pumpkin, of our three darling children, we love her best.</dialogue>
    <parenthetical>( Erupting into laughter . )</parenthetical>
    <dialogue>Just kidding! Now eat your dinner.</dialogue>
    <scene_description>Dill chuckles , but Ginger is not amused .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>The next day, things took a turn for the scandalous. Which brings us to Part Three : A Lady's Choice and a Gentleman's Agreement.</dialogue>
    <scene_description>She smiles slyly into her camera .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ROOM 704 - DAY</stage_direction>
    <scene_description>Bored , Olive sits at a desk in a classroom , reading a tattered copy of ` The Scarlet Letter . ' She 's dressed much racier and is starting to look pretty hot . There 's only one other person in the room . The BULLIED KID seen by Olive leaving Gibbons 's office the day before . The bullied kid is thin as a rail , pale as a ghost and slightly effeminate . He looks miserable . Not just by this detention , but from life in general .</scene_description>
    <character>OLIVE</character>
    <dialogue>Are these detention sessions often unchaperoned?</dialogue>
    <character>BULLIED KID</character>
    <dialogue>I do n't think we pose a flight risk.</dialogue>
    <character>OLIVE</character>
    <dialogue>I see.</dialogue>
    <scene_description>Olive laughs to herself .</scene_description>
    <character>BULLIED KID</character>
    <dialogue>What?</dialogue>
    <character>OLIVE</character>
    <dialogue>I was just thinking it's kind of funny. We have n't really talked since that closet incident back in eighth grade.</dialogue>
    <character>BULLIED KID</character>
    <dialogue>I was afraid you were going to bring that up.</dialogue>
    <character>OLIVE</character>
    <dialogue>So, how have you been, Brandon?</dialogue>
    <character>BRANDON</character>
    <parenthetical>( DRYLY . )</parenthetical>
    <dialogue>I have been fantastic. Really, really amazing. Do n't know if you heard, but according to my locker, I'm a ` power bottom.'</dialogue>
    <character>OLIVE</character>
    <dialogue>Yikes.</dialogue>
    <character>BRANDON</character>
    <dialogue>Yeah, only two days after the custodians had finally gotten around to scrubbing ` turd burglar' off. Which, if you think about it, really contradicts the previous label.</dialogue>
    <character>OLIVE</character>
    <dialogue>Maybe your vandal is marvelling at your versatility?</dialogue>
    <scene_description>Brandon shoots her a ` that 's not funny ' look .</scene_description>
    <character>BRANDON</character>
    <dialogue>But, of course, I'm in detention.</dialogue>
    <character>OLIVE</character>
    <dialogue>Why?</dialogue>
    <character>BRANDON</character>
    <dialogue>Because Gibbons is a homophobe.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>And I called him a facist.</dialogue>
    <character>OLIVE</character>
    <dialogue>So, the rumors are true, huh?</dialogue>
    <character>BRANDON</character>
    <parenthetical>( INCREDULOUS . )</parenthetical>
    <dialogue>Have you ever met me?</dialogue>
    <character>OLIVE</character>
    <dialogue>No. I meant about Gibbons being a facist.</dialogue>
    <scene_description>He laughs .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I kind of guessed it that night with the whole kissing thing. The way you ran away. I remember thinking to myself, ` this is n't the first time this kid's going to go bursting out of the closet.'</dialogue>
    <character>BRANDON</character>
    <dialogue>Gold star for you, Nancy Drew.</dialogue>
    <scene_description>There 's a brief silence between them .</scene_description>
    <character>OLIVE</character>
    <dialogue>You know, I read this article that said with this whole EMO movement, it looks like - that in a few years - the gay kids are going to be the most popular ones in school.</dialogue>
    <character>BRANDON</character>
    <dialogue>Oh good. I'll come back when I'm twenty seven for my redo.</dialogue>
    <scene_description>Ignoring his cynicism -</scene_description>
    <character>OLIVE</character>
    <dialogue>Can you imagine the dance squad full of shirtless guys in tight pants rocking out to Britney, while the football players sit on the sidelines wishing they were that cool?</dialogue>
    <character>BRANDON</character>
    <dialogue>That'll be the day.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Judging from the new look you're sporting, I'm not the only one in a transformative stage. ` Sup with the whore couture?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( PROUDLY . )</parenthetical>
    <dialogue>Have n't you heard? I'm the new school slut!</dialogue>
    <character>BRANDON</character>
    <dialogue>As a matter of fact I did hear that. I heard you banged a guy twice your age.</dialogue>
    <character>OLIVE</character>
    <dialogue>No way. He's a freshman in college.</dialogue>
    <character>BRANDON</character>
    <dialogue>Also heard he gave you crabs.</dialogue>
    <character>OLIVE</character>
    <dialogue>Ewwww. People suck.</dialogue>
    <character>BRANDON</character>
    <dialogue />
    <scene_description>Tell me about it .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>He 's not real . The guy I slept with . I made him up .</scene_description>
    <character>BRANDON</character>
    <dialogue />
    <scene_description>So , you started the rumor ?</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>Indirectly ? Sort of . Well , not really . No . No , I did n't .</scene_description>
    <character>BRANDON</character>
    <dialogue />
    <scene_description>But you 're perpetuating it . That 's fucked up .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( OFFENDED . )</parenthetical>
    <dialogue />
    <scene_description>Excuse me ?</scene_description>
    <character>BRANDON</character>
    <dialogue />
    <scene_description>It 's true . There 's only one thing worse than these tabloid - chasing celebutantes with their vapid minds and their immoral souls and that 's the people who want to be like them .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>Did I say I wanted to be like them ?</scene_description>
    <character>BRANDON</character>
    <dialogue />
    <scene_description>No , you just want everyone else to think you are .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>Why does it matter if it 's not who I really am ? No offense , Brando , but maybe you could learn something from me .</scene_description>
    <character>BRANDON</character>
    <dialogue />
    <scene_description>You 're saying I should pretend to be straight , so people will like me ? What a novel idea . You should do seminars . Oh , wait a minute , I forgot . In high school , EVERYBODY PRETENDS TO BE SOMETHING THEY 'RE NOT !</scene_description>
    <character>OLIVE</character>
    <dialogue>Calm down, Adolph. There's a vein popping out of your neck. I'm simply suggesting that maybe these kids we call peers have got the right idea. Maybe Bridget Schumacher is n't as hippy - dippy as she pretends to be. Maybe that's just the label she's put on herself to avoid having to bathe as often as society deems necessary. Or take Marianne Bryant. It's convenient for her to act like a stuck - up Jesus - freak.</dialogue>
    <parenthetical>( Thinking about this . )</parenthetical>
    <dialogue>No. I'm wrong. I think she's actually just a stuck - up Jesus - freak. But do you think she cares that that's the way she's perceived? No. Maybe she was just sick of being just another nameless, faceless entity in a place and a time that reveres people for extremity?</dialogue>
    <scene_description>Brandon realizes why she 's chosen this path and feels for her .</scene_description>
    <character>BRANDON</character>
    <dialogue>There are some of us, though, that want to just blend in to the crowd.</dialogue>
    <character>OLIVE</character>
    <dialogue>Then maybe you need to go to that extreme. Or make the steadfast decision not to care. Even better if you can manage to do both.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>I've discovered an infallible remedy for teen angst : apathy.</dialogue>
    <character>BRANDON</character>
    <dialogue>I ca n't decide if you're a genius or a lunatic.</dialogue>
    <character>OLIVE</character>
    <dialogue>Do n't they sort of go hand - in - hand?</dialogue>
    <scene_description>She smiles sinisterly at him .</scene_description>
    <character>BRANDON</character>
    <dialogue>Funny. I always thought teen angst and apathy went hand in hand.</dialogue>
    <scene_description>There is an electricity in the air and it seems as if at any moment , they might fling off their clothes and screw right there .</scene_description>
    <character>OLIVE</character>
    <dialogue>How am I doing?</dialogue>
    <character>BRANDON</character>
    <dialogue>What? Pretending to be a whore? For a virgin, I'm impressed. How about me? Could I pass as straight?</dialogue>
    <character>OLIVE</character>
    <dialogue>Not bad. For a fag.</dialogue>
    <character>BRANDON</character>
    <dialogue>I prefer the term ` turd burglar.'</dialogue>
    <scene_description>They both break character and return to being themselves .</scene_description>
    <character>OLIVE</character>
    <dialogue>If we really wanted to shock the world, we'd get up and leave detention.</dialogue>
    <character>BRANDON</character>
    <dialogue>But you know that we would never do that.</dialogue>
    <character>OLIVE</character>
    <dialogue>Is n't going to stop me from telling everybody we did.</dialogue>
    <scene_description>Brandon thinks hard about everything that 's just been said . His brain is going a - mile - a - minute . In that noggin , an idea has been planted . Olive , not oblivious to this , returns to her novel .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - NIGHT</stage_direction>
    <scene_description>Olive lounges on her bed , flipping through a magazine and talking to Rhiannon on the phone .</scene_description>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Brandy Carter was telling Vanessa Hodges that you lost your virginity to three guys in a jacuzzi.</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, I guess that's better than me getting crabs from a guy twice my age.</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Ewww. Who said that?</dialogue>
    <character>OLIVE</character>
    <dialogue>You know that Brandon kid?</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>From your seedy pre - pubescent closet romp?</dialogue>
    <character>OLIVE</character>
    <dialogue>The one and only. It's what somebody told him.</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Nobody talks to him.</dialogue>
    <character>OLIVE</character>
    <dialogue>Is n't that sad? He's actually quite the conversationalist.</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>He's gay.</dialogue>
    <character>OLIVE</character>
    <dialogue>Since when are straight guys under the age of eighteen able to converse?</dialogue>
    <scene_description>A call beeps in on the other line .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Shit. Hold on.</dialogue>
    <scene_description>She clicks over .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Hello?</dialogue>
    <character>BRANDON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Olive?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( SINGSONG . )</parenthetical>
    <dialogue>Unfortunately so.</dialogue>
    <character>BRANDON</character>
    <dialogue>It's Brandon.</dialogue>
    <character>OLIVE</character>
    <dialogue>Speak of the devil.</dialogue>
    <character>BRANDON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Hey, can I come over? I wanted to talk to you about something.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( INTRIGUED . )</parenthetical>
    <dialogue>Okay. Yeah. Sure.</dialogue>
    <character>BRANDON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Okay. See you soon.</dialogue>
    <scene_description>Olive clicks over to Rhiannon .</scene_description>
    <character>OLIVE</character>
    <dialogue>Dude, that was Brandon. He wants to talk to me about something.</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Probably wants to borrow an outfit.</dialogue>
    <character>OLIVE</character>
    <dialogue>That's so mean.</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Any word from George?</dialogue>
    <character>OLIVE</character>
    <dialogue>Rhi, I told you. It was a one night stand. Which is now a DONE night stand.</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>You're being awfully cavalier about this. I mean, he popped your cherry. Are n't you supposed to be eternally in love with him and shit?</dialogue>
    <character>OLIVE</character>
    <dialogue>If I was a character on a CW show, then, absolutely, I'd be blubbering all over my Teen Vogue. Hey, we should start a rumor that I'm having a pregnancy scare!</dialogue>
    <scene_description>Olive is stoked by her idea .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FOYER - PENDERGHAST HOME - NIGHT</stage_direction>
    <scene_description>Rosemary opens the door to see Brandon . She has no idea who he is .</scene_description>
    <character>BRANDON</character>
    <dialogue>Hi. Is there an Olive here?</dialogue>
    <character>ROSEMARY</character>
    <parenthetical>( FEIGNING CONFUSION . )</parenthetical>
    <dialogue>There's a whole jar of them in the fridge.</dialogue>
    <character>BRANDON</character>
    <dialogue>Sorry, I must have gotten the address wrong.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Just kidding! Come on in.</dialogue>
    <scene_description>Brandon walks in and Rosemary shouts -</scene_description>
    <character>ROSEMARY</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Olive, sweetie, there's a young man here to see you. He said something about asking for your hand in marriage.</dialogue>
    <scene_description>Brandon 's eyes bulge and Olive descends the staircase .</scene_description>
    <character>OLIVE</character>
    <dialogue>Oh happy day, Mama! I thought I was going to have to spend my dowry on booze and pills to numb the loneliness.</dialogue>
    <scene_description>Olive grabs Brandon by the hand and leads him upstairs to -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - CONTINUOUS</stage_direction>
    <scene_description>She closes the door behind them .</scene_description>
    <character>OLIVE</character>
    <dialogue>My mom's an acquired taste. I know this because I've only just recently begun to appreciate her myself.</dialogue>
    <scene_description>She gestures for him to sit down .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Welcome to my boudoir! This is where the magic happens.</dialogue>
    <character>BRANDON</character>
    <parenthetical>( BLURTING OUT . )</parenthetical>
    <dialogue>Do you wan na go out with me?</dialogue>
    <scene_description>She looks at him , strangely .</scene_description>
    <character>BRANDON</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I mean, like - Do you want to be my girlfriend?</dialogue>
    <character>OLIVE</character>
    <dialogue>Brandon, just a few hours ago, you told me you were Kinsey Six gay.</dialogue>
    <character>BRANDON</character>
    <dialogue>True. But you said I should pretend to be straight.</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, I did n't mean with me. You're a sweet guy and all, but you're not really my type.</dialogue>
    <character>BRANDON</character>
    <dialogue>You're not really my type either.</dialogue>
    <character>OLIVE</character>
    <dialogue>I should say not.</dialogue>
    <character>BRANDON</character>
    <dialogue>Okay. Well, do you wan na have sex with me?</dialogue>
    <character>OLIVE</character>
    <dialogue>You're serious.</dialogue>
    <scene_description>He nervously nods .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Oh my God, dude. You totally missed my point. All I was saying was that -</dialogue>
    <character>BRANDON</character>
    <dialogue>No, I know what you were saying. I should play it straight until I get out of this hell and then I can be whoever I want to be. No, I got that.</dialogue>
    <character>OLIVE</character>
    <dialogue>Brandon, I did n't REALLY have sex with a college guy. I just told people I did.</dialogue>
    <parenthetical>( CONSIDERS THIS . )</parenthetical>
    <dialogue>Well, actually, I just told one person and - well - you know how these things work.</dialogue>
    <character>BRANDON</character>
    <dialogue>So, you're saying I should n't really have sex. I should just say I had sex with someone. A girl.</dialogue>
    <character>OLIVE</character>
    <dialogue>Now, you're cooking with gas.</dialogue>
    <scene_description>It 's his turn to smile slyly at her . She sees where he 's going with this and instantly gets defensive .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Oh no. Oh no no no no no no no no. No. Really. No. No way. No. No.</dialogue>
    <character>BRANDON</character>
    <dialogue>Think about it. We could help each other out. You want to maintain this floozy facade. I want to not get my face pummelled weekly.</dialogue>
    <character>OLIVE</character>
    <dialogue>You are on crack.</dialogue>
    <character>BRANDON</character>
    <dialogue>All it would take is one good imaginary fuck and you'd be saving the bone structure of my face. Think of how happy my parents would be!</dialogue>
    <character>OLIVE</character>
    <dialogue>This is not the answer. Why do n't you just do what I did and make someone up?</dialogue>
    <character>BRANDON</character>
    <dialogue>Who would believe me?</dialogue>
    <parenthetical>( GROWING INCREASINGLY DESPERATE . )</parenthetical>
    <dialogue>Listen, Olive, I do n't want to do this. I want to live in that not - too - distant EMO world, but I still have another year of this bullshit place and I ca n't do it. I just ca n't do it.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>I'll pay you. I can pay you whatever you want.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( GENTLY . )</parenthetical>
    <dialogue>I just do n't think it would work.</dialogue>
    <character>BRANDON</character>
    <dialogue>Whores are n't discerning, Olive. And just think - you'll OFFICIALLY be a hooker with a heart of gold!</dialogue>
    <character>OLIVE</character>
    <dialogue>I do n't want your money.</dialogue>
    <character>BRANDON</character>
    <dialogue>I insist.</dialogue>
    <character>OLIVE</character>
    <dialogue>So, if I say yes, you're going to tell a couple of people at school and I just have to go with it? I really do n't think it will work.</dialogue>
    <character>BRANDON</character>
    <parenthetical>( His voice cracking with EMOTION . )</parenthetical>
    <dialogue>I can make it work. I promise.</dialogue>
    <scene_description>She sees tears forming in his eyes . She walks away from him and is silent for a long few moments .</scene_description>
    <character>OLIVE</character>
    <dialogue>I do n't do anything half - assed.</dialogue>
    <parenthetical>( Spinning around to face HIM . )</parenthetical>
    <dialogue>It'll have to be a public event. Melanie Bostic is having a party tomorrow night. All of your tormentors will be there. You and I are going together. You have to do everything I say AND you have to tell people that I was sensational.</dialogue>
    <scene_description>Brandon wipes his tears away and is the happiest gay you 've ever seen . He throws his arms around her and wo n't let go .</scene_description>
    <character>BRANDON</character>
    <dialogue>I ca n't believe you're doing this.</dialogue>
    <character>OLIVE</character>
    <dialogue>Afterwards, it's up to you. You're committing to something. Just make sure you're ready to live with the consequences.</dialogue>
    <scene_description>It seems as if that last statement was more for herself than it was for him .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>I'm sure you all remember the party.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BOSTIC HOUSE - NIGHT</stage_direction>
    <scene_description>A TEEN PARTY rages . DRUNK KIDS abound . Olive , looking like a million - fuckin ' - bucks , prances into the party with Brandon , who 's looking pretty snazzy himself . They appear drunk and are falling all over each other . People stare in complete amazement at a. -RRB- Their appearance and b. -RRB- That they 're even together in the first place . You 'd never guess that this was anything less than an A - LIST TEEN COUPLE , ripped from the pages of Teen People . Olive falls against Brandon laughing . He hoists her up , as their host , MELANIE BOSTIC -LRB- 17 -RRB- , a fairly pretty girl , approaches .</scene_description>
    <character>MELANIE</character>
    <dialogue>Hey Olive!</dialogue>
    <parenthetical>( WEIRDED OUT . )</parenthetical>
    <dialogue>Hi Brandon.</dialogue>
    <character>OLIVE</character>
    <dialogue>OhmiGod, Melly. I hope you do n't mind, but we had a few pre - cocktail party cocktails.</dialogue>
    <parenthetical>( DISORIENTED . )</parenthetical>
    <dialogue>Party. Cocktails.</dialogue>
    <character>MELANIE</character>
    <dialogue>Well, glad you could make it.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( Whispering and slurring in her ear . )</parenthetical>
    <dialogue>Soooo, here's the thing. Brandon was in the middle of telling me this funny thing. Is there a quiet room we can go to where he can finish telling me -.</dialogue>
    <parenthetical>( HICCUP . )</parenthetical>
    <dialogue>- About his thing? That's funny?</dialogue>
    <scene_description>She stares glassy - eyed at Melanie . Brandon just smiles .</scene_description>
    <character>MELANIE</character>
    <dialogue>Sure. You can use the guest room. Down the hall.</dialogue>
    <character>OLIVE</character>
    <dialogue>I love you. I love you so much. You are - Just, yeah.</dialogue>
    <scene_description>She gives her a drunken punch on the shoulder . She spins around to the entire party , who is looking at them with complete interest .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( Loudly ; to all . )</parenthetical>
    <dialogue>Hey everybody!</dialogue>
    <scene_description>They raise a glass to them and Brandon and Olive stumble down the hallway , laughing .</scene_description>
    <character>MELANIE</character>
    <parenthetical>( Shocked ; Mouthing to a GUEST . )</parenthetical>
    <dialogue>What the fuck?!</dialogue>
    <scene_description>The bully who emerged from Gibbons 's office with Brandon , goes up to Melanie .</scene_description>
    <character>BULLY</character>
    <dialogue>Was that Olive with Brandon?</dialogue>
    <character>MELANIE</character>
    <dialogue>I know! Right?</dialogue>
    <scene_description>They , with a big group , race down the hall where Brandon and Olive have just retreated to .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GUEST ROOM - NIGHT</stage_direction>
    <scene_description>Olive locks the door and drops the drunk act . She 's completely sober and so is Brandon .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( WHISPERING . )</parenthetical>
    <dialogue>Draw the shades.</dialogue>
    <scene_description>Brandon runs over and pulls the blinds down . They giggle , conspiratorially . Olive plops down on the bed and stretches out . Brandon lays beside her . She moans for the benefit of the audience she knows has assembled outside . She moans again and it 's very convincing . She leans over and whispers in his ear -</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Grunt. Make it really convincing. And manly.</dialogue>
    <scene_description>He does so . She extends her palm , impressed . He slaps it with his .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HALLWAY - CONTINUOUS</stage_direction>
    <scene_description>Sure enough , it seems as if most of the party is listening at the door - falling all over each other to hear . Nearest to the door is the bully , who is pleasantly surprised by the noise inside .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GUEST ROOM - CONTINUOUS</stage_direction>
    <scene_description>Olive reaches into her handbag and pulls out her copy of ` The Scarlet Letter ' and reads it while she makes sex noises . Brandon laughs at this and Olive smacks him with it , prompting him to stop . She puts her finger over her lips , giving him the ` Shhhh ' sign . She continues to read as she thrusts her hips , making the bed squeak ever so slightly .</scene_description>
    <character>BRANDON</character>
    <parenthetical>( WHISPERING . )</parenthetical>
    <dialogue>How long do we have to do this?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( WHISPERING . )</parenthetical>
    <dialogue>Depends. Do you wan na be a normal adolescent boy or do you wan na be a stud?</dialogue>
    <scene_description>He moans in his deepest voice . She continues to read , crescendoing her moaning like a pro .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Oh God, Brandon. Do n't stop. Do n't stop. Do n't stop, do n't stop, do n't stop.</dialogue>
    <scene_description>She takes the top of the headboard and lightly taps it against the wall , over and over .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( WHISPERING . )</parenthetical>
    <dialogue>Now that I think about it, we probably do n't want to do this for too long. It'll give the impression that you're having difficulty finishing. That's not the desired effect.</dialogue>
    <character>BRANDON</character>
    <parenthetical>( WHISPERING . )</parenthetical>
    <dialogue>Are you sure you're a virgin?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( WHISPERING STERNLY . )</parenthetical>
    <dialogue>Of course I am!</dialogue>
    <parenthetical>( LOUDLY . )</parenthetical>
    <dialogue>Oh, fuck me! Fuck me! Do n't stop fucking me!</dialogue>
    <scene_description>Brandon suppresses a laugh .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GUEST ROOM - MOMENTS LATER</stage_direction>
    <scene_description>Olive is disheveling herself . Brandon musses up his hair .</scene_description>
    <character>OLIVE</character>
    <dialogue>Hold on.</dialogue>
    <scene_description>She unbuttons Brandon 's shirt and rebuttons it incorrectly .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Go forth, my son. You're a man now.</dialogue>
    <character>BRANDON</character>
    <dialogue>Thanks Olive.</dialogue>
    <scene_description>He kisses her on the cheek and she smiles .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HALLWAY - CONTINUOUS</stage_direction>
    <scene_description>The whole crowd , leaning against the wall , quickly disperses when the door opens . The bully immediately hands Brandon a beer and throws his arm around him , leading him drunkenly down the hallway , with a crew of guys after the dirty details . Olive looks at this and smiles , satisfied . Then she realizes that , though the guys have gone , there are a whole slew of girls looking at her completely differently . They avoid her eye contact , as one would ward off Medusa . Olive finds Melanie pretending not to be interested in her .</scene_description>
    <character>OLIVE</character>
    <dialogue>Is there a -?</dialogue>
    <character>MELANIE</character>
    <dialogue>Back entrance is through the kitchen.</dialogue>
    <character>OLIVE</character>
    <dialogue>Thanks.</dialogue>
    <scene_description>She begins her walk of shame down the corridor into the -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KITCHEN</stage_direction>
    <scene_description>- Where she runs smack - dab into the well - developed chest of MEERKAT TODD .</scene_description>
    <character>MEERKAT TODD</character>
    <parenthetical>( POLITELY . )</parenthetical>
    <dialogue>Sorry.</dialogue>
    <scene_description>They make eye contact . Olive is a sick shade of regret .</scene_description>
    <character>MEERKAT TODD</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Oh, hey Olive.</dialogue>
    <character>OLIVE</character>
    <dialogue>Hi Todd.</dialogue>
    <scene_description>Obviously oblivious to the demonstration that just occurred -</scene_description>
    <character>MEERKAT TODD</character>
    <dialogue>How's it going?</dialogue>
    <character>OLIVE</character>
    <dialogue>I'M -.</dialogue>
    <parenthetical>( She does n't know how she IS . )</parenthetical>
    <dialogue>I'm here.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Can I get you a beer?</dialogue>
    <character>OLIVE</character>
    <dialogue>That rhymed.</dialogue>
    <scene_description>Olive catches the reflection behind her of a group of guys leaning against the counter , signalling ` NO , DO N'T DO IT ' to him behind her back . She spins around and they instantly pretend to not be paying attention . She glares at them .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( Ashamed of herself . )</parenthetical>
    <dialogue>I should probably go.</dialogue>
    <scene_description>She rushes off .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>It was truly my Cindy Mancini moment.</dialogue>
    <parenthetical>( MELODRAMATICALLY REENACTING . )</parenthetical>
    <dialogue>` You! Even Bobby thinks we went out. Great, huh? Ha! All of you thought we were a couple. What a joke! Ronald Miller paid me 1,000 bucks to pretend I liked him. What a deal, huh? $ 1,000 to go out with him for a month. This guy. Oh, God. He bought me. And he bought all of you. He was sick and tired of being a nobody. Yeah, and he said that all of you guys would worship him if we went out. And I did n't believe that. I was, like, no way! And he was right! No, leave me alone. He was right. Our little plan worked, did n't it, Ronald? The dance. That stupid dance! What a bunch of followers you guys are. I mean, at least I got. At least I got paid.'.</dialogue>
    <parenthetical>( Sincerely ; as herself . )</parenthetical>
    <dialogue>` Ca n't Buy Me Love' is one of the best movies ever made. Hands down. You guys should totally watch it if you have n't already. Or even if you have. Seriously fine filmmaking.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - DAY</stage_direction>
    <scene_description>Olive lays on her bed watching the scene from ` Ca n't Buy Me Love ' that she just performed . She eats a candy bar and wallows in her self - pity .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( To the television . )</parenthetical>
    <dialogue>Oh, Cindy Mancini. It could have been a lot worse. Trust me.</dialogue>
    <scene_description>Her mom comes in with a nicely - wrapped gift .</scene_description>
    <character>ROSEMARY</character>
    <dialogue>That kid from the other night just dropped this off for you.</dialogue>
    <scene_description>Indicating an empty space on the floor -</scene_description>
    <character>OLIVE</character>
    <dialogue>Put it on the pile of gifts from my other suitors.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>He seems like a nice boy. Gay.</dialogue>
    <character>OLIVE</character>
    <dialogue>A dyed - in - the - wool homosexual that boy is.</dialogue>
    <scene_description>Rosemary puts the gift on the floor .</scene_description>
    <character>ROSEMARY</character>
    <dialogue>I dated a homosexual in high school.</dialogue>
    <character>OLIVE</character>
    <dialogue>We're not dating, Mom.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>I just wanted to tell you that if you want to date a gay boy, it might be hard on your father and I, at first. But we love you no matter what the sexual orientation of your opposite - sex partner.</dialogue>
    <scene_description>Rosemary leaves , chuckling at her own joke . Too curious , Olive opens the gift . She withdraws a PHOTO of the BULLY holding BRANDON 'S LEGS while he does a KEG STAND . She smiles , pleasantly . She pulls out a PINK VIBRATOR and looks at it quizically . There 's an envelope inside . She opens it and pulls out a $ 200 Gift Card to TARGET .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Cindy Mancini gets $ 1,000. I get a vibrator and a $ 200 Gift Card to Target.</dialogue>
    <scene_description>There 's a note , which she reads aloud to herself .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Dear Olive, The dildo is just in case you do n't shop at Target. Then you can fuck yourself.</dialogue>
    <scene_description>Olive breaks out into riotous laughter . She 's genuinely touched by this gift . The phone rings . Thinking it 's Brandon , Olive snatches it up .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( EXCITEDLY . )</parenthetical>
    <dialogue>Your package was perfection!</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>So, it's TRUE!</dialogue>
    <character>OLIVE</character>
    <dialogue>Rhi?</dialogue>
    <character>RHIANNON</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Well, it's not last night's conquest!</dialogue>
    <character>OLIVE</character>
    <dialogue>You know, I always think it's so ridiculous on TV, when someone picks up the phone and magically seems to know who's going to be on the other end. I usually preface a conversation with ` hello' to avoid such banalities. The one time I decide to step outside this convention. How are you?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MALL - DAY</stage_direction>
    <scene_description>Rhiannon , clutching an enormous Diet Coke , plods through the mall with an intensity reserved for girls who just found out their best friend had her sophomore sexual exploit and did n't bother to tell them .</scene_description>
    <character>RHIANNON</character>
    <dialogue>I have many questions, obviously.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( PLAYFULLY . )</parenthetical>
    <dialogue>Yes, Virginia, there is a Santa Claus. No, in fact, I do NOT know the way to San Jose. And - little known fact - contrary to popular belief, panama hats are not from Panama at all! They're from Ecuador! Who knew?</dialogue>
    <character>RHIANNON</character>
    <dialogue>Now is not the time to be cute.</dialogue>
    <character>OLIVE</character>
    <dialogue>You're putting me in a precarious position, because -.</dialogue>
    <parenthetical>( With her best Jackie - O VOICE . )</parenthetical>
    <dialogue>- ` according to last month's Cosmopolitan Magazine, we should always look cute. Even when we're doing mundane activities such as choosing vegetables from the produce section of our local grocery store.'</dialogue>
    <character>RHIANNON</character>
    <dialogue>Olive, stop it. This is serious. Did you really bang Brandon last night at Melanie Dipshit's party?</dialogue>
    <scene_description>Olive sighs as she slumps into her pillows .</scene_description>
    <character>OLIVE</character>
    <dialogue>Is that what people are saying happened?</dialogue>
    <character>RHIANNON</character>
    <dialogue>That's what EVERYONE is saying.</dialogue>
    <character>OLIVE</character>
    <dialogue>Then I guess it's true.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Does this mean you guys are dating?</dialogue>
    <character>OLIVE</character>
    <dialogue>God no.</dialogue>
    <scene_description>Rhiannon screams in frustration , attracting the attention of passing shoppers .</scene_description>
    <character>RHIANNON</character>
    <dialogue>Just because you lost your virginity does n't mean you can go around screwing everybody!</dialogue>
    <character>OLIVE</character>
    <parenthetical>( OFF - PUT . )</parenthetical>
    <dialogue>Uh, thanks Mom. Good talk.</dialogue>
    <character>RHIANNON</character>
    <dialogue>You're getting a reputation.</dialogue>
    <character>OLIVE</character>
    <dialogue>Y' know, you're really coming off as a little pious right now and you're kind of pissing me off.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Please forgive my rectitude, but I think that a best friend's duty is to let her know that everyone - and I do mean everyone - is calling her a cum dumpster.</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, do YOU think I'm a cum dumpster?</dialogue>
    <character>RHIANNON</character>
    <dialogue>Look, baby, I call a spade a spade.</dialogue>
    <scene_description>Entering the red zone -</scene_description>
    <character>OLIVE</character>
    <dialogue>First off, that's racist. Secondly, fuck you! How dare you? I was Laura Ingalls to your Lady Chatterly and, now all of a sudden, YOU feel the need to warn ME that I'M making a fool of myself? There are a lot of children who will never again experience Family Pizza Night because of you. So, why do n't you jump off your high horse and splash around in the gutter where you belong.</dialogue>
    <character>RHIANNON</character>
    <dialogue>I did n't want to believe it, but I guess it's true. You're a fucktart.</dialogue>
    <character>OLIVE</character>
    <dialogue>And you're a jealous virgin.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Oh yeah. I totally want to lose my virginity to one of -.</dialogue>
    <parenthetical>( As if it was a disease . )</parenthetical>
    <dialogue>- your brother's friends and then be the first for a fairy, while everyone listens outside! What is wrong with you? Does sex mean anything to you?</dialogue>
    <character>OLIVE</character>
    <dialogue>Yes! It's a period of time, how ever short, that I do n't have to talk to you!</dialogue>
    <scene_description>She slams the phone down into the cradle and seethes . Berlin 's ` SEX -LRB- I 'm A . -RRB- ' plays loudly as . She goes into her closet and starts , wildly , pulling down clothes . She throws them into a big pile in the middle of her floor .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into her webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>Rhiannon Abernathy only wishes that somebody wanted to pretend to sleep with her!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - CONTINUOUS</stage_direction>
    <scene_description>Olive - visibly upset - is cutting something , meticulously , out of RED FABRIC . In fact , she has yards of red fabric draped across her lap . When she finishes the shape , she tosses it behind her and begins another one .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - LATER</stage_direction>
    <scene_description>Olive sews these red scraps to her clothes . When she finishes one piece , as before , she tosses it behind her and grabs another item from the crumpled wardrobe on her floor . Time flies and we see the clothing pile rapidly decreasing , until there are none left . The song morphs into - Tommy James and the Shondell 's ` CRIMSON &amp; CLOVER ' as we fade into -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>Clad in sunglasses , fuck - me - boots and looking like a bona fide porn star , Olive struts down the halls of her school . Sewn across her larger and pushed up breasts is A FIERY RED ` A ' -LRB- NOTE : For the rest of the film , every piece of Olive 's clothing will be emblazoned with a RED A. -RRB- Erections are popping up all along the halls , as well as looks of total disbelief from the girls . She works it like a Debbie Who Just Did Dallas , Düsseldorf , Des Moines , Daytona , Detroit and Darfur . Up ahead , Rhiannon is yakking with a semi - attractive guy named ANSON -LRB- 17 -RRB- . She catches sight of Olive and her jaw drops . Olive sidles up to Anson , much to Rhiannon 's chagrin .</scene_description>
    <character>OLIVE</character>
    <dialogue>Hey, Anson.</dialogue>
    <character>ANSON</character>
    <parenthetical>( NERVOUS . )</parenthetical>
    <dialogue>Hi.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( Breathy and aping Marilyn MONROE . )</parenthetical>
    <dialogue>I just realized the funniest thing. My name is an anagram for ` I love.'</dialogue>
    <character>ANSON</character>
    <parenthetical>( STUTTERING . )</parenthetical>
    <dialogue>What's an anagram?</dialogue>
    <character>OLIVE</character>
    <dialogue>Look it up, big boy.</dialogue>
    <scene_description>She rubs her knee , seductively , along his inner thigh , turns and licks her lips at a repulsed Rhiannon and continues on her way .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CAFETERIA - LUNCH LINE - LATER</stage_direction>
    <scene_description>Anything sexually suggestive you can do with school cafeteria food , Olive does as she makes her way through the lunch line , as guys ogle her . Marianne , also present in the line , watches her in repugnance .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GYMNASIUM - DAY</stage_direction>
    <scene_description>Olive emerges from the GIRLS ' LOCKER ROOM , dressed for gym class . A TERRIFIED FAT KID named EVAN nervously approaches her .</scene_description>
    <character>EVAN</character>
    <dialogue>Hey Olive.</dialogue>
    <character>OLIVE</character>
    <dialogue>Hi Evan.</dialogue>
    <character>EVAN</character>
    <dialogue>Can I talk to you for a second?</dialogue>
    <scene_description>He gestures for her to follow him underneath the bleachers . She reluctantly does so .</scene_description>
    <character>EVAN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( WHISPERING . )</parenthetical>
    <dialogue>Do n't get mad, but Brandon told me what you did for him.</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, rest assured, it was equally as thrilling for me.</dialogue>
    <character>EVAN</character>
    <dialogue>No, he told me the truth.</dialogue>
    <scene_description>She 's pissed . She silently seethes .</scene_description>
    <character>EVAN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>And I was just hoping that maybe you could do the same for me?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( Through clenched teeth . )</parenthetical>
    <dialogue>Walk away, Evan.</dialogue>
    <scene_description>Evan starts to talk , but she raises her hand to silence him .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>RUN away, Evan.</dialogue>
    <character>EVAN</character>
    <dialogue>I can pay you, too.</dialogue>
    <character>OLIVE</character>
    <dialogue>I'm about six seconds away from slapping you so hard that your unborn grandchildren will feel it.</dialogue>
    <character>EVAN</character>
    <parenthetical>( Excited at the prospect . )</parenthetical>
    <dialogue>Can you do it in front of everyone?</dialogue>
    <scene_description>Olive turns and starts to leave . Evan summons up his courage and meekly states to her back .</scene_description>
    <character>EVAN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I do n't need your permission, you know.</dialogue>
    <scene_description>She turns around and gives him a look of death . He ca n't look at her .</scene_description>
    <character>EVAN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I mean, at the rate you're going, I'm just saying I do n't think anyone would not believe it.</dialogue>
    <character>OLIVE</character>
    <dialogue>Are you threatening me?</dialogue>
    <character>EVAN</character>
    <dialogue>I'll give you $ 500.</dialogue>
    <character>OLIVE</character>
    <dialogue>You're repugnant.</dialogue>
    <character>EVAN</character>
    <parenthetical>( Indicating his body . )</parenthetical>
    <dialogue>That's the problem.</dialogue>
    <scene_description>And once again Olive feels too sorry for him to say no .</scene_description>
    <character>OLIVE</character>
    <dialogue>I want five hundred dollars in gift certificate form deposited in my locker before noon tomorrow. Preferably ` The Gap,' but I'll also take Amazon.com. We did NOT have sex. I was piss - ass drunk and I let you fondle my chest and it was a glorious moment for you, unmatched by anything you've heretofore experienced, including cake. Got it?</dialogue>
    <character>EVAN</character>
    <dialogue>Five hundred bucks for just feeling you up? Does n't that seem a little steep to you? Can you throw in</dialogue>
    <character>SOME</character>
    <parenthetical>( Mispronouncing it ; as if it rhymed with ` cottage ' . )</parenthetical>
    <dialogue>frottage?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( CORRECTING HIM . )</parenthetical>
    <dialogue>It's fraw - TAHZH, dumbass.</dialogue>
    <parenthetical>( BUCKLING . )</parenthetical>
    <dialogue>Fine. But it was so good, you lasted only twelve seconds and I better not find out that little pecker of yours EVER came out of your pants. Take it or leave it.</dialogue>
    <character>EVAN</character>
    <dialogue>Little pecker? Nuh - uh. For five hundred dollars, it was ungodly huge. You even commented on the unusual girth for a guy my age.</dialogue>
    <character>OLIVE</character>
    <dialogue>I was too drunk to remember.</dialogue>
    <character>EVAN</character>
    <dialogue>Three minutes.</dialogue>
    <character>OLIVE</character>
    <dialogue>Two.</dialogue>
    <scene_description>He extends his hand .</scene_description>
    <character>EVAN</character>
    <dialogue>Deal.</dialogue>
    <scene_description>She , repulsed by it , shakes his hand . Evan 's ecstatic .</scene_description>
    <character>OLIVE</character>
    <dialogue>The sad thing is, Evan, if you had been a gentleman and asked me out on a date, I probably would have said yes.</dialogue>
    <character>EVAN</character>
    <dialogue>Really? Do you want to go on a date?</dialogue>
    <scene_description>With zero vitriol -</scene_description>
    <character>OLIVE</character>
    <dialogue>Not now, I do n't.</dialogue>
    <scene_description>Sad for him , she walks away .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>Evan, if you're watching this - shame on you. I hope you never treat another girl the way you treated me or you will die alone, wishing it was because you're fat. And since we're playing the shame game. While I appreciate the sentiment, Lewis, a pretend hand job should have warranted a little more than a hundred dollars worth of AMC Movie Passes. They had an expiration date AND were only able to be used for movies that had been running for two weeks. But even that's better than Tyler Jennings, who gave me a ten percent off coupon to Bath and Body Works. Seriously. A fucking coupon. Is that how good my imaginary blow job was to you? Huh? Is chivalry dead? I want John Cusack holding a boombox outside my window. I want Richard Gere climbing up my fire escape with the limo waiting downstairs. I want to ride off on a lawnmower with Patrick Dempsey. Although, I'm ashamed to admit I'd prefer him to look like he looks now. What woman would n't? But no. I get to save two fifty on a bottle of Juniper Breeze Hand Lotion. Maybe chivalry is n't dead, but it's in a coma and the prognosis is n't good.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>So, if you're still with me - and I'm guessing that most of you are - I now present to you Part Four : How I, Olive Penderghast, Went From Assumed Trollop To an Actual Home - wrecker.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CLASSROOM - DAY</stage_direction>
    <scene_description>Mr. Griffin is alone grading papers . Olive pokes her head in .</scene_description>
    <character>OLIVE</character>
    <dialogue>You wanted to see me?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>Yeah, Olive. Come cop a squat.</dialogue>
    <scene_description>She takes a seat opposite his desk . He points to the RED `` A '' on her chest .</scene_description>
    <character>MR. GRIFFIN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>What are you doing?</dialogue>
    <character>OLIVE</character>
    <dialogue>Accessorizing?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>Olive, Olive, Olive. Do you think that maybe you're reading a little too much into this assignment?</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, I'm really hoping to get an A.</dialogue>
    <parenthetical>( She points to her chest . )</parenthetical>
    <dialogue>Get it? Get it?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>I'm hearing things.</dialogue>
    <scene_description>She takes a deep breath .</scene_description>
    <character>OLIVE</character>
    <dialogue>The rumors are true. I am, in fact, considering becoming an existentialist.</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>You know what I'm talking about.</dialogue>
    <character>OLIVE</character>
    <dialogue>Geez, since when did teachers become privy to idle, adolescent gossip?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>I guess it would n't matter so much if I did n't like you. You're a great girl and I happen to think that all of.</dialogue>
    <parenthetical>( Indicating her outfit . )</parenthetical>
    <dialogue>` this' is just an act. I'm just curious why you're doing it.</dialogue>
    <scene_description>Olive drops her defenses and gets real .</scene_description>
    <character>OLIVE</character>
    <dialogue>Have you ever decided just to play along? Because it's maybe easier than fighting tooth - and - nail to defend it?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>I just do n't want to see this.</dialogue>
    <parenthetical>( He searches for the word . )</parenthetical>
    <dialogue>damage you.</dialogue>
    <character>OLIVE</character>
    <dialogue>You know, I think you should give me extra credit for going the extra mile. I'm really attempting to understand this puritanical ostracism.</dialogue>
    <scene_description>Mr. Griffin smiles at her .</scene_description>
    <character>MR. GRIFFIN</character>
    <dialogue>Hey, I'm really sorry I had to send you to the Principal. If you tell anybody, I'll deny it, but I really wanted to cheer with the rest of the class.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( SMILING ; INNOCENTLY . )</parenthetical>
    <dialogue>You know I wo n't tell.</dialogue>
    <scene_description>She gets up and leaves , but passes in the doorway , a BEAUTIFUL WOMAN .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( To the woman . )</parenthetical>
    <dialogue>Hey Mrs. Griffin.</dialogue>
    <scene_description>Pretending to know who she is -</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>Hi! How are you?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( Pointing to the ` A ' . )</parenthetical>
    <dialogue>A is for Awesome.</dialogue>
    <scene_description>Olive disappears into the empty halls .</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>I've never seen that girl before in my life.</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>That does n't surprise me.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>I'm the guidance counselor. I should know all of the students. Especially the ones dressed like that.</dialogue>
    <scene_description>He kisses her .</scene_description>
    <character>MR. GRIFFIN</character>
    <dialogue>She's just going through a phase.</dialogue>
    <parenthetical>( He gets an idea . )</parenthetical>
    <dialogue>Hey, do you think you could talk to her? Maybe you could get her to - I dunno -</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Sure. Yeah, whatever. Oh wait! That's not the girl that everyone's talking about, is it?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>` Fraid so.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Oh, this'll be good. That snotty office aid has been bitching about her incessantly.</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>It's all lies. Talk to her. Maybe that's all she needs.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>What are you making for dinner tonight?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>Is it my turn?</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Sure is. I'm meeting up with the girls at happy hour.</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>Do n't have too much fun.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>I never do.</dialogue>
    <scene_description>He kisses her .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CLASSROOM - DAY</stage_direction>
    <scene_description>Assembled in a semi - circle , a handful of WELL - DRESSED CHRISTIAN KIDS open their meeting of the CROSS YOUR HEART CLUB with prayer . Marianne , of course , leads them in this ritual . Nina is also present .</scene_description>
    <character>MARIANNE</character>
    <dialogue>Heavenly Father, watch over us with Your all - encompassing love. Keep us on the path toward Your righteousness and eternal salvation.</dialogue>
    <scene_description>They all smile , say ` AMEN ' and open their eyes .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Guys. We have a problem.</dialogue>
    <character>NINA</character>
    <dialogue>Amen to THAT.</dialogue>
    <character>MARIANNE</character>
    <dialogue>Olive Penderghast. We need to pray for her, but we also need to get rid of her. I'm sure, by now, you've all heard about what happened at Melanie Bostic's party.</dialogue>
    <character>CHRISTIAN KID #1</character>
    <dialogue>I was there. I heard the whole thing.</dialogue>
    <scene_description>Marianne eyes him , suspiciously .</scene_description>
    <character>MARIANNE</character>
    <dialogue>That's not something you need to advertise, Kurt.</dialogue>
    <character>KURT</character>
    <parenthetical>( SHEEPISHLY . )</parenthetical>
    <dialogue>Sorry.</dialogue>
    <character>MARIANNE</character>
    <dialogue>See, herein lies the problem : She's doing these tasteless, immoral acts in plain view of the entire student body. She's in direct opposition to everything we're trying to do for this school, which is make it a wholesome learning environment and a place where our children will one day flourish the way that we are.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>She was sent to the Principal's office last week -</dialogue>
    <character>NINA</character>
    <parenthetical>( INTERRUPTING . )</parenthetical>
    <dialogue>She called me a really hurtful name.</dialogue>
    <character>MARIANNE</character>
    <dialogue>- and I tried to witness to her, but she's defiant to any sort of help.</dialogue>
    <scene_description>She tears up .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I do n't know what to do, but something's got to be done.</dialogue>
    <scene_description>Her boyfriend , MICAH -LRB- 17 -RRB- takes her hand and holds it . She leans against his shoulder , wiping away tears . Nina , on the other side of her , begins rubbing her shoulder , sympathetically .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Does anybody here think that they can talk to her in a way that might get her to see that what she's doing is wrong?</dialogue>
    <scene_description>She suddenly bursts into sobs . -LRB- And these are n't crocodile tears . She is flooded with emotion . -RRB-</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I'm sorry. This is so stupid.</dialogue>
    <character>MICAH</character>
    <dialogue>No, it's not, Marianne.</dialogue>
    <scene_description>She wipes her tears away .</scene_description>
    <character>MARIANNE</character>
    <dialogue>Jesus tells us to love everyone. Even the whores and the homosexuals, but it's so hard. It's so hard, because they just keep doing ` it' over and over again.</dialogue>
    <scene_description>She takes Micah and Nina 's hands , the rest of the group follows suit .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Make me a promise. Make GOD a promise right here and now that we will remain pure and chaste until marriage.</dialogue>
    <parenthetical>( Looking to Micah . )</parenthetical>
    <dialogue>Until our love is proven holy in His eyes.</dialogue>
    <character>ALL</character>
    <dialogue>We promise.</dialogue>
    <character>MARIANNE</character>
    <dialogue>Let's continue to pray for Olive Penderghast. That either she sees that what she's doing is a sin and changes her behavior or that she gets the hell out of our school.</dialogue>
    <scene_description>They all squeeze hands and Marianne manages a smile .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Awww, I love you guys. God loves you guys.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. PARKING LOT - BARBARA BUSH HIGH - DAY</stage_direction>
    <scene_description>Marianne gives Micah a strictly PG - rated kiss against his car . They 're nauseatingly wholesome .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FRONT OFFICE - NEXT DAY</stage_direction>
    <scene_description>Olive is sitting in the office , dressed just as slutty as the day before . A RED `` A '' sewn onto her top . Marianne is behind the desk , sharpening pencils . After each one , she observes the point with a scary satisfaction . They exchange a few hateful glances at each other . Mrs. Griffin pokes her head out of her office .</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>Hey Olive. Wan na come in?</dialogue>
    <scene_description>Olive , in no mood for this , drags herself up dramatically and follows Mrs. Griffin into -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GUIDANCE OFFICE - CONTINUOUS</stage_direction>
    <scene_description>Mrs. Griffin sits behind her desk and Olive sits opposite her .</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>So, the reason I called you down here is just so that we could - sort of, y' know - chat about what's going on.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>There's been some concern from faculty members.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( CORRECTING HER . )</parenthetical>
    <dialogue>Your husband.</dialogue>
    <scene_description>Mrs. Griffin shifts uncomfortably in her chair . There 's something a little unnerving about this kid 's awareness .</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>Olive, you're attempting to make a statement. We get that. I'm just confused as to what exactly it is.</dialogue>
    <character>OLIVE</character>
    <dialogue>Am I in trouble? I promise the hem of my dress is n't higher than my fingertips.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>You're not in trouble, Olive. I just wanted you to know that if there was something you maybe needed to talk about, that you could trust me.</dialogue>
    <character>OLIVE</character>
    <dialogue>If I open up to you, do you promise this stays in confidence?</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Yes.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( CONFESSIONAL . )</parenthetical>
    <dialogue>I watch ` American Idol.' Do NOT tell anyone.</dialogue>
    <scene_description>Mrs. Griffin rolls her eyes .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I have a reputation to uphold.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Do n't you, though?</dialogue>
    <scene_description>Olive assesses this statement from her .</scene_description>
    <character>OLIVE</character>
    <dialogue>We done? If I can think of any angsty things to report, you'll be the first to know.</dialogue>
    <scene_description>She winks at her .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>This has been so much fun that I'm actually - at this very moment - considering meth addiction, just so I can come back and we can jaw some more.</dialogue>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( BITINGLY . )</parenthetical>
    <dialogue>Or you could always get pregnant?</dialogue>
    <character>OLIVE</character>
    <dialogue>I'm probably closer than either of us thinks.</dialogue>
    <scene_description>Mrs. Griffin digs in her purse and pulls out a handful of CONDOMS . Feigning excitement -</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Propho - tastic!</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Please do n't tell anyone I gave you these. The school board is -</dialogue>
    <character>OLIVE</character>
    <dialogue>Puritanical and oppressive?</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Conservative.</dialogue>
    <scene_description>Olive sees that Mrs. Griffin is genuinely concerned .</scene_description>
    <character>OLIVE</character>
    <dialogue>I do n't need those.</dialogue>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( STERNLY . )</parenthetical>
    <dialogue>But you do.</dialogue>
    <scene_description>Olive starts to confess , but then just takes the rubbers and puts them in her own purse .</scene_description>
    <character>OLIVE</character>
    <dialogue>Thank you.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Remember : our little secret. And, hey, would you send in the next person?</dialogue>
    <scene_description>Mrs. Griffin smiles at Olive as she leaves .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FRONT OFFICE - BARBARA BUSH HIGH SCHOOL - CONTINUOUS</stage_direction>
    <scene_description>Marianne is talking to Micah , who seems distressed . He rubs his eyes , like he 's been crying . Olive is surprised to see him there .</scene_description>
    <character>OLIVE</character>
    <dialogue>You're up, hoss.</dialogue>
    <character>MARIANNE</character>
    <parenthetical>( Concerned ; To Micah . )</parenthetical>
    <dialogue>It's going to be okay.</dialogue>
    <scene_description>She gives him a reassuring smile and he walks into her office .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( TO MARIANNE . )</parenthetical>
    <dialogue>Let me guess : drugs.</dialogue>
    <scene_description>Marianne gives her a ` go away ' look .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I did n't know Christians believed in guidance counsellors.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>Ooo! Ooo! Is your boyfriend struggling with his sexuality?</dialogue>
    <scene_description>Marianne begins crying .</scene_description>
    <character>MARIANNE</character>
    <dialogue>No, you insensitive rhymes - with - witch! His parents are going THROUGH A.</dialogue>
    <parenthetical>( WHISPERED . )</parenthetical>
    <dialogue>divorce!</dialogue>
    <scene_description>She begins sobbing uncontrollably . Olive , not sure what to do , goes around the counter and hugs her . Marianne just cries on her shoulder .</scene_description>
    <character>OLIVE</character>
    <dialogue>It's okay, Marianne.</dialogue>
    <parenthetical>( Not sure what to say . )</parenthetical>
    <dialogue>Sometimes our boyfriend's parents get divorced. It's just important to know that it's not your fault.</dialogue>
    <character>MARIANNE</character>
    <parenthetical>( Through her tears . )</parenthetical>
    <dialogue>They go to our church! Imagine what people will say!</dialogue>
    <scene_description>Olive did n't expect this embrace to last this long .</scene_description>
    <character>OLIVE</character>
    <dialogue>I have to go now. Are you going to be okay?</dialogue>
    <scene_description>Into Olive 's shoulder -</scene_description>
    <character>MARIANNE</character>
    <dialogue>Mrs. Griffin is going to fix everything. She's amazing. I know that she's going to help Micah through this time and everything's going to be okay.</dialogue>
    <character>OLIVE</character>
    <dialogue>Yeah. Everything's going to be okay.</dialogue>
    <scene_description>Marianne pulls away and wipes tears from her eyes .</scene_description>
    <character>MARIANNE</character>
    <dialogue>Why are you being so nice to me?</dialogue>
    <character>OLIVE</character>
    <dialogue>Is n't that what we're supposed to do? Hey, it's your boss's rules.</dialogue>
    <scene_description>This triggers even more wails from Marianne , who grabs Olive and squeezes her tightly .</scene_description>
    <character>MARIANNE</character>
    <dialogue>I'm sorry, okay? I'm sorry for everything I said. I want to be friends. PLEASE. PLEASE be my friend.</dialogue>
    <scene_description>Olive is really confused by this display and is about to say something snide , but thinks better of it and replies with a very heartfelt -</scene_description>
    <character>OLIVE</character>
    <dialogue>Absolutely.</dialogue>
    <scene_description>Marianne pulls away again and manages to smile at her , warmly .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>And for a day, we were actually really good friends. I was really starting to think that things were going to turn around.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>Marianne , angry as hell , stomps through the hall with hatred burning in her eyes and coursing through her veins .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>But then I unwittingly gave her boyfriend a venerial disease.</dialogue>
    <scene_description>Marianne stops in front of Olive and slaps her so hard that people in the hallways stop , dead in their tracks . It 's the slap heard ` round the school .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GUIDANCE OFFICE - DAY</stage_direction>
    <scene_description>Olive bursts into Mrs. Griffin 's office . Tear - streaked , Mrs. Griffin is packing her things into a cardboard box . It 's as if her world has just collapsed .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>And caused the break - up of Mr. and Mrs. Griffin.</dialogue>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( SNAPPING . )</parenthetical>
    <dialogue>What?! What do you want?</dialogue>
    <scene_description>Olive starts to say something , but Mrs. Griffin ca n't even look at her .</scene_description>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Just go!</dialogue>
    <scene_description>She throws a framed photo of her and Mr. Griffin into the box . It shatters . Mrs. Griffin falls apart . Olive starts to say something again , but she does n't know what to say , so she sheepishly turns to leave .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>The Cross Your Heart Club is assembled outside of the school , with a lot of other kids -LRB- and some parents -RRB- , waving signs on wooden stakes that say things like : EXPEL OLIVE ! EXODUS 20:14 SCHOOLS ARE FOR LEARNING , NOT FOR WHORING OLIVE PENDERGHAST IS A WHORE Rhi is among them , as riled up as any .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>So, I guess I should n't be too shocked that these people wanted my diseased, home - wrecking ass out of there.</dialogue>
    <scene_description>The scene is a maelstrom of anger and piety .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Olive laughs .</scene_description>
    <character>OLIVE</character>
    <dialogue>The funny thing is : the whole time this shit was going down - people calling me something I knew was n't true, my best friend included - I could n't help but think how I could have come up with better signs. No one even bothered to use alliteration or, God forbid, irony - not even a single acronym - and that seems a lot more unforgivable than my sins.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CATHEDRAL - DAY</stage_direction>
    <scene_description>Olive enters a Catholic Church . It 's empty , but there are a few CANDLES burning . She sees the CONFESSIONAL BOOTH and makes a beeline toward it . She takes a deep breath and enters .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CONFESSIONAL BOOTH - CONTINUOUS</stage_direction>
    <scene_description>She sits down and begins to talk to the screen .</scene_description>
    <character>OLIVE</character>
    <dialogue>Forgive me, father, for I have sinned. I think that's how you're supposed to start these things. I'm only going on what I've seen in the movies. Then, I think I'm supposed to tell you how long it's been since my last confession, but that's kind of my first confession. I'm not Catholic. I really do n't know what I'm supposed to do, except sit here in this booth and tell you what I've done wrong. Where do I even start?</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>I've been pretending to be a - how would one phrase it in Catholic words? A harlot. It's not like I've actually been doing the things that people are saying I'm doing, but - then again - I'm not denying them, so I've just been wondering : is that wrong? There's a lot of shi - ` crap' going down at my school which may or may not be indirectly because of this masquerade.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>I'm lying. I may have caused the end of a marriage. I thought, in my own perverse way, that I could help it. I mean, in my defense, I am merely an adolescent. I should never have been propositioned in the way I was propositioned by an adult. But then again, I should never have consented. It was just that a lot of people had been asking me to do things and I thought it was okay, because it was n't real. It was make - believe and no one was getting hurt. But a lot of people hate me now. I kind of hate me, too.</dialogue>
    <scene_description>There 's a long silence . Olive tears up and wipes them away .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I could be wrong, but are n't you supposed to say something or ask me questions. Tell me to say ` Hail Marys'? Hello?</dialogue>
    <scene_description>She looks through the screen . There 's no one there .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Oh, come on!</dialogue>
    <scene_description>She throws the curtain to the booth open and stomps out .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CATHEDRAL PARKING LOT - DAY</stage_direction>
    <scene_description>Olive , upset at herself , gets into her car and drives off . But just a few blocks down the street to -</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PRESBYTERIAN CHURCH PARKING LOT - CONTINUOUS</stage_direction>
    <scene_description>She parks her car and gets out to try a different denomination .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHURCH OFFICE - MOMENTS LATER</stage_direction>
    <scene_description>Olive enters to find a SWEET , PORTLY RECEPTIONIST -LRB- 50 's -RRB- searching through RELIGIOUS CLIP - ART on her COMPUTER , attempting to find the perfect image for the church newsletter . The lady smiles , acknowledging Olive .</scene_description>
    <character>OLIVE</character>
    <dialogue>Hi. I was wondering if the minister was around.</dialogue>
    <character>RECEPTIONIST</character>
    <dialogue>Pastor McGreevey is on vacation this week. But our associate pastor is in. Would you like to speak to him?</dialogue>
    <scene_description>For her own entertainment , Olive matches the receptionist 's enthusiasm level .</scene_description>
    <character>OLIVE</character>
    <dialogue>Actually, that would be fantastic!</dialogue>
    <character>RECEPTIONIST</character>
    <dialogue>Can I tell him what this is regarding?</dialogue>
    <character>OLIVE</character>
    <dialogue>Absolutely. I'm looking for a church to join and I thought he might be able to sell me on this fine establishment.</dialogue>
    <scene_description>The receptionist joyfully snatches up the phone .</scene_description>
    <character>RECEPTIONIST</character>
    <dialogue>Don, there's a young lady here who would like to speak with you about joining.</dialogue>
    <scene_description>She listens and then hangs up .</scene_description>
    <character>RECEPTIONIST</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( Pointing to an office . )</parenthetical>
    <dialogue>You can go right in.</dialogue>
    <character>OLIVE</character>
    <dialogue>If everyone here is as friendly as you, I think we might be in business.</dialogue>
    <scene_description>She winks at the receptionist and enters -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ASSOCIATE PASTOR'S OFFICE - CONTINUOUS</stage_direction>
    <scene_description>ASSOCIATE PASTOR DON -LRB- 40 's -RRB- is a gangly , unattractive - borderline creepy - man . He invites Olive to have a seat .</scene_description>
    <character>ASSOCIATE PASTOR DON</character>
    <dialogue>Hello there, young lady. My name is Don.</dialogue>
    <scene_description>He extends his hand , which she shakes politely .</scene_description>
    <character>ASSOCIATE PASTOR DON</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>How can I help you today?</dialogue>
    <character>OLIVE</character>
    <dialogue>I'm new to the area. Looking for a church - hopefully something with a strong fellowship, a firm foot in the soil of. divinity and was wondering what your church's stance on lying and adultery was?</dialogue>
    <scene_description>Don seems taken aback by the question .</scene_description>
    <character>ASSOCIATE PASTOR DON</character>
    <dialogue>Well. It's not a good thing.</dialogue>
    <character>OLIVE</character>
    <dialogue>Oh, I agree. Wholeheartedly. But tell me : assuming there is a hell -</dialogue>
    <character>ASSOCIATE PASTOR DON</character>
    <dialogue>Ma'am, the Presbyterian Church recognizes the existence of hell.</dialogue>
    <character>OLIVE</character>
    <dialogue>Right. Okay. Let's say hell exists. Which is worse - lying or adultery? Or is lying about adultery like a double whammy?</dialogue>
    <character>ASSOCIATE PASTOR DON</character>
    <dialogue>I'm sorry, ma'am, I - What did you say your name was?</dialogue>
    <scene_description>At that moment , Olive looks at his desk and sees a FRAMED FAMILY PHOTO . Smiling big are Associate Pastor Don , his wife , A WOMAN WITH A SMILE THE SIZE OF MONTANA and his lovely DAUGHTER - MARIANNE BRYANT . She jumps up from her chair and recoils at the sight of the picture and the stupid mistake she made by coming there .</scene_description>
    <character>OLIVE</character>
    <dialogue>You know what. I think I'm just going to go and check out Judaism.</dialogue>
    <scene_description>Backing up toward the door .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>The Jews and I have a lot in common. Fashion - wise. And stuff. So, thank you for your time.</dialogue>
    <scene_description>She bolts from his office .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Olive speaks into her webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>Yes. I had unwittingly sought advice from the father of the leader of my lynch mob. Who else can say that's happened to them?</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>As much as I want to say I hate Marianne. I do n't. I get her. Well, I get certain things about her. She's passionate. Like myself. She always thinks she's right. Like myself. And, yeah, I can kind of understand why she slapped me that day. Here's what happened.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BARBARA BUSH HIGH SCHOOL - PARKING LOT - DAY</stage_direction>
    <scene_description>Marianne , excitedly , runs over to Olive who is just getting to school and throws her arms around her .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Remember how I said that we were BFFs for, like, a day. Well, that's true. It was like we were sisters all of a sudden.</dialogue>
    <scene_description>Marianne ca n't seem to break the embrace and Olive just goes with it .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CLASSROOM - DAY</stage_direction>
    <scene_description>Olive sits in class . Marianne passes a note back to her .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>She wrote me a note in first period.</dialogue>
    <scene_description>Olive reads it . It says : Hey girlie ! You wan na hang out after school today ? Kisses ! Marianne Marianne looks back and Olive gives her the thumbs up . Across the room , Rhi sees this exchange and sneers .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHEMISTRY LAB - LATER</stage_direction>
    <scene_description>Marianne is working with her partner , Evan . She turns to Olive behind them and makes a gagging signal behind his back and laughs silently .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>By second period, it was like we had private jokes.</dialogue>
    <scene_description>Olive , unaware of how to respond , gives another thumbs up .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOME EC CLASSROOM - LATER</stage_direction>
    <scene_description>Olive sees Marianne come into class , tear - streaked . She runs over to Olive and again throws her arms around her .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Tragedy struck in third period.</dialogue>
    <character>MARIANNE</character>
    <dialogue>Micah's in the hospital. He's in so much pain! The nurse did n't know what was wrong.</dialogue>
    <scene_description>Olive just holds her new friend , as she had the day before .</scene_description>
    <character>OLIVE</character>
    <dialogue>He'll be okay.</dialogue>
    <character>MARIANNE</character>
    <parenthetical>( Tears glistening in her EYES . )</parenthetical>
    <dialogue>Really?</dialogue>
    <scene_description>Olive guides Marianne 's head back to her shoulder .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOSPITAL ROOM - DAY</stage_direction>
    <scene_description>Marianne 's boyfriend , Micah , writhes in pain on a hospital bed , clutching his crotch . His worried MOTHER -LRB- 40 's -RRB- is beside him , clutching her chest with one hand and trying to soothe him with the other .</scene_description>
    <character>MICAH</character>
    <dialogue>It hurts so bad.</dialogue>
    <scene_description>A DOCTOR enters , with a satisfied smile and a diagnosis .</scene_description>
    <character>DOCTOR</character>
    <dialogue>Chlamydia.</dialogue>
    <scene_description>Micah and his mother both look up in shock . His mother takes both of her hands and begins slapping him , uncontrollably .</scene_description>
    <character>MICAH'S MOTHER</character>
    <dialogue>How did you get chlamydia? Who have you been sleeping with? Tell me! TELL ME!</dialogue>
    <scene_description>Micah , in pain from the burning sensation and his mother 's hands flying at astonishing speed shouts out :</scene_description>
    <character>MICAH</character>
    <dialogue>Olive! Olive Penderghast!</dialogue>
    <scene_description>His mother 's face fills with satisfaction .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOSPITAL LOBBY - MOMENTS LATER</stage_direction>
    <scene_description>Micah 's mother is on her cell phone .</scene_description>
    <character>MICAH'S MOTHER</character>
    <parenthetical>( ANGRILY . )</parenthetical>
    <dialogue>Olive Penderghast.</dialogue>
    <scene_description>She folds her phone up and slips it into her purse .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KITCHEN - CONTINUOUS</stage_direction>
    <scene_description>The woman on the other end of the phone - A WOMAN WITH A SMILE THE SIZE OF MONTANA - who we 've seen in the Bryant family photo , hangs up . Only this time , her smile is a disgusted grimace . She picks up the phone and dials a number . She is , animatedly , talking to the person on the other end of the line , while Olive narrates .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Fourth period was when Marianne had office duty. Her duties included typing, stapling, filing and -</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. FRONT OFFICE - DAY</stage_direction>
    <scene_description>Marianne is on the phone , listening , with mouth agape . Undoubtedly , she 's just heard from her mother that her boyfriend has chlamydia .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>- answering the phones.</dialogue>
    <character>MARIANNE</character>
    <dialogue>CHLAMYDIA!</dialogue>
    <scene_description>She screams so loud that Mrs. Griffin comes out of her office , a panicked expression on her face .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KITCHEN - CONTINUOUS</stage_direction>
    <scene_description>Seething , Marianne 's mother says into the phone - A WOMAN WITH A SMILE THE SIZE OF</scene_description>
    <character>MONTANA</character>
    <dialogue>Olive Penderghast.</dialogue>
    <scene_description>She hears a slam and then a dial tone .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FRONT OFFICE - CONTINUOUS</stage_direction>
    <scene_description>Marianne clutches the phone in the cradle with enough force that it looks like the receiver will shatter in her hands . Mrs. Griffin looks worried .</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>Are you okay, hon?</dialogue>
    <scene_description>Like a teapot about to start expelling steam , Marianne quivers in rage . Finally , at boiling point , she shouts -</scene_description>
    <character>MARIANNE</character>
    <dialogue>THAT -</dialogue>
    <scene_description>But her long string of profanities is muffled by the long ringing of the school bell . Mrs. Griffin is taken aback by Marianne 's umbrage . As we saw before -</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>Marianne , angry as hell , stomps through the hall with hatred burning in her eyes and coursing through her veins .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>Okay, I exaggerated. We were just BFFs for, like, a half - a - day.</dialogue>
    <scene_description>Marianne stops in front of Olive and slaps her so hard that people in the hallways stop , dead in their tracks .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( Clutching her face . )</parenthetical>
    <dialogue>MutherFUCKer!</dialogue>
    <scene_description>Rhi , who was loading books in her locker , sees this and happily slams her locker shut . Breezing past her -</scene_description>
    <character>RHIANNON</character>
    <dialogue>My sentiments exactly.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( SNIDELY . )</parenthetical>
    <dialogue>Oh, grow up!</dialogue>
    <scene_description>But Rhi keeps on walking .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HOSPITAL PARKING LOT - DAY</stage_direction>
    <scene_description>Micah 's on his cell phone , anxiously talking to someone - checking every few seconds to see if his mom is on her way out .</scene_description>
    <character>MICAH</character>
    <parenthetical>( Into the cell phone . )</parenthetical>
    <dialogue>I did n't know what to say! I panicked! I said I got it from Olive Penderghast.</dialogue>
    <parenthetical>( Pause . )</parenthetical>
    <dialogue>I know, but what was I supposed to say?! And then my mom called her mom.</dialogue>
    <parenthetical>( Pause . )</parenthetical>
    <dialogue>No, not Olive's. Marianne's!</dialogue>
    <parenthetical>( Pause . )</parenthetical>
    <dialogue>I already tried to blame it on their divorce, but my mom's not buying it. I have to tell them.</dialogue>
    <parenthetical>( Pause . )</parenthetical>
    <dialogue>Okay. But I love you. I do n't care if you gave me chlamydia. I LOVE YOU and I want to be with you and no one can stop us. Not my mother, not Marianne, not -</dialogue>
    <scene_description>There 's a dial tone .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GUIDANCE OFFICE - CONTINUOUS</stage_direction>
    <scene_description>Mrs. Griffin has just hung up on her teenage lover and begins freaking out . She grabs a cardboard box and begins throwing items into it . Olive bursts into Mrs. Griffin 's office and sees Mrs. Griffin packing her things . As we saw before -</scene_description>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( SNAPPING . )</parenthetical>
    <dialogue>What?! What do you want?</dialogue>
    <scene_description>Olive starts to say something , but Mrs. Griffin ca n't even look at her .</scene_description>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Just go!</dialogue>
    <scene_description>She throws a framed photo of her and Mr. Griffin into the box . It shatters . Mrs. Griffin falls apart . Olive starts to say something again , but she does n't know what to say , so she sheepishly turns to leave - - and then feels awkward .</scene_description>
    <character>OLIVE</character>
    <dialogue>I'm sorry, I was just looking for Marianne. Did she say something about being mad at me? She just smacked the shi - ` crap' out of me.</dialogue>
    <scene_description>This makes Mrs. Griffin cry even harder . She attempts to pull herself together .</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>It's my fault. I'm so sorry, Olive.</dialogue>
    <scene_description>Olive looks at her , quizzically .</scene_description>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( SOTTO VOCE . )</parenthetical>
    <dialogue>I fucked up. I fucking fucked up SO fucking bad. I'm a fucking. Fuck.</dialogue>
    <character>OLIVE</character>
    <dialogue>Do n't get me wrong. I love it, but I do n't think you're supposed to use those words around a student.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Yeah, well, you're not to supposed to fuck them, either. But it did n't stop me.</dialogue>
    <scene_description>Olive puts two and two together in her head . She gasps a little louder than she planned .</scene_description>
    <character>OLIVE</character>
    <dialogue>You and - Oh my God. I'm not judging you or anything, but oh my God.</dialogue>
    <parenthetical>( SWITCHING GEARS . )</parenthetical>
    <dialogue>Wait. What does that have to do with me?</dialogue>
    <scene_description>Mrs. Griffin walks over and locks her office door . She fights back more tears , as she tries to explain to Olive .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>My guidance counselor, who had only days before armed me with a latex bulletproof vest, told me that she had chlamydia and that she had been screwing around with her office aide's boyfriend under the guise of divorce counseling. She confided in me that she and her husband - my favorite teacher - were having marital problems, that they had n't slept together in months. She assured me that she had never meant for anything to happen with Micah. She confessed to me how when she was a child she always dreamt of being Maria Von Trapp, not Mary Kay Letorneau. Micah had panicked and used me as a scapegoat - to save her job and her marriage. She assured me that she would make sure everyone knew the truth and apologized.</dialogue>
    <scene_description>Mrs. Griffin stops talking and waits for Olive to speak .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>And I bought it.</dialogue>
    <scene_description>Olive gives her a reassuring smile , steps up to the plate and offers up a solution .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I could have chlamydia. And I could easily have given it to Micah. That time we slept together. Who knows? Often times women do n't have symptoms and I have been whoring around.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>No you have n't.</dialogue>
    <scene_description>Olive looks at her , puzzled by her knowledge .</scene_description>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( LOOKING AWAY . )</parenthetical>
    <dialogue>Because a real whore ca n't admit it to herself, let alone others.</dialogue>
    <scene_description>She begins to weep . Olive puts her hand on Mrs. Griffin 's shoulder .</scene_description>
    <character>OLIVE</character>
    <dialogue>Call Micah. Tell him I said he's an asshole and that he owes me SO big for this and also the time I pretended not to see him during a third grade game of hide and seek. Tell him I still remember that. But tell him that I confessed to giving him chlamydia.</dialogue>
    <scene_description>Mrs. Griffin grabs Olive and cries on her .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>And it's not really my place to say this, but I figure after the conversation we just had, I can speak candidly. Your husband is HOT and while the male adolescent can fuck like a bunny. who really wants to fuck a bunny? If I was you, I'd go home and seduce him and pretend this never happened.</dialogue>
    <scene_description>Olive strokes her guidance counselor 's hair .</scene_description>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( SNIVELING . )</parenthetical>
    <dialogue>Do you want some more condoms?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( MATERNALLY . )</parenthetical>
    <dialogue>No, you keep them.</dialogue>
    <scene_description>She strokes her hair .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>So, really how could I be angry at Marianne? Dude, if some bimbo gave MY boyfriend an STD, I'd have swung, but I'd have balled my fist.</dialogue>
    <parenthetical>( WHIMSICALLY . )</parenthetical>
    <dialogue>My boyfriend.</dialogue>
    <parenthetical>( She gets lost in the THOUGHT . )</parenthetical>
    <dialogue>With all the mythical play I was getting, it's a wonder - and probably a miracle - that I still had n't actually been asked out on a real date. Guys were clamoring to claim that they'd slept with me, but no one was putting the real moves on me. Until finally.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. PLAYGROUND - YEARS BEFORE</stage_direction>
    <scene_description>Two LITTLE 5 YEAR OLD GIRLS -LRB- Olive and Rhiannon -RRB- chase a LITTLE BOY all over the playground , desperate to kiss him . They plot and plan to corner him , but he 's just too fast .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>It was really Rhiannon who had a crush on him. She has since we were kids.</dialogue>
    <scene_description>Rhiannon finally catches him and kiss him on the cheek . Repulsed , he wipes his face . Rhiannon and Olive high five each other .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CAFETERIA - DAY</stage_direction>
    <scene_description>Olive eats her lunch and yuks it up with a table full of guys . Rhiannon sits at a different table , mostly comprised of girls , and glares at her from across the room . The bell rings and the students begin getting up and making their way toward the exit . Anson -LRB- who we saw earlier with Rhiannon in the hallways -RRB- approaches Olive .</scene_description>
    <character>ANSON</character>
    <dialogue>Hey Olive.</dialogue>
    <scene_description>Olive smiles sweetly at him .</scene_description>
    <character>ANSON</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I was wondering if you were busy tonight. Maybe wan na go out or something?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( SUSPICIOUS . )</parenthetical>
    <dialogue>What did you have in mind?</dialogue>
    <character>ANSON</character>
    <dialogue>I dunno. I was thinking about chartering a hot air balloon, taking along a bottle of champagne and fresh fruit and then trying to impress you with an overzealous reading of Emily Dickinson.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( COYLY . )</parenthetical>
    <dialogue>Why, Anson, are you inviting me to accompany you to a romantic dinner at the Red Lobster?</dialogue>
    <character>ANSON</character>
    <dialogue>Unequivocally.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( IMPRESSED . )</parenthetical>
    <dialogue>Nice. Yeah. I'll have dinner with you.</dialogue>
    <scene_description>Olive walks off</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. RED LOBSTER - NIGHT</stage_direction>
    <scene_description>Olive and Anson sit in a booth at a dimly - lit RED LOBSTER . Olive looks beautiful . The ` A ' on her shirt is sequined .</scene_description>
    <character>OLIVE</character>
    <dialogue>I ca n't believe you brought me to the nicest restaurant in town. This is swank. I was beginning to think that there was no such thing as class.</dialogue>
    <character>ANSON</character>
    <dialogue>Yeah. What's better than getting to select your dinner and have nice conversation while they boil it alive in the back?</dialogue>
    <character>OLIVE</character>
    <dialogue>I think Anson Jr. does n't mind making the sacrifice. You do n't mind that I named him Anson Jr., do you?</dialogue>
    <character>ANSON</character>
    <dialogue>Not at all. I'm actually kind of honored.</dialogue>
    <character>OLIVE</character>
    <dialogue>Do you believe this whole thing about lobster being an aphrodisiac?</dialogue>
    <character>ANSON</character>
    <parenthetical>( Lying out his ass . )</parenthetical>
    <dialogue>I did n't know it was.</dialogue>
    <character>OLIVE</character>
    <dialogue>Y' know, medical science has not substantiated claims that any particular food increases sexual desire or performance. It's so funny when guys ply women with food that they think is gon na get them laid. I mean, what's really sexy about slurping back oysters? You know, native people believed that you gained the strength of the animal by consuming it. Some people grind up rhinoceros horn, because it's thought to stiffen the male sex organ. It's all bullshit. And spanish fly? It's pulverized beetle that people eat! Although, it's illegal for human consumption in the United States and do you know why? Because if you take just a bit too much, it causes painful urination, fever and bloody discharge.</dialogue>
    <scene_description>A SERVER appears with their LOBSTER . Anson is an odd shade of green from Olive 's little science lesson .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Yum!</dialogue>
    <scene_description>The server leaves them and Olive digs in . Anson is feeling nauseous and ca n't touch his . From across the restaurant , a PARADE OF SERVERS enters from the back , enthusiastically clapping and holding a cupcake . Leading the brigade is Meerkat Todd , who 's wearing a RED FOAM LOBSTER HAT . With as much spirit , as he has as a meerkat -</scene_description>
    <character>MEERKAT TODD</character>
    <dialogue>I do n't know but I've been told!</dialogue>
    <character>PARADE OF SERVERS</character>
    <dialogue>I do n't know but I've been told!</dialogue>
    <scene_description>He leads them through to another part of the restaurant .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( TO ANSON . )</parenthetical>
    <dialogue>I did n't know Meerkat Todd worked here! And he's a lobster! I wonder if I should start calling him Lobster Todd.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Marguerite is getting old!</dialogue>
    <character>PARADE OF SERVERS</character>
    <dialogue>Marguerite is getting old!</dialogue>
    <scene_description>They land at the table of the birthday girl . Olive cranes her neck to see - Rhiannon , miserable of course , sitting with her parents at a table in the next room . Olive immediately becomes uneasy .</scene_description>
    <character>OLIVE</character>
    <dialogue>Shit!</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>The best thing is her dessert is free!</dialogue>
    <character>PARADE OF SERVERS</character>
    <dialogue>The best thing is her dessert is free!</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>The worst thing is I sing off - key!</dialogue>
    <character>PARADE OF SERVERS</character>
    <dialogue>The worst thing is I sing off - key!</dialogue>
    <scene_description>Olive is visibly squirming in her seat .</scene_description>
    <character>MEERKAT TODD</character>
    <dialogue>Sound off!</dialogue>
    <character>PARADE OF SERVERS</character>
    <dialogue>Happy!</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Sound off!</dialogue>
    <character>PARADE OF SERVERS</character>
    <dialogue>Birthday!</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Sound off!</dialogue>
    <character>PARADE OF SERVERS</character>
    <dialogue>Happy birthday to you!</dialogue>
    <scene_description>The whole place applauds , unenthusiastically . Anson sees Olive 's discomfort .</scene_description>
    <character>ANSON</character>
    <dialogue>What's wrong?</dialogue>
    <character>OLIVE</character>
    <dialogue>Rhiannon's over there.</dialogue>
    <character>ANSON</character>
    <dialogue>So?</dialogue>
    <character>OLIVE</character>
    <dialogue>So? She's been in love with you since the first grade.</dialogue>
    <character>ANSON</character>
    <dialogue>So?</dialogue>
    <character>OLIVE</character>
    <dialogue>Well, she's my best friend.</dialogue>
    <character>ANSON</character>
    <dialogue>I thought you two were n't speaking.</dialogue>
    <character>OLIVE</character>
    <dialogue>We're not, but it does n't mean I should be out with you.</dialogue>
    <character>ANSON</character>
    <dialogue>Then why are you?</dialogue>
    <character>OLIVE</character>
    <dialogue>I do n't know. You asked me out?</dialogue>
    <character>ANSON</character>
    <dialogue>Exactly. I have no interest in her. I mean, we're friends, but -</dialogue>
    <character>OLIVE</character>
    <dialogue>She ca n't see us.</dialogue>
    <character>ANSON</character>
    <parenthetical>( DISAPPOINTED . )</parenthetical>
    <dialogue>Do you want me to get the check?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( TOUCHED . )</parenthetical>
    <dialogue>Would you mind?</dialogue>
    <scene_description>He gestures for the server who appears .</scene_description>
    <character>ANSON</character>
    <dialogue>Could we get our check?</dialogue>
    <character>SERVER</character>
    <parenthetical>( CONFUSED . )</parenthetical>
    <dialogue>Is everything okay?</dialogue>
    <character>OLIVE</character>
    <dialogue>I just remembered I'm allergic to shellfish. I always forget that my respiratory system would collapse and I'd die. It sucks I know.</dialogue>
    <scene_description>Even more confused , the server obliges and gives them their check .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( Digging in her purse . )</parenthetical>
    <dialogue>Let me get it. I have a gift certificate.</dialogue>
    <scene_description>She pulls it out and hands it to the waitress , who leaves .</scene_description>
    <character>ANSON</character>
    <dialogue>But I asked you out.</dialogue>
    <character>OLIVE</character>
    <dialogue>And I ruined it, so let me bear the financial brunt.</dialogue>
    <parenthetical>( Beat . )</parenthetical>
    <dialogue>I'm so sorry about this. But she really likes you.</dialogue>
    <character>ANSON</character>
    <dialogue>She and I just do n't have much in common.</dialogue>
    <character>OLIVE</character>
    <dialogue>And you and I do?</dialogue>
    <character>ANSON</character>
    <dialogue>I think so. For instance, I, too think Nina Howell's a twat.</dialogue>
    <character>OLIVE</character>
    <dialogue>Yeah, well, if that's our magical connection, I should date the entire school.</dialogue>
    <character>ANSON</character>
    <dialogue>Have n't you?</dialogue>
    <scene_description>Olive suddenly becomes self - conscious and a little bit pissed .</scene_description>
    <character>ANSON</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Kidding!</dialogue>
    <character>OLIVE</character>
    <dialogue>Yeah, about that -</dialogue>
    <scene_description>The server reappears with the check .</scene_description>
    <character>SERVER</character>
    <dialogue>You have a remaining balance of fourteen dollars and thirty six cents.</dialogue>
    <character>OLIVE</character>
    <dialogue>Keep it. Tip.</dialogue>
    <scene_description>The sever smiles and leaves them again .</scene_description>
    <character>ANSON</character>
    <dialogue>Let's get out of here.</dialogue>
    <scene_description>They duck out of the booth trying to keep their heads down , but Olive ca n't resist the urge to look up and see if Rhiannon sees them . She does . Olive and Rhiannon make eye contact . Whereas , Olive looks remorseful , Rhiannon looks like she 's just been stabbed in the back - which she has . The Abernathys see her , as well , and wave . It 's painfully obvious to Olive that Rhi has n't told her parents about their differences . She starts to go over , but Rhiannon 's face is turning vermillion in anger . Olive just waves , sheepishly and leaves with Anson . I/E . ANSON 'S CAR - RED LOBSTER PARKING LOT - MOMENTS LATER Olive 's face is painted with guilt . She feels like shit , but does n't want to externalize it . Anson puts his hand on her knee .</scene_description>
    <character>ANSON</character>
    <dialogue>I have something for you.</dialogue>
    <scene_description>Olive manages a smile . He reaches into his pocket and pulls out a $ 500 GIFT CERTIFICATE to ANTHROPOLOGIE and hands it to her . Olive is disappointed , but tries not to show it .</scene_description>
    <character>OLIVE</character>
    <dialogue>Oh. I did n't realize -</dialogue>
    <scene_description>Snapping out of her guilt .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Okay. So, what did we `` do'' on this date?</dialogue>
    <character>ANSON</character>
    <dialogue>Whatever $ 500 gets me.</dialogue>
    <scene_description>He leans over and kisses her . She pushes him off .</scene_description>
    <character>OLIVE</character>
    <dialogue>Wait. This is n't how it works. I do n't actually -</dialogue>
    <scene_description>But he 's kissing her again , a little too forcibly . She pushes him off again .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>You do n't get it. I'm not technically having sex with people for money. You know that, right? Besides, even if I was, we're in the parking lot of a Red Lobster.</dialogue>
    <character>ANSON</character>
    <dialogue>We can go wherever you want, but I think it would be kind of hot here.</dialogue>
    <scene_description>He takes off his shirt .</scene_description>
    <character>OLIVE</character>
    <dialogue>Dude, I got ta go. It's been - sad.</dialogue>
    <scene_description>She gets out of the car . He rolls down the window .</scene_description>
    <character>ANSON</character>
    <dialogue>Olive, you're being stupid. I'll take you home.</dialogue>
    <character>OLIVE</character>
    <dialogue>No thanks.</dialogue>
    <scene_description>He drives off , leaving her outside in the parking lot .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Fuck.</dialogue>
    <scene_description>As luck would have it , Meerkat Todd , is coming out the back exit . He sees her and gives her a surprised , toothy grin .</scene_description>
    <character>MEERKAT TODD</character>
    <dialogue>Hey Olive!</dialogue>
    <character>OLIVE</character>
    <dialogue>Hey Todd.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>What are you doing here?</dialogue>
    <character>OLIVE</character>
    <dialogue>Oh, I'm just hanging out in the parking lot. I do that sometimes. Not necessarily just here. The one outside of Applebee's is fun, too.</dialogue>
    <character>MEERKAT TODD</character>
    <parenthetical>( Laughing at her oddness . )</parenthetical>
    <dialogue>You want a ride somewhere?</dialogue>
    <character>OLIVE</character>
    <dialogue>Nah. I'm fine.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Your friend Rhi is inside. It's her Mom's birthday.</dialogue>
    <scene_description>Tears begin to glisten in Olive 's eyes .</scene_description>
    <character>OLIVE</character>
    <dialogue>She's not my friend anymore.</dialogue>
    <scene_description>Todd walks over and puts his arm around her and leads her to his car . He opens the door for her and she sits down . I/E . MEERKAT TODD 'S CAR - NIGHT Olive is trying to pull herself together but she ca n't stop crying as Todd drives her home . Todd does n't know what to say to her . Finally -</scene_description>
    <character>MEERKAT TODD</character>
    <dialogue>You wan na talk about it?</dialogue>
    <character>OLIVE</character>
    <dialogue>What's to say? I'm a horrible person. Everyone thinks I'm a whore and, for the first time, I'm starting to believe it.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Huh?</dialogue>
    <character>OLIVE</character>
    <dialogue>Oh, do n't act like you do n't know what people are saying about me.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>I know what people are saying. Does n't mean I believe them.</dialogue>
    <character>OLIVE</character>
    <dialogue>Why not?</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Olive, contrary to popular belief, I'm not an idiot. I know exactly what's going on and I know exactly what you're doing.</dialogue>
    <scene_description>She stops crying .</scene_description>
    <character>OLIVE</character>
    <dialogue>Who told you?</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>No one had to tell me. All I know is once upon a time, there was a scared little kid in a closet at a party who was n't ready for his first kiss and there was this amazing little girl who lied for him.</dialogue>
    <scene_description>She smiles through her tears .</scene_description>
    <character>OLIVE</character>
    <dialogue>You remember that?</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Yeah and after I ran out, you pulled Brandon in. Yeah, I know about that, by the way.</dialogue>
    <character>OLIVE</character>
    <dialogue>And look how he turned out.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Sometimes I still pretend you were my first kiss.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( LAUGHING . )</parenthetical>
    <dialogue>Yeah? Who was?</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Your friend. Rhiannon.</dialogue>
    <scene_description>Olive 's laughter turns to rage .</scene_description>
    <character>OLIVE</character>
    <dialogue>What!?</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Yeah. About a year later. It sucked.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( Blurting it out . )</parenthetical>
    <dialogue>She knew how I felt about you!</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>How do you feel about me?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( IGNORING HIM . )</parenthetical>
    <dialogue>She did it first! And here I am feeling SOOOO bad and THAT BITCH!</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Wait. How do you feel about me?</dialogue>
    <character>OLIVE</character>
    <parenthetical>( AGGRESSIVELY DEFENSIVE . )</parenthetical>
    <dialogue>Felt! I said FELT!</dialogue>
    <character>MEERKAT TODD</character>
    <parenthetical>( DISAPPOINTED . )</parenthetical>
    <dialogue>Oh.</dialogue>
    <scene_description>He stops the car . They 're at her house .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( Off his look . )</parenthetical>
    <dialogue>I mean, it's not that I do n't still feel that way.</dialogue>
    <scene_description>There 's an awkward moment between them .</scene_description>
    <character>MEERKAT TODD</character>
    <dialogue>Olive. If I promise not to tell anyone, could I kiss you?</dialogue>
    <scene_description>Despite the fact that this is positively the most romantic moment of her young life , Olive looks down .</scene_description>
    <character>OLIVE</character>
    <dialogue>No. Not tonight. I do n't want you to kiss me when mascara's running down my cheek or some shithead has forced his tongue down my throat only a half - hour ago. I've wanted to kiss you since the eighth grade, but I want it to be perfect. And right now, my life's a mess. I need to get it under control before I drag you into it.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>What if I told you I wanted to be dragged into it? Maybe I could help.</dialogue>
    <scene_description>He holds out his hand and she takes it .</scene_description>
    <character>OLIVE</character>
    <dialogue>Now I have a reason to fix this catastrophe I've brought upon myself. And I'm going to.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Okay.</dialogue>
    <scene_description>He smiles his goofy grin and she embraces him . She hops out of the car and goes to her front door .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Into her webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>You see, now I had a reason for things to go back to the way that they were. The truth needed to be told and I knew I had to go the one person who could help me. The one person I could count on to set the story straight. Brandon. I'd helped him and, even though it would destroy his new reputation for being a stud, I knew he would help me.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HALLS OF BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>Filling the frame , a GOSSIPY GIRL in braces says -</scene_description>
    <character>GOSSIPY GIRL</character>
    <dialogue>Oh my God, did you hear that Brandon ran away from home? Yeah. Totally. He left his parents a note that said : ` Eff you, I'm gay.' And then he skipped town with a big, hulking black guy.</dialogue>
    <scene_description>We spin around to see Olive 's stunned reaction .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( TO HERSELF . )</parenthetical>
    <dialogue>My apologies to Mark Twain.</dialogue>
    <character>GOSSIPY GIRL</character>
    <dialogue>Huh?</dialogue>
    <scene_description>The reality of the situation begins to weigh on her .</scene_description>
    <character>OLIVE</character>
    <dialogue>Nothing.</dialogue>
    <scene_description>Defeated , Olive makes her way through the crowded halls .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O. ; CONT 'D . )</parenthetical>
    <dialogue>It gets worse. Due to his ` condition,' Micah was sent on an extended visit to his grandparents in Mississippi.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. STUFFY OLD HOUSE IN MISSISSIPPI - DAY</stage_direction>
    <scene_description>Micah , beyond miserable , sits between his STERN GRANDPARENTS , who read the Bible to him .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>No telephone, no television, no computer, no internet and - most importantly - no diseased sexual partners.</dialogue>
    <scene_description>Micah settles in for a very long visit .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. UNDER THE BLEACHERS - GYM - DAY</stage_direction>
    <scene_description>Where they had previously met , Olive pleads with Evan .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( V.O . )</parenthetical>
    <dialogue>I went to everyone I'd helped and begged them to say it was n't true.</dialogue>
    <character>EVAN</character>
    <dialogue>No way. I gave you money.</dialogue>
    <character>OLIVE</character>
    <dialogue>Please, Evan.</dialogue>
    <scene_description>He walks off , leaving her alone .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GUIDANCE OFFICE - DAY</stage_direction>
    <scene_description>Olive waits for Mrs. Griffin 's response . There 's a long moment of contemplation on Mrs. Griffin 's part . Then -</scene_description>
    <character>MRS. GRIFFIN</character>
    <dialogue>Olive, life is full of choices. I made a bad one. But then, so did you. We both acted unwisely, but I do n't see any other alternative than to live with the guilt. My guilt stems from my indiscretion, yours for lying. We've made our choices. Now, we have to ride them out.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( Pissed as hell . )</parenthetical>
    <dialogue>Or I could just tell everyone THE TRUTH.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Fine, Olive. Let's play the ` who do you believe' game. But, first, ask yourself, if you were an adult, who would you believe?</dialogue>
    <character>OLIVE</character>
    <dialogue>With all due respect, Mrs. Griffin, you're a fucking cunt.</dialogue>
    <character>MRS. GRIFFIN</character>
    <dialogue>Because you helped me once, I'm not going to report that to Principal Gibbons. Now, we're even.</dialogue>
    <scene_description>They 're locked in a Mexican standoff .</scene_description>
    <character>MRS. GRIFFIN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>You can go now.</dialogue>
    <scene_description>Furious , Olive throws the door open and exits .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MR. GRIFFIN'S CLASSROOM - DAY</stage_direction>
    <scene_description>Mr. Griffin is erasing the blackboard , when Olive storms into the room .</scene_description>
    <character>OLIVE</character>
    <dialogue>Your wife has chlamydia and she's been sleeping with a student and she gave it to him and now she's trying to blame me.</dialogue>
    <scene_description>Shocked , Mr. Griffin drops the eraser .</scene_description>
    <character>MR. GRIFFIN</character>
    <dialogue>What?</dialogue>
    <scene_description>The gravity of what she 's just done sinks in and she stumbles .</scene_description>
    <character>OLIVE</character>
    <dialogue>I - I'm sorry. I -</dialogue>
    <scene_description>Not knowing what to say , she runs from his classroom .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Olive is mirthless , as she proceeds with her story .</scene_description>
    <character>OLIVE</character>
    <dialogue>Looking back, that's the thing I regret the most. That's the thing that sent me to the church, er, churches. And that's the thing that made me realize how profoundly I'd fucked up. And that's something I'll have to live with for the rest of my life. With my words, even though they were true, I ended a marriage. No kid should have to be burdened with that.</dialogue>
    <scene_description>She contemplates this .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CLASSROOM - DAY</stage_direction>
    <scene_description>As we saw before , Olive sits and plays ` CONNECT FOUR ' with Mr. Griffin , at his desk . Both are looking beaten down and very depressed and their minds are on everything but the game . Mr. Griffin puts his hand on Olive 's .</scene_description>
    <character>MR. GRIFFIN</character>
    <dialogue>It's not your fault.</dialogue>
    <scene_description>Olive gets a tear in her eyes . She puts a RED CHIP in at the top and loses the game . She reaches over and presses the lever , causing all of the chips to fall on his desk . THE JENGA SET - UP There 's a ridiculously tall tower of blocks and they all fall down . He rakes the chips and the game into his own cardboard box , full of his things . He smiles and she hugs him - intensely , tears quickly welling up in her eyes .</scene_description>
    <character>OLIVE</character>
    <dialogue>I'm so sorry.</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>No. It's not your fault.</dialogue>
    <scene_description>They just hold each other . Finally , Mr. Griffin pulls away and takes his things and starts to leave . But then he turns and says -</scene_description>
    <character>MR. GRIFFIN</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I hope that you and Todd end up okay.</dialogue>
    <character>OLIVE</character>
    <dialogue>Me too. Where are you going?</dialogue>
    <character>MR. GRIFFIN</character>
    <dialogue>Not sure yet. Away from her.</dialogue>
    <character>OLIVE</character>
    <dialogue>Can I come?</dialogue>
    <scene_description>They share one last , pained smile and he leaves .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - PRESENT DAY</stage_direction>
    <scene_description>Hearfelt , into the webcam -</scene_description>
    <character>OLIVE</character>
    <dialogue>Mr. Griffin, if you ever see this, just know - I was wrong to tell you that. In that way. At all. I do n't know. I should n't have done it. I do n't feel bad for lying for your wife. But I hate myself for telling you the truth. I'm so sorry.</dialogue>
    <scene_description>She wipes away a tear , pulls herself together .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Part Five : Not With a Whimper But With a Bang.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. BARBARA BUSH HIGH SCHOOL - DAY</stage_direction>
    <scene_description>As we saw before - The Cross Your Heart Club is assembled outside of the school , with a lot of other kids -LRB- and some parents -RRB- , waving signs on wooden stakes that say things like : EXPEL OLIVE ! EXODUS 20:14 SCHOOLS ARE FOR LEARNING , NOT FOR WHORING OLIVE PENDERGHAST IS A WHORE Rhi is among them , as riled up as any . Olive steps out of the school to see the demonstration . her jaw drops .</scene_description>
    <character>OLIVE</character>
    <dialogue>Oh fuck me.</dialogue>
    <scene_description>Things have gotten WAY too out of hand .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - NIGHT</stage_direction>
    <scene_description>Olive cries on her bed , clutching her teddy bear . Rosemary listens , as a good mother does .</scene_description>
    <character>OLIVE</character>
    <dialogue>So, now everyone who knows the truth is either gone or wo n't fess up. The Cross Your Legs Club is demanding my head. And the messed up thing is that I would n't put it past Gibbons to expel me.</dialogue>
    <character>ROSEMARY</character>
    <dialogue>I had a similar situation when I was your age.</dialogue>
    <character>OLIVE</character>
    <parenthetical>( IN DISBELIEF . )</parenthetical>
    <dialogue>Everyone called you a whore?</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Yes. I had a horrible reputation and people said awful things about me. But it was true. I was a slut.</dialogue>
    <scene_description>Olive gives her a suspicious look .</scene_description>
    <character>OLIVE</character>
    <dialogue>I'm waiting for you to say.</dialogue>
    <parenthetical>( Imitating her mother . )</parenthetical>
    <dialogue>` Just kidding!'</dialogue>
    <character>ROSEMARY</character>
    <parenthetical>( EARNESTLY . )</parenthetical>
    <dialogue>No, it's true. I slept with a whole bunch of people.</dialogue>
    <character>OLIVE</character>
    <dialogue>Mom!</dialogue>
    <character>ROSEMARY</character>
    <dialogue>Well! It was a different time.</dialogue>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>Ewwww !</scene_description>
    <character>ROSEMARY</character>
    <dialogue />
    <scene_description>I did . I got around . Before I met your father , I was a garden variety floozy .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>Why are you telling me this ?</scene_description>
    <character>ROSEMARY</character>
    <dialogue />
    <scene_description>Because I endured a similar lynching because of a certain dalliance .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>I promise that it was no worse than Marianne Bryant 's attack on me .</scene_description>
    <character>ROSEMARY</character>
    <dialogue />
    <scene_description>Wan na bet ? It was her mother .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>Wait , what ?</scene_description>
    <character>ROSEMARY</character>
    <dialogue />
    <scene_description>Yep . Don Bryant and I got caught in a very compromising position in the locker room during a basketball game .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>That 's disgusting ! He 's disgusting !</scene_description>
    <character>ROSEMARY</character>
    <dialogue />
    <scene_description>He was n't back then . He was actually pretty handsome . All I 'm saying is that MAYBE the reason that Bryant girl is going after you is because her mother told her about me .</scene_description>
    <character>OLIVE</character>
    <dialogue />
    <scene_description>So , the sins of the mother are revisited on the daughter .</scene_description>
    <character>ROSEMARY</character>
    <dialogue />
    <scene_description>There 's something else you should know . This is hard to say but - Don Bryant is your father . Marianne is your sister . Olive turns white .</scene_description>
    <character>ROSEMARY</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Kidding! Well, about the sister thing, but not about the Don thing. That happened. Actually that happened a couple of times before we got caught.</dialogue>
    <scene_description>Olive punches her mother on the arm , who 's laughing hysterically .</scene_description>
    <character>OLIVE</character>
    <dialogue>I hate you so much right now. Ca n't you see I'm a mess!</dialogue>
    <character>ROSEMARY</character>
    <dialogue>No, you're not, Olive. You're wonderful. And you're going to handle this the same way that I did. With an incontrovertible sense of humor.</dialogue>
    <scene_description>They embrace and Olive gets an idea .</scene_description>
    <character>OLIVE</character>
    <dialogue>Thanks for the pep talk, Mom. Now get out. I need to make some phone calls.</dialogue>
    <scene_description>Rosemary looks slightly concerned by the grin on Olive 's face .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GYM - DAY</stage_direction>
    <scene_description>We join a pep rally , already in progress . The DANCE TEAM attempts to rile up the school with a rousing rendition of Michael Jackson 's ` BAD . ' In the stands , Rhi sits with Marianne and Nina .</scene_description>
    <character>MARIANNE</character>
    <dialogue>So, Olive was n't at school today.</dialogue>
    <scene_description>She extends her palms to Nina and Rhi , who both slap them . Marianne puts her arm around Rhi .</scene_description>
    <character>MARIANNE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I'm so glad you're with us now.</dialogue>
    <character>RHIANNON</character>
    <dialogue>Me too. You guys fucking rock.</dialogue>
    <character>MARIANNE</character>
    <dialogue>We do n't say that word, Rhiannon.</dialogue>
    <character>NINA</character>
    <parenthetical>( HELPFULLY . )</parenthetical>
    <dialogue>Just say ` effing' instead. We effing rock.</dialogue>
    <scene_description>Marianne nods in agreement , however Rhi is confused .</scene_description>
    <character>RHIANNON</character>
    <dialogue>But is n't that just implying the same word?</dialogue>
    <character>MARIANNE</character>
    <dialogue>Oh, Rhiannon. We have so much to teach you. It's okay to imply things.</dialogue>
    <scene_description>Rhiannon looks at her new best friends , who just smile at her . The song ends and there 's a drum roll .</scene_description>
    <character>RHIANNON</character>
    <dialogue>Yay! It's time for Meerkat Todd.</dialogue>
    <parenthetical>( SEXUALLY . )</parenthetical>
    <dialogue>I just want to rip that costume off him and -</dialogue>
    <scene_description>Marianne puts her hand firmly on Rhi 's knee .</scene_description>
    <character>MARIANNE</character>
    <dialogue>Why do n't you just not talk for a while, okay hon?</dialogue>
    <scene_description>Rhi puts her head down . The drum roll ends and Meerkat Todd bounces out in costume . He jumps around enthusing the student body - But then he goes out of the gym and reenters pushing a DUMPSTER . The familiar chords of the James Bond theme ` Nobody Does It Better ' plays from the band . Meerkat Todd opens the lid of the dumpster and Olive , dressed in a glittery and slinky RED DRESS , with a BOA draped around her bare shoulder , pops up and croons with a handheld mic and slightly different lyrics :</scene_description>
    <character>OLIVE</character>
    <dialogue>Nobody does it better. Makes me feel sad for the rest. Nobody does it half as good as me. Baby, I'm the best.</dialogue>
    <scene_description>Todd lifts Olive out of the dumpster and she sings her ass off - and she 's quite good .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>I was n't lookin,' But somehow they found me. I tried to hide from Your love light. But like heaven above me The guys who loved me Are keepin' all my secrets safe tonight.</dialogue>
    <scene_description>She winks at the audience . The guys begin to wolf whistle and howl at her sheer brilliance . She begins to rub her hands seductively over Meerkat Todd 's furry costume , eventually unzipping it and taking off the head to reveal : BLUE DEVIL TODD ! The crowd goes wild .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>And nobody does it better Though sometimes I wish someone could. Nobody does it quite the way I do. Why'd I have to be so good?</dialogue>
    <scene_description>She saunters over to Rhi and kisses her on the cheek , leaving a big , red lip mark .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>The way that they hold me Whenever they hold me There's some kind of magic inside you. That keeps me from runnin', But just keep it comin'! How'd you learn to do the things you do?</dialogue>
    <scene_description>She sees that Gibbons is not amused , but that does n't stop her .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Oh, and nobody does it better. Makes me feel sad for the rest. Nobody does it half as good as me. Baby, baby! Darlin', I'm the best!</dialogue>
    <scene_description>She walks over to a couple of HORN PLAYERS , and runs her fingers seductively over their -LRB- uh -RRB- instruments . The crowd goes wild - some appalled , but most enthused . Olive sashays through the crowd as the MALE TEENS scream and stuff money down her bodice .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>Baby you're the best! Darlin', you're the best! Baby, you're the best!</dialogue>
    <scene_description>The song ends and Olive takes Blue Devil Todd 's hand .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( To the student body . )</parenthetical>
    <dialogue>This is just a free preview. For the main event log on to www.freeolivep.com tonight at 6 p.m. Now, I know this conflicts with tonight's basketball game, but c'mon would you rather be here cheering on the Meerkats.</dialogue>
    <parenthetical>( Looking at Todd , LASCIVIOUSLY . )</parenthetical>
    <dialogue>or watch me do one.</dialogue>
    <scene_description>There are audible gasps , but excitement nonetheless . Gibbons angrily storms over and takes the microphone .</scene_description>
    <character>PRINCIPAL GIBBONS</character>
    <parenthetical>( Through gritted teeth . )</parenthetical>
    <dialogue>Young lady, to my office. NOW.</dialogue>
    <character>OLIVE</character>
    <dialogue>Yeah, I ca n't. I'm gon na go bang my boyfriend while the whole school watches. But good luck with the game - thing. Go Meerkats.</dialogue>
    <scene_description>She plods out , triumphantly .</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OLIVE'S BEDROOM - DUSK</stage_direction>
    <scene_description>The sun is setting as Olive speaks into her webcam . But this time , we 're not seeing it through the lens , but from a different point in the room .</scene_description>
    <character>OLIVE</character>
    <dialogue>And here you all are. Waiting outside the closet door for me to kiss Todd, listening to me pretend to have sex with Brandon, paying me to lie for you, calling probably the last virgin in school a whore. Guys. Seriously.</dialogue>
    <scene_description>All of a sudden - from outside and downstairs - James ' ` LAID ' begins to play . Olive goes over to the window and sees Todd below , holding up a BOOMBOX -LRB- a la John Cusack -RRB- and there 's a RIDE - ON LAWN MOWER -LRB- a la Patrick Dempsey -RRB- behind him . Upon seeing this , she bursts into laughter , but it could n't be more romantic .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <parenthetical>( SHOUTING DOWN . )</parenthetical>
    <dialogue>Who told you that I loved this song?</dialogue>
    <character>MEERKAT TODD</character>
    <parenthetical>( SHOUTING UP . )</parenthetical>
    <dialogue>I guessed.</dialogue>
    <character>OLIVE</character>
    <dialogue>I see you've been watching my live webcast. It's still going on, you know.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Fuck them. They've had enough of you. Well, figuratively speaking. I borrowed my neighbor's John Deere. Come down here.</dialogue>
    <character>OLIVE</character>
    <dialogue>That rhymed.</dialogue>
    <character>MEERKAT TODD</character>
    <dialogue>Intentionally.</dialogue>
    <character>OLIVE</character>
    <dialogue>Be right down.</dialogue>
    <scene_description>Olive ca n't get the smile off of her face as she goes back to the camera . We see her through the lens .</scene_description>
    <character>OLIVE</character>
    <parenthetical>( CONT 'D . )</parenthetical>
    <dialogue>That's Todd. Not that I owe any of you any more confessions, but I'm really in love with him. And I am going to lose my virginity to him. I'm not sure when. It could happen five minutes from now or tonight or six months from now or maybe on our wedding night, but the really amazing thing is that it's nobody's business.</dialogue>
    <parenthetical>( As an afterthought . )</parenthetical>
    <dialogue>Like, totally.</dialogue>
    <scene_description>She turns the camera off .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. THE PENDERGHAST HOUSE - MOMENTS LATER</stage_direction>
    <scene_description>Olive runs out of the house and tackles him , kissing him - in the front yard , in broad daylight , for the world to see . FADE OUT . OVER THE END CREDITS .</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GYM - NIGHT</stage_direction>
    <scene_description>The basketball game is going on to an almost empty gymnasium .</scene_description>
    <character>MONTAGE</character>
    <dialogue />
    <scene_description>We see , from the perspective of their computer screens , various reactions to Olive 's webcast - - A proud Brandon watches from a hotel room . A MUSCULAR BLACK GUY in a towel comes up behind him and kisses his neck . - The Abernathys watch with the same demented glee they derive from watching anything . - Mrs. Griffin watches with the face of a person who 's been found out and who 's days are numbered . They are . - Rhi seems contemplative . Maybe it 's because she 's been in love with Olive since grade school . Duh . - Evan , the fat kid , is doing jumping jacks while watching . - Melanie Bostic -LRB- the host of the party -RRB- watches with a group of girls .</scene_description>
    <character>MELANIE</character>
    <parenthetical>( SATISFIED . )</parenthetical>
    <dialogue>Told you guys. Pay up.</dialogue>
    <scene_description>- Marianne feels regret . But a little bit impressed . - Mr. Griffin is proud of her . - Micah watches in his dark bedroom .</scene_description>
    <character>MICAH'S GRANDMOTHER</character>
    <parenthetical>( O.S . )</parenthetical>
    <dialogue>Micah? What are you doing in there?</dialogue>
    <parenthetical>( STERNLY . )</parenthetical>
    <dialogue>You had better not be on the sin - ternet.</dialogue>
    <scene_description>- Rosemary and Dill are too busy making out to watch . - Anson has a jar of vaseline and is ready to jerk off , but is upset that she is n't ` exposing herself ' in the aforementioned way .</scene_description>
    <character>ANSON</character>
    <parenthetical>( TO HIMSELF . )</parenthetical>
    <dialogue>I thought she was going to take her clothes off.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. THE PENDERGHAST HOUSE - HOURS LATER</stage_direction>
    <scene_description>Olive and Todd are still kissing on the lawn underneath the stars . FADE OUT .</scene_description>
  </scene>
</script>
The story is narrated by Olive Penderghast (Emma Stone), a 17-year-old girl living in Ojai, California, speaking into her webcam. Olive lies to her best friend Rhiannon Abernathy (Aly Michalka) about going on a date in order to get out of camping with Rhiannon's hippie parents. Instead, she hangs around the house all weekend listening to Natasha Bedingfield's "Pocketful of Sunshine", which is played by a musical greeting card from her grandmother. She becomes addicted to the song so much that she even goes as far as setting it  as her ringtone on her cellphone. The following Monday, pressed by Rhiannon, Olive lies about losing her virginity to a college boy. Marianne Bryant (Amanda Bynes), a girl with a devout Christian faith whom Olive considers to be prissy, overhears her telling the lie and soon it spreads like wildfire. The school's church group run by Marianne decides Olive will be their next project. Olive confides the truth to her friend Brandon (Dan Byrd), and he understands because others bully him because of his homosexuality. He later asks Olive to pretend to sleep with him so that he will be accepted by everyone as a "straight stud". Olive agrees to help him and they pretend to have sex at a party. After a fight with Rhiannon over her new identity as a "dirty skank", Olive decides to counteract the harassment by embracing her new image as the school tramp. She begins to wear more provocative clothing and, inspired by The Scarlet Letter (which her literature class is currently studying), stitches a red "A" onto everything. Boys who usually have had no luck with girls in the past now beg Olive to increase their popularity by saying they have had sex with her, in exchange for gift cards to various stores. This in turn increases her reputation. Things get worse when Micah (Cam Gigandet), Marianne's boyfriend  who has had to repeat several grades, contracts chlamydia from sleeping with Mrs. Griffith (Lisa Kudrow), the school guidance counsellor, and blames it all on Olive. As Mr. Griffith (Thomas Haden Church) is her favorite teacher, Olive agrees to the lie to spare his marriage. Marianne's friends from the church youth group, which now includes Rhiannon, begin harassing Olive in order to get her to leave school. After an ill-fated date with Anson (Jake Sandvig), a boy who wants to pay her to actually sleep with him and not just pretend she did, Olive reconnects with Todd (Penn Badgley), her old love interest, who is also the school's mascot. Todd tells her that he does not believe the rumors because he remembers when she lied for him (portrayed by Braeden Lemasters as younger Todd) when he was not ready for his first kiss years ago. Olive now has a change of heart and begins to ask everyone she lied for to help her out by telling the truth, but Brandon and Micah have abruptly left town, and with their newfound popularity, no one else wants to tell. When Mrs. Griffith also refuses to tell the truth, Olive threatens to expose her affair, but Mrs. Griffith snidely says no one would believe her.  Out of spite, Olive then immediately tells Mr. Griffith, who believes her and separates from his wife. After a friendly talk with her open-minded mother Rosemary (Patricia Clarkson), Olive comes up with a plan to finally get everything out in the open. She does a song-and-dance number at a school pep rally to get people's attention to watch her via webcast—the film. The various boys whose reputations Olive helped improve are watching; Olive texts Rhiannon, apologizing for lying to her. As she is finishing up her webcast, Todd comes by on a riding mower, serenades her by playing a recording of "Don't You (Forget About Me)", and asks her to come outside. She signs off by saying that she may lose her virginity to Todd sooner or later, but proudly declaring that "it is nobody's goddamn business". She goes outside to meet him, they kiss, and the two are shown riding off on the lawn mower.